Search
Search results
Daniel Bruhl recommended To Be or Not to Be (1983) in Movies (curated)
Brian Eno recommended Fresh by Sly & The Family Stone in Music (curated)
Emma @ The Movies (1786 KP) rated The Rhythm Section (2019) in Movies
Mar 5, 2020
The Rhythm Section popped up almost out of nowhere when it hit screens. Seeing the cast line-up I was very interested in seeing what it had to offer.
Stephanie has been a broken woman ever since her family died in a plane crash. The situation would be tough for anyone to deal with but it's made worse by the fact she was supposed to be on the plane too. Life in tatters, addicted to drugs and turning tricks for money she's all but given up on life. That's when Proctor appears.
Proctor is an investigative journalist who is tracking down the people responsible for the tragedy. He takes her in and she paws over his evidence. With a new found rage she goes off on her own, but actions have consequences and it's a steep learning curve.
There is something in The Rhythm Section, the story has a definite spark, but this final product didn't hit the right note for me. It's a classic story of revenge but the film doesn't seem to make much out of it. Littering it with flashbacks to fill in story and attempt to get us in Stephanie's head just adds to the jumpiness throughout. That jumpiness wasn't just reserved for the story, I noted that the camera movements early on were bizarre, I imagine in an effort to emulate her physical and mental state, but it was particularly jarring to watch.
The Rhythm Section seems to have no real way to follow the passage of time, which I feel was a mistake as it would have helped to make things more believable. Somehow B (Law) managed to get Stephanie off drugs, markedly improve her fitness levels and train her to be an (admittedly mediocre) assassin. With some concept of time elapsing I might have been on board with that transformation.
All that training seems to be for nought as she mainly survives off dumb luck during her travels. Her natural luck would also explain how she managed to capture the only bit of information she needed at the beginning of the film to find Proctor's well trained and secret source.
Law and Lively had some good moments in her training montage. There was some humour and friendship, of a sort, but the combative nature of both characters outside of that felt strained and neither appeared comfortable in the role. Sterling K. Brown playing Mark Serra seemed to be the most at home in the role, there was a spark there that gave him a confidence in what he was doing.
With a script written by the author of the source material I'm at a bit of a loss, this scenario should mean that it's a proper representation of the book but I'm left with little desire to experience any of the other three stories in this series having seen Rhythm Section.
As I said, there feels like there's something in this idea that would have made a great film, but it feels rushed and a little confused. The film ends in a way that could see a sequel, and that is possible given the other books in the series, but I can't see it progressing beyond one film off the back of this.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/03/the-rhythm-section-movie-review.html
Stephanie has been a broken woman ever since her family died in a plane crash. The situation would be tough for anyone to deal with but it's made worse by the fact she was supposed to be on the plane too. Life in tatters, addicted to drugs and turning tricks for money she's all but given up on life. That's when Proctor appears.
Proctor is an investigative journalist who is tracking down the people responsible for the tragedy. He takes her in and she paws over his evidence. With a new found rage she goes off on her own, but actions have consequences and it's a steep learning curve.
There is something in The Rhythm Section, the story has a definite spark, but this final product didn't hit the right note for me. It's a classic story of revenge but the film doesn't seem to make much out of it. Littering it with flashbacks to fill in story and attempt to get us in Stephanie's head just adds to the jumpiness throughout. That jumpiness wasn't just reserved for the story, I noted that the camera movements early on were bizarre, I imagine in an effort to emulate her physical and mental state, but it was particularly jarring to watch.
The Rhythm Section seems to have no real way to follow the passage of time, which I feel was a mistake as it would have helped to make things more believable. Somehow B (Law) managed to get Stephanie off drugs, markedly improve her fitness levels and train her to be an (admittedly mediocre) assassin. With some concept of time elapsing I might have been on board with that transformation.
All that training seems to be for nought as she mainly survives off dumb luck during her travels. Her natural luck would also explain how she managed to capture the only bit of information she needed at the beginning of the film to find Proctor's well trained and secret source.
