Search
Search results
Daniel Boyd (1066 KP) rated The Legend of Zelda: Breath of the Wild in Video Games
Jul 25, 2017
Bonus Points - An Example Of The Favoritism Towards Certain Developers In The Gaming Industry, Even When They Don’t Deliver
Zelda: Breath Of The Wild came out last month and it has taken the gaming world by storm. As a non Zelda fan, I am left wondering why this is the case. Why is this Zelda game so revolutionary? I don’t own the game, but I have played the first few hours of it and I have read a good number of reviews on the game. There are a few critics claiming that this game, ‘writes a new chapter in the videogames industry,’ and that it is an, ‘evolution of everything that has come before.’
While I appreciate that this is a well made game and it is doing new things within the Zelda franchise, these statements stick in my throat a little. This isn’t because I don’t agree that this is an impressive game, because it is. Other than the odd frame rate drop, there aren’t many flaws with this game and I did enjoy the few hours that I spent with it, (I had a lend of a friends Switch for the night so I could try the game for myself.)
My problem comes from the fact that this is a well made game that isn’t doing anything that hasn’t been done before a million times and frankly been done better. Full disclosure, I have never been a Zelda fan, but I wanted this game to convert me and I’m sorry to say that it didn’t. The purpose of this piece isn’t to attack the Zelda franchise, so you fanboys can put your pitchforks down. What I want to discuss is how when Nintendo do anything that is slightly better than a disaster, it is heralded as the brave new step in video games by a large number of the video game press.
I get it, nostalgia is a powerful lens and most writers in their 30’s grew up playing on Nintendo systems and franchises like Mario and Zelda, but as someone who is around ten years younger and grew up with Playstation, I don’t feel that Nintendo has advanced a great deal since the turn of the millennium and frankly, I don’t see Nintendo as having broken any new ground in the last twenty years.
If games like Breath of the Wild came out on another console, they wouldn’t be lauded as the best thing since sliced bread. In fact they have, it’s called Horizon: Zero Dawn! When Horizon came out it received a positive critical reception and high sales, but no one was writing articles claiming it was the next step in the evolution of video games. Splatoon has been put on a pedestal and has been described as ‘fresh,’ and, ‘unique,’ even though it is nothing more than a dumbed down version of Team Fortress 2 for a younger audience. Super Mario Maker was released in 2015 and it was essentially a $60 level editor. Level editors have been included in other games since forever and no fuss has been made, but when Nintendo sell an entire game based on the concept, it’s hailed as another, ‘triumph by Nintendo.’
When you compare Breath of The Wild to other recent open world games like The Witcher or Skyrim, there is nothing that makes it unique from a design and functionality standpoint. If Breath of The Wild came out in 2008, then sure you could get away with labeling it revolutionary, but in this day and age it isn’t any more special than Horizon or Skyrim.
Let’s look at some of the features that have been called unique in the game. The tower climbing to uncover zones of the map mechanic has been done in the Assassin’s Creed and Far Cry series’. Using plants for crafting and cooking has been done in Far Cry and Skyrim. Far Cry 2 and Dead Island had degradable weapons. The inventory system is very reminiscent of multiple Ubisoft titles; essentially Breath of The Wild has taken some elements from other games and made something from that within the Zelda universe.
This may sound patronizing, but it honestly isn’t intended that way. I get it, Nintendo fans have had it hard over these last five years, they have had nothing to be proud of since the launch of the Wii and they have had to stand by their console of choice and defend themselves with very little ammo to defend themselves with, but as a result nowadays when anything better than a car crash is released by them it is inflated by a large number of critics in the industry and so Nintendo fans are given a justification for putting their mediocre games on a pedestal. This is why to the rest of the industry it appears that Nintendo fans can’t accept things for the way that they really are and everything is blown so far out of proportion.
Some examples of Nintendo games being blown out of proportion and reviewers being clouded by nostalgia are available to go and check out right now on Metacritic. Zelda: Skyward Sword is currently sitting at a 93, Zelda: Twilight Princess is sitting at a 95 and Metroid: Other M has a 79. All three of these games are recognized as subpar and once the novelty wore off, even the most hardcore of Nintendo fans would agree that these are forgettable, black marks on the respective franchises track records. Not that BOTW isn’t a game for Zelda fans to be proud of, because it is. I can see why this would be people’s game of the year so far and I can see why it could be considered as the best Zelda game, but to someone that isn’t a Zelda fan that praise is meaningless.
In summary, the inflation of mediocrity in the industry has to stop, if we want gaming to improve. If we want to break new ground across the gaming media, these sycophants and apologists living in a false perception of reality have to go. These novelty games that are applauded for simply carrying the title of a beloved franchise, have to stop being praised so highly and given a free pass of any sort of criticism just because of a nostalgic lens.
While I appreciate that this is a well made game and it is doing new things within the Zelda franchise, these statements stick in my throat a little. This isn’t because I don’t agree that this is an impressive game, because it is. Other than the odd frame rate drop, there aren’t many flaws with this game and I did enjoy the few hours that I spent with it, (I had a lend of a friends Switch for the night so I could try the game for myself.)
My problem comes from the fact that this is a well made game that isn’t doing anything that hasn’t been done before a million times and frankly been done better. Full disclosure, I have never been a Zelda fan, but I wanted this game to convert me and I’m sorry to say that it didn’t. The purpose of this piece isn’t to attack the Zelda franchise, so you fanboys can put your pitchforks down. What I want to discuss is how when Nintendo do anything that is slightly better than a disaster, it is heralded as the brave new step in video games by a large number of the video game press.
I get it, nostalgia is a powerful lens and most writers in their 30’s grew up playing on Nintendo systems and franchises like Mario and Zelda, but as someone who is around ten years younger and grew up with Playstation, I don’t feel that Nintendo has advanced a great deal since the turn of the millennium and frankly, I don’t see Nintendo as having broken any new ground in the last twenty years.
If games like Breath of the Wild came out on another console, they wouldn’t be lauded as the best thing since sliced bread. In fact they have, it’s called Horizon: Zero Dawn! When Horizon came out it received a positive critical reception and high sales, but no one was writing articles claiming it was the next step in the evolution of video games. Splatoon has been put on a pedestal and has been described as ‘fresh,’ and, ‘unique,’ even though it is nothing more than a dumbed down version of Team Fortress 2 for a younger audience. Super Mario Maker was released in 2015 and it was essentially a $60 level editor. Level editors have been included in other games since forever and no fuss has been made, but when Nintendo sell an entire game based on the concept, it’s hailed as another, ‘triumph by Nintendo.’
When you compare Breath of The Wild to other recent open world games like The Witcher or Skyrim, there is nothing that makes it unique from a design and functionality standpoint. If Breath of The Wild came out in 2008, then sure you could get away with labeling it revolutionary, but in this day and age it isn’t any more special than Horizon or Skyrim.
