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Darren (1599 KP) rated Dracula (1958) in Movies
Oct 31, 2019
Characters – Doctor Van Helsing has been trying to hunt down Dracula for years now, his latest attempt sees him anger the vampire, forcing him to defend his loved ones before he starts his own attack on the vampire. Count Dracula has lived a life where his presence has struck fear in the locals, he is a vampire with his age seemingly unknown, after his bride is taken from him, he goes after the people that took her, in search of finding his new bride. Arthur is one of the people working with Van Helsing, it is his family that has becomes the target of Dracula, with Mina being the wife of Arthur that is one of the women Dracula wants to make his brides.
Performances – Peter Cushing and Christopher Lee are the icons on the 50’s horrors, this film shows they are just wonderful in the horror performances both sides of the good and evil scale. When it comes to the supporting roles, it appears that the rest of the cast are meant to just let the lead two stars take the spotlight.
Story – The story here is the basic Dracula story, where after one of his brides is killed, Dracula targets the family that took his bride to get his own new bride and revenge. The Dracula story has been told so many times, it does become slightly boring to watch a story that doesn’t offer anything new to the tried and tested formula. If you do know the basic story, you will know everything that happens in this film which just ends up being nothing refreshing.
Horror – The horror comes the ideas of vampires with Dracula lurking in the darkness, most doesn’t come off scary though which is disappointing.
Settings – The film uses the couple of main locations, we have the castle of course which we don’t spend enough time around, the English house that shows how the family will try to hide from Dracula.
Special Effects – The effects are practical which do bring one of the most memorable scenes in the film.
Scene of the Movie – final showdown.
That Moment That Annoyed Me – It isn’t anything new.
Final Thoughts – This is a hammer horror version of Dracula, it works well enough for the basic idea, only it doesn’t reach too much new to the story idea.
Overall: Hammer Horror Dracula.
Performances – Peter Cushing and Christopher Lee are the icons on the 50’s horrors, this film shows they are just wonderful in the horror performances both sides of the good and evil scale. When it comes to the supporting roles, it appears that the rest of the cast are meant to just let the lead two stars take the spotlight.
Story – The story here is the basic Dracula story, where after one of his brides is killed, Dracula targets the family that took his bride to get his own new bride and revenge. The Dracula story has been told so many times, it does become slightly boring to watch a story that doesn’t offer anything new to the tried and tested formula. If you do know the basic story, you will know everything that happens in this film which just ends up being nothing refreshing.
Horror – The horror comes the ideas of vampires with Dracula lurking in the darkness, most doesn’t come off scary though which is disappointing.
Settings – The film uses the couple of main locations, we have the castle of course which we don’t spend enough time around, the English house that shows how the family will try to hide from Dracula.
Special Effects – The effects are practical which do bring one of the most memorable scenes in the film.
Scene of the Movie – final showdown.
That Moment That Annoyed Me – It isn’t anything new.
Final Thoughts – This is a hammer horror version of Dracula, it works well enough for the basic idea, only it doesn’t reach too much new to the story idea.
Overall: Hammer Horror Dracula.
LeftSideCut (3778 KP) rated Game Of Thrones - Season 6 in TV
Jul 19, 2019
Hold the Goddam Door
Contains spoilers, click to show
Season 6 of Game of thrones is another incredible display of television spinning so many plates.
The season kick starts with the immediate fallout of Jon Snows death at the end of season 5. As many predicted, it doesn't take long for his death to be reversed, thanks to Melisandre, freeing Jon of his duty to the Nights Watch, as he marches off to free Winterfell from the clutches of Ramsay Bolton.
Talking of Ramsay, he continues to show how much of a wretch he truly is (his worst point would be feeding his own infant brother to rabid dogs.)
In King's Landing, the High Sparrow continues to manipulate the crown, and makes them seem powerless whilst doing so, as fanatic religion takes hold of the capital.
Danaerys is still just being Danaerys. The writers continue to subtly hint at her being similar to her mad father before her, and I usually love the slow burn of Game of Thrones, but her story still continues to sort of plod along.
Another storyline that became a bit tiresome this season was Arya training in Bravos. When I look back on GoT, that storyline seems to stick out as the one I found most trying, even if it did result in the much awaited death of Merryn Trant.
