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Rich, detailed, but strange narrative style at times!
I was sooo keen to read this - especially after watching the TV series, which I completely loved. For the most part, I wasn't disappointed. It's such a novel way of exploring Henry VIII's relationship with Anne Boleyn, not to mention the complex divorce proceedings that preceded it - through the eyes of Thomas Cromwell, the man partially responsible for orchestrating the whole thing.
Immediately, I was struck by Hilary Mantel's remarkable ability to capture life of that time - making it seem strangely familiar, despite the fact it was hundreds of years ago. She made it all seem so real, largely due to her richness of detail, not to mention expert knowledge of the era. The little notes of humour throughout are what really bring it to life - so often, history is treated with utmost seriousness, yet Mantel is absolutely correct - I'm sure people were cracking jokes and saying silly things in the Tudor era too!
The relationships were likewise beautifully illustrated, and the death of Cromwell's wife, genuinely moving. For me, this was one of the most impressive moments of the book, as Mantel captures grief so powerfully and yet so simply.
One thing I did find strange though - the way Mantel uses pronouns throughout the book. I pondered for ages about why it jarred on me every so often, and I think it's because the 3rd person narrative is so intimate, it almost feels like a 1st person in places. Then, when she uses 'he' again, rather than 'I', it is momentarily confusing. I found myself wondering what the book would have been like had she just told it in first person through Cromwell's eyes - my personal belief is that it might have worked better.
Also, although the richness of the detail was spectacular, there were times when I felt that it held up the narrative slightly. I appreciate her desire to capture every moment of these tumultuous historic events, but at times, I did find them a wee bit boring.
However, for the most part, I was really into this book, and loved the character of Cromwell to bits. A man from a humble background, unfailingly pragmatic and clever - fabulous stuff!
Immediately, I was struck by Hilary Mantel's remarkable ability to capture life of that time - making it seem strangely familiar, despite the fact it was hundreds of years ago. She made it all seem so real, largely due to her richness of detail, not to mention expert knowledge of the era. The little notes of humour throughout are what really bring it to life - so often, history is treated with utmost seriousness, yet Mantel is absolutely correct - I'm sure people were cracking jokes and saying silly things in the Tudor era too!
The relationships were likewise beautifully illustrated, and the death of Cromwell's wife, genuinely moving. For me, this was one of the most impressive moments of the book, as Mantel captures grief so powerfully and yet so simply.
One thing I did find strange though - the way Mantel uses pronouns throughout the book. I pondered for ages about why it jarred on me every so often, and I think it's because the 3rd person narrative is so intimate, it almost feels like a 1st person in places. Then, when she uses 'he' again, rather than 'I', it is momentarily confusing. I found myself wondering what the book would have been like had she just told it in first person through Cromwell's eyes - my personal belief is that it might have worked better.
Also, although the richness of the detail was spectacular, there were times when I felt that it held up the narrative slightly. I appreciate her desire to capture every moment of these tumultuous historic events, but at times, I did find them a wee bit boring.
However, for the most part, I was really into this book, and loved the character of Cromwell to bits. A man from a humble background, unfailingly pragmatic and clever - fabulous stuff!
FilmIntuition (33 KP) rated The High Season in Books
May 23, 2018
A Terrific Beach Read
(Note: I received an Advance Readers Copy of this book in exchange for an honest review.)
You can practically feel the sunlight pouring off the pages of The High Season, which, thanks to National Book Award Winner Judy Blundell's lyrical and painterly prose, is as picturesque as the summery Long Island beach house where the novel's action is set.
Told from the points-of-view of multiple characters, the instantly compelling book introduces us to the local residents and seasonal visitors of a beautiful beach community that's big enough to enjoy but small enough that secrets don't stay that way for long as its inhabitants soon find out.
Although it's made fiscal sense, renting their gorgeous home every summer in order to afford to live in it during the rest of the year has begun to wear on our main protagonist, museum director Ruthie Dutton and her fifteen-year-old daughter Jem.
Renovating a perfect beach house only to need to leave it during its peak season has been a leading cause of the breakdown of her marriage to Mike, with whom she's still on excellent terms, and even though the mature Jem puts up a good front, Ruthie hates the idea of uprooting her each summer.
