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Under the Emerald Sky (The Irish Fortune #1)
Book
Escape to 19th century Ireland in the first book in the Irish Fortune Series, a historical fiction...
Historical Fiction Ireland Irish History Great Famine
Signs and Wonders (Witchbane #7)
Book
When a coven of dark warlocks killed Seth Tanner’s brother, Seth became a man driven by vengeance,...
Paranormal MM Romantic Suspense
The Ostin Prince (Isle of Ostin #2)
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Book
When he was nine years old, Arbor Ostin ran for his life, even though the memories of that fateful...
Paranormal MM Romance
Gareth von Kallenbach (977 KP) rated the PC version of Dishonored 2 in Video Games
Jun 19, 2019
In a tale of revenge that would be worthy of Shakespeare, Dishonored 2 has arrived and is one of the best games of 2016.
Players have the option to play as Corvo or his daughter Emily, and each has their own unique abilities that will come in handy as the game is loaded with challenges.
Once a player has selected the persona they wish to play as, they will be forced to make a daring escape after a faction brutally seizes power and forces the player to exact no small measure of revenge as they strive to restore order in the kingdom.
Like the previous game in the series, players will have a very open and detailed world to explore and will have multiple options for combat, problem solving, and exploration. There are numerous things to explore and players will have the option to take a more stealth approach and avoid combat, or come in guns blazing. They will also have the option to help locales such as giving coins to a bagger, and so on.
There are numerous notes and journals as well along the way which allow the player a greater awareness of the world in which they are in as well as the overall story and the characters within them.
I am a more run and gun style player so the stealth gameplay that is at times needed took some getting used to, but once I was in the third chapter of the game, I was deeply engaged and found myself adapting to the demanding challenges that the game presented at times.
Ammunition such as bullets, crossbow bolts, and such are in short supply, so using your blade in hit and run tactics is the best bet, but at times when you must engage multiple enemies, being crafty pays off.
I loved to call up a swarm of rats using one of my abilities that players are able to select and modify as they find artifacts in game. Watching from a distance while the swarm decimates a pack of enemies and then swinging in for the kill was great fun.
However with various traps and enemies, this was not always practical. I found one area that was loaded with dangerous enemies and with no ammunition and only my blade; several futile attempts resulted in my demise time and again.
In a feat of inspiration, I remembered a Whale Oil dispenser at the earlier stage of the level so I backtracked and obtained a container which I then filled with oil and used as a highly explosive projectile by throwing this into masses of enemies. I repeated this tactic four or five times, saving the game after each run and was able to successfully clear away the hostiles.
Once inside the building my tactics had to change again as there was much danger lurking in the dark halls.
Dishonored 2 was a very enjoyable and challenging game with deeply engrossing story. I really enjoyed the brutal combat as well as the ability to find multiple solutions to the challenges the game presented. Graphically the game is solid but not cutting edge, but thanks to the great story and setting, you should not mind this or the at times monotone voice work of the game.
The game offers two free DLC modes to date for players who complete the game and with the ability to have new abilities playing as a different character, there is great replay value.
In the end, Dishonored 2 is a real bright spot and as such, is easily a game of the year candidate as it is some of the best gameplay of 2016 or any other year and is not to be missed.
http://sknr.net/2016/12/22/85969/
Players have the option to play as Corvo or his daughter Emily, and each has their own unique abilities that will come in handy as the game is loaded with challenges.
Once a player has selected the persona they wish to play as, they will be forced to make a daring escape after a faction brutally seizes power and forces the player to exact no small measure of revenge as they strive to restore order in the kingdom.
Like the previous game in the series, players will have a very open and detailed world to explore and will have multiple options for combat, problem solving, and exploration. There are numerous things to explore and players will have the option to take a more stealth approach and avoid combat, or come in guns blazing. They will also have the option to help locales such as giving coins to a bagger, and so on.
There are numerous notes and journals as well along the way which allow the player a greater awareness of the world in which they are in as well as the overall story and the characters within them.
I am a more run and gun style player so the stealth gameplay that is at times needed took some getting used to, but once I was in the third chapter of the game, I was deeply engaged and found myself adapting to the demanding challenges that the game presented at times.
Ammunition such as bullets, crossbow bolts, and such are in short supply, so using your blade in hit and run tactics is the best bet, but at times when you must engage multiple enemies, being crafty pays off.
