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Sophia (Bookwyrming Thoughts) (530 KP) rated Allegiant in Books
Jan 23, 2020
<b><u>Before Reading:</u></b>
I've been spoiled of the ending. Yep. SPOILED. Then I confirmed it at Barnes & Noble by finding out what chapter it happens on... which I won't say at all.
That should have stopped me from even picking up the last copy from the school library, or even asking, because I simply don't want to get smacked in the face by what happens in the end and how it truly leads there.
But I decided that I should simply take a chance on the series, because after all, I liked the other books in the series. It would be a different case if I didn't like Divergent and Insurgent.
And maybe I'll have different thoughts despite the ending when I do finish reading.
<b><u>After Reading:</b></u>
Let me just mention this first and foremost: this will not be a very rave review, despite the rating. So Divergent fans, if you cannot handle not-so-very-rave reviews, please turn around and walk out. If you can, or if you're remotely curious, feel free to continue on.
But don't say I didn't warn you. Because I certainly did, and I won't be warning again. Oh, and there may be a few spoilers. They're in red....
I’m just going to "Cut to the Chase" right this minute, and possibly earn a few tomatoes thrown at me as a result in the end. I’m pretty sure I’m entitled to my honest opinion, so if I lied, I wouldn’t be honest after all.
I do not mean the music video by Trish Thuy Trang featuring Cardin.
My nose might grow longer as well. ;)
Allegiant was dangling on a fish hook right above the surface of DNF Lake many times while reading it. Near the end though, after a HUGE – and by "HUGE," I mean at least 80% of the way through – chunk have been read, I kind of spared it and brought it back to shore. Some people may have noticed me complaining a bit – and giving a few brief review spoilers! – on Twitter or Personal Facebook. And yes, I have a Facebook. Please don't stalk me. :p
One of the review spoilers? I don't particularly like Tris as a character anymore. POSSIBLE SPOILER ALERT! Possibly making it worse – and basically only L knows about this – I don't feel really sorry about what happened to her. Well, I'm upset, but I'm not exactly going to start crying and being depressed over what happened.
I have my reasons.
I didn't really notice it back in Insurgent, but Tris seems too impulsive in her actions. She and Tobias also argue too much. :/ Then again, I'm not an expert in the relationship department. It was just aggravating and annoying.
Allegiant certainly wasn't boring, which was another review spoiler. It was Veronica Roth's writing. It seems more... I don't know. There's just something about the writing that bothers me in Allegiant. And it's not because of Tobias' POV being added in, though it was interesting to break into his mind and take a peek behind the "stoniness".
By stoniness, I meant that he doesn't seem to give out a lot of what he's really thinking. I guess it's a nice change, being able to see/read what Tobias is thinking. SPOILER ALERT! Oh, and he likes to hurt people?! Disappointing in that part...
Okay, you now have the right to bash me and throw tomatoes at me. Just give me ten seconds to run away. :p
<blockquote>Yeah, sometimes life really sucks. But you know what I'm holding on for?
The moments that don't suck. The trick is to notice them when they come around.</blockquote>
---------------------
Formatting may be lost due to copy and paste. Pictures have been removed from this review.
This review and more on <a href="http://bookwyrming-thoughts.blogspot.com/2013/12/review-allegiant-by-veronica-roth.html">Bookwyrming Thoughts</a>
<img src="http://4.bp.blogspot.com/-Gi5Rk5yLloA/UtliaUbdL3I/AAAAAAAACbE/J27z92_qrYU/s1600/Official+Banner.png"; />
I've been spoiled of the ending. Yep. SPOILED. Then I confirmed it at Barnes & Noble by finding out what chapter it happens on... which I won't say at all.
That should have stopped me from even picking up the last copy from the school library, or even asking, because I simply don't want to get smacked in the face by what happens in the end and how it truly leads there.
But I decided that I should simply take a chance on the series, because after all, I liked the other books in the series. It would be a different case if I didn't like Divergent and Insurgent.
And maybe I'll have different thoughts despite the ending when I do finish reading.
<b><u>After Reading:</b></u>
Let me just mention this first and foremost: this will not be a very rave review, despite the rating. So Divergent fans, if you cannot handle not-so-very-rave reviews, please turn around and walk out. If you can, or if you're remotely curious, feel free to continue on.
But don't say I didn't warn you. Because I certainly did, and I won't be warning again. Oh, and there may be a few spoilers. They're in red....
I’m just going to "Cut to the Chase" right this minute, and possibly earn a few tomatoes thrown at me as a result in the end. I’m pretty sure I’m entitled to my honest opinion, so if I lied, I wouldn’t be honest after all.
I do not mean the music video by Trish Thuy Trang featuring Cardin.
My nose might grow longer as well. ;)
Allegiant was dangling on a fish hook right above the surface of DNF Lake many times while reading it. Near the end though, after a HUGE – and by "HUGE," I mean at least 80% of the way through – chunk have been read, I kind of spared it and brought it back to shore. Some people may have noticed me complaining a bit – and giving a few brief review spoilers! – on Twitter or Personal Facebook. And yes, I have a Facebook. Please don't stalk me. :p
One of the review spoilers? I don't particularly like Tris as a character anymore. POSSIBLE SPOILER ALERT! Possibly making it worse – and basically only L knows about this – I don't feel really sorry about what happened to her. Well, I'm upset, but I'm not exactly going to start crying and being depressed over what happened.
I have my reasons.
I didn't really notice it back in Insurgent, but Tris seems too impulsive in her actions. She and Tobias also argue too much. :/ Then again, I'm not an expert in the relationship department. It was just aggravating and annoying.
Allegiant certainly wasn't boring, which was another review spoiler. It was Veronica Roth's writing. It seems more... I don't know. There's just something about the writing that bothers me in Allegiant. And it's not because of Tobias' POV being added in, though it was interesting to break into his mind and take a peek behind the "stoniness".
By stoniness, I meant that he doesn't seem to give out a lot of what he's really thinking. I guess it's a nice change, being able to see/read what Tobias is thinking. SPOILER ALERT! Oh, and he likes to hurt people?! Disappointing in that part...
Okay, you now have the right to bash me and throw tomatoes at me. Just give me ten seconds to run away. :p
<blockquote>Yeah, sometimes life really sucks. But you know what I'm holding on for?
The moments that don't suck. The trick is to notice them when they come around.</blockquote>
---------------------
Formatting may be lost due to copy and paste. Pictures have been removed from this review.
This review and more on <a href="http://bookwyrming-thoughts.blogspot.com/2013/12/review-allegiant-by-veronica-roth.html">Bookwyrming Thoughts</a>
<img src="http://4.bp.blogspot.com/-Gi5Rk5yLloA/UtliaUbdL3I/AAAAAAAACbE/J27z92_qrYU/s1600/Official+Banner.png"; />
Sophia (Bookwyrming Thoughts) (530 KP) rated The Ambrose Beacon (The Solas Prophecy, #1) in Books
Jan 23, 2020
Original Review posted at <a title="The Ambrose Beacon by Alena Gouveia" href="http://bookwyrming-thoughts.blogspot.com/2013/11/review-the-ambrose-beacon-by-alena-gouveia.html">Bookwyrming Thoughts<a/>
Note: Formatting is lost due to copy and paste, along with pictures and captions
<i><b>Disclaimer:</b> Review copy provided by author for review</i>
Let me blunt about The Ambrose Beacon: it was boring. It also became the third unfortunate book that lands into my DNF list and the first fantasy book oh wait. Not exactly the first... does the Caster Chronicles count as Fantasy, or does it count as Paranormal? If it counts as paranormal, then The Ambrose Beacon became the unfortunate first fantasy book I didn't finish.
So essentially, I give fair warning: I rated and reviewed it based on what I could manage to read so far. Which, I think I was being a bit lenient about, but I didn't throw the book against the wall, so it certainly didn't deserve a lower rating.
Now allow me to tell why I found it boring, and my general thoughts on it:
Larry and Jerry. They sound so similar (they rhyme as well), that I was befuddled and mistakenly read Jerry as Larry and vice-versa when it was really the other way around. They're best friends and one of them is the main character. How confusing can that get?