Beyond the wall, Bran is still firmly stuck in a tree, but we see some great glimpses into the past history of Westeros in the process - the Tower of Joy scene being a highlight. This infamously leads to the 'Hold the Door' which pretty much tore everyone's hearts in two :(
It's all just very good, and the season ends on a double whammy of two of the best episodes this show ever produced.
Firstly, the Battle of the Bastards is incredible, and surpasses many Hollywood movies in terms of on screen battles. It's a fantastic hour of television (Justice for Rikkon)
And then the last episode - just wow. The opening 15 minutes holds little dialogue, and an incredible piece of score (Ramin Djawadi take a bow), as Cersei ruthlessly and quickly takes her revenge on many who have wrong her, in one fell swoop, killing off a good handful of characters in seconds - GoT was never a show to do things by halves.
The season ends with Cersei as queen, and Danaerys (finally!) crossing the sea to Westeros.
It's all really thrilling and top tier TV.
The season kick starts with the immediate fallout of Jon Snows death at the end of season 5. As many predicted, it doesn't take long for his death to be reversed, thanks to Melisandre, freeing Jon of his duty to the Nights Watch, as he marches off to free Winterfell from the clutches of Ramsay Bolton.
Talking of Ramsay, he continues to show how much of a wretch he truly is (his worst point would be feeding his own infant brother to rabid dogs.)
In King's Landing, the High Sparrow continues to manipulate the crown, and makes them seem powerless whilst doing so, as fanatic religion takes hold of the capital.
Danaerys is still just being Danaerys. The writers continue to subtly hint at her being similar to her mad father before her, and I usually love the slow burn of Game of Thrones, but her story still continues to sort of plod along.
Another storyline that became a bit tiresome this season was Arya training in Bravos. When I look back on GoT, that storyline seems to stick out as the one I found most trying, even if it did result in the much awaited death of Merryn Trant.
Beyond the wall, Bran is still firmly stuck in a tree, but we see some great glimpses into the past history of Westeros in the process - the Tower of Joy scene being a highlight. This infamously leads to the 'Hold the Door' which pretty much tore everyone's hearts in two :(
It's all just very good, and the season ends on a double whammy of two of the best episodes this show ever produced.
Firstly, the Battle of the Bastards is incredible, and surpasses many Hollywood movies in terms of on screen battles. It's a fantastic hour of television (Justice for Rikkon)
And then the last episode - just wow. The opening 15 minutes holds little dialogue, and an incredible piece of score (Ramin Djawadi take a bow), as Cersei ruthlessly and quickly takes her revenge on many who have wrong her, in one fell swoop, killing off a good handful of characters in seconds - GoT was never a show to do things by halves.
The season ends with Cersei as queen, and Danaerys (finally!) crossing the sea to Westeros.
It's all really thrilling and top tier TV.
Phil Leader (619 KP) rated Slow Bullets in Books
Nov 25, 2019
I have been a fan of Alastair Reynolds since I picked up a copy of Revelation Space when it was first published. He is the master of telling stories that span solar systems while still maintaining a human perspective via his characters.
The set up is interesting and simple, at least in summary. A ship carrying soldiers, mostly war criminals of one sort or another, following a ceasefire malfunctions and they are awoken from hibernation much later than they expected. Almost immediately the the rivalries from the war become apparent again and it is up to Scur to put herself in the position of ensuring that they can at least survive without killing each other for a war long since finished.
The story is told from Scur's point of view as she effectively writes her memoir - and confessional - as she comes to the end of her life. Reynolds entwines several threads effortlessly producing some good dramatic moments and plot twists. The changes of direction are not so much surprising as they occur but the direction they go in.
Apart from the expected divisions between the different sides of the army and the civilians on the ship Scur needs to worry about where the advanced civilization that existed before the war has gone, the slow deterioration of the ship, the potential for a religious war and a war criminal which she would very much like to exact revenge upon, all played out in the pressure cooker environment of the ship.
