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Hazel (1853 KP) rated Mr. Deathmask in Books
Dec 7, 2018
<I>This book was sent to me by the author in exchange for an honest review.</I>
A satanic cult, an angel, a ghost, and lots of murder,<I> Mr. Deathmask</I> is a novel like none other. Horror-novelist Lee McGeorge has created a character that blurs the lines between good and evil. Members of a satanic cult in the heart of London are slowly being killed off one-by-one by a mysterious figure going by the name of Mr Deathmask. The murders shock the community, not only in their brutality but because the worshippers of the “one true Lord” should not be able to be harmed by another living being.
Mr Deathmask, so named for collecting the death masks of his victims, is a man with superhuman strength who is believed to be a “son of light”, i.e. an angel. Accompanied by a ghost of a girl, Magdalena, he plans to seek out and destroy the satanic cult before they can raise the son of the devil.
To begin with, it is not easy to differentiate between the good and the bad. On one side is the anonymous murderer, and the other, the perverted and barbaric sect with unearthly powers. But once innocent lives get tangled up in the violent fiasco, it is clear whom the readers are expected to root for.
Hiding behind the façade of doctors and other professionals in the public sector, the cult easily preys on vulnerable people, resorting to sickening methods to satisfy their abominable desires. Difficult as it is to read about these vile deeds, <i>Mr. Deathmask</i> becomes gripping, the race is on to prevent unnecessary death and get revenge for something that happened centuries ago.
<i>Mr. Deathmask</i> is not for the delicate-minded individual due to its violent and sexual nature. Plenty of expletives and foul terminology make up the narrative, which, although is to be expected in this nature of novel, is not the easiest story to stomach.
Unlike previous books with heavy themes or social connotations, Lee McGeorge has penned <i>Mr. Deathmask</i> as a form of entertainment rather than to challenge morals and judgement of his readers. However, it still has its fair share of shock tactics to keep the story going. It will certainly entertain fans of the author and the genre.
A satanic cult, an angel, a ghost, and lots of murder,<I> Mr. Deathmask</I> is a novel like none other. Horror-novelist Lee McGeorge has created a character that blurs the lines between good and evil. Members of a satanic cult in the heart of London are slowly being killed off one-by-one by a mysterious figure going by the name of Mr Deathmask. The murders shock the community, not only in their brutality but because the worshippers of the “one true Lord” should not be able to be harmed by another living being.
Mr Deathmask, so named for collecting the death masks of his victims, is a man with superhuman strength who is believed to be a “son of light”, i.e. an angel. Accompanied by a ghost of a girl, Magdalena, he plans to seek out and destroy the satanic cult before they can raise the son of the devil.
To begin with, it is not easy to differentiate between the good and the bad. On one side is the anonymous murderer, and the other, the perverted and barbaric sect with unearthly powers. But once innocent lives get tangled up in the violent fiasco, it is clear whom the readers are expected to root for.
Hiding behind the façade of doctors and other professionals in the public sector, the cult easily preys on vulnerable people, resorting to sickening methods to satisfy their abominable desires. Difficult as it is to read about these vile deeds, <i>Mr. Deathmask</i> becomes gripping, the race is on to prevent unnecessary death and get revenge for something that happened centuries ago.
<i>Mr. Deathmask</i> is not for the delicate-minded individual due to its violent and sexual nature. Plenty of expletives and foul terminology make up the narrative, which, although is to be expected in this nature of novel, is not the easiest story to stomach.
Unlike previous books with heavy themes or social connotations, Lee McGeorge has penned <i>Mr. Deathmask</i> as a form of entertainment rather than to challenge morals and judgement of his readers. However, it still has its fair share of shock tactics to keep the story going. It will certainly entertain fans of the author and the genre.
Louise (64 KP) rated Now I Rise (The Conqueror's Saga #2) in Books
Jul 2, 2018
*I received a copy of this book from Netgalley and the publishers in exchange for an honest review*
Kiersten White has beaten the second book lull. With a lot of series I have read you find that the second book is sometimes a ‘filler’ or it just not as good as it’s predecessor – This is not the case for ‘Now I Rise’, this book was darker, brutal and action packed.
