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Kristy H (1252 KP) rated Thaw (Seasons of Love, #2) in Books
Feb 13, 2018
Abby is an introverted librarian happily living a regular life in Brooklyn. But things change when she attends a charity gala with a friend and meets Gabrielle, a famous actress and model. The two connect on the dance floor, and Abby is immediately taken by this lovely woman known in modeling circles as the Ice Queen. And while she can see how Gabrielle has earned this nickname, she also senses a softer side to her. Gabrielle asks Abby on a date, and the two begin to get to know each other, discovering they have a lot of similar interests. But even though Gabrielle seems to let her guard down around Abby, she also has problems opening up about her past. Meanwhile, while Abby finds Gabrielle fascinating, she's worried what will happen to their relationship when she admits she's asexual. She's also dealing with issues in her own personal life related to her library position. Can these two women overcome a variety of obstacles to find love?
This novel definitely follows the trope of a regular gal falling for the rich, remote, often angry lesbian: you have to surrender yourself to that and you'll enjoy the book more (much like watching a romantic comedy). There is a little too much focus at times on the fact that Gabrielle runs hot and cold, and her personal dynamics can be slightly weird at points. Still, even while occasionally annoyed, I found myself intrigued and interested at her reticence and wondering at its cause.
However, the real star of this show isn't Gabrielle, but Abby. Abby is just a real sweetheart. She's truly the force of the book. I personally identified with her and adored her love of books, avoidance of makeup, and general introverted self. She was a well-written character, and I found myself wanting to protect her. The fact she's asexual is interesting, and it really cast a light on a sexual orientation that I knew very little about. It was a good learning experience, honestly.
Much like said romantic comedies I mentioned earlier, a lot of this plot is predictable, but the book was written well-enough that I didn't mind: it's what I had signed up for, after all, and I was happy to be along for the ride. I still was really excited for the outcome and read the entire thing in about 24 hours. Besides, the novel has a hidden depth to it, giving us an interesting commentary on society's expectations about sex and relationships. Plus, Springer inserts some hidden inside jokes about books, literary series, and such. A lot of the novel just made me smile, between Abby, the asides, and the overall resolution. It was surprising and for the most part, very enjoyable. Probably a 3.75 stars, but bumped up to 4 stars due to the way it made me feel. I will definitely seek out the other novels in Springer's Season of Love series (this was actually #2, but it seemed to stand-alone just fine).
I received a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review; it is available everywhere as of 04/24/2017.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a></center>;
This novel definitely follows the trope of a regular gal falling for the rich, remote, often angry lesbian: you have to surrender yourself to that and you'll enjoy the book more (much like watching a romantic comedy). There is a little too much focus at times on the fact that Gabrielle runs hot and cold, and her personal dynamics can be slightly weird at points. Still, even while occasionally annoyed, I found myself intrigued and interested at her reticence and wondering at its cause.
However, the real star of this show isn't Gabrielle, but Abby. Abby is just a real sweetheart. She's truly the force of the book. I personally identified with her and adored her love of books, avoidance of makeup, and general introverted self. She was a well-written character, and I found myself wanting to protect her. The fact she's asexual is interesting, and it really cast a light on a sexual orientation that I knew very little about. It was a good learning experience, honestly.
Much like said romantic comedies I mentioned earlier, a lot of this plot is predictable, but the book was written well-enough that I didn't mind: it's what I had signed up for, after all, and I was happy to be along for the ride. I still was really excited for the outcome and read the entire thing in about 24 hours. Besides, the novel has a hidden depth to it, giving us an interesting commentary on society's expectations about sex and relationships. Plus, Springer inserts some hidden inside jokes about books, literary series, and such. A lot of the novel just made me smile, between Abby, the asides, and the overall resolution. It was surprising and for the most part, very enjoyable. Probably a 3.75 stars, but bumped up to 4 stars due to the way it made me feel. I will definitely seek out the other novels in Springer's Season of Love series (this was actually #2, but it seemed to stand-alone just fine).