The result is a tight story with plenty of action interspersed with serious considerations about society, justice and religion and how they interplay. Like any of Reynold's work the particular universe this story inhabits - as far as can be discerned this is not related to any other novel or short story - arrives fully formed and with perceptible depth and history, hinting at other stories that might be told elsewhere.
For one of Reynolds' stories there isn't much science and it doesn't stick to physical limits - faster than light travel and communications are both possible but not really explored in detail. But the focus is entirely on the individuals involved with the setting just a backdrop for them to play out the story in front of.
Overall a thoroughly good read and one I would recommend to anyone who likes their science fiction up close and personal.
Rating: Some violent scenes and bad language
The set up is interesting and simple, at least in summary. A ship carrying soldiers, mostly war criminals of one sort or another, following a ceasefire malfunctions and they are awoken from hibernation much later than they expected. Almost immediately the the rivalries from the war become apparent again and it is up to Scur to put herself in the position of ensuring that they can at least survive without killing each other for a war long since finished.
The story is told from Scur's point of view as she effectively writes her memoir - and confessional - as she comes to the end of her life. Reynolds entwines several threads effortlessly producing some good dramatic moments and plot twists. The changes of direction are not so much surprising as they occur but the direction they go in.
Apart from the expected divisions between the different sides of the army and the civilians on the ship Scur needs to worry about where the advanced civilization that existed before the war has gone, the slow deterioration of the ship, the potential for a religious war and a war criminal which she would very much like to exact revenge upon, all played out in the pressure cooker environment of the ship.
The result is a tight story with plenty of action interspersed with serious considerations about society, justice and religion and how they interplay. Like any of Reynold's work the particular universe this story inhabits - as far as can be discerned this is not related to any other novel or short story - arrives fully formed and with perceptible depth and history, hinting at other stories that might be told elsewhere.
For one of Reynolds' stories there isn't much science and it doesn't stick to physical limits - faster than light travel and communications are both possible but not really explored in detail. But the focus is entirely on the individuals involved with the setting just a backdrop for them to play out the story in front of.
Overall a thoroughly good read and one I would recommend to anyone who likes their science fiction up close and personal.
Rating: Some violent scenes and bad language
JT (287 KP) rated Haywire (2012) in Movies
Mar 10, 2020
With all the acting talent that was on offer in this film how could Soderbergh give us such an overrated pile of rubbish and waste said talent in an instant. Thank the lord I didn’t purchase this on Blu-ray as I was originally intending to; otherwise it would have been in the box and back to the shop the following day.
There is nothing wrong with casting a female in the lead role for an action film, it worked for Angelina Jolie in Tomb Raider, Wanted and Salt. Here though, Gina Carano, who had no acting talent at all and came from a Muay Thai background meant she would need little training in the fight choreography, but lots in the acting department. It was clear then that no one directed her to that department. Sharing the screen with the likes of Fassbender, Douglas, and McGregor she was well out of place.
Mallory Kane (Gina Carano) is a black ops soldier who has been double crossed and is now out for revenge. The plot that is so overdone it is boring with nothing new to offer at all. The film is told from Kane’s point of view to Scott (Michael Angarano), a customer in the diner who she escapes with. Looking at Soderbergh’s back catalogue he’s never really tackled a high octane action flick, and it shows right from the outset. The fight scenes are powerful and well put together but then I’m sure that is down to Carano’s skill and experience as a real life fighter.
Soderbergh tries to make it too slick and too involved. When all we are begging for is a decent car chase or explosion, something to get us off our seats and fist pump the air. This doesn’t happen, even if she does dispatch Fassbender with ease or leaves poor Channing Tatum with a broken arm.
The cast list is admirable, but in their own way they are used sparingly. Douglas’s government agent gets a little screen time, as does the shady contact Antonio Banderas who, like Douglas, is only around for a short space of time. The less said about McGregor the better as quite frankly he was crap! I personally didn’t rate this at all. Soderbergh is a good director but his foray into action was a bit of a let down and a great disappointment.
There is nothing wrong with casting a female in the lead role for an action film, it worked for Angelina Jolie in Tomb Raider, Wanted and Salt. Here though, Gina Carano, who had no acting talent at all and came from a Muay Thai background meant she would need little training in the fight choreography, but lots in the acting department. It was clear then that no one directed her to that department. Sharing the screen with the likes of Fassbender, Douglas, and McGregor she was well out of place.