I am not going to go into too much detail with this book as I don’t want to give any spoilers away. Lada is off to Wallachia with her men, she is has having a pretty hard time of convincing people to back her as being prince and then she has to contend with assassins trying to kill her. Lada’s loyal army will do anything for her, they fight for her and then follow her when she starts taking revenge on anyone that gets in her way of the throne.
Radu is still as loyal as ever to Mehmed and fantasizes that one day he will look at him the way he did Lada. He will do anything for Mehmed even if that means becoming a pawn and risking his and Nazira’s lives.
There were some great characters in this book, Nazira (Radu’s wife) she was smart, funny, had a political head on her but foremost she really truly cared for Radu. She had this warmth about her that was very much-needed as a lot of the book is dark and gritty.
Hunyadi, we hear of him a little in ‘And I Darken’ but we really get to see him in this book and though he is depicted as some awful killer that murdered Vlad Dracul and his son, we find there is more to this man and reasoning behind his motives.
This installment is much darker, bloodier and Lada is even more badass than before. I preferred this book so much more than the first one. The first book was obviously setting the scene and giving us the back story to each of their lives and this one was jammed packed with action. There is such great character development, I can’t wait to see where the story goes next.
I rated this 4 out of 5 stars
Kiersten White has beaten the second book lull. With a lot of series I have read you find that the second book is sometimes a ‘filler’ or it just not as good as it’s predecessor – This is not the case for ‘Now I Rise’, this book was darker, brutal and action packed.
I am not going to go into too much detail with this book as I don’t want to give any spoilers away. Lada is off to Wallachia with her men, she is has having a pretty hard time of convincing people to back her as being prince and then she has to contend with assassins trying to kill her. Lada’s loyal army will do anything for her, they fight for her and then follow her when she starts taking revenge on anyone that gets in her way of the throne.
Radu is still as loyal as ever to Mehmed and fantasizes that one day he will look at him the way he did Lada. He will do anything for Mehmed even if that means becoming a pawn and risking his and Nazira’s lives.
There were some great characters in this book, Nazira (Radu’s wife) she was smart, funny, had a political head on her but foremost she really truly cared for Radu. She had this warmth about her that was very much-needed as a lot of the book is dark and gritty.
Hunyadi, we hear of him a little in ‘And I Darken’ but we really get to see him in this book and though he is depicted as some awful killer that murdered Vlad Dracul and his son, we find there is more to this man and reasoning behind his motives.
This installment is much darker, bloodier and Lada is even more badass than before. I preferred this book so much more than the first one. The first book was obviously setting the scene and giving us the back story to each of their lives and this one was jammed packed with action. There is such great character development, I can’t wait to see where the story goes next.
I rated this 4 out of 5 stars
Gareth von Kallenbach (980 KP) rated Black Panther (2018) in Movies
Jun 19, 2019
The latest film in the Marvel Universe has arrived with “Black Panther” and it continues the tradition of big budgeted event films from Marvel. The film follows T’Challa (Chadwick Bodeman), as he prepares to assume the throne of the country of Wakanda after the death of his father. He is destined to lead over a nation that to the outside world seems impoverished and rural, but is secretly a very technologically advanced society thanks to their Vibranium resources. The resources allow them to keep their capitol city hidden from the world.
As T’Challa attempts to assume the throne and rule over the various tribes of his country; a threat from his past both known and unknown arises. Ulysses Klaue (Andy Serkis) surfaces, T’Challa mounts and effort to bring him to justice which in turn sets a chain of events into motion. A mysterious and deadly figure known as Killmonger (Michael B. Jordan), plans to obtain the Vibranium to exact a plan of revenge so severe it will lead to the nations of the world being subjugated and will divide even the most loyal citizens of Wakanda.
T’Challa must use his powers as The Black Panther and guardian of Wakanda to save his people and the very world from a threat that holds the fate of the world in the balance.
The film takes a while to get going as Director/Co-Writer Ryan Coogler takes his time introducing audiences to the world of Black Panther and especially the various characters. The strong supporting cast features Lupita Nyong’o, Angela Bassett, Danai Gurira, Forest Whitaker, Martin Freeman, and so many others that it is great to see such well-rounded characters.