I loved to call up a swarm of rats using one of my abilities that players are able to select and modify as they find artifacts in game. Watching from a distance while the swarm decimates a pack of enemies and then swinging in for the kill was great fun.
However with various traps and enemies, this was not always practical. I found one area that was loaded with dangerous enemies and with no ammunition and only my blade; several futile attempts resulted in my demise time and again.
In a feat of inspiration, I remembered a Whale Oil dispenser at the earlier stage of the level so I backtracked and obtained a container which I then filled with oil and used as a highly explosive projectile by throwing this into masses of enemies. I repeated this tactic four or five times, saving the game after each run and was able to successfully clear away the hostiles.
Once inside the building my tactics had to change again as there was much danger lurking in the dark halls.
Dishonored 2 was a very enjoyable and challenging game with deeply engrossing story. I really enjoyed the brutal combat as well as the ability to find multiple solutions to the challenges the game presented. Graphically the game is solid but not cutting edge, but thanks to the great story and setting, you should not mind this or the at times monotone voice work of the game.
The game offers two free DLC modes to date for players who complete the game and with the ability to have new abilities playing as a different character, there is great replay value.
In the end, Dishonored 2 is a real bright spot and as such, is easily a game of the year candidate as it is some of the best gameplay of 2016 or any other year and is not to be missed.
http://sknr.net/2016/12/22/85969/
Chris Sawin (602 KP) rated Martyrs (2008) in Movies
Jun 20, 2019 (Updated Jun 22, 2019)
As a young girl, Lucie was able to escape certain death as she was held captive and tortured onto the brink of death. Now, fifteen years later, she seeks revenge on those who hurt her emotionally, physically, and mentally. The only person she's ever been close to is, her friend, Anna. As Lucie leaves a path of destruction and mayhem on her quest for revenge, Anna is dragged along to help pick up the pieces. In an odd twist, Lucie is haunted by a woman whose sole purpose is to hurt her, but only shows up after Lucie unleashes all of her built up pain and anger. Anna begins to question Lucie's sanity as things take a turn for the worst. That is until Anna discovers the chained up woman in the basement...
Martyrs wasn't really what I was expecting at all. I was expecting something along the lines of Haute Tension and À l'intérieur since it's classified as a French horror film. I was left with something completely different as Martyrs tends to be on a level all on its own. It is extremely brutal. I've heard it is more along the lines of Irréversible, but since I haven't seen that I can't really elaborate on it. It left with me with the same feeling The Girl Next Door did. This uneasiness that made me question sitting through the movie again anytime soon. Yet, at the same time, not many horror films are capable of making me feel this way. So I'm not really sure if I should view this as a flaw or a virtue. It also reminded me of Hostel, at times, especially the closing act of the film. Before people grown or anything, let me explain. It reminds me of Hostel if it was done correctly and focused on young girls the entire time. For me, Hostel had an excellent idea but was executed the wrong way. Martyrs pretty much brought what I had in mind for that film to life and did it better. Martyrs is definitely its own film, but its influences and/or homages seem to stick out like a sore thumb to someone who watches a lot of films and/or reviews them.
On first viewing, I can't really say if I liked why this was being done to these girls. It is explained and as it makes sense on one hand, it seems a bit farfetched on the other. It may grow on me during repeat viewings, but it didn't really sit well with me this particular time. The brutality in the film isn't always what is shown on screen either. There's a scene where this bulky guy is beating the snot out of this girl; just punching her in the face repeatedly as hard as he can. You can't really see the damage he's doing to her, but you can hear it and you can tell he's giving her quite a beating. During one of the more gruesome parts, the sound almost completely fades away and the shot relies completely on the girl's facial expressions as you see her begin to shake. As disturbing as it was, it was interesting seeing anguish portrayed a bit differently as the film went on.
Martyrs definitely delivers in more than one department. Those who are looking for another sick, twisted, and brutal French horror film won't be disappointed and let's just say the film lives up to the meaning of its title. Be advised that this is on the same brutality level as High Tension and there are plenty of scenes to cringe to and scream at in this film.
