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David McK (3425 KP) rated Shazam! Fury of the Gods (2023) in Movies
Mar 19, 2023
I've always quite liekd Zachary Levi, going back to when I first encountered him in his TV days on the spy comedy drama show 'Chuck' (remember that?)
Beyond that - and a few side character appearances in the early Thor films - I would struggle to name a single movie with him in it.
Except for 2019s Shazam!, where he took the leading role of the grown-up alter-ego of a teenager who is granted magic (superheroic) powers when he shouts the word Shazam!
That movie, itself, was enjoyable and a breath of fresh air from the grimdark of the DC brand (in the movies) at the time.
This follows on from the events of the first movie, with a certain select group of people now aware of who Shazam *is*, and with the same sprinkling of the horror genre throughout; albeit not quite so much 'on the nose' as the Seven Deadly Sins were. Instead, we have the mythical Daughters of Atlas out for revenge, viewing their powers as having been stolen and gifted to the mortals by the (still nameless) Wizard (who makes a return, despite having turned to dust previously - don't ask).
Whilst the future structure of the whole DC universe is currently 'under review', it may be interesting to see where this lesser-known (at least, to me) brand goes!
Beyond that - and a few side character appearances in the early Thor films - I would struggle to name a single movie with him in it.
Except for 2019s Shazam!, where he took the leading role of the grown-up alter-ego of a teenager who is granted magic (superheroic) powers when he shouts the word Shazam!
That movie, itself, was enjoyable and a breath of fresh air from the grimdark of the DC brand (in the movies) at the time.
This follows on from the events of the first movie, with a certain select group of people now aware of who Shazam *is*, and with the same sprinkling of the horror genre throughout; albeit not quite so much 'on the nose' as the Seven Deadly Sins were. Instead, we have the mythical Daughters of Atlas out for revenge, viewing their powers as having been stolen and gifted to the mortals by the (still nameless) Wizard (who makes a return, despite having turned to dust previously - don't ask).
Whilst the future structure of the whole DC universe is currently 'under review', it may be interesting to see where this lesser-known (at least, to me) brand goes!
Lyndsey Gollogly (2893 KP) rated Get Even in Books
Dec 10, 2023
192 of 235
Book
Get Even
By Martina Cole
⭐️⭐️⭐️⭐️
They got her man. Now she's going to get even...
Sharon Conway and Lenny Scott are childhood sweethearts. Everyone says they are too young, but nothing can keep them apart. Sharon doesn't question Lenny's business dealings and it isn't long before his reputation as a hard man destined for the top means they are living the good life with their sons.
But one night Lenny doesn't come home. It isn't the first time he has gone AWOL. But it is his last. He is found murdered - beaten to death in an act of brutality that shocks even the police. And Sharon never knows why.
Now, twenty years later, Sharon is about to find out the truth. Such a crime cannot go unpunished. Revenge is long overdue. The time has come to... GET EVEN.
Holy cow this was brutal! I don’t know why I’m so shocked I say the same after every Martina Cole. This was such a sad read in so many ways. I can’t imagine having to hide my life the way Lenny had to but then I’m conflicted at the pain he caused while doing it! Also so glad she finally got some peace even if it cost her. There are always cautions when reading these books as I said they can be so brutal.
Book
Get Even
By Martina Cole
⭐️⭐️⭐️⭐️
They got her man. Now she's going to get even...
Sharon Conway and Lenny Scott are childhood sweethearts. Everyone says they are too young, but nothing can keep them apart. Sharon doesn't question Lenny's business dealings and it isn't long before his reputation as a hard man destined for the top means they are living the good life with their sons.
But one night Lenny doesn't come home. It isn't the first time he has gone AWOL. But it is his last. He is found murdered - beaten to death in an act of brutality that shocks even the police. And Sharon never knows why.
Now, twenty years later, Sharon is about to find out the truth. Such a crime cannot go unpunished. Revenge is long overdue. The time has come to... GET EVEN.
Holy cow this was brutal! I don’t know why I’m so shocked I say the same after every Martina Cole. This was such a sad read in so many ways. I can’t imagine having to hide my life the way Lenny had to but then I’m conflicted at the pain he caused while doing it! Also so glad she finally got some peace even if it cost her. There are always cautions when reading these books as I said they can be so brutal.