The film does take a while to get up to the action but when it arrives; it delivers making the wait worth it. What I really liked was that the characters were well-defined as were their motivations. You did not have some cartoon mega-villain with some insane scheme, but rather a realistic and believable threat whose motivations were understandable though misguided.
Marvel has again delivered a very thrilling story that fits well into their extended universe and you will want to make sure to stay through all the credits for the two additional scenes which sets up future events for the Marvel Universe. “Black Panther” is a rousing success all around continues Marvel’s Cinematic Universe in grand style.
http://sknr.net/2018/02/13/black-panther/
As T’Challa attempts to assume the throne and rule over the various tribes of his country; a threat from his past both known and unknown arises. Ulysses Klaue (Andy Serkis) surfaces, T’Challa mounts and effort to bring him to justice which in turn sets a chain of events into motion. A mysterious and deadly figure known as Killmonger (Michael B. Jordan), plans to obtain the Vibranium to exact a plan of revenge so severe it will lead to the nations of the world being subjugated and will divide even the most loyal citizens of Wakanda.
T’Challa must use his powers as The Black Panther and guardian of Wakanda to save his people and the very world from a threat that holds the fate of the world in the balance.
The film takes a while to get going as Director/Co-Writer Ryan Coogler takes his time introducing audiences to the world of Black Panther and especially the various characters. The strong supporting cast features Lupita Nyong’o, Angela Bassett, Danai Gurira, Forest Whitaker, Martin Freeman, and so many others that it is great to see such well-rounded characters.
The film does take a while to get up to the action but when it arrives; it delivers making the wait worth it. What I really liked was that the characters were well-defined as were their motivations. You did not have some cartoon mega-villain with some insane scheme, but rather a realistic and believable threat whose motivations were understandable though misguided.
Marvel has again delivered a very thrilling story that fits well into their extended universe and you will want to make sure to stay through all the credits for the two additional scenes which sets up future events for the Marvel Universe. “Black Panther” is a rousing success all around continues Marvel’s Cinematic Universe in grand style.
http://sknr.net/2018/02/13/black-panther/
BookwormMama14 (18 KP) rated Dance Over Me in Books
Jan 2, 2019
Well, my first thought...is that I NEED to see 42nd Street! As a lover of all things theatre, I can't believe that I haven't seen it yet. Speaking of theatre, I simply adored all the stage talk in this book! It has been so long since I have been on the stage, but I felt like I was right there with Dani. The pre-show nerves, the excitement and thrill of a live audience, the relief when the final curtain falls. But OH...Drama, drama, drama!!! Unfortunately, the theatre world can be brutal and harsh (thankfully not MY experience), and Candee did a wonderful job of portraying that, even if it did make me want to go out and purse whomp some people. (Thank you Reading is my SuperPower for the inspiration.) The romance is clean and oh, so sweet. Candee built the suspense perfectly, and Alex is such a gentleman! I too, am a dancer, and I found Dani's expression of her heart through dance bringing me to tears. It has been too long since I have danced, since I have truly expressed myself in the arts, and too long since I have let my Heavenly Father dance over me. (This is something that will hopefully be remedied before too long.) Dani's story is a good reminder to trust the Lord to fight our battles for us. While I do think we need to stand up for ourselves, it is not our place to fight for revenge. And through all of this, Dani was trying to kick down doors to find her brother, when all along the Lord was simply wanting her to trust Him to open the doors. You will just have to read the book to see if she walks through the doors He opens...Dance Over Me is written strictly from Dani's viewpoint, in third person. I found that it made the story very easy to follow and truly let me live inside Dani's brain. Dance Over Me had me on the edge of my seat for the whole TWO days that it took me to read this book, it is THAT good. Beautifully written and a captivating storyline, you definitely do not want to miss this one.
I received a free copy of Dance Over Me from the author in exchange for my honest review. All opinions expressed are mine alone.
I received a free copy of Dance Over Me from the author in exchange for my honest review. All opinions expressed are mine alone.
