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Freddy King Goes Surfing by Freddy King
Freddy King Goes Surfing by Freddy King
(0 Ratings)
Album Favorite

"What a crazy title! It’s not a surf album at all, of course. I think it’s basically a reissue of his previous album [Let’s Hide Away And Dance Away With Freddy King], which featured his big hit Hide Away. “I guess they stuck the surf picture and title on the record to capitalize on The Beach Boys and the whole West Coast craze that was going on at the time – which Freddy King had nothing to do with. “Although Freddy later became known for being a fine vocalist, he was one of the best blues guitarists ever, and this album really shows what a creative and aggressive guitar player he was. Between the lead lines are little rhythm lines, and they’re all played by Freddy! He could fill in the blanks all by himself. Freddy found all the right notes – nothing was superfluous. When we tour, I make sure to have this on the iPod, so we get to treat the audience and the crew to Freddy King before we come on."

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Everyday Life by Coldplay
Everyday Life by Coldplay
2019 | Pop
9
9.0 (1 Ratings)
Album Rating
Violin (5 more)
Adventurist metaphors
Spiritual
Equality
Reality
Vocals
Lacking depth (0 more)
Adventurous album taking on the uplifting but also brutality of reality and it's every day themes.
A new (different) album from Coldplay, which is definitely revealing their experimentation. The band take on heavy themes of love, war, racism, faith, gun control, friendship, climate change, police brutality and other every day themes in life. It is a double album consisting of 'Sunrise' and 'Sunset', which reveals the difference between the every day highs and lows of the above mentioned themes.

The opening of 'Sunrise' is set beautifully with string arrangements, with the lead violinist doing an excellent job of playing uplifting but also emotional tones to set the mood for the themes. Good versus bad, happy versus sad.

Coldplay never venture far from meeting with Eastern and Western sounds to encourage the acceptance of different religions and ethnicities.

'Sunset' is accompanied with loungey rhythm and blues tones which compliment the themes and meaningful lyrics.

However I can't help but note that I feel some depth is missing to convey their messages.
  
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Pete Wareham recommended Shofna Gamar by Mahmoud Fadl in Music (curated)

 
Shofna Gamar by Mahmoud Fadl
Shofna Gamar by Mahmoud Fadl
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"Basically, after that Ali Hussan Kuban revelation, I started searching high and low for as much of this music as I could possibly find. And then I started looking further. I started googling musicians in the Nile. For me, I found that it was only music from Nubia that had a certain thing about it. Arabic music, from further north, I love it and it's beautiful. I listen to a lot of that but it's more refined than Nubian music. That's not to say that Nubian music isn't sophisticated, but there's something a bit more direct about the Nubian stuff. A bit more punk-rock. I was looking for this music, and I found Mahmoud Fadl. There were these albums called Drummers of the Nile. It's slightly instructional in that they name a rhythm and then they play the rhythm. It's quite a journey through that whole type of music. This track 'Shofna Gamar', it's a pentatonic melody. Jimi Hendrix, the blues, R&B - a lot of stuff comes from pentatonic scales and it feels to me that these Nubian rhythms are the roots of our rhythmic appreciation. One of the big things in Melt Yourself Down was, if I take these ancient rhythms and just change the aesthetic of them so they sound modern, would it feel like modern music? It does. So I came to the conclusion that there's something in these rhythms that we really respond to and I think the same with pentatonic scales, I've always been really drawn to them. So 'Shofna Gamar' is an amazing way of making pentatonic scales feel really fresh, so joyful."

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Get Up (I Feel Like Being A) Sex Machine by James Brown
(0 Ratings)
Album Favorite

"I first heard it when I was a little kid. I thought, ""What is this?"", trying to get my head around it. You've got to do a dance as a little kid to figure it out, and with all the most interesting stuff it takes you a while to get it. It's so fucking modern. You could pick a number of songs, but the architecture of those songs, it's like these super-tight rhythm sections and it doesn't really go anywhere. The groove is the thing. Sometimes he goes, ""Take it to the bridge!"" and they change it, but then they go back to the groove. It's not like a traditional song structure. The streamlined simplicity of it, and not being distracted by harmonic development, strikes me as being so revolutionary and modern. It makes me think of painting. Sometimes he's just groaning and yelping, and he's kind of like Jackson Pollock over this very tight structure, this kind of animalistic thing smeared across the song. You can see the connection to the blues, you can see the connection to early jazz, but he takes it somewhere else completely different."

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