Martyrs wasn't really what I was expecting at all. I was expecting something along the lines of Haute Tension and À l'intérieur since it's classified as a French horror film. I was left with something completely different as Martyrs tends to be on a level all on its own. It is extremely brutal. I've heard it is more along the lines of Irréversible, but since I haven't seen that I can't really elaborate on it. It left with me with the same feeling The Girl Next Door did. This uneasiness that made me question sitting through the movie again anytime soon. Yet, at the same time, not many horror films are capable of making me feel this way. So I'm not really sure if I should view this as a flaw or a virtue. It also reminded me of Hostel, at times, especially the closing act of the film. Before people grown or anything, let me explain. It reminds me of Hostel if it was done correctly and focused on young girls the entire time. For me, Hostel had an excellent idea but was executed the wrong way. Martyrs pretty much brought what I had in mind for that film to life and did it better. Martyrs is definitely its own film, but its influences and/or homages seem to stick out like a sore thumb to someone who watches a lot of films and/or reviews them.
On first viewing, I can't really say if I liked why this was being done to these girls. It is explained and as it makes sense on one hand, it seems a bit farfetched on the other. It may grow on me during repeat viewings, but it didn't really sit well with me this particular time. The brutality in the film isn't always what is shown on screen either. There's a scene where this bulky guy is beating the snot out of this girl; just punching her in the face repeatedly as hard as he can. You can't really see the damage he's doing to her, but you can hear it and you can tell he's giving her quite a beating. During one of the more gruesome parts, the sound almost completely fades away and the shot relies completely on the girl's facial expressions as you see her begin to shake. As disturbing as it was, it was interesting seeing anguish portrayed a bit differently as the film went on.
Martyrs definitely delivers in more than one department. Those who are looking for another sick, twisted, and brutal French horror film won't be disappointed and let's just say the film lives up to the meaning of its title. Be advised that this is on the same brutality level as High Tension and there are plenty of scenes to cringe to and scream at in this film.
Natacha (374 KP) rated Red Rising in Books
Jan 23, 2020
More reviews on my blog: https://natachainreviewland.wordpress.com/
Red Rising is another book that I struggle to rate. I did enjoy the book but it didn't blow my mind. I think it's just an "It's not you, it's me" kind of situation. For the best part of the story, I felt like I was reading a retelling of the Hunger Games (and it was a movie I felt it was just ok, haven't read the books) and mixed with The Punisher (guys loses his wife and needs to get his revenge). I had fun but that's all.
Things I liked:
-The writing was very good. Simple, clear, just the right amount of information and exposition to make us understand the world and characters.
-We have a cast of charters with different and distinct personalities and well fleshed out.
-I really enjoyed the fourth part of the book. At this point, I felt like it lost the Hunger Game vibe. We don't have just one person that needs to take down the system but a whole army that marches against corruption.
-Towards the end, we had two nice twists. One of them had been foreshadowed for a while and the second one I personally saw it coming. Although to be honest when you have 20 pages left you can guess that things will go in a different direction what the author is making you believe. Despite that, I really liked those twists.
-I really like Darrow and Mustang dynamic and relationship. I thought it was well done and it felt natural.
-Now that the Huger Game part of the story is done I'm curious to see what Darrow will do outside in the world and how his plan will unfold.
Things I didn't like
I don't have many negatives. There was nothing wrong with the story but I'll try to point some aspect that bothered me.
-As I mention I didn't care about Hunger Game and throughout a large part of the story I couldn't help but thinking of the similarities.
-I'm a little tired of the "They kill my wife and I need to get revenge and keep her dream alive" trope.
-The story is written in first-person POV and present tense and this is really my least favourite way to tell a story.
-I feel like Darrow is a little bit of a Gary Stu. On so many occasion we have Darrow say things like "I'm stronger, I'm taller, I'm faster than he/she, I know better than them" etc. This is why I don't like first-person POV. When it's the author or another person telling us that the main character is stronger or taller or whatever it feels like an observation. When we have the main character telling us about the fact that they are better than everyone else, for me, they become across as obnoxious and annoying. And because of that, I struggle to really connect with Darrow.
-Rape is used a couple of times to move the plot forward. I don't mind when it's used once but when it's used again and again it feels like the author didn't know what else to do to get the plot going.
So here you have it. It wasn't a bad book there was nothing wrong with it and I understand why so many people rave about it. But personally, I couldn't get into the "this is a great book" place. I'm curious about the rest of the series, I don't feel the need to start right away like with other series, but I will get to the second book eventually.
Red Rising is another book that I struggle to rate. I did enjoy the book but it didn't blow my mind. I think it's just an "It's not you, it's me" kind of situation. For the best part of the story, I felt like I was reading a retelling of the Hunger Games (and it was a movie I felt it was just ok, haven't read the books) and mixed with The Punisher (guys loses his wife and needs to get his revenge). I had fun but that's all.