David McK (3425 KP) rated Lost Stars (Star Wars) in Books
Jan 28, 2019
Earlier this year, I read the first of the 'new' Star Wars books leading up the The Force Awakens, following Disney's abolition of the old Expanded Universe (said book was [a:Chuck Wendig|17152|Chuck Wendig|https://d.gr-assets.com/authors/1294919586p2/17152.jpg] 's [b:Aftermath|25131600|Aftermath (Star Wars Aftermath, #1)|Chuck Wendig|https://d.gr-assets.com/books/1426620007s/25131600.jpg|44828548] ).
While th ebook was all right, it didn't (I felt) live up the 'original' (now no longer canon) continuation of [a:Timothy Zahn|12479|Timothy Zahn|https://d.gr-assets.com/authors/1215545810p2/12479.jpg]'s 'Heir to the Empire' trilogy, or of some of the books that came after.
I only discovered recently, when I read an article released just before the second of Wendig's Star Wars books, that he is actually a screen-writer rather than a novelist, which goes some way (I felt) towards explaining the choppy structure of the novel.
In the comments on that article, a couple of the contributors had mentioned other 'new' Star Wars books they had read, with most stating this was one of the best, so I decided to give it a go :)
Starting roughly 8 years after 'Revenge of the Sith', this novel follows the exploits of 2 childhood friends (who grow up to be more than friends) from a backwater planet, who end up fighting on different sides of the Galactic Civil War. As such, this takes in all the key events of the original trilogy - The Tantive IV chase, destruction of Alderaan, blowing up of the first Death Star, attack on Hoth, Asteroid chase, Bespin, the space battle above Endor/second Death Star - and goes slightly beyond into explaining why there is a crashed Star Destroyer on the planet Jakku (from the start of The Force Awakens).
Remember in the movies, the lines 'There goes another one / hold your fire' right at the start of the original, with the jettison of an escape pod that holds R2-D2 and C3PO? The character who utters those (NOT either of the two main character here) is given a background, as is that who has 'analysed their attack, and has found a danger'.
Of the two leading-into-The Force Awakens novels I've read so far this year, this is the better
While th ebook was all right, it didn't (I felt) live up the 'original' (now no longer canon) continuation of [a:Timothy Zahn|12479|Timothy Zahn|https://d.gr-assets.com/authors/1215545810p2/12479.jpg]'s 'Heir to the Empire' trilogy, or of some of the books that came after.
I only discovered recently, when I read an article released just before the second of Wendig's Star Wars books, that he is actually a screen-writer rather than a novelist, which goes some way (I felt) towards explaining the choppy structure of the novel.
In the comments on that article, a couple of the contributors had mentioned other 'new' Star Wars books they had read, with most stating this was one of the best, so I decided to give it a go :)
Starting roughly 8 years after 'Revenge of the Sith', this novel follows the exploits of 2 childhood friends (who grow up to be more than friends) from a backwater planet, who end up fighting on different sides of the Galactic Civil War. As such, this takes in all the key events of the original trilogy - The Tantive IV chase, destruction of Alderaan, blowing up of the first Death Star, attack on Hoth, Asteroid chase, Bespin, the space battle above Endor/second Death Star - and goes slightly beyond into explaining why there is a crashed Star Destroyer on the planet Jakku (from the start of The Force Awakens).
Remember in the movies, the lines 'There goes another one / hold your fire' right at the start of the original, with the jettison of an escape pod that holds R2-D2 and C3PO? The character who utters those (NOT either of the two main character here) is given a background, as is that who has 'analysed their attack, and has found a danger'.
Of the two leading-into-The Force Awakens novels I've read so far this year, this is the better
Darren (1599 KP) rated Dracula (1958) in Movies
Oct 31, 2019
Characters – Doctor Van Helsing has been trying to hunt down Dracula for years now, his latest attempt sees him anger the vampire, forcing him to defend his loved ones before he starts his own attack on the vampire. Count Dracula has lived a life where his presence has struck fear in the locals, he is a vampire with his age seemingly unknown, after his bride is taken from him, he goes after the people that took her, in search of finding his new bride. Arthur is one of the people working with Van Helsing, it is his family that has becomes the target of Dracula, with Mina being the wife of Arthur that is one of the women Dracula wants to make his brides.