Let’s look at some of the features that have been called unique in the game. The tower climbing to uncover zones of the map mechanic has been done in the Assassin’s Creed and Far Cry series’. Using plants for crafting and cooking has been done in Far Cry and Skyrim. Far Cry 2 and Dead Island had degradable weapons. The inventory system is very reminiscent of multiple Ubisoft titles; essentially Breath of The Wild has taken some elements from other games and made something from that within the Zelda universe.
This may sound patronizing, but it honestly isn’t intended that way. I get it, Nintendo fans have had it hard over these last five years, they have had nothing to be proud of since the launch of the Wii and they have had to stand by their console of choice and defend themselves with very little ammo to defend themselves with, but as a result nowadays when anything better than a car crash is released by them it is inflated by a large number of critics in the industry and so Nintendo fans are given a justification for putting their mediocre games on a pedestal. This is why to the rest of the industry it appears that Nintendo fans can’t accept things for the way that they really are and everything is blown so far out of proportion.
Some examples of Nintendo games being blown out of proportion and reviewers being clouded by nostalgia are available to go and check out right now on Metacritic. Zelda: Skyward Sword is currently sitting at a 93, Zelda: Twilight Princess is sitting at a 95 and Metroid: Other M has a 79. All three of these games are recognized as subpar and once the novelty wore off, even the most hardcore of Nintendo fans would agree that these are forgettable, black marks on the respective franchises track records. Not that BOTW isn’t a game for Zelda fans to be proud of, because it is. I can see why this would be people’s game of the year so far and I can see why it could be considered as the best Zelda game, but to someone that isn’t a Zelda fan that praise is meaningless.
In summary, the inflation of mediocrity in the industry has to stop, if we want gaming to improve. If we want to break new ground across the gaming media, these sycophants and apologists living in a false perception of reality have to go. These novelty games that are applauded for simply carrying the title of a beloved franchise, have to stop being praised so highly and given a free pass of any sort of criticism just because of a nostalgic lens.
BankofMarquis (1832 KP) rated Toy Story (1995) in Movies
Dec 16, 2018
Truly a classic
With Toy Story 4 coming out in theaters this summer, I thought I'd go back and check out a beloved classice - the original TOY STORY (1995) to see if this film holds up to my memory of it.
It sure does.
Directed by visionary Pixar founder John Lasseter, TOY STORY is the first computer generated full-length motion picture and tells the...story...of toys that come to life when the humans leave the room. It is a simple concept that is executed beautifully with wit, charm and heart that sustains to this day and (I would imagine) to infinity...and beyond.
Besides the revolutionary CGI work (which mostly holds up), the heartwarming story and the crispness of the pacing of the film, the masterstroke here is the pitch perfect voice casting. Tom Hanks was the first - and only - choice for Woody, the Cowboy doll that has been the main toy for Andy. His confidence is shattered when Andy receives a Buzz Lightyear action figure for his birthday and he struggles to maintain control of the room - and Andy's heart. In lesser hands, this character could be be annoying and a bit of a jerk, but with Hanks' inherent charm, Woody is lovable, neurotic and vulnerable as he tries to get out of one jam after another.
Tim Allen wasn't the first choice for the voice of Buzz Lightyear, but with his success in 1994's THE SANTA CLAUS he was called into service on this film - and the results couldn't be better. He blends machismo, bluster and a sincere earnestness that perfectly pairs and counterbalances Hanks' tics to form a movie duo that ranks right up there with the best in film history.
It is the attention to detail that these filmmakers really excel at and the supporting cast of voice actors really brings it here. From Don Rickles to John Ratzenberger to Annie Potts to R. Lee Emery to Jim Varney to Laurie Metcalf, all bring charm and heart to their characters even when they are in conflict.
Speaking of attention to detail, the CGI in this film works really, really well - even after 23 years of improvements. The filmmakers were blazing a trail and there is much to look at in the background, from the 2 "Hidden Mickey's" in Andy's room to the tribute to THE SHINING, the background and renderings are lush and are worth a viewing just to look at hidden gems (and Easter Eggs) in the background.
But none of this would matter if the story wasn't any good and I give story writers Lasseter and future Pixar Director's Pete Docter and Andrew Stanton credit for keeping the story crisp, clear and simple and infusing heart and sincerity without getting cloying or annoying. Interestingly enough, in looking at the credits, Joss Whedon, Joel Cohen and Alec Sokolow were all contributors to the screenplay as well. When I see that many writers on a screenplay, I worry about continuity and flow. But, make no mistake about it, this film has a strong vision driven by Lasseter and the results on the screen show that focus.
If you haven't seen this film in awhile, give yourself a treat and check it out again, it holds up very, very well and will be well worth the 84 minutes it will take to watch it (the shortest of all PIXAR films).
Letter Grade A+ - which means, of course...
A rare 10 stars (out of 10) and you can take that to the Bank(ofMarquis)
It sure does.
Directed by visionary Pixar founder John Lasseter, TOY STORY is the first computer generated full-length motion picture and tells the...story...of toys that come to life when the humans leave the room. It is a simple concept that is executed beautifully with wit, charm and heart that sustains to this day and (I would imagine) to infinity...and beyond.
Besides the revolutionary CGI work (which mostly holds up), the heartwarming story and the crispness of the pacing of the film, the masterstroke here is the pitch perfect voice casting. Tom Hanks was the first - and only - choice for Woody, the Cowboy doll that has been the main toy for Andy. His confidence is shattered when Andy receives a Buzz Lightyear action figure for his birthday and he struggles to maintain control of the room - and Andy's heart. In lesser hands, this character could be be annoying and a bit of a jerk, but with Hanks' inherent charm, Woody is lovable, neurotic and vulnerable as he tries to get out of one jam after another.
Tim Allen wasn't the first choice for the voice of Buzz Lightyear, but with his success in 1994's THE SANTA CLAUS he was called into service on this film - and the results couldn't be better. He blends machismo, bluster and a sincere earnestness that perfectly pairs and counterbalances Hanks' tics to form a movie duo that ranks right up there with the best in film history.
It is the attention to detail that these filmmakers really excel at and the supporting cast of voice actors really brings it here. From Don Rickles to John Ratzenberger to Annie Potts to R. Lee Emery to Jim Varney to Laurie Metcalf, all bring charm and heart to their characters even when they are in conflict.
Speaking of attention to detail, the CGI in this film works really, really well - even after 23 years of improvements. The filmmakers were blazing a trail and there is much to look at in the background, from the 2 "Hidden Mickey's" in Andy's room to the tribute to THE SHINING, the background and renderings are lush and are worth a viewing just to look at hidden gems (and Easter Eggs) in the background.
But none of this would matter if the story wasn't any good and I give story writers Lasseter and future Pixar Director's Pete Docter and Andrew Stanton credit for keeping the story crisp, clear and simple and infusing heart and sincerity without getting cloying or annoying. Interestingly enough, in looking at the credits, Joss Whedon, Joel Cohen and Alec Sokolow were all contributors to the screenplay as well. When I see that many writers on a screenplay, I worry about continuity and flow. But, make no mistake about it, this film has a strong vision driven by Lasseter and the results on the screen show that focus.
If you haven't seen this film in awhile, give yourself a treat and check it out again, it holds up very, very well and will be well worth the 84 minutes it will take to watch it (the shortest of all PIXAR films).