Things I liked:
-The writing was very good. Simple, clear, just the right amount of information and exposition to make us understand the world and characters.
-We have a cast of charters with different and distinct personalities and well fleshed out.
-I really enjoyed the fourth part of the book. At this point, I felt like it lost the Hunger Game vibe. We don't have just one person that needs to take down the system but a whole army that marches against corruption.
-Towards the end, we had two nice twists. One of them had been foreshadowed for a while and the second one I personally saw it coming. Although to be honest when you have 20 pages left you can guess that things will go in a different direction what the author is making you believe. Despite that, I really liked those twists.
-I really like Darrow and Mustang dynamic and relationship. I thought it was well done and it felt natural.
-Now that the Huger Game part of the story is done I'm curious to see what Darrow will do outside in the world and how his plan will unfold.
Things I didn't like
I don't have many negatives. There was nothing wrong with the story but I'll try to point some aspect that bothered me.
-As I mention I didn't care about Hunger Game and throughout a large part of the story I couldn't help but thinking of the similarities.
-I'm a little tired of the "They kill my wife and I need to get revenge and keep her dream alive" trope.
-The story is written in first-person POV and present tense and this is really my least favourite way to tell a story.
-I feel like Darrow is a little bit of a Gary Stu. On so many occasion we have Darrow say things like "I'm stronger, I'm taller, I'm faster than he/she, I know better than them" etc. This is why I don't like first-person POV. When it's the author or another person telling us that the main character is stronger or taller or whatever it feels like an observation. When we have the main character telling us about the fact that they are better than everyone else, for me, they become across as obnoxious and annoying. And because of that, I struggle to really connect with Darrow.
-Rape is used a couple of times to move the plot forward. I don't mind when it's used once but when it's used again and again it feels like the author didn't know what else to do to get the plot going.
So here you have it. It wasn't a bad book there was nothing wrong with it and I understand why so many people rave about it. But personally, I couldn't get into the "this is a great book" place. I'm curious about the rest of the series, I don't feel the need to start right away like with other series, but I will get to the second book eventually.
Gareth von Kallenbach (977 KP) rated Parker (2013) in Movies
Aug 7, 2019
So I, being the girl that I am, wasn’t exactly keyed up to go and see a “shoot-em up” style action flick — you know, the kind that Jason Statham excels at? My boyfriend, however, is like most red-blooded men and found this movie right up his alley. Perhaps it was due to the fact I “owed” him from cashing in my chick-flick points and making him watch “the Painted Veil” with me the other day; perhaps it was because my choice of Redbox rentals had been rather lackluster in comparison. Either way, he was looking forward the the prospect of this movie review far more than I.
“Parker” starts off in Ohio where Jason Statham’s character (Parker) is working a job with four other men. The job seems to go off without a hitch until the end when Parker discovers an innocent man died in the process, thus starting “beef” between he and one of his partners. The apparent boss of the crooks then asks Parker to join them in another job, requiring him to give up his share of the loot to contribute to the upcoming job. Parker politely declines and, of course, this doesn’t sit too well with the crooks. As predicted, they then turn on him and Parker is left for dead on the side of the road.
As we know, Jason Statham’s characters are indestructible. I mean, this was covered in both “Crank” movies so the audience should be well-versed in how this goes down, right? Of course, Parker survives and thus starts on a path of revenge. Mob bosses are involved, hits are put out, etc. Regardless, his journey takes him to Palm Springs where the four crooks who betrayed him are preparing for their next big job.
Now, you’re probably wondering where Jennifer Lopez is in all of this (yes, JLo has a part in this movie – I know, I feel your pain too). Given that her last decent flick was “the Cell” and “Selena,” I wasn’t expecting too much from her character. As Parker is making his way down to Palm Springs, the movie then focuses on JLo’s character, a depressed and rather broken divorcee living with her mother and desperate for a commission from her job as a real-estate agent. Cue in Parker, dressed as a wealthy Texan, and looking to buy a home in Palm Springs. Of course we see JLo checking him out and basically throwing herself at him because, well, that’s what all us desperate women do, right? We throw ourselves at rich men when times are hard without taking much else into consideration (like, say the cop – who comes across as a decent guy – who wants nothing else but to date her. But hey, he’s not Jason Statham, right? Pfft!). Regardless, JLo finds a way to weasel herself into helping Parker’s character and thwarting the four thieves who betrayed Parker. Luckily for all of us, JLo advances are shut down and we don’t have to fall witness to another “Gigli”.
