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Morgan Sheppard (968 KP) created a post
Oct 25, 2021
David McK (3632 KP) rated Knives Out (2019) in Movies
Dec 27, 2022
It seems all bit impossible to talk about a Rian Johnson film without mentioning *that* other, incredibly divisive, movie in a certain Space-based franchise.
I'm one of those who that movie pretty much soured me on seeing any others by the same director.
However, this recently popped up on Netflix and so I decided that, as enough time had passed, I would give it a shot.
What I saw was pretty much a standard whodunnit, not as funny or as clever as the reviews made it out to be, and with some twists and turns I saw coming but others which I didn't.
I will agree, however, that Ana de Armas is the standout in the entire film. (And the least said about Craig's atrocious accent the better)
I'm one of those who that movie pretty much soured me on seeing any others by the same director.
However, this recently popped up on Netflix and so I decided that, as enough time had passed, I would give it a shot.
What I saw was pretty much a standard whodunnit, not as funny or as clever as the reviews made it out to be, and with some twists and turns I saw coming but others which I didn't.
I will agree, however, that Ana de Armas is the standout in the entire film. (And the least said about Craig's atrocious accent the better)
Joe Goodhart (27 KP) rated Swamp Thing, Vol. 4: A Murder of Crows in Books
Nov 30, 2020
Earlier this year I had finished Vol. 3 and was ready to start on Vol. 4, but I just wasn't feeling it. The timing just wasn't right. So, I put off my re-visitation of Alan Moore's <b>EFFING BRILLIANT</b> SWAMP THING run...until the other night, when the "timing" returned and I devoured it two nights! Now, with that out of the way, onto my review...
In my reviews for the first three volumes, I mentioned that this was a re-visitation of sorts. It was always something I had intended, returning to a series I had not read since it first came out in the 80s, but it wasn't until going the digital route that I felt the time was due.
This is the volume that introduces that ol' bastard John Constantine, and for that alone, this volume is worth the price of admission! However, it was the path that Constantine sets Swampy on, and the tense and unforgettable finale that culminates in Issue 50, the last part of this volume! For that turns it all the way up to Eleven! Yeah, no Spoilers, despite it's age, but it is intense as a comic could be and then some!
Moore has become, in my eyes, some of a pain in the ass over the last few years. However, with SWAMP THING, as well as WATCHMEN and THE DARK KNIGHT RETURNS, he was totally on his game! There was not one issue in this volume that had me thinking, <i>"Yeah, this was good, but that one story was just absolute rubbish!"</i>. It was pure gold!
Now let it be said that I think the artwork of Jock is about as good as it gets as far as stirring horror images that stay with you long after the story is finished! However, after seeing the art of Stephen R. Bissette and John Tottleben, I was reminded of being scared reading this the first time out, and even now, on the re-read! Man, what I wouldn't give to seem them do another Swampy run, maybe even a guest spot on JUSTICE LEAGUE DARK! Oh, I am excited just imagining how frikkin' <b>AWESOME</b> that would be!
Look, there are a ton of great reviews out there, wherein the writer takes and analyzes everything of importance in this volume. And a number of those great reviews are right here on Goodreads! But, I can't add much to what has already been said! All I can add is this: You soooooo need to read this series! That's all I'm gonna say!
In my reviews for the first three volumes, I mentioned that this was a re-visitation of sorts. It was always something I had intended, returning to a series I had not read since it first came out in the 80s, but it wasn't until going the digital route that I felt the time was due.
This is the volume that introduces that ol' bastard John Constantine, and for that alone, this volume is worth the price of admission! However, it was the path that Constantine sets Swampy on, and the tense and unforgettable finale that culminates in Issue 50, the last part of this volume! For that turns it all the way up to Eleven! Yeah, no Spoilers, despite it's age, but it is intense as a comic could be and then some!
Moore has become, in my eyes, some of a pain in the ass over the last few years. However, with SWAMP THING, as well as WATCHMEN and THE DARK KNIGHT RETURNS, he was totally on his game! There was not one issue in this volume that had me thinking, <i>"Yeah, this was good, but that one story was just absolute rubbish!"</i>. It was pure gold!
Now let it be said that I think the artwork of Jock is about as good as it gets as far as stirring horror images that stay with you long after the story is finished! However, after seeing the art of Stephen R. Bissette and John Tottleben, I was reminded of being scared reading this the first time out, and even now, on the re-read! Man, what I wouldn't give to seem them do another Swampy run, maybe even a guest spot on JUSTICE LEAGUE DARK! Oh, I am excited just imagining how frikkin' <b>AWESOME</b> that would be!