Letter Grade A+ - which means, of course...
A rare 10 stars (out of 10) and you can take that to the Bank(ofMarquis)
Emma @ The Movies (1786 KP) rated Robin Hood (2018) in Movies
Sep 25, 2019
At this point I feel like I've grown u with definitive versions of Robin Hood. Kevin Costner will always be a front runner, and Disney's foxified version brings a smile to my face every time. I was also lucky to have been shown Robin Hood Men In Tights when I was younger and will always appreciate Cary Elwes' rendition. Errol Flynn will always be the high point for class in the role. There's always that one we don't talk about... Russell Crowe, I'm looking at you. We probably should consider the small screen as well, after all should we be excluding Robin from Madi Marian and Her Merry Men?
After the one we don't talk about I had fairly low expectations for this. Did we really need to reboot this icon?
The answer is evidently a resounding yes. No one is more surprised about this than I am. He's still not the best Robin (sorry... Rob) but he's an excellent modern adaptation for those who don't want to go old school with their viewing.
Taron Egerton doesn't quite have the on-screen presence of a lord, he's something or a whipper-snapper in Robin terms. He'd be much more at home in an episode of Arrow. Watch out, Roy. In fact that would be my guess of what happened in the pitching of this one. "Arrow is basically Robin Hood, shall we just do that?"
Ben Mendelsohn proved himself to be an excellent villain in Ready Player One, and he's brought himself back to that high with the Sheriff of Nottingham. Cruel and egotistical he makes an easy focus for everyone's revolutionary efforts.
Friar Tuck... hmm. Tim Minchin was an interesting choice. My main issue is that he basically seems to have played it as Bill Bailey. That was something that stuck out from the very first time we saw him and from that point on all I could think was that they might as well have got Bill Bailey to do it.
I had hoped that like the trailer the film would feature some modern music as well as what turned out to be some very atmospheric background ensemble. Sadly not though. Maybe it's just me pining back to A Knight's Tale.
Round of applause for the cinematography. Everything flowed really well and that opening scene of war (which you can see some of in the trailer above) really drew you in. In fact, the whole scene felt very much more modern than bows and arrows and was a striking moment in the film.
If cinematography is at the top, the writing is somewhere near the bottom. Generally it was passable and I didn't really notice it. That sounds odd, but you know what I mean, sometimes it is just there and doesn't really leave a mark. Every now and then you'd get a curve ball of a line that made me recoil and stopped my enjoyment of the film. Speeches that should have had power in the words didn't, there was no feeling of being roused to action like so many great films are able to do.
As a final comment... why must you mess with the naturally accepted order of characters?
What you should do
Go for the action, not the script. It's quite impressive on the big screen and Jamie Foxx's John holds some quiet moments of humour that are worth seeing.
Movie thing you wish you could take home
I would quite like John's ability to heal and not die. That seems like a massively impressive part of his character.
After the one we don't talk about I had fairly low expectations for this. Did we really need to reboot this icon?
The answer is evidently a resounding yes. No one is more surprised about this than I am. He's still not the best Robin (sorry... Rob) but he's an excellent modern adaptation for those who don't want to go old school with their viewing.
Taron Egerton doesn't quite have the on-screen presence of a lord, he's something or a whipper-snapper in Robin terms. He'd be much more at home in an episode of Arrow. Watch out, Roy. In fact that would be my guess of what happened in the pitching of this one. "Arrow is basically Robin Hood, shall we just do that?"
Ben Mendelsohn proved himself to be an excellent villain in Ready Player One, and he's brought himself back to that high with the Sheriff of Nottingham. Cruel and egotistical he makes an easy focus for everyone's revolutionary efforts.
Friar Tuck... hmm. Tim Minchin was an interesting choice. My main issue is that he basically seems to have played it as Bill Bailey. That was something that stuck out from the very first time we saw him and from that point on all I could think was that they might as well have got Bill Bailey to do it.
I had hoped that like the trailer the film would feature some modern music as well as what turned out to be some very atmospheric background ensemble. Sadly not though. Maybe it's just me pining back to A Knight's Tale.
Round of applause for the cinematography. Everything flowed really well and that opening scene of war (which you can see some of in the trailer above) really drew you in. In fact, the whole scene felt very much more modern than bows and arrows and was a striking moment in the film.
If cinematography is at the top, the writing is somewhere near the bottom. Generally it was passable and I didn't really notice it. That sounds odd, but you know what I mean, sometimes it is just there and doesn't really leave a mark. Every now and then you'd get a curve ball of a line that made me recoil and stopped my enjoyment of the film. Speeches that should have had power in the words didn't, there was no feeling of being roused to action like so many great films are able to do.
As a final comment... why must you mess with the naturally accepted order of characters?
What you should do
Go for the action, not the script. It's quite impressive on the big screen and Jamie Foxx's John holds some quiet moments of humour that are worth seeing.
Movie thing you wish you could take home
I would quite like John's ability to heal and not die. That seems like a massively impressive part of his character.
Darren (1599 KP) rated Eternal Code (2019) in Movies
Sep 13, 2019
Characters – Corey is a homeless suicidal war veteran, he keeps to himself and when he gets given money, he spends the money on helping the fellow homeless, being friendly with lonely older men in the park and helping somebody in danger. He will get a chance to use his skills once again to help a teenage girl who is being hunted down by criminals, his skills will help make him deadly to anyone who crosses his path. Oliver is the leader of the project, he wants to continue using it for his own good, which means he will go to the extremes to make sure it gets done. Charlie is one of the criminals that has taken the family members, she along with her team are solely in this for the money. Mark is the husband of Bridget, he tries to advice, even though he will only support her decision. Bridget is the woman that has invented a revolutionary idea, which she doesn’t want used for the wrong thing, her pulling the plug has set about the events including her kidnapping.
Performances – This is a movie that does try to use the biggest names to sale the movie, Scout Taylor-Compton being the biggest name in the film, even though she is mostly just a criminal thug, she doesn’t give us a bad performance, just she isn’t really a main character. Damien Chinappi would be one of the leads in the film as the he does bring us a performance that does fit the action side of the film, where we do feel sympathy for his character. Richard Tyson will always make for a great villain and this is no different. When we look at the rest of the cast, we see solid performances across the board.
Story – The story here follows the events of a kidnapping which takes a turn, when a war veteran looks to help the helpless, while a corrupt businessman looks to complete a project which will change everything as we know it in the world. When it comes to the idea of the kidnapping side of the story, we do get a nice spin on how everything unfolds, making it truly unpredictable with what will happen next. While that is a good thing, it can mean we do meet a couple of too many characters, which doesn’t let other get flushed out enough. We are left with seeing just how dealing with inventions will see people looking for greed, while seeing a war veteran getting another shot to prove himself in combat is nice to see.
Action – The action is restricted, but it does show how the conflicts are meant to be edgy and more in the shadows which is better to watch for the tone.
Settings – The film is set in and around one city which shows how the minds in it would operate, we see how the project would be secretly locked away from the world and see how the criminals will act in the shadows of abandoned locations.