I received a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review; it is available everywhere as of 04/24/2017.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a></center>;
Kristy H (1252 KP) rated The Turn of The Key in Books
Aug 16, 2019
Rowan Caine feels like her life is at a bit of a dead end when she finds the advertisement: it's for a live-in nanny, and the pay is amazing. Rowan has a background in nannying and working with children, so she submits her CV and crosses her fingers. Still, she can't believe her luck when she interviews at the gorgeous Heatherbrae House in Scotland. It's isolated, but beautiful. And then she gets the job caring for four seemingly lovely children: Rhiannon, 14; Maddie, 8; Ellie, 5; and Petra, eighteen months. But the position isn't all it cracked up to be. The children are nothing like the sweet kids they appeared when she interviewed. The entire house is a smart home, controlled by a home management app, and it seems to go haywire constantly. The parents leave nearly the moment she arrives. And it really seems like the rumors of ghosts and a haunted house that drove away the past four nannies are true. We know Rowan is writing about all of this from prison--jailed for the death of one of the children. She claims she's innocent. What really happened at Heatherbrae House?
This was a very intriguing, eerie thriller, made all the more creepy by reading it alone in a cabin in the woods with no one beside me but my dog. Perhaps choosing this read for my short getaway was a mistake? Ha, I actually liked getting a little spooked by this Gothic mystery. It was an enjoyable slow-burning read that kept me hooked.
As mentioned, the entire book is told in letter form--albeit mostly one long letter--as Rowan sits in Scottish prison, trying to convince a Mr. Wrexham to take up her case. She's innocent, she says, and here is her story. And quite a story it is. From the moment Rowan arrives at the Elincourt's beautiful home, Heatherbrae House, it seems like things go wrong--she hasn't memorized the 300-page "manual" required to watch the girls, the "smart" house is out of control, and the children are absolute terrors.
"I guess it comes down to this in the end. I am the nanny in the Elincourt case, Mr. Wrexham. And I didn't kill that child."
But the more we hear from Rowan, we learn she may not be completely guilt-free in all of this, as perhaps there is more to her story than meets the eye. It all unfurls easily in Ware's deft hands. It may take a while to get to some of the major twists and turns, but there's plenty of little bits of creepiness along the way. Rowan is sure she's being haunted, and it's quite fun to try to figure out what exactly is happening. Ghosts? The smart house gone awry? While Rowan isn't always the easiest character to root for, I still sympathized with her (I wouldn't want to be left with four combative children) and yet I found myself getting attached to the kids anyway (clearly they didn't choose to be left behind by their rich and distracted parents).
"I need you to understand why I did what I did."
Overall, this one is a fun, eerie read. I enjoyed the combination of creepy Gothic plus smart home craziness. I also couldn't always foresee what was coming up next, which I appreciated. It's engaging and surprising, despite our limited cast of characters. 4 stars.
This was a very intriguing, eerie thriller, made all the more creepy by reading it alone in a cabin in the woods with no one beside me but my dog. Perhaps choosing this read for my short getaway was a mistake? Ha, I actually liked getting a little spooked by this Gothic mystery. It was an enjoyable slow-burning read that kept me hooked.
As mentioned, the entire book is told in letter form--albeit mostly one long letter--as Rowan sits in Scottish prison, trying to convince a Mr. Wrexham to take up her case. She's innocent, she says, and here is her story. And quite a story it is. From the moment Rowan arrives at the Elincourt's beautiful home, Heatherbrae House, it seems like things go wrong--she hasn't memorized the 300-page "manual" required to watch the girls, the "smart" house is out of control, and the children are absolute terrors.
"I guess it comes down to this in the end. I am the nanny in the Elincourt case, Mr. Wrexham. And I didn't kill that child."