The characters don't seem to be in depth. While I get the why for Harper and Arianna, the other characters simply seem virtually pancake-like (no offense). Add to the fact that it suddenly switches POVs without some sort of sign. One minute it's Cole, the next? Dinah, Jerry, Harper, Vaughn, etc. >_<
Fairies. Probably one of my favorite things to read about, and it's not because they're sparkly and pretty and whatnot. But I was actually interested in Gouveia's take on fairies when the word was
mentioned in the earliest parts of the book.
Unfortunately, it doesn't seem to be well written, nor realistic. I mean, doing magic in public. In front of human eyewitnesses. That doesn't sound like the typical faery to me that tries to not let the human world find out about them because then it's all, "IT'S THE APOCALYPSE. I must be seeing things," or maybe, "HOLY MONKEYS. FAIRIES EXIST" *rubs eyes to make sure it's not an illusion.* But the fairies here seem like a bounce off of Fantastic Four (even though I haven't watched the movie). More like superheroes than the sidhe.
The same thing is repeated, but in different variations. Oh hooray. Demons, demons and more demons. Same kind of demon, which isn't a problem for me, but the very fact that they tend to be doing the same thing over and over and over again throughout the entire book, which is the main reason why I stopped (I really did stop at exactly 50%). There's not a lot going on, although maybe if I had the time and gave the book further chances, there might be other things going on rather than "OMG, THERE'S A DEMON THAT WANTS MY HEAD ON A PLATTER. RUN." (or in the case here, it's fight to the death.)
Generally I like fantasy. I love the creative worlds and character and creatures made up that gives me a free ticket to travel okay, that applies to any book really without having to move a single inch, and the very fact that you can't exactly buy a plane ticket to the area in the first place. Someone tell me if we can really buy a plane ticket to the Faery Realms if you so disagree on that fact. Of course... I wouldn't exactly try and mess with fairies in the first place.
I tried liking the story. I thought first thought it was because of reading The Jungle, which is dreadfully boring, and it may have influenced my thoughts on this one. Then I read Allegiant for awhile and came back to it. It didn't work out well either (and Allegiant didn't bore me).
So simply put, The Ambrose Beacon is not really my cup of tea.
*eats a biscuit and avoids unsweetened tea*
I really hate giving bad reviews. Especially DNFs.
Note: Formatting is lost due to copy and paste, along with pictures and captions
<i><b>Disclaimer:</b> Review copy provided by author for review</i>
Let me blunt about The Ambrose Beacon: it was boring. It also became the third unfortunate book that lands into my DNF list and the first fantasy book oh wait. Not exactly the first... does the Caster Chronicles count as Fantasy, or does it count as Paranormal? If it counts as paranormal, then The Ambrose Beacon became the unfortunate first fantasy book I didn't finish.
So essentially, I give fair warning: I rated and reviewed it based on what I could manage to read so far. Which, I think I was being a bit lenient about, but I didn't throw the book against the wall, so it certainly didn't deserve a lower rating.
Now allow me to tell why I found it boring, and my general thoughts on it:
Larry and Jerry. They sound so similar (they rhyme as well), that I was befuddled and mistakenly read Jerry as Larry and vice-versa when it was really the other way around. They're best friends and one of them is the main character. How confusing can that get?
The characters don't seem to be in depth. While I get the why for Harper and Arianna, the other characters simply seem virtually pancake-like (no offense). Add to the fact that it suddenly switches POVs without some sort of sign. One minute it's Cole, the next? Dinah, Jerry, Harper, Vaughn, etc. >_<
Fairies. Probably one of my favorite things to read about, and it's not because they're sparkly and pretty and whatnot. But I was actually interested in Gouveia's take on fairies when the word was
mentioned in the earliest parts of the book.
Unfortunately, it doesn't seem to be well written, nor realistic. I mean, doing magic in public. In front of human eyewitnesses. That doesn't sound like the typical faery to me that tries to not let the human world find out about them because then it's all, "IT'S THE APOCALYPSE. I must be seeing things," or maybe, "HOLY MONKEYS. FAIRIES EXIST" *rubs eyes to make sure it's not an illusion.* But the fairies here seem like a bounce off of Fantastic Four (even though I haven't watched the movie). More like superheroes than the sidhe.
The same thing is repeated, but in different variations. Oh hooray. Demons, demons and more demons. Same kind of demon, which isn't a problem for me, but the very fact that they tend to be doing the same thing over and over and over again throughout the entire book, which is the main reason why I stopped (I really did stop at exactly 50%). There's not a lot going on, although maybe if I had the time and gave the book further chances, there might be other things going on rather than "OMG, THERE'S A DEMON THAT WANTS MY HEAD ON A PLATTER. RUN." (or in the case here, it's fight to the death.)
Generally I like fantasy. I love the creative worlds and character and creatures made up that gives me a free ticket to travel okay, that applies to any book really without having to move a single inch, and the very fact that you can't exactly buy a plane ticket to the area in the first place. Someone tell me if we can really buy a plane ticket to the Faery Realms if you so disagree on that fact. Of course... I wouldn't exactly try and mess with fairies in the first place.
I tried liking the story. I thought first thought it was because of reading The Jungle, which is dreadfully boring, and it may have influenced my thoughts on this one. Then I read Allegiant for awhile and came back to it. It didn't work out well either (and Allegiant didn't bore me).
So simply put, The Ambrose Beacon is not really my cup of tea.
*eats a biscuit and avoids unsweetened tea*
I really hate giving bad reviews. Especially DNFs.
Lottie disney bookworm (1056 KP) rated Frozen 2: Dangerous Secrets: The Story of Iduna and Agnarr in Books
Dec 29, 2020
Dangerous Secrets is the greatly anticipated prequel to Frozen II which, for the first time in forever, shines the spotlight onto King Agnarr and Queen Iduna of Arendelle.
The 2019 film undoubtedly revealed some of these secrets, such as Iduna being Northuldra and saving Agnarr as a child as well as the two of them venturing to Ahtohallan to find the answers behind Elsa’s powers. Unfortunately, thanks to the film, we also know that they never completed their journey.
Cue Mari Mancusi who expertly bring the monarchs back to life through her writing and forms these little-known characters into best friends, young lovers and torn parents, always just trying to do the next right thing.
The back stories of Agnarr and Iduna are nothing short of brilliant: the reader meets both characters in the Enchanted Forest on the fateful day of the dam celebration and we experience the wonder of both worlds colliding, along with the following danger and confusion from a first-person perspective.
I thoroughly appreciated how Mari Mancusi didn’t have to explain what had happened between the Arendellian forces and the Northuldra: Mancusi knows that the reader already knows the true turn of events from the movie. All throughout Dangerous Secrets this “inside knowledge” is used beautifully: allowing us to experience events as our protagonists do, but without diluting the tension and excitement with explanations.
The reader grows up alongside the future King and Queen, seeing their friendship blossom and experiencing their respective heartbreaks and secrets. The Northuldra are widely believed to be enemies of Arendelle due to the King’s death and the rumours surrounding it. Iduna’s hardship of hiding her true identity is matched only by her grief of losing the only family she has ever known. Similarly, Agnarr has lost a father, his best friend General Matthias and now has to learn how to be a King. Even when they find solace in their friendship and the later romance that this grows into, Iduna is not royalty: their love is doomed from the start…isn’t it?
Regular readers of my reviews will know I loved Jen Calonita’s “Let it Go” but felt that towards the end the writing emulated the movie verbatim in places. I found Kamilla Benko’s “Forest of Shadows” interesting and unique but ultimately it tried too hard to insert different elements into the Frozen universe that we know and love.
In my opinion, Dangerous Secrets contains none of these criticisms.
Elements of the movie are included, of course they are! Agnarr and Iduna’s reading tree is taken straight out of Elsa’s/Ahtohallan’s ice memories; Oaken’s trading post and sauna is briefly mentioned as a rest stop during one of the couple’s adventures and the wonder of chocolate is something Elsa and Anna definitely inherited from their parents!