Scene of the Movie – Corey military trained scenes.
That Moment That Annoyed Me – It does feel like we have a few too many characters at time.
Final Thoughts – This is an action thriller that does have a lot of direction you wouldn’t normally see, it does keep us guessing despite having a couple of characters we don’t need to have.
Overall: Action film that goes down different paves.
Performances – This is a movie that does try to use the biggest names to sale the movie, Scout Taylor-Compton being the biggest name in the film, even though she is mostly just a criminal thug, she doesn’t give us a bad performance, just she isn’t really a main character. Damien Chinappi would be one of the leads in the film as the he does bring us a performance that does fit the action side of the film, where we do feel sympathy for his character. Richard Tyson will always make for a great villain and this is no different. When we look at the rest of the cast, we see solid performances across the board.
Story – The story here follows the events of a kidnapping which takes a turn, when a war veteran looks to help the helpless, while a corrupt businessman looks to complete a project which will change everything as we know it in the world. When it comes to the idea of the kidnapping side of the story, we do get a nice spin on how everything unfolds, making it truly unpredictable with what will happen next. While that is a good thing, it can mean we do meet a couple of too many characters, which doesn’t let other get flushed out enough. We are left with seeing just how dealing with inventions will see people looking for greed, while seeing a war veteran getting another shot to prove himself in combat is nice to see.
Action – The action is restricted, but it does show how the conflicts are meant to be edgy and more in the shadows which is better to watch for the tone.
Settings – The film is set in and around one city which shows how the minds in it would operate, we see how the project would be secretly locked away from the world and see how the criminals will act in the shadows of abandoned locations.
Scene of the Movie – Corey military trained scenes.
That Moment That Annoyed Me – It does feel like we have a few too many characters at time.
Final Thoughts – This is an action thriller that does have a lot of direction you wouldn’t normally see, it does keep us guessing despite having a couple of characters we don’t need to have.
Overall: Action film that goes down different paves.
Andy K (10821 KP) rated The People Vs. Larry Flynt (1996) in Movies
Sep 14, 2019
The tragedy. The comedy. The pornography.
Not many filmmakers can say they won two Oscars and for Best Director in two different decades and were nominated a third time in a different decade. The recently deceased movie maestro Milos Forman is one that could.
This time he decides to take on a subject he is passionate about through the lens of someone he doesn't particularly like. It is hard to believe the real Larry Flynt became a poster child for free speech and freedom of expression just so he could peddle Hustler magazine which showed every variety of "smut", "vile" and immoral behavior and imagery which makes most people disgusted. They even featured a cartoon depicting the characters from "The Wizard of Oz" getting it on with each other!
Larry Flynt started with his brother managing a strip club, but dreaming for something more. Larry decided he would publish a "newsletter" to increase awareness of the club. Upon publication, people became interested in viewing and subscribing to its controversial content, thus an empire was born.
From this club Larry also met his latest dancer soon to be wife, Althea.
The hits started coming almost immediately with different groups causing trouble for Larry and having him arrested. His legal battles soon began as well. His lawyer is not able to control his increasingly belligerent client who shows no respect for the court and openly mocked and disrespected it. Unfortunately, after one of his court appearances, he and his lawyer were shot by a sniper leaving Larry paralyzed from the waist down.
Larry didn't let up; however, deciding instead to take on Reverend Jerry Falwell in Hustler which would ultimately end up with his case being seen at the US Supreme Court.
No stranger to telling a keen biography (Amadeus ranks among the greatest biopics in movie history), director Forman manages to fashion a true tale with such fervor and passion, you get drawn in almost immediately. Even if you hate Larry's message and attitude, you must ultimately completely agree with his right to express it.
Woody Harrelson began getting noticed as a dramatic actor in 1994 with Natural Born Killers and continues to this day including blockbusters like Solo and The Hunger Games franchise as well as meaningful dramatic roles in recent films like Three Billboards and Game Change, Hard to believe the numskull from Cheers has blossomed into a full fledged movie star. His Academy Award nominated performance in this film is so well deserved. He is able to make Larry Flynt repulsive and sympathetic, rude and adorable as well as repugnant and charming all at the same time.
Courtney Love comes form nowhere and plays Larry's wife Althea with energy and really give it her all showing herself as the woman who would stand by her husband no matter what and up against the system. An early performance from Edward Norton is also welcome coming right on the heels of his breakout role in Primal Fear.
The courtroom scenes and not revolutionary, however, the drama and intensity are there broken up by Larry's quips and infant like behavior.
A very entertaining watch from a true master filmmaker highly recommended.
This time he decides to take on a subject he is passionate about through the lens of someone he doesn't particularly like. It is hard to believe the real Larry Flynt became a poster child for free speech and freedom of expression just so he could peddle Hustler magazine which showed every variety of "smut", "vile" and immoral behavior and imagery which makes most people disgusted. They even featured a cartoon depicting the characters from "The Wizard of Oz" getting it on with each other!
Larry Flynt started with his brother managing a strip club, but dreaming for something more. Larry decided he would publish a "newsletter" to increase awareness of the club. Upon publication, people became interested in viewing and subscribing to its controversial content, thus an empire was born.
From this club Larry also met his latest dancer soon to be wife, Althea.
The hits started coming almost immediately with different groups causing trouble for Larry and having him arrested. His legal battles soon began as well. His lawyer is not able to control his increasingly belligerent client who shows no respect for the court and openly mocked and disrespected it. Unfortunately, after one of his court appearances, he and his lawyer were shot by a sniper leaving Larry paralyzed from the waist down.
Larry didn't let up; however, deciding instead to take on Reverend Jerry Falwell in Hustler which would ultimately end up with his case being seen at the US Supreme Court.
No stranger to telling a keen biography (Amadeus ranks among the greatest biopics in movie history), director Forman manages to fashion a true tale with such fervor and passion, you get drawn in almost immediately. Even if you hate Larry's message and attitude, you must ultimately completely agree with his right to express it.
Woody Harrelson began getting noticed as a dramatic actor in 1994 with Natural Born Killers and continues to this day including blockbusters like Solo and The Hunger Games franchise as well as meaningful dramatic roles in recent films like Three Billboards and Game Change, Hard to believe the numskull from Cheers has blossomed into a full fledged movie star. His Academy Award nominated performance in this film is so well deserved. He is able to make Larry Flynt repulsive and sympathetic, rude and adorable as well as repugnant and charming all at the same time.
Courtney Love comes form nowhere and plays Larry's wife Althea with energy and really give it her all showing herself as the woman who would stand by her husband no matter what and up against the system. An early performance from Edward Norton is also welcome coming right on the heels of his breakout role in Primal Fear.
The courtroom scenes and not revolutionary, however, the drama and intensity are there broken up by Larry's quips and infant like behavior.
A very entertaining watch from a true master filmmaker highly recommended.
BackToTheMovies (56 KP) rated Fear Clinic (2014) in Movies
Jun 12, 2019 (Updated Jun 12, 2019)
A Horror Movie That Makes You Think!