Performances – Peter Cushing and Christopher Lee are the icons on the 50’s horrors, this film shows they are just wonderful in the horror performances both sides of the good and evil scale. When it comes to the supporting roles, it appears that the rest of the cast are meant to just let the lead two stars take the spotlight.
Story – The story here is the basic Dracula story, where after one of his brides is killed, Dracula targets the family that took his bride to get his own new bride and revenge. The Dracula story has been told so many times, it does become slightly boring to watch a story that doesn’t offer anything new to the tried and tested formula. If you do know the basic story, you will know everything that happens in this film which just ends up being nothing refreshing.
Horror – The horror comes the ideas of vampires with Dracula lurking in the darkness, most doesn’t come off scary though which is disappointing.
Settings – The film uses the couple of main locations, we have the castle of course which we don’t spend enough time around, the English house that shows how the family will try to hide from Dracula.
Special Effects – The effects are practical which do bring one of the most memorable scenes in the film.
Scene of the Movie – final showdown.
That Moment That Annoyed Me – It isn’t anything new.
Final Thoughts – This is a hammer horror version of Dracula, it works well enough for the basic idea, only it doesn’t reach too much new to the story idea.
Overall: Hammer Horror Dracula.
Performances – Peter Cushing and Christopher Lee are the icons on the 50’s horrors, this film shows they are just wonderful in the horror performances both sides of the good and evil scale. When it comes to the supporting roles, it appears that the rest of the cast are meant to just let the lead two stars take the spotlight.
Story – The story here is the basic Dracula story, where after one of his brides is killed, Dracula targets the family that took his bride to get his own new bride and revenge. The Dracula story has been told so many times, it does become slightly boring to watch a story that doesn’t offer anything new to the tried and tested formula. If you do know the basic story, you will know everything that happens in this film which just ends up being nothing refreshing.
Horror – The horror comes the ideas of vampires with Dracula lurking in the darkness, most doesn’t come off scary though which is disappointing.
Settings – The film uses the couple of main locations, we have the castle of course which we don’t spend enough time around, the English house that shows how the family will try to hide from Dracula.
Special Effects – The effects are practical which do bring one of the most memorable scenes in the film.
Scene of the Movie – final showdown.
That Moment That Annoyed Me – It isn’t anything new.
Final Thoughts – This is a hammer horror version of Dracula, it works well enough for the basic idea, only it doesn’t reach too much new to the story idea.
Overall: Hammer Horror Dracula.
LeftSideCut (3778 KP) rated Game Of Thrones - Season 6 in TV
Jul 19, 2019
Hold the Goddam Door
Contains spoilers, click to show
Season 6 of Game of thrones is another incredible display of television spinning so many plates.
The season kick starts with the immediate fallout of Jon Snows death at the end of season 5. As many predicted, it doesn't take long for his death to be reversed, thanks to Melisandre, freeing Jon of his duty to the Nights Watch, as he marches off to free Winterfell from the clutches of Ramsay Bolton.
Talking of Ramsay, he continues to show how much of a wretch he truly is (his worst point would be feeding his own infant brother to rabid dogs.)
In King's Landing, the High Sparrow continues to manipulate the crown, and makes them seem powerless whilst doing so, as fanatic religion takes hold of the capital.
Danaerys is still just being Danaerys. The writers continue to subtly hint at her being similar to her mad father before her, and I usually love the slow burn of Game of Thrones, but her story still continues to sort of plod along.
Another storyline that became a bit tiresome this season was Arya training in Bravos. When I look back on GoT, that storyline seems to stick out as the one I found most trying, even if it did result in the much awaited death of Merryn Trant.
Beyond the wall, Bran is still firmly stuck in a tree, but we see some great glimpses into the past history of Westeros in the process - the Tower of Joy scene being a highlight. This infamously leads to the 'Hold the Door' which pretty much tore everyone's hearts in two :(
It's all just very good, and the season ends on a double whammy of two of the best episodes this show ever produced.