The difference with this novel is that any references to the movie are easter eggs: elements that we love to spot; they are not brash and in-your-face; they are subtle and add to the story rather than creating it entirely. For example, I loved the inclusion of Grand-Pabbie and the trolls. I also suspect we may have met Kristoff’s mother – perhaps opening the door to another book from Mari Mancusi?
Of course, Dangerous Secrets can only end with the fateful voyage made by the royal couple and, true to form, this made me cry my little heart out. I know from the author’s note that Mari Mancusi is a mother herself but I feel that I would have known this anyway through the sheer heartbreak she portrays through Iduna, and later Agnarr. From their first discovery of Elsa’s powers; to Anna’s accident; to acknowledging that they were endangering Elsa by asking her to “conceal, don’t feel” right up until the couple’s realisation that they will never see their daughters again: the writing is powerful, hard-hitting and, with Ahtohallan’s last gift, stunningly beautiful.
This is a five-star glimpse into the King and Queen of Arendelle and a must-read for any fan of Frozen.
Will Mancusi reveal the secret of the ice-gatherer woman’s identity next?
Only Ahtohallan knows.
The 2019 film undoubtedly revealed some of these secrets, such as Iduna being Northuldra and saving Agnarr as a child as well as the two of them venturing to Ahtohallan to find the answers behind Elsa’s powers. Unfortunately, thanks to the film, we also know that they never completed their journey.
Cue Mari Mancusi who expertly bring the monarchs back to life through her writing and forms these little-known characters into best friends, young lovers and torn parents, always just trying to do the next right thing.
The back stories of Agnarr and Iduna are nothing short of brilliant: the reader meets both characters in the Enchanted Forest on the fateful day of the dam celebration and we experience the wonder of both worlds colliding, along with the following danger and confusion from a first-person perspective.
I thoroughly appreciated how Mari Mancusi didn’t have to explain what had happened between the Arendellian forces and the Northuldra: Mancusi knows that the reader already knows the true turn of events from the movie. All throughout Dangerous Secrets this “inside knowledge” is used beautifully: allowing us to experience events as our protagonists do, but without diluting the tension and excitement with explanations.
The reader grows up alongside the future King and Queen, seeing their friendship blossom and experiencing their respective heartbreaks and secrets. The Northuldra are widely believed to be enemies of Arendelle due to the King’s death and the rumours surrounding it. Iduna’s hardship of hiding her true identity is matched only by her grief of losing the only family she has ever known. Similarly, Agnarr has lost a father, his best friend General Matthias and now has to learn how to be a King. Even when they find solace in their friendship and the later romance that this grows into, Iduna is not royalty: their love is doomed from the start…isn’t it?
Regular readers of my reviews will know I loved Jen Calonita’s “Let it Go” but felt that towards the end the writing emulated the movie verbatim in places. I found Kamilla Benko’s “Forest of Shadows” interesting and unique but ultimately it tried too hard to insert different elements into the Frozen universe that we know and love.
In my opinion, Dangerous Secrets contains none of these criticisms.
Elements of the movie are included, of course they are! Agnarr and Iduna’s reading tree is taken straight out of Elsa’s/Ahtohallan’s ice memories; Oaken’s trading post and sauna is briefly mentioned as a rest stop during one of the couple’s adventures and the wonder of chocolate is something Elsa and Anna definitely inherited from their parents!
The difference with this novel is that any references to the movie are easter eggs: elements that we love to spot; they are not brash and in-your-face; they are subtle and add to the story rather than creating it entirely. For example, I loved the inclusion of Grand-Pabbie and the trolls. I also suspect we may have met Kristoff’s mother – perhaps opening the door to another book from Mari Mancusi?
Of course, Dangerous Secrets can only end with the fateful voyage made by the royal couple and, true to form, this made me cry my little heart out. I know from the author’s note that Mari Mancusi is a mother herself but I feel that I would have known this anyway through the sheer heartbreak she portrays through Iduna, and later Agnarr. From their first discovery of Elsa’s powers; to Anna’s accident; to acknowledging that they were endangering Elsa by asking her to “conceal, don’t feel” right up until the couple’s realisation that they will never see their daughters again: the writing is powerful, hard-hitting and, with Ahtohallan’s last gift, stunningly beautiful.
This is a five-star glimpse into the King and Queen of Arendelle and a must-read for any fan of Frozen.
Will Mancusi reveal the secret of the ice-gatherer woman’s identity next?
Only Ahtohallan knows.
Bob Mann (459 KP) rated Roe v. Wade (2021) in Movies
Mar 24, 2021
Tough subject matter taken head on (1 more)
'Old-pros' Voight, Davi and Guttenberg turn up
The script is clunky and unconvincing (1 more)
Some of the supporting acting roles are ropey
A controversial look at the Supreme Court legalisation of abortion in 1973
Roe v Wade was a controversial vote by the US Supreme Court in 1973 over whether abortion should be legalized across the US, following its earlier legalization in New York state.
Following an early personal tragedy, Dr. Bernard Nathanson (Nick Loeb) is a leading abortion advocate, making a tidy living by performing abortions in New York. Together with writer and journalist Larry Lader (Jamie Kennedy) the pair lobby for the "Right to Choose": to legalize abortion across the country. They 'recruit' Norma McCorvey (Summer Joy Campbell), under the pseudonym of Jane Roe, to headline their case.
Against them are the 'Pro-Life' lobby headed by Dr. Mildred Jefferson (Stacey Nash) with Henry Wade (James DuMont), the district attorney for Dallas County, being the opposing plaintiff.
Positives:
- It's a brave team that put a movie together about such an emotionally charged subject, and Nick Loeb and crew should be congratulated for being brave enough to do so.
- As in "The Trial of the Chicago 7", this was subject matter from the era from the US 1960/1970's that I was completely unaware of, so I didn't know where the movie might go (no spoilers here).
- The movie plays its cards pretty close to its chest for most of the running time as regards whose 'side' it is on: pro-Life or pro-Choice. You see each team working their own corner, and the facts for and against are provided to the viewer (which Nick Loeb asserts have been thoroughly fact checked).
- The film comes to life most in some of the legal debates between Professor Robert Byrn (Joey Lawrence) and his students. These were the scenes which I enjoyed most, and Lawrence delivers one of the better acting performances in the movie.
- There's fun in seeing a lot of 'old pros' appearing in cameos as the supreme court judges: Jon Voight ("Mission Impossible"); Bond villain Robert Davi ("Licence to Kill"); Corbin Bernsen ("LA Law") and Steve Guttenberg ("3 Men and a Baby").
Negatives:
- There's no polite way to say this, but as a relatively low-budget movie, some of the supporting performances are on the decidedly ropy side.
- I wanted to see more of the legal debate between the members of the Supreme court.... but I suspect the shooting time available with these 'big name' actors was limited. That's a shame.
- This is not a "Trial of the Chicago 7", and the script is NOT by Aaron Sorkin. It generally lacks polish. And there is way too much "Oh, hello <<Insert full title and name of character here>>" which is distractingly unnatural (just use sub-titles!).
- Those familiar with my blog will know of my UTTER HATRED of voiceovers in movies! This is deployed throughout (by Nick Loeb) and irritated me enormously. More "Show".... less "Tell"!
- The movie doesn't know when to quit. There is a natural and dramatic "end point" to the story. But the movie tacks on multiple 'epilogue' scenes. Some of these are interesting and informative, showing broadcasts of the 'real-life' participants. Others are superfluous, and lessen the overall impact of the message. IMHO, it would have been better to end at the natural end-point of the story, then 'do a "Sully"' by dropping the real life photos and interviews as insets into the end-titles.
I'll sometimes put 'warnings' for sensitive viewers into my reviews. As the subject matter is abortion, then this may naturally self-deselect certain viewers. But to be clear, the movie does 'go there' in two short, almost subliminal, scenes that will almost certainly upset any parents that have been through any form of pre-natal loss. Watcher beware.