And when her latest renter makes herself home a little too quickly – setting her sights on Mike, her friends, and possibly a permanent place in North Fork – Ruthie finds herself at war, especially after the renter's college aged stepson takes an interest in Jem, and nonprofit art world politics threaten her livelihood.
Breaking down the action on several fronts, we're also introduced to Ruthie's enigmatic young coworker Doe who's perfected the art of blending in anywhere and with anyone and it's in Doe's chapters that Blundell and the reader has the most fun as she gently satirizes the rich.
The first book the author has penned exclusively for adults, admittedly there are times when The High Season's older characters (especially Ruthie) act more immature than their younger counterparts do in incongruous scenes that hinders their relatability.
A gifted stylist, however, Blundell doesn't lose us for long. As high stakes subplots begin to collide, the book rebounds from a slightly muddled middle act – delivering a final hundred pages you'll fly right through just as fast as this entertaining read flies off shelves this summer.
You can practically feel the sunlight pouring off the pages of The High Season, which, thanks to National Book Award Winner Judy Blundell's lyrical and painterly prose, is as picturesque as the summery Long Island beach house where the novel's action is set.
Told from the points-of-view of multiple characters, the instantly compelling book introduces us to the local residents and seasonal visitors of a beautiful beach community that's big enough to enjoy but small enough that secrets don't stay that way for long as its inhabitants soon find out.
Although it's made fiscal sense, renting their gorgeous home every summer in order to afford to live in it during the rest of the year has begun to wear on our main protagonist, museum director Ruthie Dutton and her fifteen-year-old daughter Jem.
Renovating a perfect beach house only to need to leave it during its peak season has been a leading cause of the breakdown of her marriage to Mike, with whom she's still on excellent terms, and even though the mature Jem puts up a good front, Ruthie hates the idea of uprooting her each summer.
And when her latest renter makes herself home a little too quickly – setting her sights on Mike, her friends, and possibly a permanent place in North Fork – Ruthie finds herself at war, especially after the renter's college aged stepson takes an interest in Jem, and nonprofit art world politics threaten her livelihood.
Breaking down the action on several fronts, we're also introduced to Ruthie's enigmatic young coworker Doe who's perfected the art of blending in anywhere and with anyone and it's in Doe's chapters that Blundell and the reader has the most fun as she gently satirizes the rich.
The first book the author has penned exclusively for adults, admittedly there are times when The High Season's older characters (especially Ruthie) act more immature than their younger counterparts do in incongruous scenes that hinders their relatability.
A gifted stylist, however, Blundell doesn't lose us for long. As high stakes subplots begin to collide, the book rebounds from a slightly muddled middle act – delivering a final hundred pages you'll fly right through just as fast as this entertaining read flies off shelves this summer.
<i>I received this book for free through Goodreads First Reads.</i>
Six bestselling authors have taken on the task of writing modern retellings of the complete works of Jane Austen. Alexander McCall Smith has successfully taken on the challenge of bringing <i>Emma</i> into the 21st century. Although the settings and characters remain the same the contemporary clothing, vehicles and ideas are something that the reader can relate to.
As fans of Jane Austen will already know, <i>Emma</i> is about rich, single Emma Woodhouse who, despite the disapproval of her good friend George Knightley, enjoys interfering in the lives of others, particularly where romance is concerned. Her meddling backfires when her plan to match her friend Harriet Smith with the boring Philip Elton has disastrous consequences.
Alexander McCall Smith’s version of <i>Emma</i> has more focus on the life of Mr. Woodhouse, Emma’s father, than the original did. He gives an account of Henry Woodhouse’s history and over emphasizes his anxieties about health and safety. Mr. Woodhouse’s concerns are constantly cropping up throughout the novel adding a little humour to the story.
One concern about this modern adaptation is that the writing style was overly formal. If it were not for the references to the current clothing fashions, motorcars and women attending university, the book could have been set during Jane Austen’s lifetime. Take, for example, the character Anne Taylor. Mr. Woodhouse hires Miss Taylor as a governess for his motherless daughters. Miss Taylor’s approach to the girls and her prim and proper use of language made her seem antiquated. She would not have looked out of place amongst other well-known governesses or nannies such as <i>Mary Poppins</i> or <i>Nurse Matilda</i>.