Is the movie some amazing cinematic masterpiece? Absolutely not. Are Parker’s flashbacks cheesy and annoying? Of course. But we are talking about an action flick and one that doesn’t disappoint in lots of blood, gun fights, knifing action, and Jason Statham being an overall badass.
Will your girlfriend love this movie? Probably not. Will you, you red-blooded hunk of testosterone, love this movie? Probably. It is, after all, geared towards your sex. And, just in case the blood and fights don’t do it for you, there are more than enough exposed breasts throughout the film keep your interest piqued.
So if you’re looking for a good revenge-style action flick, this one is decent enough. It won’t win any awards, but it won’t leave your poor girlfriend screaming for the hills either. JLo’s performance, however, that’s just inexcusible….
“Parker” starts off in Ohio where Jason Statham’s character (Parker) is working a job with four other men. The job seems to go off without a hitch until the end when Parker discovers an innocent man died in the process, thus starting “beef” between he and one of his partners. The apparent boss of the crooks then asks Parker to join them in another job, requiring him to give up his share of the loot to contribute to the upcoming job. Parker politely declines and, of course, this doesn’t sit too well with the crooks. As predicted, they then turn on him and Parker is left for dead on the side of the road.
As we know, Jason Statham’s characters are indestructible. I mean, this was covered in both “Crank” movies so the audience should be well-versed in how this goes down, right? Of course, Parker survives and thus starts on a path of revenge. Mob bosses are involved, hits are put out, etc. Regardless, his journey takes him to Palm Springs where the four crooks who betrayed him are preparing for their next big job.
Now, you’re probably wondering where Jennifer Lopez is in all of this (yes, JLo has a part in this movie – I know, I feel your pain too). Given that her last decent flick was “the Cell” and “Selena,” I wasn’t expecting too much from her character. As Parker is making his way down to Palm Springs, the movie then focuses on JLo’s character, a depressed and rather broken divorcee living with her mother and desperate for a commission from her job as a real-estate agent. Cue in Parker, dressed as a wealthy Texan, and looking to buy a home in Palm Springs. Of course we see JLo checking him out and basically throwing herself at him because, well, that’s what all us desperate women do, right? We throw ourselves at rich men when times are hard without taking much else into consideration (like, say the cop – who comes across as a decent guy – who wants nothing else but to date her. But hey, he’s not Jason Statham, right? Pfft!). Regardless, JLo finds a way to weasel herself into helping Parker’s character and thwarting the four thieves who betrayed Parker. Luckily for all of us, JLo advances are shut down and we don’t have to fall witness to another “Gigli”.
Is the movie some amazing cinematic masterpiece? Absolutely not. Are Parker’s flashbacks cheesy and annoying? Of course. But we are talking about an action flick and one that doesn’t disappoint in lots of blood, gun fights, knifing action, and Jason Statham being an overall badass.
Will your girlfriend love this movie? Probably not. Will you, you red-blooded hunk of testosterone, love this movie? Probably. It is, after all, geared towards your sex. And, just in case the blood and fights don’t do it for you, there are more than enough exposed breasts throughout the film keep your interest piqued.
So if you’re looking for a good revenge-style action flick, this one is decent enough. It won’t win any awards, but it won’t leave your poor girlfriend screaming for the hills either. JLo’s performance, however, that’s just inexcusible….
Gareth von Kallenbach (977 KP) rated Abraham Lincoln: Vampire Hunter (2012) in Movies
Aug 7, 2019
When I first heard about this movie, I was expecting the worst. I’ve been exposed to my fair share of B-type horror movies (I was raised on “Critters,” “Ghoulies,” “Killer Clowns from Outerspace,” and everything else one can imagine as a kid). I laughed at the SyFy channel’s monster movie line-up and was sick unto death of zombie movies. That said, I wasn’t entirely excited for this movie’s premier. My boyfriend, however, was chomping at the bit. He adores B-type
movies and this was no exception. And, to my honest surprise, it wasn’t as awful as I had wholly envisioned in my head.
The movie starts with a young Abraham Lincoln (Benjamin Walker) defending his slave friend, Will Johnson (Anthony Mackie), from abuse at the hands of a slave trader. A scuffle ensues and Abraham’s father is ultimately met face-to-face with “Adam” (Rufus Sewell), a well-known and well-feared trader in the lands. The two exchange heated words with Adam threatening to extract his revenge by some unknown means. What seems later that evening, Abraham’s mother is attacked by Adam as young Abraham watches from the shadows. Adam, as one can guess, is a vampire and leaves Abraham’s mother in such a state she cannot recover. Upon her death, Abraham vows revenge, devoting the next ten years of his life to killing Adam.