(For my full graphical review, please check out One Mann's Movies review here - https://bob-the-movie-man.com/2021/03/24/roe-v-wade-theres-a-fortune-in-abortion/. Thanks.)
Following an early personal tragedy, Dr. Bernard Nathanson (Nick Loeb) is a leading abortion advocate, making a tidy living by performing abortions in New York. Together with writer and journalist Larry Lader (Jamie Kennedy) the pair lobby for the "Right to Choose": to legalize abortion across the country. They 'recruit' Norma McCorvey (Summer Joy Campbell), under the pseudonym of Jane Roe, to headline their case.
Against them are the 'Pro-Life' lobby headed by Dr. Mildred Jefferson (Stacey Nash) with Henry Wade (James DuMont), the district attorney for Dallas County, being the opposing plaintiff.
Positives:
- It's a brave team that put a movie together about such an emotionally charged subject, and Nick Loeb and crew should be congratulated for being brave enough to do so.
- As in "The Trial of the Chicago 7", this was subject matter from the era from the US 1960/1970's that I was completely unaware of, so I didn't know where the movie might go (no spoilers here).
- The movie plays its cards pretty close to its chest for most of the running time as regards whose 'side' it is on: pro-Life or pro-Choice. You see each team working their own corner, and the facts for and against are provided to the viewer (which Nick Loeb asserts have been thoroughly fact checked).
- The film comes to life most in some of the legal debates between Professor Robert Byrn (Joey Lawrence) and his students. These were the scenes which I enjoyed most, and Lawrence delivers one of the better acting performances in the movie.
- There's fun in seeing a lot of 'old pros' appearing in cameos as the supreme court judges: Jon Voight ("Mission Impossible"); Bond villain Robert Davi ("Licence to Kill"); Corbin Bernsen ("LA Law") and Steve Guttenberg ("3 Men and a Baby").
Negatives:
- There's no polite way to say this, but as a relatively low-budget movie, some of the supporting performances are on the decidedly ropy side.
- I wanted to see more of the legal debate between the members of the Supreme court.... but I suspect the shooting time available with these 'big name' actors was limited. That's a shame.
- This is not a "Trial of the Chicago 7", and the script is NOT by Aaron Sorkin. It generally lacks polish. And there is way too much "Oh, hello <<Insert full title and name of character here>>" which is distractingly unnatural (just use sub-titles!).
- Those familiar with my blog will know of my UTTER HATRED of voiceovers in movies! This is deployed throughout (by Nick Loeb) and irritated me enormously. More "Show".... less "Tell"!
- The movie doesn't know when to quit. There is a natural and dramatic "end point" to the story. But the movie tacks on multiple 'epilogue' scenes. Some of these are interesting and informative, showing broadcasts of the 'real-life' participants. Others are superfluous, and lessen the overall impact of the message. IMHO, it would have been better to end at the natural end-point of the story, then 'do a "Sully"' by dropping the real life photos and interviews as insets into the end-titles.
I'll sometimes put 'warnings' for sensitive viewers into my reviews. As the subject matter is abortion, then this may naturally self-deselect certain viewers. But to be clear, the movie does 'go there' in two short, almost subliminal, scenes that will almost certainly upset any parents that have been through any form of pre-natal loss. Watcher beware.
(For my full graphical review, please check out One Mann's Movies review here - https://bob-the-movie-man.com/2021/03/24/roe-v-wade-theres-a-fortune-in-abortion/. Thanks.)
Bob Mann (459 KP) rated Old (2021) in Movies
Jul 28, 2021
Cinematography and Sound Design - very Hitchcockian (1 more)
Concept and initial set-up of the movie
Dafter than the Dharma initiative.
"Old" is the latest from the gloriously inconsistent writer/director M. Night Shyamalan. Will this be great Shyamalan (à la "The Sixth Sense") or dire Shyamalan (à la "The Last Airbender")? The answer, in my view, is somewhere in the middle. It's a curate's egg of a movie.
Positives:
- The premise feels very familiar (desert island beach; time slips; weird things happening.... "Lost" anyone?). But as a shell for a big screen adventure it kept me well-engaged.
- Shyamalan and his "Glass" cinematographer Mike Gioulakis use some novel techniques to portray the ageing effects. The angles they utilize feel quite Hitchcockian at times. Shyamalan supports this with the sound design, which makes this a REALLY good movie to watch in a cinema with good surround sound. Often the camera will be spinning showing nothing but ocean or rocks, with the character's conversation rotating behind you in the cinema. It's really quite effective.
- Shyamalan knows that no visual effects can improve on the horrors your mind can come up with. Although a '15' certificate, the "sustained threat, strong violence and injury detail" referenced by the BBFC pales into insignificance (in terms of what you actually see) compared to the equally rated "Freaky".
- I've seen other reviews comment that the "twist" (no spoilers here) was obvious. But, although not a ground-breaking idea, I was sufficiently satisfied with the denouement. It made sense, albeit twisted sense.
Negatives:
- I enjoyed the movie's leisurely set-up, introducing the characters and the movie's concept. (In many ways, it felt like the start of one of Irwin Allen's disaster movies of the 70's and 80's). But then Shyamalan turns the dial up to 11 and the action becomes increasingly farcical. Add into that the fact that you can see some of the 'jolts' coming a mile off, and the movie becomes progressively more disappointing, with a high ERQ (eye-rolling quotient) by the end.
- In particular, there are inconsistencies to the story that get you asking uncomfortable questions. For example, wounds can heal in the blink of an eye.... but not stab wounds apparently.
- The cast is truly global in nature: Vicky ("Phantom Thread") Krieps hails from Luxembourg; Bernal is Mexican; Sewell is a Brit; Amuka-Bird ("David Copperfield") is Nigerian; Leung is American; Eliza Scanlan is an Aussie; and Thomasin McKenzie (so good in "Jojo Rabbit", and good here too) is a Kiwi. But although it's clearly quite natural that an exotic beach resort would attract guests from all over the world, the combination of accents here makes the whole thing, unfortunately, sound like a dodgy spaghetti western!
Summary Thoughts: 'Time' and 'ageing' have of course been a popular movie topic for many years. I remember being both gripped and horrified by George Pal's wonderful 1960's version of "The Time Machine" when Rod Taylor threw his machine into fast forward and the dead Morlock decomposed in front of his eyes! Ursula Andress did the same as the rapidly ageing Ayesha in 1965's "She". And, more recently and with better effects, Julian Glover did the same in "Indiana Jones and the Last Crusade".
Unfortunately, "Old" isn't likely to join any of these classic movies in my consciousness. It's a diverting enough movie, with fabulous views of the Dominican Republic (which the local tourist board will no doubt be delighted with). A "less is more" approach might have made this a classic. But unfortunately, that's not what Shyamalan delivered here. Since what we get is a 'Lost-lite' with farcical elements.
And, by the way.... The movie that Charles (Rufus Sewell) refers to starring Jack Nicholson and Marlon Brando is "The Missouri Breaks". It has a very unusual John Williams soundtrack, which I have on vinyl somewhere and is probably worth a few bob!
(For the full graphical review, please check out One Mann's Movies on t'interweb, Facebook and Tiktok. Thanks.)
Positives:
- The premise feels very familiar (desert island beach; time slips; weird things happening.... "Lost" anyone?). But as a shell for a big screen adventure it kept me well-engaged.
- Shyamalan and his "Glass" cinematographer Mike Gioulakis use some novel techniques to portray the ageing effects. The angles they utilize feel quite Hitchcockian at times. Shyamalan supports this with the sound design, which makes this a REALLY good movie to watch in a cinema with good surround sound. Often the camera will be spinning showing nothing but ocean or rocks, with the character's conversation rotating behind you in the cinema. It's really quite effective.
- Shyamalan knows that no visual effects can improve on the horrors your mind can come up with. Although a '15' certificate, the "sustained threat, strong violence and injury detail" referenced by the BBFC pales into insignificance (in terms of what you actually see) compared to the equally rated "Freaky".