The film revolves around a shooting that takes place in a diner that traumatizes a group of survivors who check themselves into the Fear Clinic, a clinic run by Dr.Andover a man who has created a unique way of treating phobia's using a revolutionary new technology called the fear chamber. The fear chamber works by re-animating your worst fears into hallucinations so you can combat your fear face to face. However within the story the fears start manifesting themselves in the real world and this new technology that Dr.Andover has created is slowly opening up a doorway to allow fear incarnate to wreak havoc on the patients of the clinic.
Fear Clinic has an incredibly strong cast line up with Robert Englund (Nightmare on Elm Street) reprising his role as Dr.Andover, Thomas Dekker (Heroes) as Blake, Fiona Dourif (Curse of Chucky) as Sara a survivor of the diner shooting, Angelina Armani (Chromeskull 2) as another survivor Caylee and Corey Taylor in his first ever acting role as Bauer a porter at the clinic. Joining this stellar cast are a whole host of other amazing talent including Brandon Beemer, Cleopatra Coleman, Kevin Gage and Felisha Tirrell.
The movie as a whole was incredibly strong, what started off as an incredibly slow build up actually built the story up rather nicely and gave us some in depth character building and information, it is rare to see a good character build in indy horrors but Fear Clinic did it maybe even too much at times. Either way the second half of the movie eclipses the first by a long shot, once the story is set the action begins and with Bob Kurtzman and Steve Johnson behind the SPFX team the excitement and effects do not disappoint. As fear incarnate slowly starts to develop in the real world the SPFX team has amazingly brought this character to life taking on a persona that was unsettling to watch (Minus the visible bald cap on Robert Englund's head). The intro to the movie however slow always had a creepy and uncomfortable vibe, almost putting you in the clinic itself, testing your nerves, straining your ability to relax and always putting you on edge for what is about to come. It was a great touch and full credit to the team for drawing it out over the films duration without letting go of that emotion.
The film contains deep undertones and emotional depth in terms of people's fears and phobia's but there are some points within the movie that need to be tightened up a bit. Certain scenes need explaining more and as fear incarnate starts to manifest itself the build up and gore is lacking within the story so even thou the creature looks amazing, it doesn't strike fear into the audience which is a shame as now the audience is isolated from the story. Never the less the movie flows nicely and as it stands its a great introduction to a franchise but it does feels quite rushed in places and action is scarce in places as the build up is painstakingly drawn out, hopefully this is tightened up for the DVD release version or Director's cut.
Convoluted in places but a movie that stands higher than most Horror's that are being released at the present, a new generation of cerebral Horror. A movie that will make you think rather than spaced out watching the screen, a movie that when finished you'll rewind to make the jigsaw pieces fit. A very smart movie.
If you're used to watching Horror movies with a vacant mind then you will be disappointed with Fear Clinic, it's time to engage your brain, the Fear Clinic is open for business.
FEAR ON!
Fear Clinic has an incredibly strong cast line up with Robert Englund (Nightmare on Elm Street) reprising his role as Dr.Andover, Thomas Dekker (Heroes) as Blake, Fiona Dourif (Curse of Chucky) as Sara a survivor of the diner shooting, Angelina Armani (Chromeskull 2) as another survivor Caylee and Corey Taylor in his first ever acting role as Bauer a porter at the clinic. Joining this stellar cast are a whole host of other amazing talent including Brandon Beemer, Cleopatra Coleman, Kevin Gage and Felisha Tirrell.
The movie as a whole was incredibly strong, what started off as an incredibly slow build up actually built the story up rather nicely and gave us some in depth character building and information, it is rare to see a good character build in indy horrors but Fear Clinic did it maybe even too much at times. Either way the second half of the movie eclipses the first by a long shot, once the story is set the action begins and with Bob Kurtzman and Steve Johnson behind the SPFX team the excitement and effects do not disappoint. As fear incarnate slowly starts to develop in the real world the SPFX team has amazingly brought this character to life taking on a persona that was unsettling to watch (Minus the visible bald cap on Robert Englund's head). The intro to the movie however slow always had a creepy and uncomfortable vibe, almost putting you in the clinic itself, testing your nerves, straining your ability to relax and always putting you on edge for what is about to come. It was a great touch and full credit to the team for drawing it out over the films duration without letting go of that emotion.
The film contains deep undertones and emotional depth in terms of people's fears and phobia's but there are some points within the movie that need to be tightened up a bit. Certain scenes need explaining more and as fear incarnate starts to manifest itself the build up and gore is lacking within the story so even thou the creature looks amazing, it doesn't strike fear into the audience which is a shame as now the audience is isolated from the story. Never the less the movie flows nicely and as it stands its a great introduction to a franchise but it does feels quite rushed in places and action is scarce in places as the build up is painstakingly drawn out, hopefully this is tightened up for the DVD release version or Director's cut.
Convoluted in places but a movie that stands higher than most Horror's that are being released at the present, a new generation of cerebral Horror. A movie that will make you think rather than spaced out watching the screen, a movie that when finished you'll rewind to make the jigsaw pieces fit. A very smart movie.
If you're used to watching Horror movies with a vacant mind then you will be disappointed with Fear Clinic, it's time to engage your brain, the Fear Clinic is open for business.
FEAR ON!
Update: Winter is the final book in the Lunar Chronicles series (although the story does continue in graphic novel form.) It is definitely one of my favourite conclusions, as the story wraps up well and is satisfying. The reader is not left with myriad plot holes and questions. As this is the fourth book in the series, you need to read the first three before delving into this one otherwise you will be confused and majorly spoiled.
The world building continued even in this book and most importantly we were shown Luna. Before that, they story took place predominantly on Earth in either the European Union, the African Republic or the Eastern Commonwealth. Once transported to Luna, readers were better able to get a sense of the disparity between the Lunar Aristocracy and the rest of Luna's citizens. The palace and surrounding area of Artemisia are ornately decorated whereas the outer sectors live in squalor. The stunning contrast is reminiscent of our own world and gives us a glimpse into the change that needs to happen.
Although this story was supposed to delve deeper into Winter and Jacin's relationship (which it did) I felt that it was overshadowed by the overarching plot. It was really nice to see the two interact and Jacin's character be developed more. He can seem cold and removed most of the time, but his demeanor completely changes when he is around Winter. He cares about her so much and will do anything to ensure her well-being. My one criticism about the book is that these two didn't receive the same relationship development and story time as the other three pairings.
You fall in love with these characters and follow them on their journey from mechanic to revolutionary, criminal to captain, or even unsure to (mildly) confident. They feel real and make their way into your heart. Iko was her usual precious self and I was so happy to see her woven more into the story. You don't want to see their stories end and thankfully they don't because the author is continuing the series in graphic novel form.
I would highly recommend this series to young adult/teen readers even if science fiction or fairytale retellings aren't usually your thing. They're so fantastically written that I think they appeal to broad range of readers and genres.
Original Review: I read the entire series over the course of four days, novellas included. That is how wonderful it is. As a fan of fairytale retellings, like Beastly by Alex Flinn, I had high hopes for this series and it did not disappoint. It gave the reader wonderful little homages to the classic fairytales while weaving the story through a world and characters all its own.