Occasionally it felt that Alexander McCall Smith was mocking the modern world, for example the activities of the younger generation or the way people speak. Whilst this may appeal to older readers who may disapprove of the recent developments and changes in the Western world; it alienates the teenagers and young adults who have grown up with modern technology.
There is no doubt that Alexander McCall Smith has done an excellent job at retelling such a famous novel, however to be a complete modern retelling I think everything needs to be brought into the 21st century. This would include all the characters and the style of language it is written in.
Six bestselling authors have taken on the task of writing modern retellings of the complete works of Jane Austen. Alexander McCall Smith has successfully taken on the challenge of bringing <i>Emma</i> into the 21st century. Although the settings and characters remain the same the contemporary clothing, vehicles and ideas are something that the reader can relate to.
As fans of Jane Austen will already know, <i>Emma</i> is about rich, single Emma Woodhouse who, despite the disapproval of her good friend George Knightley, enjoys interfering in the lives of others, particularly where romance is concerned. Her meddling backfires when her plan to match her friend Harriet Smith with the boring Philip Elton has disastrous consequences.
Alexander McCall Smith’s version of <i>Emma</i> has more focus on the life of Mr. Woodhouse, Emma’s father, than the original did. He gives an account of Henry Woodhouse’s history and over emphasizes his anxieties about health and safety. Mr. Woodhouse’s concerns are constantly cropping up throughout the novel adding a little humour to the story.
One concern about this modern adaptation is that the writing style was overly formal. If it were not for the references to the current clothing fashions, motorcars and women attending university, the book could have been set during Jane Austen’s lifetime. Take, for example, the character Anne Taylor. Mr. Woodhouse hires Miss Taylor as a governess for his motherless daughters. Miss Taylor’s approach to the girls and her prim and proper use of language made her seem antiquated. She would not have looked out of place amongst other well-known governesses or nannies such as <i>Mary Poppins</i> or <i>Nurse Matilda</i>.
Occasionally it felt that Alexander McCall Smith was mocking the modern world, for example the activities of the younger generation or the way people speak. Whilst this may appeal to older readers who may disapprove of the recent developments and changes in the Western world; it alienates the teenagers and young adults who have grown up with modern technology.
There is no doubt that Alexander McCall Smith has done an excellent job at retelling such a famous novel, however to be a complete modern retelling I think everything needs to be brought into the 21st century. This would include all the characters and the style of language it is written in.
Ivana A. | Diary of Difference (1171 KP) rated The Man In The Mirror: A Billionaire Romance in Books
Feb 3, 2020
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
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<b><i>Have you ever wanted a steamy Beauty and the Beast retelling? You might not get the Disney fantasy, but you will get the true love part. Or will you?</i></b>
Charlotte is a nanny and she goes in a rich family to take care of a little boy. His mother is demanding and his father stays in his room at all times.
Mr. King survived a fire accident and half of his face is covered with a golden mask, to hide the sad memories. He almost never goes out and his son is scared of him. Also,he only visits him at night.
He always talks to his son’s nannies through the intercom, to ask about his day. But with this nanny, it feels different. He can’t wait to hear her voice.
Compared to ‘’Nanny and the Beast’’, The Man in the Mirror is not as steamy, and the love relationship feels a bit more realistic. However, the story is still under developed for my tastes.
The nannies in Georgia’s books are represented in a bit of an unrealistic way. As a nanny, I think you will always influence the child you spend time with. Bear in mind, you spend all day, every day with them. But there are rules and boundaries set by the parents, and you do not cross those. The author somehow forgot about this part, it seems.
The Man in the Mirror opens up plenty of topics for discussion and in the end, it is a quick and enjoyable read. Georgia’s books are the ones that you pick up, wanting to have a quick read moment and relax.
If this book sounds intriguing, go and grab your copy, and let me know in the comments whether you enjoyed it.
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
<img src="https://diaryofdifference.com/wp-content/uploads/2019/05/Book-Review-Banner-1.png"/>;
<b><i>Have you ever wanted a steamy Beauty and the Beast retelling? You might not get the Disney fantasy, but you will get the true love part. Or will you?</i></b>
Charlotte is a nanny and she goes in a rich family to take care of a little boy. His mother is demanding and his father stays in his room at all times.