- I've seen other reviews comment that the "twist" (no spoilers here) was obvious. But, although not a ground-breaking idea, I was sufficiently satisfied with the denouement. It made sense, albeit twisted sense.
Negatives:
- I enjoyed the movie's leisurely set-up, introducing the characters and the movie's concept. (In many ways, it felt like the start of one of Irwin Allen's disaster movies of the 70's and 80's). But then Shyamalan turns the dial up to 11 and the action becomes increasingly farcical. Add into that the fact that you can see some of the 'jolts' coming a mile off, and the movie becomes progressively more disappointing, with a high ERQ (eye-rolling quotient) by the end.
- In particular, there are inconsistencies to the story that get you asking uncomfortable questions. For example, wounds can heal in the blink of an eye.... but not stab wounds apparently.
- The cast is truly global in nature: Vicky ("Phantom Thread") Krieps hails from Luxembourg; Bernal is Mexican; Sewell is a Brit; Amuka-Bird ("David Copperfield") is Nigerian; Leung is American; Eliza Scanlan is an Aussie; and Thomasin McKenzie (so good in "Jojo Rabbit", and good here too) is a Kiwi. But although it's clearly quite natural that an exotic beach resort would attract guests from all over the world, the combination of accents here makes the whole thing, unfortunately, sound like a dodgy spaghetti western!
Summary Thoughts: 'Time' and 'ageing' have of course been a popular movie topic for many years. I remember being both gripped and horrified by George Pal's wonderful 1960's version of "The Time Machine" when Rod Taylor threw his machine into fast forward and the dead Morlock decomposed in front of his eyes! Ursula Andress did the same as the rapidly ageing Ayesha in 1965's "She". And, more recently and with better effects, Julian Glover did the same in "Indiana Jones and the Last Crusade".
Unfortunately, "Old" isn't likely to join any of these classic movies in my consciousness. It's a diverting enough movie, with fabulous views of the Dominican Republic (which the local tourist board will no doubt be delighted with). A "less is more" approach might have made this a classic. But unfortunately, that's not what Shyamalan delivered here. Since what we get is a 'Lost-lite' with farcical elements.
And, by the way.... The movie that Charles (Rufus Sewell) refers to starring Jack Nicholson and Marlon Brando is "The Missouri Breaks". It has a very unusual John Williams soundtrack, which I have on vinyl somewhere and is probably worth a few bob!
(For the full graphical review, please check out One Mann's Movies on t'interweb, Facebook and Tiktok. Thanks.)
Ivana A. | Diary of Difference (1171 KP) rated Into The Crooked Place (Into The Crooked Place #1) in Books
Oct 5, 2020
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#1 <a href="https://www.goodreads.com/review/show/2999418076">Into the Crooked Place</a> - ★★★★
#2 <a href="https://www.goodreads.com/review/show/3504840515">City of Spells</a> - TBR
<img src="https://i0.wp.com/diaryofdifference.com/wp-content/uploads/2020/08/Book-Review-Banner-76.png?resize=768%2C432&ssl=1"/>;
Into the Crooked Place by Alexandra Christo was a book I was very excited to read in the first place.
There is magic and potions, there is romance and adventure. The hype around it was huge, and it is still talked about in the bookish community.
What’s not to like?
Tavia sells magic potions on the market. One day, she is ordered to sell a new magic potion. When her friend Saxoni drinks the new potion, something bad happens. The potion makes people do terrible things - and Tavia and Saxoni need to stop it, before it destroys everyone!
The storytelling in this book was amazing. I was immediately teleported to a world where going to a market to buy a love potion is normal. I could connect with all characters immediately, and wanted to know more about them. The story is told from multiple character’s points of view, which I found appropriate for this story.
Apart from Tavia and Saxony, we also meet Wesley - who is Tavia’s underboss. He is the one that she follows orders from, and he is the one to grant her her freedom, once she earns it by working for him.
<b><i>“There are no good people, he said. Just ones who haven’t made bad choices yet.”</i></b>
We also meet Karam - a feisty warrior woman, who is fighting in pits for money. Karam is a character that I instantly liked, for her bravery and her free spirit. She knows who she is, she knows how she got there, and she knows exactly what she wants.
<b><i>“She had fought her way to her position and hadn’t needed prayer or magic to do it. Just her fists and her smarts and the knowledge that she could.”</i></b>
I liked Karam and she was probably my favorite character.
I think that her journey was the most adventurous compared to all the other characters, and I feel like she’s grown the most.
<b><i>“She felt at home. And she knew why. She knew then that home could be anywhere, because it wasn’t a place, but a feeling. It was made up of people, not bricks, and it was something you could create for yourself, just like family.”</i></b>
The legacy that Karam and Saxony carry is very conveniently revealed. The author only revealed this when it was needed in the book, to fit a certain situation and prompt plot twists. This wasn’t something I enjoyed, and together with how the book ended, it did leave a bitter aftertaste. I think I would have liked the book more if certain reveals were handled better, and the ending was more interesting.
<b><i>“Sometimes, words spoken in anger are not words spoken in truth, dila.”</i></b>
To sum everything up, I still think Into the Crooked Place was amazing and enjoyable.
I enjoyed being in this magical world and I enjoyed the adventures the characters went through. If you’ve been reading my reviews, you will know I love a good versus evil battle, and this book did indeed have that. Would I change the ending? Yes. Would I change the way the reveals were handled? Yes. But was this still an amazing book? Most definitely. If you love young-adult magic and adventure books - you will enjoy this one!
Thank you to the teams at Hot Key Books and ReadersFirst, for sending me a copy of this book. Into the Crooked Place is the first book in the series. The second book is called City of Spells, and is expected to come out in 2021.
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#1 <a href="https://www.goodreads.com/review/show/2999418076">Into the Crooked Place</a> - ★★★★
#2 <a href="https://www.goodreads.com/review/show/3504840515">City of Spells</a> - TBR
<img src="https://i0.wp.com/diaryofdifference.com/wp-content/uploads/2020/08/Book-Review-Banner-76.png?resize=768%2C432&ssl=1"/>;
Into the Crooked Place by Alexandra Christo was a book I was very excited to read in the first place.
There is magic and potions, there is romance and adventure. The hype around it was huge, and it is still talked about in the bookish community.
What’s not to like?
Tavia sells magic potions on the market. One day, she is ordered to sell a new magic potion. When her friend Saxoni drinks the new potion, something bad happens. The potion makes people do terrible things - and Tavia and Saxoni need to stop it, before it destroys everyone!
The storytelling in this book was amazing. I was immediately teleported to a world where going to a market to buy a love potion is normal. I could connect with all characters immediately, and wanted to know more about them. The story is told from multiple character’s points of view, which I found appropriate for this story.
Apart from Tavia and Saxony, we also meet Wesley - who is Tavia’s underboss. He is the one that she follows orders from, and he is the one to grant her her freedom, once she earns it by working for him.
<b><i>“There are no good people, he said. Just ones who haven’t made bad choices yet.”</i></b>
We also meet Karam - a feisty warrior woman, who is fighting in pits for money. Karam is a character that I instantly liked, for her bravery and her free spirit. She knows who she is, she knows how she got there, and she knows exactly what she wants.
<b><i>“She had fought her way to her position and hadn’t needed prayer or magic to do it. Just her fists and her smarts and the knowledge that she could.”</i></b>
I liked Karam and she was probably my favorite character.
I think that her journey was the most adventurous compared to all the other characters, and I feel like she’s grown the most.
<b><i>“She felt at home. And she knew why. She knew then that home could be anywhere, because it wasn’t a place, but a feeling. It was made up of people, not bricks, and it was something you could create for yourself, just like family.”</i></b>
The legacy that Karam and Saxony carry is very conveniently revealed. The author only revealed this when it was needed in the book, to fit a certain situation and prompt plot twists. This wasn’t something I enjoyed, and together with how the book ended, it did leave a bitter aftertaste. I think I would have liked the book more if certain reveals were handled better, and the ending was more interesting.
<b><i>“Sometimes, words spoken in anger are not words spoken in truth, dila.”</i></b>
To sum everything up, I still think Into the Crooked Place was amazing and enjoyable.