Firstly, the Battle of the Bastards is incredible, and surpasses many Hollywood movies in terms of on screen battles. It's a fantastic hour of television (Justice for Rikkon)
And then the last episode - just wow. The opening 15 minutes holds little dialogue, and an incredible piece of score (Ramin Djawadi take a bow), as Cersei ruthlessly and quickly takes her revenge on many who have wrong her, in one fell swoop, killing off a good handful of characters in seconds - GoT was never a show to do things by halves.
The season ends with Cersei as queen, and Danaerys (finally!) crossing the sea to Westeros.
It's all really thrilling and top tier TV.
The season kick starts with the immediate fallout of Jon Snows death at the end of season 5. As many predicted, it doesn't take long for his death to be reversed, thanks to Melisandre, freeing Jon of his duty to the Nights Watch, as he marches off to free Winterfell from the clutches of Ramsay Bolton.
Talking of Ramsay, he continues to show how much of a wretch he truly is (his worst point would be feeding his own infant brother to rabid dogs.)
In King's Landing, the High Sparrow continues to manipulate the crown, and makes them seem powerless whilst doing so, as fanatic religion takes hold of the capital.
Danaerys is still just being Danaerys. The writers continue to subtly hint at her being similar to her mad father before her, and I usually love the slow burn of Game of Thrones, but her story still continues to sort of plod along.
Another storyline that became a bit tiresome this season was Arya training in Bravos. When I look back on GoT, that storyline seems to stick out as the one I found most trying, even if it did result in the much awaited death of Merryn Trant.
Beyond the wall, Bran is still firmly stuck in a tree, but we see some great glimpses into the past history of Westeros in the process - the Tower of Joy scene being a highlight. This infamously leads to the 'Hold the Door' which pretty much tore everyone's hearts in two :(
It's all just very good, and the season ends on a double whammy of two of the best episodes this show ever produced.
Firstly, the Battle of the Bastards is incredible, and surpasses many Hollywood movies in terms of on screen battles. It's a fantastic hour of television (Justice for Rikkon)
And then the last episode - just wow. The opening 15 minutes holds little dialogue, and an incredible piece of score (Ramin Djawadi take a bow), as Cersei ruthlessly and quickly takes her revenge on many who have wrong her, in one fell swoop, killing off a good handful of characters in seconds - GoT was never a show to do things by halves.
The season ends with Cersei as queen, and Danaerys (finally!) crossing the sea to Westeros.
It's all really thrilling and top tier TV.
Phil Leader (619 KP) rated Slow Bullets in Books
Nov 25, 2019
I have been a fan of Alastair Reynolds since I picked up a copy of Revelation Space when it was first published. He is the master of telling stories that span solar systems while still maintaining a human perspective via his characters.
The set up is interesting and simple, at least in summary. A ship carrying soldiers, mostly war criminals of one sort or another, following a ceasefire malfunctions and they are awoken from hibernation much later than they expected. Almost immediately the the rivalries from the war become apparent again and it is up to Scur to put herself in the position of ensuring that they can at least survive without killing each other for a war long since finished.
The story is told from Scur's point of view as she effectively writes her memoir - and confessional - as she comes to the end of her life. Reynolds entwines several threads effortlessly producing some good dramatic moments and plot twists. The changes of direction are not so much surprising as they occur but the direction they go in.
Apart from the expected divisions between the different sides of the army and the civilians on the ship Scur needs to worry about where the advanced civilization that existed before the war has gone, the slow deterioration of the ship, the potential for a religious war and a war criminal which she would very much like to exact revenge upon, all played out in the pressure cooker environment of the ship.
The result is a tight story with plenty of action interspersed with serious considerations about society, justice and religion and how they interplay. Like any of Reynold's work the particular universe this story inhabits - as far as can be discerned this is not related to any other novel or short story - arrives fully formed and with perceptible depth and history, hinting at other stories that might be told elsewhere.
For one of Reynolds' stories there isn't much science and it doesn't stick to physical limits - faster than light travel and communications are both possible but not really explored in detail. But the focus is entirely on the individuals involved with the setting just a backdrop for them to play out the story in front of.
Overall a thoroughly good read and one I would recommend to anyone who likes their science fiction up close and personal.
