Search
Search results
JT (287 KP) rated Joker (2019) in Movies
Mar 10, 2020
This is the film of the year for me. A comic book adaptation like no other. Thought-provoking and difficult to watch it conveys more than just the transformation from abnormal loner to one of the greatest comic villains ever. Joaquin Phoenix’s performance goes some way to matching the psychotic heights of Heath Ledger’s incarnation in The Dark Knight. Ledger was posthumously awarded an Oscar for that performance and I would expect Phoenix to be front and centre when award season comes around.
Arthur Fleck is a clown for hire. Scraping to make ends meet while looking after his ailing mother (Frances Conroy) he has ambitions of making it as a stand-up comedian. Sadly his narcissistic personality and uncontrollable fits of laughter (through no fault of his own) make him a target for society. Gotham City is an unforgiving place and for Arthur, it is a constant struggle of acceptance. He’s belittled and beaten down at every turn and he’s not strong enough to fight back. The bruises on his skeletal frame are a testament to this. He’s an awkward character not least because his quiet personality simmers beneath someone ready to explode – and explode he does.
A comic book adaptation like no other it’s thought-provoking and difficult to watch
But Arthur is sick. That much is clear. Society no longer wants to help. As a result, his social worker explains that the city has cut all funding and the facility and access to his medication he relies on will stop – “All I have are negative thoughts,” he says. When the brutality takes a serious turn he unwittingly becomes a figurehead for Gotham’s society. The clown is a symbol of defiance. Fighting against the rich, of all people Thomas Wayne, who is running for Mayor. Wayne becomes wrapped up in a storyline that brings Arthur together with a familiar young face.
The strong comparisons to Taxi Driver are unavoidable, but there is a definite Scorsese feel to the film. The casting of Robert De Niro as talk show host Murray Franklin is almost a direct nod to King of Comedy in which De Niro stalks and kidnaps his idol to take the spotlight for himself. Here it’s Arthur who lovingly worships Murray. The build up to the clown prince of crime is worth the wait as the transformation builds up to a frenetic and gruesome final act.
One of the biggest takeaways from Joker is its focus on mental illness. Arthur’s battered notebook is not only a journal for his jokes but for his dark thoughts. This is a topic that will hit close to home for many people who might experience similar, with an outward animosity to society.
Arthur Fleck is a clown for hire. Scraping to make ends meet while looking after his ailing mother (Frances Conroy) he has ambitions of making it as a stand-up comedian. Sadly his narcissistic personality and uncontrollable fits of laughter (through no fault of his own) make him a target for society. Gotham City is an unforgiving place and for Arthur, it is a constant struggle of acceptance. He’s belittled and beaten down at every turn and he’s not strong enough to fight back. The bruises on his skeletal frame are a testament to this. He’s an awkward character not least because his quiet personality simmers beneath someone ready to explode – and explode he does.
A comic book adaptation like no other it’s thought-provoking and difficult to watch
But Arthur is sick. That much is clear. Society no longer wants to help. As a result, his social worker explains that the city has cut all funding and the facility and access to his medication he relies on will stop – “All I have are negative thoughts,” he says. When the brutality takes a serious turn he unwittingly becomes a figurehead for Gotham’s society. The clown is a symbol of defiance. Fighting against the rich, of all people Thomas Wayne, who is running for Mayor. Wayne becomes wrapped up in a storyline that brings Arthur together with a familiar young face.
The strong comparisons to Taxi Driver are unavoidable, but there is a definite Scorsese feel to the film. The casting of Robert De Niro as talk show host Murray Franklin is almost a direct nod to King of Comedy in which De Niro stalks and kidnaps his idol to take the spotlight for himself. Here it’s Arthur who lovingly worships Murray. The build up to the clown prince of crime is worth the wait as the transformation builds up to a frenetic and gruesome final act.
One of the biggest takeaways from Joker is its focus on mental illness. Arthur’s battered notebook is not only a journal for his jokes but for his dark thoughts. This is a topic that will hit close to home for many people who might experience similar, with an outward animosity to society.