I enjoyed being in this magical world and I enjoyed the adventures the characters went through. If you’ve been reading my reviews, you will know I love a good versus evil battle, and this book did indeed have that. Would I change the ending? Yes. Would I change the way the reveals were handled? Yes. But was this still an amazing book? Most definitely. If you love young-adult magic and adventure books - you will enjoy this one!
Thank you to the teams at Hot Key Books and ReadersFirst, for sending me a copy of this book. Into the Crooked Place is the first book in the series. The second book is called City of Spells, and is expected to come out in 2021.
Gareth von Kallenbach (971 KP) rated the PlayStation 4 version of Tony Hawk's Pro Skater 1 + 2 (Remastered) in Video Games
Oct 8, 2020
Tony Hawk Pro Skater 1+2 Takes What Was Old And Makes It New And Amazing
It’s a sunny day in Southern California. Friends are gathered around the Playstation and the CRT. The game in the console is letting us do what many of us just can’t do in real life. You’re mashing buttons trying to string together those combos for bragging rights among your friends. There’s a cold drink by your side, and your friend’s mom pops in to see if anyone wants some tortas. Nostalgia at its finest. I know this wasn’t everyone’s childhood, it wasn’t even mine most of the time. But those moments when we were blissfully unaware of what the future holds were some of the greatest of our lives. And like some out there, I can link a lot of this to video games, and few are more important in my life than Tony Hawk’s Pro Skater.
Flash forward 21 years and the world is crumbling around us. But there’s still that shining light waiting for those of us that know. An escape. A chance to do something we really can’t do in real life. Most of us couldn’t do it in 1999 either, but that’s neither here nor there. Tony Hawk’s Pro Skater 1+2 is the perfect release during this pandemic, whether you believe in it or not (I can’t believe I actually have to type those words). It gives the nostalgic fun to the old-timers like me, and introduces a whole new generation of gamers.
As I am sure you know by now, THPS1+2 is essentially the exact same games that we know and love, with a few minor tweaks. First and foremost, graphics have been updated significantly. From cut scenes to gameplay, everything has been modernized. Even the veteran skaters in the game have been updated to their current appearances, though their original appearances in the game are still available. There are other small things, like Subway Tokens being updated to Subway Cards, which, in true Tony Hawk fashion, are also about to be discontinued from use in the NY Subway System (tokens were on their way out when the game first released).
We also see some new skaters this time around, with a good addition of female skaters to the game. But beyond that, the games are, in many, many ways the same as original. It feels the same, and quite honestly looks the exact same to what I remember. Now clearly, this is not the case, but it’s weird what the brain will tell you when looking at things 20 years apart. Not only is the game play, goals, and levels set up exactly the same as it has always been, even most of the original soundtrack is present, with the addition of 37 new songs as well.
There’s not a lot I can tell you that will convince you either way. You’re either a fan of the series or you’re not. If you had a problem with the series back then, especially some people’s issues over the controls (which brought about competition such as Skate – which is being rebooted as well – or the newly released Skater XL), you will likely have the same issues now. As mentioned, and as you will see in many reviews, the gameplay is nearly identical to the first releases of both games. It is just really nice to revisit an important part of my young adult life, even if they still included those crappy competition levels.
With a price tag of $39.99, Tony Hawk Pro Skater 1+2 seems the perfect bit of happy distraction to help get us through the unknown in these difficulty times. My only qualm with the game would be platform availability. It’s available on PS4, Xbox One, and PC (by way of Epic Games Store), but I think they hindered themselves with 2 decisions: no Nintendo Switch version and EGS. I would love to be able to take this game on the go with me on the Nintendo, and the alleged anti-consumer practices of Epic Games regarding their store, not to mention their current publicity stunt with Apple and Google, has left a sour taste in the mouths of many gamers. Hopefully we will see availability on more platforms, including Stadia, in the future.
Flash forward 21 years and the world is crumbling around us. But there’s still that shining light waiting for those of us that know. An escape. A chance to do something we really can’t do in real life. Most of us couldn’t do it in 1999 either, but that’s neither here nor there. Tony Hawk’s Pro Skater 1+2 is the perfect release during this pandemic, whether you believe in it or not (I can’t believe I actually have to type those words). It gives the nostalgic fun to the old-timers like me, and introduces a whole new generation of gamers.
As I am sure you know by now, THPS1+2 is essentially the exact same games that we know and love, with a few minor tweaks. First and foremost, graphics have been updated significantly. From cut scenes to gameplay, everything has been modernized. Even the veteran skaters in the game have been updated to their current appearances, though their original appearances in the game are still available. There are other small things, like Subway Tokens being updated to Subway Cards, which, in true Tony Hawk fashion, are also about to be discontinued from use in the NY Subway System (tokens were on their way out when the game first released).
We also see some new skaters this time around, with a good addition of female skaters to the game. But beyond that, the games are, in many, many ways the same as original. It feels the same, and quite honestly looks the exact same to what I remember. Now clearly, this is not the case, but it’s weird what the brain will tell you when looking at things 20 years apart. Not only is the game play, goals, and levels set up exactly the same as it has always been, even most of the original soundtrack is present, with the addition of 37 new songs as well.
There’s not a lot I can tell you that will convince you either way. You’re either a fan of the series or you’re not. If you had a problem with the series back then, especially some people’s issues over the controls (which brought about competition such as Skate – which is being rebooted as well – or the newly released Skater XL), you will likely have the same issues now. As mentioned, and as you will see in many reviews, the gameplay is nearly identical to the first releases of both games. It is just really nice to revisit an important part of my young adult life, even if they still included those crappy competition levels.
With a price tag of $39.99, Tony Hawk Pro Skater 1+2 seems the perfect bit of happy distraction to help get us through the unknown in these difficulty times. My only qualm with the game would be platform availability. It’s available on PS4, Xbox One, and PC (by way of Epic Games Store), but I think they hindered themselves with 2 decisions: no Nintendo Switch version and EGS. I would love to be able to take this game on the go with me on the Nintendo, and the alleged anti-consumer practices of Epic Games regarding their store, not to mention their current publicity stunt with Apple and Google, has left a sour taste in the mouths of many gamers. Hopefully we will see availability on more platforms, including Stadia, in the future.
Emma @ The Movies (1786 KP) rated Venom (2018) in Movies
Sep 25, 2019
I went into the screen with wildly low expectations for Venom, nothing in the trailer had me on the edge of my seat. In the run up to me going there were more and more reviews appearing saying that it was bad, not that I read any of them. So many people just felt the need to put it right in the title... yes, yes, but much more obvious than mine!!
But you know what? It wasn't bad. That's not to say it was good, but it wasn't bad. I didn't laugh anywhere near as much as everyone else did, but it did have some funny bits in it. I'm sorry though, "blowing like a turd in the wind"? Not funny. Wasn't funny in the trailer, not funny in the film.
Full disclosure, I've booked to see this again. Not because I enjoyed it so much but because the people who were watching it in the screen with me were the noisiest people on the planet.
I understand that they couldn't accurately do Venom's origin story as it invilves Spider-man but I'm not sure how I felt about this version of events. Also, if a super nerd out there could help me out... I thought that Venom was the name for the combined host and symbiote, but in the film the symbiote is called Venom... which way is correct?
There are some great bits between Eddie and Venom. Venom obviously thinks Eddie is a bit of a wimp and doesn't mind pointing it out. He's embarrassed by him putting his hands up in surrender and by him being unwilling to jump out of an upper floor window. Both bring amusing exchanges.
When we see the duo fighting and evading the tac team in the early part of the film all I could think was how reminiscent of Upgrade it was when he was being controlled by Venom. I also got flashes of other Marvel offerings, specifically Hulk. Venom tossing people around by their feet, then witnessing him fight Riot gave me flashbacks of Hulk and The Abomination. The latter was a lot easier to watch than the fight between this new pair though. It was way too chaotic, and almost impossible to figure out exactly what was happening.