Rating: Some violent scenes and bad language
The set up is interesting and simple, at least in summary. A ship carrying soldiers, mostly war criminals of one sort or another, following a ceasefire malfunctions and they are awoken from hibernation much later than they expected. Almost immediately the the rivalries from the war become apparent again and it is up to Scur to put herself in the position of ensuring that they can at least survive without killing each other for a war long since finished.
The story is told from Scur's point of view as she effectively writes her memoir - and confessional - as she comes to the end of her life. Reynolds entwines several threads effortlessly producing some good dramatic moments and plot twists. The changes of direction are not so much surprising as they occur but the direction they go in.
Apart from the expected divisions between the different sides of the army and the civilians on the ship Scur needs to worry about where the advanced civilization that existed before the war has gone, the slow deterioration of the ship, the potential for a religious war and a war criminal which she would very much like to exact revenge upon, all played out in the pressure cooker environment of the ship.
The result is a tight story with plenty of action interspersed with serious considerations about society, justice and religion and how they interplay. Like any of Reynold's work the particular universe this story inhabits - as far as can be discerned this is not related to any other novel or short story - arrives fully formed and with perceptible depth and history, hinting at other stories that might be told elsewhere.
For one of Reynolds' stories there isn't much science and it doesn't stick to physical limits - faster than light travel and communications are both possible but not really explored in detail. But the focus is entirely on the individuals involved with the setting just a backdrop for them to play out the story in front of.
Overall a thoroughly good read and one I would recommend to anyone who likes their science fiction up close and personal.
Rating: Some violent scenes and bad language
JT (287 KP) rated Haywire (2012) in Movies
Mar 10, 2020
With all the acting talent that was on offer in this film how could Soderbergh give us such an overrated pile of rubbish and waste said talent in an instant. Thank the lord I didn’t purchase this on Blu-ray as I was originally intending to; otherwise it would have been in the box and back to the shop the following day.
There is nothing wrong with casting a female in the lead role for an action film, it worked for Angelina Jolie in Tomb Raider, Wanted and Salt. Here though, Gina Carano, who had no acting talent at all and came from a Muay Thai background meant she would need little training in the fight choreography, but lots in the acting department. It was clear then that no one directed her to that department. Sharing the screen with the likes of Fassbender, Douglas, and McGregor she was well out of place.
Mallory Kane (Gina Carano) is a black ops soldier who has been double crossed and is now out for revenge. The plot that is so overdone it is boring with nothing new to offer at all. The film is told from Kane’s point of view to Scott (Michael Angarano), a customer in the diner who she escapes with. Looking at Soderbergh’s back catalogue he’s never really tackled a high octane action flick, and it shows right from the outset. The fight scenes are powerful and well put together but then I’m sure that is down to Carano’s skill and experience as a real life fighter.
Soderbergh tries to make it too slick and too involved. When all we are begging for is a decent car chase or explosion, something to get us off our seats and fist pump the air. This doesn’t happen, even if she does dispatch Fassbender with ease or leaves poor Channing Tatum with a broken arm.
The cast list is admirable, but in their own way they are used sparingly. Douglas’s government agent gets a little screen time, as does the shady contact Antonio Banderas who, like Douglas, is only around for a short space of time. The less said about McGregor the better as quite frankly he was crap! I personally didn’t rate this at all. Soderbergh is a good director but his foray into action was a bit of a let down and a great disappointment.
There is nothing wrong with casting a female in the lead role for an action film, it worked for Angelina Jolie in Tomb Raider, Wanted and Salt. Here though, Gina Carano, who had no acting talent at all and came from a Muay Thai background meant she would need little training in the fight choreography, but lots in the acting department. It was clear then that no one directed her to that department. Sharing the screen with the likes of Fassbender, Douglas, and McGregor she was well out of place.
Mallory Kane (Gina Carano) is a black ops soldier who has been double crossed and is now out for revenge. The plot that is so overdone it is boring with nothing new to offer at all. The film is told from Kane’s point of view to Scott (Michael Angarano), a customer in the diner who she escapes with. Looking at Soderbergh’s back catalogue he’s never really tackled a high octane action flick, and it shows right from the outset. The fight scenes are powerful and well put together but then I’m sure that is down to Carano’s skill and experience as a real life fighter.