Mr. King survived a fire accident and half of his face is covered with a golden mask, to hide the sad memories. He almost never goes out and his son is scared of him. Also,he only visits him at night.
He always talks to his son’s nannies through the intercom, to ask about his day. But with this nanny, it feels different. He can’t wait to hear her voice.
Compared to ‘’Nanny and the Beast’’, The Man in the Mirror is not as steamy, and the love relationship feels a bit more realistic. However, the story is still under developed for my tastes.
The nannies in Georgia’s books are represented in a bit of an unrealistic way. As a nanny, I think you will always influence the child you spend time with. Bear in mind, you spend all day, every day with them. But there are rules and boundaries set by the parents, and you do not cross those. The author somehow forgot about this part, it seems.
The Man in the Mirror opens up plenty of topics for discussion and in the end, it is a quick and enjoyable read. Georgia’s books are the ones that you pick up, wanting to have a quick read moment and relax.
If this book sounds intriguing, go and grab your copy, and let me know in the comments whether you enjoyed it.
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
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Ross (3284 KP) rated Squeeze Me in Books
Oct 13, 2020
It's hard to satirise the most absurd president in history
I received a free advance copy of this book in exchange for an honest review.
I am quite a big fan of Carl Hiaasen, having discovered his quirky corrupt Floridian crime novels as a recommendation for fans of Chris Brookmyre. His books are filled with pollution, government corruption, and bizarre things happening to extreme characters.
Squeeze Me follows the strange disappearance of a rich old fan of the president (who isn't explicitly named but is a bulky chap who likes a tanning bed and has a younger, more attractive wife) at one of her many charity balls near her winter Florida home. Coincidentally, pest control expert Angie Armstrong is asked to dispose of a large, engorged python from the property. There then follows a rollicking tale of cover-ups, dodgy gangsters, racial intolerance, extra-marital affairs and murder, and a small appearance from everyone's favourite governor-turned-hobo-eco-terrorist.
This book is fairly typical of Hiaasen, with all the different characters crossing paths through unlikely events and plots. However, his books are famed for their extreme, unbelievable bad guys: the hoods hired to do a corrupt supposedly honest businessman/government official's dirty work. We have had someone in the past whose hand was bitten off and replaced with a weed-whacker, someone who was hooked on steroids and raped by a dolphin etc. This book is sadly lacking of such characters, as all the bad guys are fairly textbook thugs or criminals.
Also, Hiaasen readers are used to the unbelievable corruption at the hands of government officials, but when the real life president is so corrupt and unethical, any such corruption will struggle in comparison to the real thing. The president is more of a bumbling oaf who hires one man purely to service his sunbeds, another as a body double to test them out before he uses them. His racial hatred of non-North Americans is present, but becomes a small part of his character here.
This is a book about the bizarre adulation towards the president in those who are in his outer inner circle and clamouring for his attention, and the industry that builds up around them.
It is a little bit of a letdown from Hiaasen's best work, but still a great crime and corruption caper.
I am quite a big fan of Carl Hiaasen, having discovered his quirky corrupt Floridian crime novels as a recommendation for fans of Chris Brookmyre. His books are filled with pollution, government corruption, and bizarre things happening to extreme characters.
Squeeze Me follows the strange disappearance of a rich old fan of the president (who isn't explicitly named but is a bulky chap who likes a tanning bed and has a younger, more attractive wife) at one of her many charity balls near her winter Florida home. Coincidentally, pest control expert Angie Armstrong is asked to dispose of a large, engorged python from the property. There then follows a rollicking tale of cover-ups, dodgy gangsters, racial intolerance, extra-marital affairs and murder, and a small appearance from everyone's favourite governor-turned-hobo-eco-terrorist.
This book is fairly typical of Hiaasen, with all the different characters crossing paths through unlikely events and plots. However, his books are famed for their extreme, unbelievable bad guys: the hoods hired to do a corrupt supposedly honest businessman/government official's dirty work. We have had someone in the past whose hand was bitten off and replaced with a weed-whacker, someone who was hooked on steroids and raped by a dolphin etc. This book is sadly lacking of such characters, as all the bad guys are fairly textbook thugs or criminals.