Law and Lively had some good moments in her training montage. There was some humour and friendship, of a sort, but the combative nature of both characters outside of that felt strained and neither appeared comfortable in the role. Sterling K. Brown playing Mark Serra seemed to be the most at home in the role, there was a spark there that gave him a confidence in what he was doing.
With a script written by the author of the source material I'm at a bit of a loss, this scenario should mean that it's a proper representation of the book but I'm left with little desire to experience any of the other three stories in this series having seen Rhythm Section.
As I said, there feels like there's something in this idea that would have made a great film, but it feels rushed and a little confused. The film ends in a way that could see a sequel, and that is possible given the other books in the series, but I can't see it progressing beyond one film off the back of this.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/03/the-rhythm-section-movie-review.html
CHILLFILTR (46 KP) rated An Invitation To Her's by Her's in Music
Jun 5, 2019 (Updated Jun 5, 2019)
https://chillfiltr.com/blog/2018/8/21/hers-under-wraps
With a melodic hook split between the electric bass, guitar, and glockenspiel, this song immediately oozes confidence. It has a deliciously crisp low-end and some really interesting dynamics of range, and depth. The vocals, and more importantly, melodic sensibility, have just a hint of Rufus Wainwright, and that effortless command of a Broadway-Kerouac hybrid under cover of groove.
Beneath it all, the clean and natural sound of an acoustic drum set shines through, and the warmth of the bass and kick drum are enough to keep you cozy on a winter's night. It's all about that rhythm section.
With a melodic hook split between the electric bass, guitar, and glockenspiel, this song immediately oozes confidence. It has a deliciously crisp low-end and some really interesting dynamics of range, and depth. The vocals, and more importantly, melodic sensibility, have just a hint of Rufus Wainwright, and that effortless command of a Broadway-Kerouac hybrid under cover of groove.
Beneath it all, the clean and natural sound of an acoustic drum set shines through, and the warmth of the bass and kick drum are enough to keep you cozy on a winter's night. It's all about that rhythm section.
Donald Trump recommended track Brown Sugar by The Rolling Stones in Hot Rocks: 1964-1971 by The Rolling Stones in Music (curated)
Alex Ross Perry recommended Diamantino (2018) in Movies (curated)
Alex Ross Perry recommended Redoubt (2019) in Movies (curated)
CHILLFILTR (46 KP) rated Mouth of Ghosts by Mouth of Ghosts in Music
Sep 2, 2019
he self-titled 2019 debut LP from Mouth of Ghosts is a culmination of several years' worth of stylistic probing, and the exploration of a nexus between dance pop, hard rock influences, and a vocal aesthetic that combines power and precision with a mesmerizing sense of rhythm.
On Mouth of Ghosts, the EP, listeners are given the opportunity to explore a diverse collection of textures and tones within a single cohesive experience. Downfall leverages a cinematic quality of tone with layers of vocal harmony and a groove that gives hints of reggae. The result is a shimmering track that feels suspended halfway between Enya and K.Flay.
On Mouth of Ghosts, the EP, listeners are given the opportunity to explore a diverse collection of textures and tones within a single cohesive experience. Downfall leverages a cinematic quality of tone with layers of vocal harmony and a groove that gives hints of reggae. The result is a shimmering track that feels suspended halfway between Enya and K.Flay.
GustavoCampello (6 KP) rated The Wild Goose Lake (2019) in Movies
Feb 10, 2022
Beautiful film nominated for the Palme d'Or at the Cannes Film Festival. The director plays with various genres ranging from action, drama, noir and romance. The technical part is perfect and the rhythm helps a lot. It's funny how during the film we completely forget that the main character is not really a good guy, but a criminal without many scruples, and this is a very interesting asset of the film, as he intentionally manipulates the spectator's perception. The performances are great, but it's a picture movie, even when the lighting is dark. There are some clichés throughout the movie, but the pacing helps to soften that. I really liked it.