Soderbergh tries to make it too slick and too involved. When all we are begging for is a decent car chase or explosion, something to get us off our seats and fist pump the air. This doesn’t happen, even if she does dispatch Fassbender with ease or leaves poor Channing Tatum with a broken arm.
The cast list is admirable, but in their own way they are used sparingly. Douglas’s government agent gets a little screen time, as does the shady contact Antonio Banderas who, like Douglas, is only around for a short space of time. The less said about McGregor the better as quite frankly he was crap! I personally didn’t rate this at all. Soderbergh is a good director but his foray into action was a bit of a let down and a great disappointment.
JT (287 KP) rated Only God Forgives (2013) in Movies
Mar 10, 2020
Now here is a film that completely split critics. It’s not going to be everyone’s cup of tea and it’s clear to see why. Anyone expecting a well constructed follow up to Winding Refn’s hit Drive are going to be sorely disappointed, as Only God Forgives serves up a mix of beautiful neon visuals, character dreamscapes and minimal dialogue.
Julian (Ryan Gosling) runs a Thai boxing club deep in the heart of Bangkok using it as front for a drug smuggling ring with his brother. Events take a horrific turn when his brother rapes and murders an underage prostitute. Enter retired cop Chang (Vithaya Pansringarm), more well known as the ‘Angel of Vengeance’ who has a unique and almost godlike way of handing out retribution to those who cross his path.
When he allows Julian’s brother to be murdered by the father of the girl he killed, Julian’s mother Crystal and family matriarch heads out to demand that Julian take revenge for his brothers death.
Only God Forgives is a film doused in deep colours that awash the actors on screen and cast them in a variety of different lights. It feels a bit art house and at times arrogant. This must have been the easiest pay cheque that Gosling has ever picked up. He barely speaks and stamps any authority on screen by long drawn out stares of which he is the master.
Scott Thomas is not the mother figure that you would expect to have. Goading Julian into submission in a vile and disgusting manner she belittles him, prompting the question that he is half the man his brother is. She is one of the few standouts. All blonde hair and jewellery along with a arsenal of foul language. However, it will be Chang that leaves the afterthought, as he glides about unleashing his sword on those who stand in his way.
Only God Forgives is violent, and it is certainly not for the faint-hearted, the spilling of blood (particularly one hard to watch scene) is in keeping with the tonal colour of the setting. It doesn’t have Drive’s slickness but does come with an equally pulsating sound track.
There is no arguing that from a cinematography point of view this film his head and shoulders above others. But there is the odd occasion when you really have to question the director and what it was that he set out to achieve?
Julian (Ryan Gosling) runs a Thai boxing club deep in the heart of Bangkok using it as front for a drug smuggling ring with his brother. Events take a horrific turn when his brother rapes and murders an underage prostitute. Enter retired cop Chang (Vithaya Pansringarm), more well known as the ‘Angel of Vengeance’ who has a unique and almost godlike way of handing out retribution to those who cross his path.
When he allows Julian’s brother to be murdered by the father of the girl he killed, Julian’s mother Crystal and family matriarch heads out to demand that Julian take revenge for his brothers death.
Only God Forgives is a film doused in deep colours that awash the actors on screen and cast them in a variety of different lights. It feels a bit art house and at times arrogant. This must have been the easiest pay cheque that Gosling has ever picked up. He barely speaks and stamps any authority on screen by long drawn out stares of which he is the master.
Scott Thomas is not the mother figure that you would expect to have. Goading Julian into submission in a vile and disgusting manner she belittles him, prompting the question that he is half the man his brother is. She is one of the few standouts. All blonde hair and jewellery along with a arsenal of foul language. However, it will be Chang that leaves the afterthought, as he glides about unleashing his sword on those who stand in his way.
Only God Forgives is violent, and it is certainly not for the faint-hearted, the spilling of blood (particularly one hard to watch scene) is in keeping with the tonal colour of the setting. It doesn’t have Drive’s slickness but does come with an equally pulsating sound track.
There is no arguing that from a cinematography point of view this film his head and shoulders above others. But there is the odd occasion when you really have to question the director and what it was that he set out to achieve?