Merissa (12066 KP) rated Consumed (The Emrys Chronicles #1) in Books
Jul 5, 2021 (Updated Jul 17, 2023)
CONSUMED is the first book in The Emrys Chronicles and we learn about a land with dragons and emrys. But they are part of a different realm, far from the mortal one that has been tainted by darkness. So what happens when the darkness tries to claim a soul that straddles both worlds?
I thoroughly enjoyed this story - from the very beginning, right through to the end. I knew Brenin wouldn't be in it for long, simply because of how the story skipped along. The backstory of the others was brilliant, adding a depth that I enjoyed.
There was plenty of action and adventure here, with a healthy dose of revenge. The big ending caught me by surprise (as it is meant to) but I loved it. The reason for 4-stars and not 5 is simply because of the speed of Aneirin's declaration of love. I would have liked to have seen more development between the two, even though I understood why.
A brilliant start to the series that I can definitely recommend.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jul 5, 2021
I thoroughly enjoyed this story - from the very beginning, right through to the end. I knew Brenin wouldn't be in it for long, simply because of how the story skipped along. The backstory of the others was brilliant, adding a depth that I enjoyed.
There was plenty of action and adventure here, with a healthy dose of revenge. The big ending caught me by surprise (as it is meant to) but I loved it. The reason for 4-stars and not 5 is simply because of the speed of Aneirin's declaration of love. I would have liked to have seen more development between the two, even though I understood why.
A brilliant start to the series that I can definitely recommend.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jul 5, 2021
Blindspot
Book
An ambitious district attorney. An enemy she can’t see. A daughter at risk. From the author of...
Domestic Murder Psychological Thriller
ClareR (5726 KP) rated Maude Horton’s Glorious Revenge in Books
Nov 24, 2024
Maude Horton’s younger sister, Constance, has run away aboard a ship bound for the Arctic and the Northwest Passage. She is killed on the voyage, and Maude is determined to have revenge on the man that she’s sure is responsible for. Constance had kept a diary on board - and everything Maude needs to know is within its pages, even though the admiralty reports that the death was an accident.
Maude is an assistant to her Apothecary grandfather, and she will use whatever it takes to get the truth out of the expedition’s scientist. He is conducting public hanging tours, and Maude joins one of them. I had no idea that there was such a thing! How macabre! Very Victorian, though.
Constance’s diary entries were fascinating - what an experience it must have been, how dangerous (especially for Constance!) and completely different from anything she had ever experienced. Victorian London is described so well, and the hardships of the Arctic, equally so.
Maude’s dedication to her sister is admirable, and it’s refreshing to read about a young woman with so much skill and knowledge. The danger that Maude puts herself in, had me on the edge of my seat!
I listened to this on Xigxag audiobooks, and the narration was excellent. The story was brought to life by the narrator, Genevieve Gaunt.
An adventure-filled, gripping story!
Maude is an assistant to her Apothecary grandfather, and she will use whatever it takes to get the truth out of the expedition’s scientist. He is conducting public hanging tours, and Maude joins one of them. I had no idea that there was such a thing! How macabre! Very Victorian, though.
Constance’s diary entries were fascinating - what an experience it must have been, how dangerous (especially for Constance!) and completely different from anything she had ever experienced. Victorian London is described so well, and the hardships of the Arctic, equally so.
Maude’s dedication to her sister is admirable, and it’s refreshing to read about a young woman with so much skill and knowledge. The danger that Maude puts herself in, had me on the edge of my seat!
I listened to this on Xigxag audiobooks, and the narration was excellent. The story was brought to life by the narrator, Genevieve Gaunt.
An adventure-filled, gripping story!
Gareth von Kallenbach (980 KP) rated The Dark Knight Rises (2012) in Movies
Aug 7, 2019
Christian Bale reprises his role as Bruce Wayne/Batman in the final installment of Christopher Nolan’s Batman trilogy, The Dark Knight Rises,and is forced to come face to face with new villains once again. This time it is the terrorist leader Bane (Tom Hardy) and cat burglar, Selina Kyle (Anne Hathaway).
