"The thing that blows my mind about Fela's records is that he can just write two 15 minute songs, and they don't feel at all indulgent. It's all in one key but it never bores you. The tension is like slow, tantric sex, it just builds and builds. He knows how to capture a vibe and hold it tight so the intensity keeps building before it explodes. I don't know why 'Lady' is my favourite track, but personally it hits me really hard. I listen to it all the time, and I find the lyrics really entertaining too. It's his version of a feminist album I guess, he's talking about how 'the woman eats the meat before the man…' I guess that's a symbol of liberation. Meanwhile he has his nine wives singing the backing vocals. He's more than a musician, he's a superman. He almost took over Nigeria and his compound was a separate city, he had his own laws, it's amazing that music can be that powerful. I'm a huge fan of his, He's an example of how music can almost start a revolution."

"This is such a glorious and beautiful album. There are not many albums that make me want to cry but I think this is stunningly beautiful and raw and emotive and it contains some of the best and favourite Neil Young lyrics. You know: 'I need a crowd of people/ But I can't face them day to day' - I feel that. I'm interpreting that in a certain way but I'm with him on that. There are so many times that you listen to stuff that you really feel. It feels so real; more than real even. It's a beautiful album. 'Revolution Blues' has got everything; it's got a great sounding band working really well and nailing it and it's got an energy. Nothing's too internal either. I was talking to someone earlier about the lyrics to Matador and I know that there are some really personal lyrics on there but they still have to have a hook; they can't be too internal. I can't internalise too much or else I close myself off to whoever is listening. I don't want to push anyone away by being so morose or depressing. But Neil Young does it so well. Lyrically he's a great inspiration to me. They sometimes feel like throwaway lyrics or he has quite simple couplets that feel very day-to-day, but then equally he can be a lot more abstract and using metaphors as well. I've looked at that quite a lot in terms of creating that balance of metaphors and real day-to-day life. But why not have some anger in there? I hear that a lot in 'Revolution Blues' where he talks about 'killing stars in their cars' and that's great. It's angry; it's like the first line of 'To The Wire'. The first line of the song is, 'I want to cut myself' but the second line is: 'I want to cut myself down.' You know, it's where I want to cut myself free of all the pressures. I remember when I played it to people and they were like, 'Gaz! What was that?' and I was like, 'No, no, no, it's part of a couplet. The pay-off is line two.' You know, I'm not into self-harm or anything but I like the fact that some days I might feel like I'm really completely fucked and that I might hate myself and do some damage but I won't. I question it. And like I say, Neil Young does that really well."

"I could have chosen a number of his ambient records, from Apollo – Atmosphere & Soundtracks or Ambient 1 (Music For Airports) to Discreet Music. He, along with maybe one or two others, invented ambient music, which is now the background to a lot of different music, but back then was a revolution. Eno was slagged by the press at every turn. I remember a quote in the NME saying his music was like ""watching paint dry"". If something got that bad a review, I had to check it out and Brian got the worst reviews for a number of years. Discreet Music was the record that I listened to when it came out and I am still listening to it now. Strangely enough, I find it the most incredible music to make love to, because its stillness strips you down to a nakedness that, for me, lovemaking always demands. That's opposed to drunken lovemaking, which is a completely different thing and only part of what is on offer. Discreet Music puts me in the mood to really find out who I am and to be vulnerable with another person. Therefore, it has become one of my favourite lovemaking albums, and I don't think many people could say that."