As the reader can surmise, Abraham is ill-equipped to face Adam and when the day finally arrives, he finds himself wholly unprepared for the task. Cue the entrance of Henry Sturgess, Vampire Hunter. Saving Abraham from an early demise, Henry (Dominic Cooper) takes the young man under his wing and teaches him the way of vampire hunting. He teaches young Abe that the vampires control the whole of the south, using the slave trade as their means for fresh and easily accessible blood. Having never tolerated slavery of any kind, Abraham is infuriated by this and his desire to eradicate the vampire colony grows.
From there he is bequeathed his infamous axe, its edge lined in silver, and we watch as young Abe grows and matures as a skilled warrior before our eyes. When the time comes, Abraham is sent away on a mission to kill select vampires in a quiet town, vampires who pose as noted professionals and townspersons during the day. As a rule, Henry cautions Abraham not to make any friends or form any kind of attachments. Of course, it’s at this point he meets Mary Todd and that whole theory goes out the window. In addition to his vampire hunting, he also begins his career in politics and as a renowned orator. Given one’s knowledge of history, we can see where this all leads.
I won’t divulge the whole of the story here – I’m sure you can imagine where it goes and what comes of it. That said, aside from the over-the-top fighting scenes and certain drawn out moments (the horse stampede and train fight immediately come to mind), it wasn’t as awful as I had originally envisioned. The movie is entertaining and still
retains a fair amount of the B-movie cheesiness one hopes for in watching it. Obviously, the storyline is wracked with historical inaccuracies and unlikely moments (really, Abe Lincoln survives a horse being thrown at him?), but it’s a B-movie and I wasn’t expecting perfection.
If you’re looking for something that offers sheer entertainment and nothing further, this is a movie for you then. You won’t be blown away by the acting skills, the special effects are decent enough (don’t pay extra for 3-D though – it was awful), and while the movie feels slow and drags at parts, over-all it’s rather entertaining for what it is.
movies and this was no exception. And, to my honest surprise, it wasn’t as awful as I had wholly envisioned in my head.
The movie starts with a young Abraham Lincoln (Benjamin Walker) defending his slave friend, Will Johnson (Anthony Mackie), from abuse at the hands of a slave trader. A scuffle ensues and Abraham’s father is ultimately met face-to-face with “Adam” (Rufus Sewell), a well-known and well-feared trader in the lands. The two exchange heated words with Adam threatening to extract his revenge by some unknown means. What seems later that evening, Abraham’s mother is attacked by Adam as young Abraham watches from the shadows. Adam, as one can guess, is a vampire and leaves Abraham’s mother in such a state she cannot recover. Upon her death, Abraham vows revenge, devoting the next ten years of his life to killing Adam.
As the reader can surmise, Abraham is ill-equipped to face Adam and when the day finally arrives, he finds himself wholly unprepared for the task. Cue the entrance of Henry Sturgess, Vampire Hunter. Saving Abraham from an early demise, Henry (Dominic Cooper) takes the young man under his wing and teaches him the way of vampire hunting. He teaches young Abe that the vampires control the whole of the south, using the slave trade as their means for fresh and easily accessible blood. Having never tolerated slavery of any kind, Abraham is infuriated by this and his desire to eradicate the vampire colony grows.
From there he is bequeathed his infamous axe, its edge lined in silver, and we watch as young Abe grows and matures as a skilled warrior before our eyes. When the time comes, Abraham is sent away on a mission to kill select vampires in a quiet town, vampires who pose as noted professionals and townspersons during the day. As a rule, Henry cautions Abraham not to make any friends or form any kind of attachments. Of course, it’s at this point he meets Mary Todd and that whole theory goes out the window. In addition to his vampire hunting, he also begins his career in politics and as a renowned orator. Given one’s knowledge of history, we can see where this all leads.
I won’t divulge the whole of the story here – I’m sure you can imagine where it goes and what comes of it. That said, aside from the over-the-top fighting scenes and certain drawn out moments (the horse stampede and train fight immediately come to mind), it wasn’t as awful as I had originally envisioned. The movie is entertaining and still
retains a fair amount of the B-movie cheesiness one hopes for in watching it. Obviously, the storyline is wracked with historical inaccuracies and unlikely moments (really, Abe Lincoln survives a horse being thrown at him?), but it’s a B-movie and I wasn’t expecting perfection.