In general I'm not a fan of the CGI symbiotes, they look a lot more cartoony and feel slightly unfinished, like there's a layer missing to make them more realistic. I also wasn't overly keen on much of the acting, I found Tom Hardy to be lacking and didn't find Eddie Brock to be very dynamic for an investigative journalist.
The first of the credit scenes lines us up with a potential sequel with a quick appearence by Woody Harrelson as Cletus Kasady who historically was the original host for Carnage. Harrelson has grown on me immensely in recent years with his acting and it would be a shame not to see him given this serial killers' role in the Universe... but with a film that feels like it fits more in the Maguire era of Spider-man movies I personally can't see a sequel from Venom doing him justice.
The second credit scene felt a little like a cheat to me as it wasn't anything to do with the film. It was entertaining despite that though. A little lighthearted humour but it felt completely out of place, it was much more like a short you would watch before the main event. Perhaps it would have been better as a "feature length" trailer than a credit scene.
What should you do?
You should probably see it. In my opinion it doesn't compare to any of the other "super" movies, and he isn't going to become my favourite anti-hero, but it is a reasonable diversion and the humour that's there isn't that bad.
Movie thing you wish you could take home
If I could have a symbiote that won't kill be and wouldn't look so crazy then I think I'd probably see where it took me.
But you know what? It wasn't bad. That's not to say it was good, but it wasn't bad. I didn't laugh anywhere near as much as everyone else did, but it did have some funny bits in it. I'm sorry though, "blowing like a turd in the wind"? Not funny. Wasn't funny in the trailer, not funny in the film.
Full disclosure, I've booked to see this again. Not because I enjoyed it so much but because the people who were watching it in the screen with me were the noisiest people on the planet.
I understand that they couldn't accurately do Venom's origin story as it invilves Spider-man but I'm not sure how I felt about this version of events. Also, if a super nerd out there could help me out... I thought that Venom was the name for the combined host and symbiote, but in the film the symbiote is called Venom... which way is correct?
There are some great bits between Eddie and Venom. Venom obviously thinks Eddie is a bit of a wimp and doesn't mind pointing it out. He's embarrassed by him putting his hands up in surrender and by him being unwilling to jump out of an upper floor window. Both bring amusing exchanges.
When we see the duo fighting and evading the tac team in the early part of the film all I could think was how reminiscent of Upgrade it was when he was being controlled by Venom. I also got flashes of other Marvel offerings, specifically Hulk. Venom tossing people around by their feet, then witnessing him fight Riot gave me flashbacks of Hulk and The Abomination. The latter was a lot easier to watch than the fight between this new pair though. It was way too chaotic, and almost impossible to figure out exactly what was happening.
In general I'm not a fan of the CGI symbiotes, they look a lot more cartoony and feel slightly unfinished, like there's a layer missing to make them more realistic. I also wasn't overly keen on much of the acting, I found Tom Hardy to be lacking and didn't find Eddie Brock to be very dynamic for an investigative journalist.
The first of the credit scenes lines us up with a potential sequel with a quick appearence by Woody Harrelson as Cletus Kasady who historically was the original host for Carnage. Harrelson has grown on me immensely in recent years with his acting and it would be a shame not to see him given this serial killers' role in the Universe... but with a film that feels like it fits more in the Maguire era of Spider-man movies I personally can't see a sequel from Venom doing him justice.
The second credit scene felt a little like a cheat to me as it wasn't anything to do with the film. It was entertaining despite that though. A little lighthearted humour but it felt completely out of place, it was much more like a short you would watch before the main event. Perhaps it would have been better as a "feature length" trailer than a credit scene.
What should you do?
You should probably see it. In my opinion it doesn't compare to any of the other "super" movies, and he isn't going to become my favourite anti-hero, but it is a reasonable diversion and the humour that's there isn't that bad.
Movie thing you wish you could take home
If I could have a symbiote that won't kill be and wouldn't look so crazy then I think I'd probably see where it took me.
BankofMarquis (1832 KP) rated Hustlers (2019) in Movies
Sep 19, 2019
Bland and boring DESPITE J-Lo's performance
When I first saw the trailer for the Jennifer Lopez "strippers get back at scummy Wall Street-types" film, HUSTLERS, I wasn't at all interested in seeing it But then I got wind of strong early reviews with some (very faint) Oscar talk about J-Lo's performance in this film, so I thought I'd check it out.
I should have trusted my instincts.
What a lame disappointment this film is. It starts out flat and then flattens out even further to produce a movie that starts at one (fairly low) level and then stays there the entire time.
HUSTLERS stars Constance Wu (CRAZY, RICH ASIANS) as a a young stripper who is taught the ropes of the stripping game by uber-stripper Jennifer Lopez (if you don't know who this is, then go ahead and skip to the rating of this film at the bottom of this review and move on). When J-Lo's character, Ramona, comes up with an idea to get back at the scummy Wall Street types AND make some money along the way, Wu's character, Destiny (of course) is a reluctant participant becoming - over time - the leader.
A potentially interesting, "based on True Events" story (this film is based on the real life exploits of Ramona as described in a New York Magazine story), this film just falls flat and I put the blame for this in 2 places.
Lets start with Director and Writer of the screenplay, Lorene Scafaria (SEEKING A FRIEND AT THE END OF THE WORLD). She wrote - and directed - this film like it is a modest-scaled, low-key independent film (much like the very good SEEKING A FRIEND...), but the second that this film cast Jennifer Lopez as the flashy leader Ramona, words like modest and low-key should have been thrown out the window but Scafaria chose not to do this, she downplays the best asset in her movie and plunks most of her effort on a lead who could not match Lopez star power wattage.
And that lead is Constance Wu - the other weak link in this chain. I thought she was "just fine" in CRAZY RICH ASIANS, blending into the scenery when more flamboyant personalities were on the screen (in CRA it was Michelle Yeoh's "tiger mom") and she blends into the scenery whenever J-Lo is on the screen in this film - and that just doesn't work here. She needed to step up and step out and match J-Lo blow for blow, but she backs up and backs away in these crucial moments, so when her character is on the screen alone - trying to get the audience's sympathies - I just didn't care.
What I did care about is Jennifer Lopez's performance as Ramona. She is the brightest spot in this film and brings her star power and natural charisma to the screen. The ultimate problem with this performance (and NO, it is NOT Oscar-worthy) is it feels that she is fighting the "low-key" headwinds of writer/director Scafaria the entire time.
Former Disney star Keke Palmer and current RIVERDALE star Lili Reinhart bring some fun and energy to the screen as the 3rd and 4th partners in this quartet of stripper Robin Hoods, but they are all too often sentenced to strut around in the background in tight outfits. I would have loved to see a movie with Lopez, Palmer and Reinhart that was more "out there" and less restrained.
Finally, two very good actresses - Julia Styles and Mercedes Ruehl - are in this film in "what-the-heck-are they-doing-in-this-film" roles that are underwritten and underutilized the talents of these actresses - another missed opportunity by Writer/Director Scafaria.
I've heard this film called a "female empowerment" film or "the stripper version of Goodfellas" and I couldn't disagree more. The only "empowering" part of this film is when the credits rolled and I could leave.
Letter Grade: C
4 stars (out of 10) and you can take that to the Bank(OfMarquis)
I should have trusted my instincts.
What a lame disappointment this film is. It starts out flat and then flattens out even further to produce a movie that starts at one (fairly low) level and then stays there the entire time.
HUSTLERS stars Constance Wu (CRAZY, RICH ASIANS) as a a young stripper who is taught the ropes of the stripping game by uber-stripper Jennifer Lopez (if you don't know who this is, then go ahead and skip to the rating of this film at the bottom of this review and move on). When J-Lo's character, Ramona, comes up with an idea to get back at the scummy Wall Street types AND make some money along the way, Wu's character, Destiny (of course) is a reluctant participant becoming - over time - the leader.
A potentially interesting, "based on True Events" story (this film is based on the real life exploits of Ramona as described in a New York Magazine story), this film just falls flat and I put the blame for this in 2 places.