The world building in this novel was wonderfully done. As a reader, I could imagine the Lunar Palace as a place of opulence while those in the lower districts lived in poverty. There were a number of important characters and none of them were overlooked. You were able to learn about their personalities, histories, or relationships in a way that gave each depth. Each character had a unique personality and strength in the group. from fiery Scarlet to shy Cress and from flirty Thorn to tortured Wolf.
Sometimes conclusions to series just don't stand up to their legacy, but this was not one of those books. The author gave the reader everything they desired, climactic action scenes, wrapping up story threads while opening the door to future adventures, and leaving the reader satisfied. There's nothing worse than reading an amazing series that you become wholly invested in and then being utterly disappointed by the conclusion.
Recommended for anyone who liked YA, romance, fairytales, sci-fi, or really good books/series that you won't regret reading.
The world building continued even in this book and most importantly we were shown Luna. Before that, they story took place predominantly on Earth in either the European Union, the African Republic or the Eastern Commonwealth. Once transported to Luna, readers were better able to get a sense of the disparity between the Lunar Aristocracy and the rest of Luna's citizens. The palace and surrounding area of Artemisia are ornately decorated whereas the outer sectors live in squalor. The stunning contrast is reminiscent of our own world and gives us a glimpse into the change that needs to happen.
Although this story was supposed to delve deeper into Winter and Jacin's relationship (which it did) I felt that it was overshadowed by the overarching plot. It was really nice to see the two interact and Jacin's character be developed more. He can seem cold and removed most of the time, but his demeanor completely changes when he is around Winter. He cares about her so much and will do anything to ensure her well-being. My one criticism about the book is that these two didn't receive the same relationship development and story time as the other three pairings.
You fall in love with these characters and follow them on their journey from mechanic to revolutionary, criminal to captain, or even unsure to (mildly) confident. They feel real and make their way into your heart. Iko was her usual precious self and I was so happy to see her woven more into the story. You don't want to see their stories end and thankfully they don't because the author is continuing the series in graphic novel form.
I would highly recommend this series to young adult/teen readers even if science fiction or fairytale retellings aren't usually your thing. They're so fantastically written that I think they appeal to broad range of readers and genres.
Original Review: I read the entire series over the course of four days, novellas included. That is how wonderful it is. As a fan of fairytale retellings, like Beastly by Alex Flinn, I had high hopes for this series and it did not disappoint. It gave the reader wonderful little homages to the classic fairytales while weaving the story through a world and characters all its own.
The world building in this novel was wonderfully done. As a reader, I could imagine the Lunar Palace as a place of opulence while those in the lower districts lived in poverty. There were a number of important characters and none of them were overlooked. You were able to learn about their personalities, histories, or relationships in a way that gave each depth. Each character had a unique personality and strength in the group. from fiery Scarlet to shy Cress and from flirty Thorn to tortured Wolf.
Sometimes conclusions to series just don't stand up to their legacy, but this was not one of those books. The author gave the reader everything they desired, climactic action scenes, wrapping up story threads while opening the door to future adventures, and leaving the reader satisfied. There's nothing worse than reading an amazing series that you become wholly invested in and then being utterly disappointed by the conclusion.
Recommended for anyone who liked YA, romance, fairytales, sci-fi, or really good books/series that you won't regret reading.
Gareth von Kallenbach (977 KP) rated Chappie (2015) in Movies
Jun 19, 2019
In the world of 2016 South Africa, the police have taken a firm stand against the out of control crime problem facing the community by deploying a new line of robotic police officers. The robots known as “Scouts” are the creation of Deon Wilson (Dev Patel), who works for a defense contractor and dreams of taking artificial intelligence to the next level.
His boss Michelle (Sigourney Weaver), is not interested in anything other than the bottom line and discourages any creation or research that do not have military and financial ramification to them.
Deon must also content with an ex-soldier and rival designer named Vincent (Hugh Jackman), who is jealous of the success of the Scouts and wants to instead see his heavy weapons unit be given the chance to shine.
When he has a breakthrough, Deon opts to defy his boss and installs a new and revolutionary A.I. program into a Scout that was scheduled to be demolished after taking extensive damage in the field.
Things do not go as planned when Deon and his creation are captured by a gang who are desperate to raise money in order to pay back a debt to a rival gangster.
The new unit is like a child and Deon explains that he has to be treated like a child and given the chance to learn. The fact that his damage prevents him from being able to be recharged means the Scout now named “Chappie” only a few days of life adds urgency to the situation.
The gang starts to teach Chappie (Sharito Copley), when he needs to know to help them pull of their crimes but also become attached to him as he innocent ways and outlook start to grow on the gruff criminals.
With the clock ticking, events take a turn when Vincent takes matters into his own hands and before long several parties are pitted against one another with their very survival on the line.
Writer./Director Neil Blomkamp has crafted a “Thinking Man’s” science fiction film that evokes many solid debates about the definition of life, death, a soul, and other less tangible themes. The film has some action at the beginning and end and the CGI effects are very solid.
The biggest issue I had with the film was that the great premise lost momentum in the final act and in many ways takes some huge leaps of faith. We are supposed to believe that this is a top defense company yet people are able to come and go, especially at crunch time during the film. I had no idea you can just drive through a fence into a loading dock without every encountering any security or resistance. The area is like a revolving door as characters come and go without raising an eyebrow.
The cast is solid but some may have an issue with the accents in the film which Blomkamp recognizes by adding in subtitles at various moments in the film.
In the end “Chappie” is a good premise that never fully meets the potential it aspires to but still has enough good moments to underscore that Blomkamp is one of the most gifted talents in Science Fiction as he is able to infuse what would otherwise be a soulless character with enough heart and compassion that the audience will have empathy for him. With that in mind, Blomkamp should do a great job with the upcoming new Alien film as he has crafted a solid and enjoyable film that entertains while making you think about the deeper issues of existence without doing it in a heavy-handed manner.
http://sknr.net/2015/03/06/chappie/
His boss Michelle (Sigourney Weaver), is not interested in anything other than the bottom line and discourages any creation or research that do not have military and financial ramification to them.
Deon must also content with an ex-soldier and rival designer named Vincent (Hugh Jackman), who is jealous of the success of the Scouts and wants to instead see his heavy weapons unit be given the chance to shine.
When he has a breakthrough, Deon opts to defy his boss and installs a new and revolutionary A.I. program into a Scout that was scheduled to be demolished after taking extensive damage in the field.
Things do not go as planned when Deon and his creation are captured by a gang who are desperate to raise money in order to pay back a debt to a rival gangster.
The new unit is like a child and Deon explains that he has to be treated like a child and given the chance to learn. The fact that his damage prevents him from being able to be recharged means the Scout now named “Chappie” only a few days of life adds urgency to the situation.
The gang starts to teach Chappie (Sharito Copley), when he needs to know to help them pull of their crimes but also become attached to him as he innocent ways and outlook start to grow on the gruff criminals.