In the previous movie Batman had to combat the famed Joker who caused havoc in the city of Gotham. Joker convinced Harvey Dent to seek revenge against Batman and those responsible for the death of his lover, Rachel Dawes. Dent decides to use his lucky coin to decide the fate of those he assumes are responsible, Commissioner Gordon (Gary Oldman) and his family being just a few of the people captured within Dent’s grip of revenge. While Batman saved the life of Gordon’s young son, many still die. Batman decided to let the public think that he was the one responsible for all the deaths to keep Dent’s name in good standing with the public. Gordan on the other hand knows the truth.
The Dark Knight Rises is set eight years after the extensive damage the Joker brought upon the city and its residents. During this time, Batman isolated himself within the walls of Wayne Manor as Gotham rebuilt itself with the help of Gordon and John Blake (Joseph Gordon Leavitt).
During a celebration of Dent’s life and his successes, Gordan is tempted to tell the people of Gotham the truth behind the murders eight years ago but finds that it may not be the right time to do so. Terrorist leader Bane arrives and takes over the celebration and wounds Gordon forcing his subordinate Blake to take over. After Wayne learns that one of his projects he had been investing in over the years was actually being used for nuclear devices, Wayne decides to shut down the project. One of Wayne’s business rivals is suspected to have employed terrorist leader Bane to takeover the company and use its nuclear devices against the city.
After finding out the truth Bruce Wayne decides to return to the streets of Gotham as Batman, though the decision is met with great resistance by his trusty butler Alfred (Michael Caine). Bane has taken the lead in bringing Wayne Enterprises down and an intense confrontation leaves Batman hurt and condemned to an inescapable prison. Bane is left free to wreak uncontested havoc on Gotham, once again bringing a violent storm of perilous destruction upon its people. While Batman is stuck in Bane’s prison, we learn the sordid history of Bane.
To say much more would give a lot of the story away. Suffice it to say, The Dark Knight Rises is this year’s best comic book movie so far. The graphics, action, soundtrack and opening sequence are amazing. The storyline leaves you wanting more. Christopher Nolan has does an excellent job in all the installments of Batman but is remarkably exceptional in the third and final installment of the series.
In the previous movie Batman had to combat the famed Joker who caused havoc in the city of Gotham. Joker convinced Harvey Dent to seek revenge against Batman and those responsible for the death of his lover, Rachel Dawes. Dent decides to use his lucky coin to decide the fate of those he assumes are responsible, Commissioner Gordon (Gary Oldman) and his family being just a few of the people captured within Dent’s grip of revenge. While Batman saved the life of Gordon’s young son, many still die. Batman decided to let the public think that he was the one responsible for all the deaths to keep Dent’s name in good standing with the public. Gordan on the other hand knows the truth.
The Dark Knight Rises is set eight years after the extensive damage the Joker brought upon the city and its residents. During this time, Batman isolated himself within the walls of Wayne Manor as Gotham rebuilt itself with the help of Gordon and John Blake (Joseph Gordon Leavitt).
During a celebration of Dent’s life and his successes, Gordan is tempted to tell the people of Gotham the truth behind the murders eight years ago but finds that it may not be the right time to do so. Terrorist leader Bane arrives and takes over the celebration and wounds Gordon forcing his subordinate Blake to take over. After Wayne learns that one of his projects he had been investing in over the years was actually being used for nuclear devices, Wayne decides to shut down the project. One of Wayne’s business rivals is suspected to have employed terrorist leader Bane to takeover the company and use its nuclear devices against the city.
After finding out the truth Bruce Wayne decides to return to the streets of Gotham as Batman, though the decision is met with great resistance by his trusty butler Alfred (Michael Caine). Bane has taken the lead in bringing Wayne Enterprises down and an intense confrontation leaves Batman hurt and condemned to an inescapable prison. Bane is left free to wreak uncontested havoc on Gotham, once again bringing a violent storm of perilous destruction upon its people. While Batman is stuck in Bane’s prison, we learn the sordid history of Bane.
To say much more would give a lot of the story away. Suffice it to say, The Dark Knight Rises is this year’s best comic book movie so far. The graphics, action, soundtrack and opening sequence are amazing. The storyline leaves you wanting more. Christopher Nolan has does an excellent job in all the installments of Batman but is remarkably exceptional in the third and final installment of the series.
Matthew Krueger (10051 KP) rated Payback (1999) in Movies
Jul 15, 2020
Get Ready To Root For The Bad Guy
Payback- is a intresting revenge action thriller. Maybe its me, but i fell like this movie is boring. Its good, but some what boring, like nothing going on. Also its kinda of confusing, again it might just be me, but i fell like its confusing as well. Like i said before its good, but in the end its both boring and confusing.