Look, there are a ton of great reviews out there, wherein the writer takes and analyzes everything of importance in this volume. And a number of those great reviews are right here on Goodreads! But, I can't add much to what has already been said! All I can add is this: You soooooo need to read this series! That's all I'm gonna say!
Joe Goodhart (27 KP) rated X-Force/Cable: Messiah War in Books
Nov 30, 2020
Still continuing on my journey, to consume all of the X-FORCE (Vol. 3) stories. Next up: X-FORCE/CABLE: MESSIAH WAR.
Scanning the existing reviews, the general opinion seems to be that this is the way to do a crossover. And having finished it today, I am drawn to the same conclusion as well. From the writing to the art to the overall story progression, everything about this story is a win!
This was my second time reading this story, the first time was when the issues first came in 2008. I liked it first time round, but I felt it made a lot more sense during the second read.
Only thing that still doesn't make sense is Hope and the pseudo-prophetic vision Bishop has in regard to her. All the build-up as far as her character leads one to expect bigger things ahead, but nothing like ever occurs in the post-MESSIAH WAR Hope's life. It doesn't detract from the story, nor do I consider it a true Spoiler, just something I wanted to share. As always I welcome comments, good and bad.
The art was definitely better than the last arc of X-FORCE (Vol. 2: OLD GHOSTS). I found the art styles of both Clayton Crain and Ariel Olivetti, as well as Jamie McKelvie and Mike Choi, suited to the story's dystopian setting. I was especially pleased to see Laura Kinney (X-23) drawn like a 17-year-old girl rather than a 17-year-old with breast implants (I'm looking at you, Mike Choi! #disappointment)!
Despite running through two different titles, CABLE and X-FORCE, the writers - Duane Swierczynski (who is one of my favorite of the modern noir writers) and Christopher Yost/Craig Kyle (I've already spoken highly of their talent in the other X-FORCE reviews I've submitted) - managed to weave together a tapestry both epic as well as grand in its overall finish! Easiest way to sum it up? It was like experiencing a top notch action and suspense-driven science fiction movie!
One of the best things about this crossover is it allows for the character of Cable to show a different side. He genuinely cares about Hope, not just because of her being the "mutant messiah". No, I took it is as a sort of paternal instinct, regarding as a surrogate daughter. I quite liked it. Solid character development!
I like to close my reviews thus: I liked it, but that doesn't mean you will. Give it a shot, and maybe you, too, can offer forth a review (good, bad, or otherwise). Cheers..
Scanning the existing reviews, the general opinion seems to be that this is the way to do a crossover. And having finished it today, I am drawn to the same conclusion as well. From the writing to the art to the overall story progression, everything about this story is a win!
This was my second time reading this story, the first time was when the issues first came in 2008. I liked it first time round, but I felt it made a lot more sense during the second read.
Only thing that still doesn't make sense is Hope and the pseudo-prophetic vision Bishop has in regard to her. All the build-up as far as her character leads one to expect bigger things ahead, but nothing like ever occurs in the post-MESSIAH WAR Hope's life. It doesn't detract from the story, nor do I consider it a true Spoiler, just something I wanted to share. As always I welcome comments, good and bad.
The art was definitely better than the last arc of X-FORCE (Vol. 2: OLD GHOSTS). I found the art styles of both Clayton Crain and Ariel Olivetti, as well as Jamie McKelvie and Mike Choi, suited to the story's dystopian setting. I was especially pleased to see Laura Kinney (X-23) drawn like a 17-year-old girl rather than a 17-year-old with breast implants (I'm looking at you, Mike Choi! #disappointment)!
Despite running through two different titles, CABLE and X-FORCE, the writers - Duane Swierczynski (who is one of my favorite of the modern noir writers) and Christopher Yost/Craig Kyle (I've already spoken highly of their talent in the other X-FORCE reviews I've submitted) - managed to weave together a tapestry both epic as well as grand in its overall finish! Easiest way to sum it up? It was like experiencing a top notch action and suspense-driven science fiction movie!
One of the best things about this crossover is it allows for the character of Cable to show a different side. He genuinely cares about Hope, not just because of her being the "mutant messiah". No, I took it is as a sort of paternal instinct, regarding as a surrogate daughter. I quite liked it. Solid character development!
I like to close my reviews thus: I liked it, but that doesn't mean you will. Give it a shot, and maybe you, too, can offer forth a review (good, bad, or otherwise). Cheers..
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