With the clock ticking, events take a turn when Vincent takes matters into his own hands and before long several parties are pitted against one another with their very survival on the line.
Writer./Director Neil Blomkamp has crafted a “Thinking Man’s” science fiction film that evokes many solid debates about the definition of life, death, a soul, and other less tangible themes. The film has some action at the beginning and end and the CGI effects are very solid.
The biggest issue I had with the film was that the great premise lost momentum in the final act and in many ways takes some huge leaps of faith. We are supposed to believe that this is a top defense company yet people are able to come and go, especially at crunch time during the film. I had no idea you can just drive through a fence into a loading dock without every encountering any security or resistance. The area is like a revolving door as characters come and go without raising an eyebrow.
The cast is solid but some may have an issue with the accents in the film which Blomkamp recognizes by adding in subtitles at various moments in the film.
In the end “Chappie” is a good premise that never fully meets the potential it aspires to but still has enough good moments to underscore that Blomkamp is one of the most gifted talents in Science Fiction as he is able to infuse what would otherwise be a soulless character with enough heart and compassion that the audience will have empathy for him. With that in mind, Blomkamp should do a great job with the upcoming new Alien film as he has crafted a solid and enjoyable film that entertains while making you think about the deeper issues of existence without doing it in a heavy-handed manner.
http://sknr.net/2015/03/06/chappie/
Lucy Buglass (45 KP) rated Shazam! (2019) in Movies
Jun 20, 2019
Not as bad as I was expecting
I have to admit, when I first saw the trailer for Shazam!, I felt pretty underwhelmed. It didn’t seem like the kind of film I’d enjoy. I often get tired of cringey, over the top humour, which is basically what the trailer was packed full of. Having said all of this, I ended up being pleasantly surprised by the film after agreeing to go to a Limitless screening. I actually don’t think the trailer did it justice, if I’m perfectly honest.
The plot of Shazam! is completely bonkers, but let’s face it, what did you expect from a superhero film? Most origin stories are implausible, but that’s the beauty of the genre for me. The film follows 14-year-old Billy Batson, after he is gifted superpowers by a wizard and is able to transform into the adult ‘Shazam’ simply by shouting his name. At first, it is a little weird seeing him transform from a kid into an adult and back again, but you do get used to it. I loved the performances by Zachary Levi and Asher Angel throughout, and they did a great job of mirroring each other.
The film’s antagonist Dr. Thaddeus Sivana (Mark Strong) gets his powers from the seven deadly sins; a group of terrifying, demonic spirits who lead him down a dark path. He’s full of anger, and wants to lash out at the world and the family who berated him his entire life. As far as antagonists go, he’s fairly standard, but fun to watch. He’s nothing revolutionary, but I enjoyed watching him fight Shazam at least. When Sivana is on screen, the film does take a much darker turn, so I would add a viewer discretion for any young children out there. I was even caught out by a pretty effective jump scare at one point.
Annoyingly the pacing is a little off in the third act, and the final fight scene between Sivana and Shazam could’ve easily been trimmed down by 15 minutes or so. I found myself getting a little restless here, which was disappointing given how much fun I had with the rest of the film. Having this sluggish scene follow so many hilarious, genuinely engaging moments was a shame. Don’t let that put you off though, the rest of the film works well. The relationship between Billy and his foster brother Freddy (Jack Dylan Grazer) is hilarious, and got the most laughs from me. Even when he’s in his adult form, Billy still acts like Billy, so there’s lots of teenage boy bickering throughout as you may expect.
I was also surprised at the emotional themes that run through the film. On the surface, it’s a goofy, laugh out loud superhero film, but it also deals with difficult scenarios. As a foster child, Billy has desperately been searching for his birth mother, and Dr. Sivana has loathed his own family ever since he was a child. Both are struggling with the concept of family, and there are frequent references to this throughout. Billy’s most recent foster family are delightful to watch, and I was impressed by the child actors in the film. They’re definitely the most engaging characters, who would go out of their way to help Billy and their other foster siblings.
Shazam! is not a brilliant film, but it’s also way better than I was expecting. The tone is all over the place, some of the jokes are stupid, and it’s super goofy. But it’s a perfect film to watch for a bit of escapism, if you don’t want to think too hard about what you’re watching. I was surprised at just how much fun I had.
https://lucygoestohollywood.com/2019/03/29/not-as-bad-as-i-was-expecting-my-thoughts-on-shazam/
The plot of Shazam! is completely bonkers, but let’s face it, what did you expect from a superhero film? Most origin stories are implausible, but that’s the beauty of the genre for me. The film follows 14-year-old Billy Batson, after he is gifted superpowers by a wizard and is able to transform into the adult ‘Shazam’ simply by shouting his name. At first, it is a little weird seeing him transform from a kid into an adult and back again, but you do get used to it. I loved the performances by Zachary Levi and Asher Angel throughout, and they did a great job of mirroring each other.
The film’s antagonist Dr. Thaddeus Sivana (Mark Strong) gets his powers from the seven deadly sins; a group of terrifying, demonic spirits who lead him down a dark path. He’s full of anger, and wants to lash out at the world and the family who berated him his entire life. As far as antagonists go, he’s fairly standard, but fun to watch. He’s nothing revolutionary, but I enjoyed watching him fight Shazam at least. When Sivana is on screen, the film does take a much darker turn, so I would add a viewer discretion for any young children out there. I was even caught out by a pretty effective jump scare at one point.
Annoyingly the pacing is a little off in the third act, and the final fight scene between Sivana and Shazam could’ve easily been trimmed down by 15 minutes or so. I found myself getting a little restless here, which was disappointing given how much fun I had with the rest of the film. Having this sluggish scene follow so many hilarious, genuinely engaging moments was a shame. Don’t let that put you off though, the rest of the film works well. The relationship between Billy and his foster brother Freddy (Jack Dylan Grazer) is hilarious, and got the most laughs from me. Even when he’s in his adult form, Billy still acts like Billy, so there’s lots of teenage boy bickering throughout as you may expect.
I was also surprised at the emotional themes that run through the film. On the surface, it’s a goofy, laugh out loud superhero film, but it also deals with difficult scenarios. As a foster child, Billy has desperately been searching for his birth mother, and Dr. Sivana has loathed his own family ever since he was a child. Both are struggling with the concept of family, and there are frequent references to this throughout. Billy’s most recent foster family are delightful to watch, and I was impressed by the child actors in the film. They’re definitely the most engaging characters, who would go out of their way to help Billy and their other foster siblings.
Shazam! is not a brilliant film, but it’s also way better than I was expecting. The tone is all over the place, some of the jokes are stupid, and it’s super goofy. But it’s a perfect film to watch for a bit of escapism, if you don’t want to think too hard about what you’re watching. I was surprised at just how much fun I had.
https://lucygoestohollywood.com/2019/03/29/not-as-bad-as-i-was-expecting-my-thoughts-on-shazam/
Bong Mines Entertainment (15 KP) rated Eargasms for Short-Sighted Post-Truth Era People by Helsinki Headnod Convention in Music
Jun 7, 2019
Helsinki Headnod Convention is a Jazz/Spoken Word band. Not too long ago, they released their debut EP, entitled, “Eargasms for Short-Sighted Post-Truth Era People”.