The plot: Porter (Mel Gibson) is a thief betrayed by both his wife, Lynn (Deborah Kara Unger), and his partner, Val (Gregg Henry), when he is shot in the back after a heist. Slowly, Porter recovers from his wounds and begins a search for Val, intent on recovering his share of the money they stole together. With the aid of prostitute Rosie (Maria Bello), Porter captures Val but still cannot find his cash. For this, Porter will have to challenge an imposing crime syndicate called the Outfit.
Although credited as director, Brian Helgeland's cut of the film was not the theatrical version released to audiences. After the end of principal photography, Helgeland's version was deemed too dark for the mainstream public. Following a script rewrite by Terry Hayes, director Helgeland was replaced by the production designer John Myhre, who reshot 30% of the film. The intent was to make the Porter character accessible. The film's tagline became: "Get Ready to Root for the Bad Guy." A potentially controversial scene between Porter and Lynn which arguably involves spousal abuse was excised and more plot elements were added to the third act. After 10 days of reshoots, a new opening scene and voiceover track also were added, and Kris Kristofferson walked on as a new villain.
The Director's Cut version features a female Bronson, that is never seen only heard over the phone voiced by Sally Kellerman, does not include the voice-over by Porter and several Bronson-related scenes. During their scuffle (which is longer than in the theatrical version and was the main source of controversy), Porter earlier tells Lynn that his picture with Rosie was taken before they met, thereby rendering her jealousy unjustified. This version has an entirely different, ambiguous ending where Porter is seriously wounded in a train station shootout and driven off by Rosie.
A June 4, 2012, look at "movies improved by directors' cuts" by The A.V. Club described Payback: Straight Up as "a marked improvement on the unrulier original.
Mel Gibson stated in a short interview released as a DVD extra that it "would've been ideal to shoot in black and white." He noted that "people want a color image" and that the actual film used a bleach bypass process to tint the film. In addition to this, the production design used muted shades of red, brown, and grey for costumes, sets, and cars for further effect.
Like i said its a good revenge action thriller but to me its both boring and confusing. Maybe i have to watch the directors cut.
The plot: Porter (Mel Gibson) is a thief betrayed by both his wife, Lynn (Deborah Kara Unger), and his partner, Val (Gregg Henry), when he is shot in the back after a heist. Slowly, Porter recovers from his wounds and begins a search for Val, intent on recovering his share of the money they stole together. With the aid of prostitute Rosie (Maria Bello), Porter captures Val but still cannot find his cash. For this, Porter will have to challenge an imposing crime syndicate called the Outfit.
Although credited as director, Brian Helgeland's cut of the film was not the theatrical version released to audiences. After the end of principal photography, Helgeland's version was deemed too dark for the mainstream public. Following a script rewrite by Terry Hayes, director Helgeland was replaced by the production designer John Myhre, who reshot 30% of the film. The intent was to make the Porter character accessible. The film's tagline became: "Get Ready to Root for the Bad Guy." A potentially controversial scene between Porter and Lynn which arguably involves spousal abuse was excised and more plot elements were added to the third act. After 10 days of reshoots, a new opening scene and voiceover track also were added, and Kris Kristofferson walked on as a new villain.
The Director's Cut version features a female Bronson, that is never seen only heard over the phone voiced by Sally Kellerman, does not include the voice-over by Porter and several Bronson-related scenes. During their scuffle (which is longer than in the theatrical version and was the main source of controversy), Porter earlier tells Lynn that his picture with Rosie was taken before they met, thereby rendering her jealousy unjustified. This version has an entirely different, ambiguous ending where Porter is seriously wounded in a train station shootout and driven off by Rosie.
A June 4, 2012, look at "movies improved by directors' cuts" by The A.V. Club described Payback: Straight Up as "a marked improvement on the unrulier original.
Mel Gibson stated in a short interview released as a DVD extra that it "would've been ideal to shoot in black and white." He noted that "people want a color image" and that the actual film used a bleach bypass process to tint the film. In addition to this, the production design used muted shades of red, brown, and grey for costumes, sets, and cars for further effect.
Like i said its a good revenge action thriller but to me its both boring and confusing. Maybe i have to watch the directors cut.