Also, Hiaasen readers are used to the unbelievable corruption at the hands of government officials, but when the real life president is so corrupt and unethical, any such corruption will struggle in comparison to the real thing. The president is more of a bumbling oaf who hires one man purely to service his sunbeds, another as a body double to test them out before he uses them. His racial hatred of non-North Americans is present, but becomes a small part of his character here.
This is a book about the bizarre adulation towards the president in those who are in his outer inner circle and clamouring for his attention, and the industry that builds up around them.
It is a little bit of a letdown from Hiaasen's best work, but still a great crime and corruption caper.
Phillip McSween (751 KP) rated Star Wars: Episode VI – Return of the Jedi (1983) in Movies
Jan 26, 2021
Packed With Iconic Moments
Jedi Luke Skywalker tries to put an end to the evil empire, led by Darth Vader, once and for all. While I consider Return of the Jedi the weaker of the older three, it still represents classic sci-fi that later films will aspire to be.
Acting: 10
Beginning: 8
Starts off a bit slower than the previous two, but doesn’t take too long to pick up. I wasn’t overly wowed, yet I was intrigued enough to want to see what was coming next. It was definitely a daring choice going almost twenty minutes before we start to see the main characters we know and love onscreen.
Characters: 10
Speaking of which, the gang is all back for Return of the Jedi. Luke Skywalker (Mark Hamill) is a hero for the ages, a lovable winner that is struggling to manage his power and his true place in the world. The Star Wars world is filled with such rich characters from the amazing Chewbaca to those cute little Ewoks. And we can’t forget about Vader one of the most terrifying villains in the history of film. Quality characters all around.
Cinematography/Visuals: 10
The lightsaber fights are just ramped up to another level in Return of the Jedi. The battles, especially between Luke and Vader, feel more personal and intense. As always, the setpieces leave a lot to remember. I loved the stormtrooper airbike chase through the forest. This, like many of the other scenes, were a treat to behold.
Conflict: 10
Entertainment Value: 9
Memorability: 8
This movie is iconic, filled to the brim with memorable moments. There is one scene in particular that holds on to my memory, one between Luke and Yoda. It happens fairly early on in the movie and sets the pace for what is to come. A powerful moment between two icons. Whether we are witnessing phenomenal battles between good and evil or cute ewoks dancing, this movie is a walking memory.
Pace: 9
Plot: 8
Resolution: 10
Overall: 92
Not perfect, Return of the Jedi still manages to be a classic by tying up a lot of loose ends and checking off all the important movie boxes. It might not be the best of the series, but it is definitely one of the most endearing. It’s one I can watch repeatedly and enjoy it all over again like the first time.
Acting: 10
Beginning: 8
Starts off a bit slower than the previous two, but doesn’t take too long to pick up. I wasn’t overly wowed, yet I was intrigued enough to want to see what was coming next. It was definitely a daring choice going almost twenty minutes before we start to see the main characters we know and love onscreen.
Characters: 10
Speaking of which, the gang is all back for Return of the Jedi. Luke Skywalker (Mark Hamill) is a hero for the ages, a lovable winner that is struggling to manage his power and his true place in the world. The Star Wars world is filled with such rich characters from the amazing Chewbaca to those cute little Ewoks. And we can’t forget about Vader one of the most terrifying villains in the history of film. Quality characters all around.
Cinematography/Visuals: 10
The lightsaber fights are just ramped up to another level in Return of the Jedi. The battles, especially between Luke and Vader, feel more personal and intense. As always, the setpieces leave a lot to remember. I loved the stormtrooper airbike chase through the forest. This, like many of the other scenes, were a treat to behold.
Conflict: 10
Entertainment Value: 9
Memorability: 8
This movie is iconic, filled to the brim with memorable moments. There is one scene in particular that holds on to my memory, one between Luke and Yoda. It happens fairly early on in the movie and sets the pace for what is to come. A powerful moment between two icons. Whether we are witnessing phenomenal battles between good and evil or cute ewoks dancing, this movie is a walking memory.
Pace: 9
Plot: 8
Resolution: 10
Overall: 92
Not perfect, Return of the Jedi still manages to be a classic by tying up a lot of loose ends and checking off all the important movie boxes. It might not be the best of the series, but it is definitely one of the most endearing. It’s one I can watch repeatedly and enjoy it all over again like the first time.
e-Sword LT: Bible Study to Go
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