If you’re looking for something that offers sheer entertainment and nothing further, this is a movie for you then. You won’t be blown away by the acting skills, the special effects are decent enough (don’t pay extra for 3-D though – it was awful), and while the movie feels slow and drags at parts, over-all it’s rather entertaining for what it is.
Emma @ The Movies (1786 KP) rated Promising Young Woman (2020) in Movies
Apr 18, 2021
The wait for this film was agonising, and I honestly don't know how I managed to avoid spoilers when some people on the internet were incapable of using hashtags.
Cassie can't forget the past, and the event that she's living with leaves her holding onto a taste for revenge. She doles out life lessons to those who deserve it as she looks for the way to get the ultimate revenge.
Promising Young Woman is a film I would have loved to have gone into blind. The opening sets up the rest of the film so well, but all I've been able to think is what my reaction would have been without having seen a trailer and knowing what was going to happen... it would have been horrific with a side of evil satisfaction.
Though Carey Mulligan has been in a lot of things, the only thing I can actually say I've seen her in is the Doctor Who episode, Blink... which freaks me out for obvious reasons. Her back catalogue is looking a lot more enticing after seeing her performance here. Cassandra is a thinker and a planner, and while others think she's not achieving her potential, but where she is in life gives her exactly what she needs. Mulligan snaps instantly between the two sides of Cassie's persona with such finesse that when you combine it with the production's editing and cinematography and those moments hold you in suspense for the next.
If you asked me my thoughts on Bo Burnham then I probably would have said I wasn't a fan. But actually, I only remember seeing his stand up, and I was surprised I'd seen films he's been in. Ryan was a great character, he's got that natural charm to him that made a great contrast to the other men we see throughout the film. The development in their relationship is great and follows that sort of "wholesome" and goof expectation of a "successful" dating life... admittedly, not for everyone though.
There was a large recognisable cast, but of the other actors, my main call out would be Alfred Molina. His scene with Carey Mulligan was easily one of my favourites, not just for his performance but the way his character impacts Cassie. In the rest of the cast there were some solid performances, Jennifer Coolidge definitely surprised me as I A) didn't know she was in this and B) have never seen her in a role like this before. But beyond them there were some actor/role combinations that didn't feel right to me.
Something that continually jumped out at me was the score. Great selection of songs, perfectly aligned, nice mix of styles... and that version of Toxic? Masterpiece. I adored every moment of it and I'm listening to the album right now on Spotify.
The feel of the film was a very interesting experience. The divide in Cassie's life is so clear, and I loved Madison's reaction to seeing it. The whole look shows you the drama and thriller side incredibly well and somehow managed to blend them together seamlessly. (Though as an inserted afterthought, I would have liked to have seen this in a murdery version.)
I would really like to talk about the end of the film, but won't for obvious reasons. There's a behind the scenes feature that goes into a specific point, and that attention to detail makes that scene. But in that same instance I knew what was going to happen, and I curse my brain for making it pop into my thoughts.
Promising Young Woman is a very good film, and yet again Emerald Fennell has created something darkly delightful. It embodies something that a lot of people can identify with, not just women, and I have to hope it might enlighten some people as well as entertain.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/04/promising-young-woman-movie-review.html
Cassie can't forget the past, and the event that she's living with leaves her holding onto a taste for revenge. She doles out life lessons to those who deserve it as she looks for the way to get the ultimate revenge.
Promising Young Woman is a film I would have loved to have gone into blind. The opening sets up the rest of the film so well, but all I've been able to think is what my reaction would have been without having seen a trailer and knowing what was going to happen... it would have been horrific with a side of evil satisfaction.
Though Carey Mulligan has been in a lot of things, the only thing I can actually say I've seen her in is the Doctor Who episode, Blink... which freaks me out for obvious reasons. Her back catalogue is looking a lot more enticing after seeing her performance here. Cassandra is a thinker and a planner, and while others think she's not achieving her potential, but where she is in life gives her exactly what she needs. Mulligan snaps instantly between the two sides of Cassie's persona with such finesse that when you combine it with the production's editing and cinematography and those moments hold you in suspense for the next.