Shirley Manson recommended Wave by Patti Smith Group / Patti Smith in Music (curated)
Sarah (7798 KP) rated The Rhythm Section (2019) in Movies
Nov 29, 2020
An average thriller
The Rhythm Section is a 2020 action thriller based on a book of the same name written by Mark Burnell. Directed by Reed Moreno, it stars Blake Lively as Stephanie Patrick, a young woman bent on revenge against the terrorists who orchestrated a plane crash that killed her entire family.
From the very beginning, you can see the influences and similarities in this to other films and stories.
This has obviously taken inspiration from the likes of John Le Carre and is a rather dark and gritty take on the action thriller genre, with a decent amount of physical (and well choreographed) violence. However in all honesty, the originality here is severely lacking. I’ve seen countless revenge films and this is no different. There is little in this to make it stand out above all those that have come before it and it isn’t helped by a limited number of action scenes either to help ramp up the interest.
It doesn’t start off very well, as we find out about Stephanie’s life and how the death of her family turned her into a drug addict and a prostitute. It’s so clichéd that even Jude Law’s character Boyd mocks her for this later in the film, which whilst fun, doesn’t change the fact that they actually used this idea in the plot. There’s also the sketchy almost nonexistent reason for journalist Proctor (Raza Jeffrey) to reach out to Stephanie to tell her that the plane crash was caused by terrorists rather than an accident. It just doesn’t make any sense as to why he’d get Stephanie involved and the film doesn’t even try to explain this rationally. Same goes when Boyd takes in Stephanie and starts to train her as an assassin. Whilst a reason is eventually revealed, it isn’t entirely plausible and again doesn’t make any sense as to why he does this with a woman who has no background or knowledge in espionage or assassination.
Aside from the sketchy plot, there are some plus points. Blake Lively performs well (despite the often hideous wigs), and you can see that she’s really giving it her all and could really make it as an action star. The scenes featuring her and Jude Law are also entertaining to watch and give the film a more relaxed feeling, especially the earlier training scenes. One of the most likeable things about this thought for me was the score. It’s tense and dramatic and full of excitement, with pieces featuring strings, piano and percussion to the point where you begin to wonder if the title ‘The Rhythm Section’ isn’t more appropriate for the music rather than the explanation given during the film.
Sadly The Rhythm Section is a fairly average thriller that whilst boosted slightly by a good performance and score, is unfortunately not particularly memorable, especially with such a lacklustre ending.
From the very beginning, you can see the influences and similarities in this to other films and stories.
This has obviously taken inspiration from the likes of John Le Carre and is a rather dark and gritty take on the action thriller genre, with a decent amount of physical (and well choreographed) violence. However in all honesty, the originality here is severely lacking. I’ve seen countless revenge films and this is no different. There is little in this to make it stand out above all those that have come before it and it isn’t helped by a limited number of action scenes either to help ramp up the interest.
It doesn’t start off very well, as we find out about Stephanie’s life and how the death of her family turned her into a drug addict and a prostitute. It’s so clichéd that even Jude Law’s character Boyd mocks her for this later in the film, which whilst fun, doesn’t change the fact that they actually used this idea in the plot. There’s also the sketchy almost nonexistent reason for journalist Proctor (Raza Jeffrey) to reach out to Stephanie to tell her that the plane crash was caused by terrorists rather than an accident. It just doesn’t make any sense as to why he’d get Stephanie involved and the film doesn’t even try to explain this rationally. Same goes when Boyd takes in Stephanie and starts to train her as an assassin. Whilst a reason is eventually revealed, it isn’t entirely plausible and again doesn’t make any sense as to why he does this with a woman who has no background or knowledge in espionage or assassination.
Aside from the sketchy plot, there are some plus points. Blake Lively performs well (despite the often hideous wigs), and you can see that she’s really giving it her all and could really make it as an action star. The scenes featuring her and Jude Law are also entertaining to watch and give the film a more relaxed feeling, especially the earlier training scenes. One of the most likeable things about this thought for me was the score. It’s tense and dramatic and full of excitement, with pieces featuring strings, piano and percussion to the point where you begin to wonder if the title ‘The Rhythm Section’ isn’t more appropriate for the music rather than the explanation given during the film.
Sadly The Rhythm Section is a fairly average thriller that whilst boosted slightly by a good performance and score, is unfortunately not particularly memorable, especially with such a lacklustre ending.