Lets start with Director and Writer of the screenplay, Lorene Scafaria (SEEKING A FRIEND AT THE END OF THE WORLD). She wrote - and directed - this film like it is a modest-scaled, low-key independent film (much like the very good SEEKING A FRIEND...), but the second that this film cast Jennifer Lopez as the flashy leader Ramona, words like modest and low-key should have been thrown out the window but Scafaria chose not to do this, she downplays the best asset in her movie and plunks most of her effort on a lead who could not match Lopez star power wattage.
And that lead is Constance Wu - the other weak link in this chain. I thought she was "just fine" in CRAZY RICH ASIANS, blending into the scenery when more flamboyant personalities were on the screen (in CRA it was Michelle Yeoh's "tiger mom") and she blends into the scenery whenever J-Lo is on the screen in this film - and that just doesn't work here. She needed to step up and step out and match J-Lo blow for blow, but she backs up and backs away in these crucial moments, so when her character is on the screen alone - trying to get the audience's sympathies - I just didn't care.
What I did care about is Jennifer Lopez's performance as Ramona. She is the brightest spot in this film and brings her star power and natural charisma to the screen. The ultimate problem with this performance (and NO, it is NOT Oscar-worthy) is it feels that she is fighting the "low-key" headwinds of writer/director Scafaria the entire time.
Former Disney star Keke Palmer and current RIVERDALE star Lili Reinhart bring some fun and energy to the screen as the 3rd and 4th partners in this quartet of stripper Robin Hoods, but they are all too often sentenced to strut around in the background in tight outfits. I would have loved to see a movie with Lopez, Palmer and Reinhart that was more "out there" and less restrained.
Finally, two very good actresses - Julia Styles and Mercedes Ruehl - are in this film in "what-the-heck-are they-doing-in-this-film" roles that are underwritten and underutilized the talents of these actresses - another missed opportunity by Writer/Director Scafaria.
I've heard this film called a "female empowerment" film or "the stripper version of Goodfellas" and I couldn't disagree more. The only "empowering" part of this film is when the credits rolled and I could leave.
Letter Grade: C
4 stars (out of 10) and you can take that to the Bank(OfMarquis)
Heather Cranmer (2721 KP) rated Yazzy's Amazing Yarn in Books
Aug 24, 2019 (Updated Aug 24, 2019)
Anyone who's followed my reviews for awhile knows that I love children's picture books. They're just so much fun to read, and they brighten up my day with how colorful the illustrations can be. When I was asked if I wanted to read and review Yazzy's Amazing Yarn by Cathey Graham Nickell, I didn't hesitate to say yes. Yazzy's Amazing Yarn was such an uplifting and exciting read!
Yazzy is a young girl who loves knitting just like her mom. When Yazzy and her mom walk by a park, Yazzy's mom reminisces about how the park was a lot better back when she was a kid. That night, Yazzy can't sleep. She's thinking about what her mom told her about the park. With the help of her friends, Yazzy decides to yarn bomb the park to bring back some of the cheer her mom experienced as a little girl.
I found the plot for Yazzy's Amazing Yarn to be interesting. My 4 year old son lost interest after a few pages though, but I don't think he's quite the demographic this book would appeal to. To me, I believe this book would appeal most to little girls aged 6 to 10 years of age. I also think the dialogue would be more understandable in this age group. Anyway, I enjoyed learning about what Yazzy and her friends would come up with to make the park more colorful and lively. When the girls leave the house for the park before it opens, I did wonder if they let Yazzy's mom know they were leaving the house. I guess that's just the mom in me though. I would have liked something written in the book that said a parent was notified of them leaving. Anyway, everything else was great, and yarn bombing was a fantastic idea to make a dreary old park come to life. I loved how the author added some history about yarn bombing at the end of the book. I had no idea yarn bombing was a thing until I read Yazzy's Amazing Yarn. From my take on it, it's when someone knits something for an item in their neighborhood such as for stop signs, traffic lights, parks, sidewalks, trees, etc.
The character of Yazzy was likable, and I think young girls can and will relate to her quite easily. She comes across as someone with a kind heart who likes to make others happy. Yazzy seems selfless and like a happy go lucky girl. I loved the diversity of all the characters I came across in Yazzy's Amazing Yarn, but it would have been even better if one of Yazzy's friends had been a boy to show that boy's like knitting as well and that it's not only for females. I was a bit disappointed that only girls were shown knitting. However, that didn't stop me from enjoying this great book.
The illustrations for Yazzy's Amazing Yarn were done superbly. Emily Calimlim, the illustrator, is such a talented artist, and it definitely showed throughout this book. I loved the different vibrant colors used throughout the pictures! My favorite scenes were the ones that took place in the park when it came to illustrations. I felt this was when the colors and illustrations jumped up at me from the page the most.
All in all, Yazzy's Amazing Yarn is such a feel good funtastic (not a typo) story that will warm everyone's heart. The story itself is beautifully written, and the illustrations are gorgeous! I would recommend Yazzy's Amazing Yarn by Cathey Graham Nickell to all ages due to the feel good factor although I do believe little girls ages 6 - 10 years would find it the most appealing. Yazzy's Amazing Yarn gets a 4 out of 5 stars from me!
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(A special thank you to Lone Star Book Blog Tours for providing me with an eBook of Yazzy's Amazing Yarn by Cathey Graham Nickell in exchange for an honest and unbiased review.)
Yazzy is a young girl who loves knitting just like her mom. When Yazzy and her mom walk by a park, Yazzy's mom reminisces about how the park was a lot better back when she was a kid. That night, Yazzy can't sleep. She's thinking about what her mom told her about the park. With the help of her friends, Yazzy decides to yarn bomb the park to bring back some of the cheer her mom experienced as a little girl.
I found the plot for Yazzy's Amazing Yarn to be interesting. My 4 year old son lost interest after a few pages though, but I don't think he's quite the demographic this book would appeal to. To me, I believe this book would appeal most to little girls aged 6 to 10 years of age. I also think the dialogue would be more understandable in this age group. Anyway, I enjoyed learning about what Yazzy and her friends would come up with to make the park more colorful and lively. When the girls leave the house for the park before it opens, I did wonder if they let Yazzy's mom know they were leaving the house. I guess that's just the mom in me though. I would have liked something written in the book that said a parent was notified of them leaving. Anyway, everything else was great, and yarn bombing was a fantastic idea to make a dreary old park come to life. I loved how the author added some history about yarn bombing at the end of the book. I had no idea yarn bombing was a thing until I read Yazzy's Amazing Yarn. From my take on it, it's when someone knits something for an item in their neighborhood such as for stop signs, traffic lights, parks, sidewalks, trees, etc.
The character of Yazzy was likable, and I think young girls can and will relate to her quite easily. She comes across as someone with a kind heart who likes to make others happy. Yazzy seems selfless and like a happy go lucky girl. I loved the diversity of all the characters I came across in Yazzy's Amazing Yarn, but it would have been even better if one of Yazzy's friends had been a boy to show that boy's like knitting as well and that it's not only for females. I was a bit disappointed that only girls were shown knitting. However, that didn't stop me from enjoying this great book.
The illustrations for Yazzy's Amazing Yarn were done superbly. Emily Calimlim, the illustrator, is such a talented artist, and it definitely showed throughout this book. I loved the different vibrant colors used throughout the pictures! My favorite scenes were the ones that took place in the park when it came to illustrations. I felt this was when the colors and illustrations jumped up at me from the page the most.
All in all, Yazzy's Amazing Yarn is such a feel good funtastic (not a typo) story that will warm everyone's heart. The story itself is beautifully written, and the illustrations are gorgeous! I would recommend Yazzy's Amazing Yarn by Cathey Graham Nickell to all ages due to the feel good factor although I do believe little girls ages 6 - 10 years would find it the most appealing. Yazzy's Amazing Yarn gets a 4 out of 5 stars from me!
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(A special thank you to Lone Star Book Blog Tours for providing me with an eBook of Yazzy's Amazing Yarn by Cathey Graham Nickell in exchange for an honest and unbiased review.)