Mallory Kane (Gina Carano) is a black ops soldier who has been double crossed and is now out for revenge. The plot that is so overdone it is boring with nothing new to offer at all. The film is told from Kane’s point of view to Scott (Michael Angarano), a customer in the diner who she escapes with. Looking at Soderbergh’s back catalogue he’s never really tackled a high octane action flick, and it shows right from the outset. The fight scenes are powerful and well put together but then I’m sure that is down to Carano’s skill and experience as a real life fighter.
Soderbergh tries to make it too slick and too involved. When all we are begging for is a decent car chase or explosion, something to get us off our seats and fist pump the air. This doesn’t happen, even if she does dispatch Fassbender with ease or leaves poor Channing Tatum with a broken arm.
The cast list is admirable, but in their own way they are used sparingly. Douglas’s government agent gets a little screen time, as does the shady contact Antonio Banderas who, like Douglas, is only around for a short space of time. The less said about McGregor the better as quite frankly he was crap! I personally didn’t rate this at all. Soderbergh is a good director but his foray into action was a bit of a let down and a great disappointment.
JT (287 KP) rated Only God Forgives (2013) in Movies
Mar 10, 2020
Now here is a film that completely split critics. It’s not going to be everyone’s cup of tea and it’s clear to see why. Anyone expecting a well constructed follow up to Winding Refn’s hit Drive are going to be sorely disappointed, as Only God Forgives serves up a mix of beautiful neon visuals, character dreamscapes and minimal dialogue.
Julian (Ryan Gosling) runs a Thai boxing club deep in the heart of Bangkok using it as front for a drug smuggling ring with his brother. Events take a horrific turn when his brother rapes and murders an underage prostitute. Enter retired cop Chang (Vithaya Pansringarm), more well known as the ‘Angel of Vengeance’ who has a unique and almost godlike way of handing out retribution to those who cross his path.
When he allows Julian’s brother to be murdered by the father of the girl he killed, Julian’s mother Crystal and family matriarch heads out to demand that Julian take revenge for his brothers death.
Only God Forgives is a film doused in deep colours that awash the actors on screen and cast them in a variety of different lights. It feels a bit art house and at times arrogant. This must have been the easiest pay cheque that Gosling has ever picked up. He barely speaks and stamps any authority on screen by long drawn out stares of which he is the master.
Scott Thomas is not the mother figure that you would expect to have. Goading Julian into submission in a vile and disgusting manner she belittles him, prompting the question that he is half the man his brother is. She is one of the few standouts. All blonde hair and jewellery along with a arsenal of foul language. However, it will be Chang that leaves the afterthought, as he glides about unleashing his sword on those who stand in his way.
Only God Forgives is violent, and it is certainly not for the faint-hearted, the spilling of blood (particularly one hard to watch scene) is in keeping with the tonal colour of the setting. It doesn’t have Drive’s slickness but does come with an equally pulsating sound track.
There is no arguing that from a cinematography point of view this film his head and shoulders above others. But there is the odd occasion when you really have to question the director and what it was that he set out to achieve?
Julian (Ryan Gosling) runs a Thai boxing club deep in the heart of Bangkok using it as front for a drug smuggling ring with his brother. Events take a horrific turn when his brother rapes and murders an underage prostitute. Enter retired cop Chang (Vithaya Pansringarm), more well known as the ‘Angel of Vengeance’ who has a unique and almost godlike way of handing out retribution to those who cross his path.
When he allows Julian’s brother to be murdered by the father of the girl he killed, Julian’s mother Crystal and family matriarch heads out to demand that Julian take revenge for his brothers death.
Only God Forgives is a film doused in deep colours that awash the actors on screen and cast them in a variety of different lights. It feels a bit art house and at times arrogant. This must have been the easiest pay cheque that Gosling has ever picked up. He barely speaks and stamps any authority on screen by long drawn out stares of which he is the master.