If you asked me my thoughts on Bo Burnham then I probably would have said I wasn't a fan. But actually, I only remember seeing his stand up, and I was surprised I'd seen films he's been in. Ryan was a great character, he's got that natural charm to him that made a great contrast to the other men we see throughout the film. The development in their relationship is great and follows that sort of "wholesome" and goof expectation of a "successful" dating life... admittedly, not for everyone though.
There was a large recognisable cast, but of the other actors, my main call out would be Alfred Molina. His scene with Carey Mulligan was easily one of my favourites, not just for his performance but the way his character impacts Cassie. In the rest of the cast there were some solid performances, Jennifer Coolidge definitely surprised me as I A) didn't know she was in this and B) have never seen her in a role like this before. But beyond them there were some actor/role combinations that didn't feel right to me.
Something that continually jumped out at me was the score. Great selection of songs, perfectly aligned, nice mix of styles... and that version of Toxic? Masterpiece. I adored every moment of it and I'm listening to the album right now on Spotify.
The feel of the film was a very interesting experience. The divide in Cassie's life is so clear, and I loved Madison's reaction to seeing it. The whole look shows you the drama and thriller side incredibly well and somehow managed to blend them together seamlessly. (Though as an inserted afterthought, I would have liked to have seen this in a murdery version.)
I would really like to talk about the end of the film, but won't for obvious reasons. There's a behind the scenes feature that goes into a specific point, and that attention to detail makes that scene. But in that same instance I knew what was going to happen, and I curse my brain for making it pop into my thoughts.
Promising Young Woman is a very good film, and yet again Emerald Fennell has created something darkly delightful. It embodies something that a lot of people can identify with, not just women, and I have to hope it might enlighten some people as well as entertain.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/04/promising-young-woman-movie-review.html
Phillip McSween (751 KP) rated The Foreigner (2017) in Movies
Dec 20, 2017
Boooo
If you're expecting me to say something nice about The Foreigner, please do us both a favor and click out of this review right now. On paper, it appears to be right up Jackie Chan's alley. After his daughter is killed in a terrorist attack, Quan (Jackie) is trying to hunt down the men that did it. He is willing to stop at nothing to get his revenge.
The formulaic aspect of the film ruins the entire experience. Here's the rundown: Jackie walks into Pierce Brosnan's office demanding names (Who did this????). When Brosnan is not forthcoming with the names, Jackie storms off usually doing something crazy in his departure. Brosnan sends men to take Jackie down. Jackie beats the crap out of them. When the men return, Brosnan asks, "How the hell did you get your ass kicked by this old man?"
Rinse and repeat.
I'm serious, it's so ridiculous at times it becomes almost comical. You would think with this straight-arrow formula, the film would be easy to follow, but there are a lot of moving parts and I mean A LOT. I found myself saying, "Say what now?" too many times to count. I don't know, maybe it was more of a lack of interest than confusion on my part. Blade Runner 2049 had a number of things going on throughout and it's one of the best films I've seen all year.
The Foreigner is one of those films where you think of all the other things you could be doing instead of watching it. Folding clothes. Grocery shopping. Picking boogers. Screaming at your dog to get out of the trash. I mean, ANYTHING else. Could a few solid action sequences have saved the film? Probably. Did it?
Nope.
I honestly don't know how this passed the smell test on Rotten Tomatoes. In the words of the wonderful Jay Sherman: It stinks. I give it a 42.
The formulaic aspect of the film ruins the entire experience. Here's the rundown: Jackie walks into Pierce Brosnan's office demanding names (Who did this????). When Brosnan is not forthcoming with the names, Jackie storms off usually doing something crazy in his departure. Brosnan sends men to take Jackie down. Jackie beats the crap out of them. When the men return, Brosnan asks, "How the hell did you get your ass kicked by this old man?"
Rinse and repeat.
I'm serious, it's so ridiculous at times it becomes almost comical. You would think with this straight-arrow formula, the film would be easy to follow, but there are a lot of moving parts and I mean A LOT. I found myself saying, "Say what now?" too many times to count. I don't know, maybe it was more of a lack of interest than confusion on my part. Blade Runner 2049 had a number of things going on throughout and it's one of the best films I've seen all year.
The Foreigner is one of those films where you think of all the other things you could be doing instead of watching it. Folding clothes. Grocery shopping. Picking boogers. Screaming at your dog to get out of the trash. I mean, ANYTHING else. Could a few solid action sequences have saved the film? Probably. Did it?
Nope.
I honestly don't know how this passed the smell test on Rotten Tomatoes. In the words of the wonderful Jay Sherman: It stinks. I give it a 42.