Sarah (7798 KP) rated Bloodshot (2020) in Movies
Oct 9, 2020
Brainless fun
Bloodshot is not the kind of film I’d waste my time going to watch at the cinema, however I jumped at the opportunity to watch it in the comfort of my own home where I could tune out and do other things if it got dull. And I’m rather pleasantly surprised to admit that it never did.
Bloodshot is based on a Valiant comic of the same name which tells the story of Ray Garrison, a soldier killed and brought back to life with the use of nanites, giving him superhuman powers and a thirst for revenge.
Going into this film I knew nothing about it, I hadn’t even seen a trailer. My only misgiving was regarding Vin Diesel, who like Keanu Reeves, is great to watch in action but sadly his acting skills leave a little to be desired. Surprisingly I didn’t mind Vin Diesel in this, and it probably stems from the fact that he spends most of his time in action with very little opportunity for any more meaningful or emotional scenes (thankfully).
The first half of this film had me worried. It opens with some irritating slow motion action shots and then progresses into what is rather a predictable and done to death origin film revenge plot. There are some good points though: the action scenes and CGI were very well done and choreographed, the filming locations are beautifully shot, and the dancing scene with Toby Kebbell was a riot, almost feeling like it would’ve been better placed in something made by Tarantino rather than this.
Had the film carried on in this same vein for it’s entire runtime, I would’ve switched off. However there was a reveal halfway through that provided a much needed boost to the story and a great deal of humour, and I never saw it coming. This pushed this film from being pretty poor to fairly enjoyable and entertaining.
That isn’t to say it doesn’t have it’s flaws. Guy Pearce is playing the same character he seems to have played in everything else recently and Toby Kebbell is massively underused. The remaining members of the team are rather cliched villains or just completely forgettable. And there’s a scene towards the end with a pouting and over the top KT that is so cheesy and cringeworthy it’s laughably bad. There’s also an action scene set in London that has been obviously not been filmed in London (or in the UK at all from the look of the buildings and vehicle registrations), so there are a few missteps with the production and the finale has far too much CGI as well.
Overall I was expecting this to be atrocious and was rather pleasantly surprised to find myself laughing and enjoying it to a point. It is by no means perfect and will never win any awards, however if you’re looking for some brainless action and entertainment you could do much worse than Bloodshot.
Bloodshot is based on a Valiant comic of the same name which tells the story of Ray Garrison, a soldier killed and brought back to life with the use of nanites, giving him superhuman powers and a thirst for revenge.
Going into this film I knew nothing about it, I hadn’t even seen a trailer. My only misgiving was regarding Vin Diesel, who like Keanu Reeves, is great to watch in action but sadly his acting skills leave a little to be desired. Surprisingly I didn’t mind Vin Diesel in this, and it probably stems from the fact that he spends most of his time in action with very little opportunity for any more meaningful or emotional scenes (thankfully).
The first half of this film had me worried. It opens with some irritating slow motion action shots and then progresses into what is rather a predictable and done to death origin film revenge plot. There are some good points though: the action scenes and CGI were very well done and choreographed, the filming locations are beautifully shot, and the dancing scene with Toby Kebbell was a riot, almost feeling like it would’ve been better placed in something made by Tarantino rather than this.
Had the film carried on in this same vein for it’s entire runtime, I would’ve switched off. However there was a reveal halfway through that provided a much needed boost to the story and a great deal of humour, and I never saw it coming. This pushed this film from being pretty poor to fairly enjoyable and entertaining.
That isn’t to say it doesn’t have it’s flaws. Guy Pearce is playing the same character he seems to have played in everything else recently and Toby Kebbell is massively underused. The remaining members of the team are rather cliched villains or just completely forgettable. And there’s a scene towards the end with a pouting and over the top KT that is so cheesy and cringeworthy it’s laughably bad. There’s also an action scene set in London that has been obviously not been filmed in London (or in the UK at all from the look of the buildings and vehicle registrations), so there are a few missteps with the production and the finale has far too much CGI as well.
Overall I was expecting this to be atrocious and was rather pleasantly surprised to find myself laughing and enjoying it to a point. It is by no means perfect and will never win any awards, however if you’re looking for some brainless action and entertainment you could do much worse than Bloodshot.