Scott Thomas is not the mother figure that you would expect to have. Goading Julian into submission in a vile and disgusting manner she belittles him, prompting the question that he is half the man his brother is. She is one of the few standouts. All blonde hair and jewellery along with a arsenal of foul language. However, it will be Chang that leaves the afterthought, as he glides about unleashing his sword on those who stand in his way.
Only God Forgives is violent, and it is certainly not for the faint-hearted, the spilling of blood (particularly one hard to watch scene) is in keeping with the tonal colour of the setting. It doesn’t have Drive’s slickness but does come with an equally pulsating sound track.
There is no arguing that from a cinematography point of view this film his head and shoulders above others. But there is the odd occasion when you really have to question the director and what it was that he set out to achieve?
Gareth von Kallenbach (977 KP) rated Out of the Furnace (2013) in Movies
Aug 6, 2019
The holiday season is upon us and with that the end of the movie season for 2013. This is the point where studios release
The last blockbusters of the year. It’s also the time when they release what I like to call ‘hidden gems’ of the year. The ones you never see coming or fly under the radar and don’t get the credit they deserve.
Today’s selection for your consideration, definitely qualifies as one of those films the ‘flies under the radar’ but is definitely one worthy of recognition and more than worthy to be seen.
The thriller “Out Of The Furnace” will hit theaters on Friday December 6th. Starring Christian Bale, Woody Harrelson, Zoe Saldana, Willem Dafoe, Forrest Whitaker, Casey Affleck, Sam Shepard and directed by Scoot Cooper ‘Out Of The Furnace’ tells the story of Russell Blaze (Bale) and Rodney (Affleck).
Two blue collar brothers from Pennsylvania who, along with their Uncle Red (Shepard), care for their sick father. Russell works at the local steel mill until an impossible string of random events sends him to prison. Meanwhile, Rodney, a recently returned Iraqi war veteran unable to find work is lured into less than legal means of earning income in order to help provide for the family. Upon his release, Russell’s life takes an even more dramatic turn as he is forced to choose between justice for his brother or his freedom.
‘Out Of The Furnace’ is not exactly a holiday film. It’s a tale of revenge. It’s a story that follows a hard-working American family who by no fault of their own, were overcome come by outside elements that they could not be prepared for or never anticipate.
It’s a tragedy reminiscent of Shakespeare combined with a powerful cast.
It’s methodical, shocking, and heartbreaking. Not for the faint of heart. It shows that even in the end, no matter what choices you have standing in the shoes of Russell Blaze you can still lose. The movie starts off slow and certain aspects like the fate of Uncle Red get lost in the mix but all in all I’d say this movie is definitely one worth seeing and I wouldn’t be surprised in the least if it doesn’t get talked up for a few awards.
The last blockbusters of the year. It’s also the time when they release what I like to call ‘hidden gems’ of the year. The ones you never see coming or fly under the radar and don’t get the credit they deserve.
Today’s selection for your consideration, definitely qualifies as one of those films the ‘flies under the radar’ but is definitely one worthy of recognition and more than worthy to be seen.
The thriller “Out Of The Furnace” will hit theaters on Friday December 6th. Starring Christian Bale, Woody Harrelson, Zoe Saldana, Willem Dafoe, Forrest Whitaker, Casey Affleck, Sam Shepard and directed by Scoot Cooper ‘Out Of The Furnace’ tells the story of Russell Blaze (Bale) and Rodney (Affleck).
Two blue collar brothers from Pennsylvania who, along with their Uncle Red (Shepard), care for their sick father. Russell works at the local steel mill until an impossible string of random events sends him to prison. Meanwhile, Rodney, a recently returned Iraqi war veteran unable to find work is lured into less than legal means of earning income in order to help provide for the family. Upon his release, Russell’s life takes an even more dramatic turn as he is forced to choose between justice for his brother or his freedom.
‘Out Of The Furnace’ is not exactly a holiday film. It’s a tale of revenge. It’s a story that follows a hard-working American family who by no fault of their own, were overcome come by outside elements that they could not be prepared for or never anticipate.
It’s a tragedy reminiscent of Shakespeare combined with a powerful cast.