WHO’S MAKING YOU?
Mellow and subtle. This jazzy tune poses a series of interesting questions.
At the end of the day, it’s you and only you. You keep trying to place the blame on somebody else but it’s you. Also, you and only you are can make you or break you.
OUR TIME IS NOW
This 30 seconds clip tells listeners that their time is now. Also, it’s short, representing that time is short on earth and it shouldn’t be taken for granted.
SORROW AND PAIN
A mixture of Negro Spiritual mixed with Blues and elements of ‘60s Soul.
The black and white video shows an African-American woman walking in the evening. Also, a vehicle with its headlights on approaches and a Caucasian cop parks it.
The following scene shows the woman running away while the cop, dressed as a terrorist, is chasing her with a lit smoke screen in his hand.
The courageous woman falls to the ground, grabs a handful of snow, and throws it in her attacker’s face. Momentarily, it blinds him and she gets up and runs away.
But she can’t see where she’s going because of the smoke. Then, she’s confronted by another Caucasian man, dressed in riot gear. Also, he’s walking towards her while her other attacker is gaining ground behind her.
In the end, while snow is falling and visibility is blurry, the rioter beats the woman with the stick in his hand.
The suggestive video implies that those who are supposed to protect and serve urban communities contain an uncertain amount of national terrorists within their organizations.
Also, some things from the past have changed, but on the other hand, some things have remained the same.
SOLIDARITY
Mellow and smooth. One minute and 13 seconds of conscious therapy, which begins with a calming voice, “We glorify war when we should glorify peace.”
The title is a unity campaign that binds people together as one. Also, its aim is social change within a racist power structure.
DOWN ON BENDED KNEE
The poem is based on Colin Kaepernick’s epic gesture of bending his knee during the National Anthem to protest social injustices happening in urban communities. Also, it speaks on reasons humanity, equality, civility, decency, justice, and other rights.
ANOTHER DAY IN PARADISE
An instrument plays in solitude against a vacant backdrop, where paradise is imagined as an ordinary day in hell, where being cautious is the best way to proceed.
Also, a story is told about a woman who is begging on the street, but the man she is seeking help from doesn’t even acknowledge her.
She calls out to a man on the street, “Sir, can you help me. It’s cold and I have nowhere to sleep. Is there somewhere you can tell me?”
He walks on doesn’t look back. He pretends he can’t hear her. Starts to whistle as he crosses the street. Seems embarrassed to be there.
This story paints a perfect picture of people frowning down on the have-nots, who oftentimes get overlooked while seeking monetary help or begging for information in public.
THE BIGGER PICTURE
With so many points of views to look from, what’s really the bigger picture?
The artist raps, “Watch me step it up. Cape blowing in the wind standing tough. Can’t give up.”
The song implies what’s necessary to see the bigger picture. One must have the courage to not get blown away by the world-wind and its influences.
Also, it implies taking a step up, by elevating your mind, body, and soul. Only then, will you be able to see the bigger picture, which is quite an exquisite view?
HUMAN KINDNESS
Beings with a jazzy fiesta of affectionate sounds perfumed with love. It depicts the hustle and bustle of an inner-city boulevard. It’s fast-paced and warm like the blood flowing in our veins.
CONCLUSION
“Eargasms for Short-Sighted Post-Truth Era People” is an undiluted audible ear drop solution, perfumed with nostalgia. It’s revolutionary but its non-violence approach in combating social inequality is highly effective.
https://www.bongminesentertainment.com/helsinki-headnod-eargasms/
WHO’S MAKING YOU?
Mellow and subtle. This jazzy tune poses a series of interesting questions.
At the end of the day, it’s you and only you. You keep trying to place the blame on somebody else but it’s you. Also, you and only you are can make you or break you.
OUR TIME IS NOW
This 30 seconds clip tells listeners that their time is now. Also, it’s short, representing that time is short on earth and it shouldn’t be taken for granted.
SORROW AND PAIN
A mixture of Negro Spiritual mixed with Blues and elements of ‘60s Soul.
The black and white video shows an African-American woman walking in the evening. Also, a vehicle with its headlights on approaches and a Caucasian cop parks it.
The following scene shows the woman running away while the cop, dressed as a terrorist, is chasing her with a lit smoke screen in his hand.
The courageous woman falls to the ground, grabs a handful of snow, and throws it in her attacker’s face. Momentarily, it blinds him and she gets up and runs away.
But she can’t see where she’s going because of the smoke. Then, she’s confronted by another Caucasian man, dressed in riot gear. Also, he’s walking towards her while her other attacker is gaining ground behind her.
In the end, while snow is falling and visibility is blurry, the rioter beats the woman with the stick in his hand.
The suggestive video implies that those who are supposed to protect and serve urban communities contain an uncertain amount of national terrorists within their organizations.
Also, some things from the past have changed, but on the other hand, some things have remained the same.
SOLIDARITY
Mellow and smooth. One minute and 13 seconds of conscious therapy, which begins with a calming voice, “We glorify war when we should glorify peace.”
The title is a unity campaign that binds people together as one. Also, its aim is social change within a racist power structure.
DOWN ON BENDED KNEE
The poem is based on Colin Kaepernick’s epic gesture of bending his knee during the National Anthem to protest social injustices happening in urban communities. Also, it speaks on reasons humanity, equality, civility, decency, justice, and other rights.
ANOTHER DAY IN PARADISE
An instrument plays in solitude against a vacant backdrop, where paradise is imagined as an ordinary day in hell, where being cautious is the best way to proceed.
Also, a story is told about a woman who is begging on the street, but the man she is seeking help from doesn’t even acknowledge her.
She calls out to a man on the street, “Sir, can you help me. It’s cold and I have nowhere to sleep. Is there somewhere you can tell me?”
He walks on doesn’t look back. He pretends he can’t hear her. Starts to whistle as he crosses the street. Seems embarrassed to be there.
This story paints a perfect picture of people frowning down on the have-nots, who oftentimes get overlooked while seeking monetary help or begging for information in public.
THE BIGGER PICTURE
With so many points of views to look from, what’s really the bigger picture?
The artist raps, “Watch me step it up. Cape blowing in the wind standing tough. Can’t give up.”
The song implies what’s necessary to see the bigger picture. One must have the courage to not get blown away by the world-wind and its influences.
Also, it implies taking a step up, by elevating your mind, body, and soul. Only then, will you be able to see the bigger picture, which is quite an exquisite view?
HUMAN KINDNESS
Beings with a jazzy fiesta of affectionate sounds perfumed with love. It depicts the hustle and bustle of an inner-city boulevard. It’s fast-paced and warm like the blood flowing in our veins.
CONCLUSION
“Eargasms for Short-Sighted Post-Truth Era People” is an undiluted audible ear drop solution, perfumed with nostalgia. It’s revolutionary but its non-violence approach in combating social inequality is highly effective.
https://www.bongminesentertainment.com/helsinki-headnod-eargasms/