It’s methodical, shocking, and heartbreaking. Not for the faint of heart. It shows that even in the end, no matter what choices you have standing in the shoes of Russell Blaze you can still lose. The movie starts off slow and certain aspects like the fate of Uncle Red get lost in the mix but all in all I’d say this movie is definitely one worth seeing and I wouldn’t be surprised in the least if it doesn’t get talked up for a few awards.
Gareth von Kallenbach (977 KP) rated Bullet to the Head (2013) in Movies
Aug 7, 2019
Action icon Sylvester Stallone follows up his smash hit “The Expendables 2” with a turn as a New Orleans hitman on a mission of revenge in “Bullet to the Head”. Produced by Walter Hill, who brought us such classics as the “Alien” series and directed films such as “Red Heat” and “48 Hours”, his signature style is evident throughout.
Stallone plays James Bonomo, a.k.a. Jimmy Bobo, a thug with a long rap sheet and few friends. After celebrating a successful contract hit, his partner is brutally killed and an attempt is made on Jimmy’s life as well. Suspecting that they’d been setup, James reluctantly meets with a D.C. detective named Taylor Kwon (Sung Kang), who is in town to investigate the murder of his former partner. Fate forces the duo to work with one another despite Kwon’s by-the-book nature and utter disdain for James and his choice of profession. The two soon uncover a large conspiracy that threatens not only their lives but the cities very powerful and elite, making the duo the prime targets for those who will stop at nothing.
Despite having a fairly formulaic plot, the film works very well, thanks in large part to the cast. The two leads work very well with one another, and the fine supporting work by Jason Momoa and Adewale Akinnuoye-Agbaje really set the tone. The action in the film is intense and at times brutal but does not seem gratuitous, making it clear that the characters live in a violent world where accepting death is second nature to the urge to kill.
Stallone gives a very physical performance as the world weary James and you can tell that he went all out for the films action sequences despite the toll his body had to take. The film is based on the graphic novel “Du Plomb dans la Tête” and captures the elements of a classic film noir, with the action of a buddy cop film without pandering to many of the genre stereotypes.
While I enjoyed Schwarzenegger’s “The Last Stand” a bit more, I was very surprised at how enjoyable the film was after being underwhelmed by the trailer. In the end, if you’re a fan of Stallone, and love a good action film, then this is one you will not want to miss.
Stallone plays James Bonomo, a.k.a. Jimmy Bobo, a thug with a long rap sheet and few friends. After celebrating a successful contract hit, his partner is brutally killed and an attempt is made on Jimmy’s life as well. Suspecting that they’d been setup, James reluctantly meets with a D.C. detective named Taylor Kwon (Sung Kang), who is in town to investigate the murder of his former partner. Fate forces the duo to work with one another despite Kwon’s by-the-book nature and utter disdain for James and his choice of profession. The two soon uncover a large conspiracy that threatens not only their lives but the cities very powerful and elite, making the duo the prime targets for those who will stop at nothing.
Despite having a fairly formulaic plot, the film works very well, thanks in large part to the cast. The two leads work very well with one another, and the fine supporting work by Jason Momoa and Adewale Akinnuoye-Agbaje really set the tone. The action in the film is intense and at times brutal but does not seem gratuitous, making it clear that the characters live in a violent world where accepting death is second nature to the urge to kill.
Stallone gives a very physical performance as the world weary James and you can tell that he went all out for the films action sequences despite the toll his body had to take. The film is based on the graphic novel “Du Plomb dans la Tête” and captures the elements of a classic film noir, with the action of a buddy cop film without pandering to many of the genre stereotypes.
While I enjoyed Schwarzenegger’s “The Last Stand” a bit more, I was very surprised at how enjoyable the film was after being underwhelmed by the trailer. In the end, if you’re a fan of Stallone, and love a good action film, then this is one you will not want to miss.
Heart's Medicine: Time to Heal
Games and Stickers
9.0
Rate It
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From the creators of Delicious and Fabulous comes a new game that will make you fall in love!...
The Grimaldis of Monaco: Centuries of Scandal, Years of Grace
Book
The Grimaldis of Monaco tells in full the remarkable history of the world's oldest reigning dynasty....
Laws of the Jungle: Football's Monkey Business
Brian Laws and Alan Biggs
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Brian Laws has played in all four professional divisions of English football. He has also managed at...