But the more we hear from Rowan, we learn she may not be completely guilt-free in all of this, as perhaps there is more to her story than meets the eye. It all unfurls easily in Ware's deft hands. It may take a while to get to some of the major twists and turns, but there's plenty of little bits of creepiness along the way. Rowan is sure she's being haunted, and it's quite fun to try to figure out what exactly is happening. Ghosts? The smart house gone awry? While Rowan isn't always the easiest character to root for, I still sympathized with her (I wouldn't want to be left with four combative children) and yet I found myself getting attached to the kids anyway (clearly they didn't choose to be left behind by their rich and distracted parents).
"I need you to understand why I did what I did."
Overall, this one is a fun, eerie read. I enjoyed the combination of creepy Gothic plus smart home craziness. I also couldn't always foresee what was coming up next, which I appreciated. It's engaging and surprising, despite our limited cast of characters. 4 stars.
DRAGON QUEST VI
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Dragon Quest VI: Realms of Revelation , the final instalment in the Zenithian trilogy, is now...
Haley Mathiot (9 KP) rated How to Knit a Wild Bikini in Books
Apr 27, 2018
Rating: 3.5
Nikki's bad knee has ended her career as a chef, and she has switched to being a personal cook for a journalist of a very popular men's magazine. Jay Buchanan needs a cook for one month, and no more. He has sworn off women for the rest of the year (due to women being so darn complicated) and is hesitant to hire a female cook. Desperate to get the job and pay the bills, Nikki claims to be a lesbian so he'll hire her and not be worried about his "year-without-women" coming to an end. Jay agrees, as long as she pretends to be his girlfriend… to get the clingy girl-next-door to give him some space. Nikki is now a girlfriend-fake-lesbian-chef-with-some-benefits. Emphasis on the some.
Nikki is pretty sure she can handle one month of cooking for a rich, stuck-up, spoiled, gorgeous man, as long as she keeps their relationship strictly professional, and keeps up her facades. But she doesn't take into account the idea of Jay falling in love with her… and her falling right back. But Nikki has some ghosts in her closet. Can she let go of them and learn to love Jay?
How to Knit a Wild Bikini was a cute, slightly sappy, yet enjoyable read. The characters were likeable—definitely likeable, in Jay's case—and the pacing was good. The writing wasn't horrible but it wasn't anything spectacular.
I gave it an extra half a star because it was addicting! I couldn't put it down. The title and cover could have been better, since there was no knit bikini, only the mention of one. I wouldn't read the sequel, but I did enjoy this one.
It was, in some ways, unrealistic. Nikki had a lot of stuff in her past, and her reactions weren't always in line with them. It surprised me how much the author was able to put into this story. There were a lot of little "mini-stories" woven into it… it almost felt ridiculous, but then again it was still fun to read. Sometimes, for a summer read, you just need a book that let's you goof off. This is one of them.
There was a fun combination of an untouchable free spirited woman, a stuck-up but slightly desperate sexy man, and hand-painted knitting needles. This one is perfect for an afternoon on a couch with a pair of knitting needles (If you're talented enough to knit and read at the same time. It does take skill.)
Content/Recommendation: Some language and sex. Ages 18+
Nikki's bad knee has ended her career as a chef, and she has switched to being a personal cook for a journalist of a very popular men's magazine. Jay Buchanan needs a cook for one month, and no more. He has sworn off women for the rest of the year (due to women being so darn complicated) and is hesitant to hire a female cook. Desperate to get the job and pay the bills, Nikki claims to be a lesbian so he'll hire her and not be worried about his "year-without-women" coming to an end. Jay agrees, as long as she pretends to be his girlfriend… to get the clingy girl-next-door to give him some space. Nikki is now a girlfriend-fake-lesbian-chef-with-some-benefits. Emphasis on the some.
Nikki is pretty sure she can handle one month of cooking for a rich, stuck-up, spoiled, gorgeous man, as long as she keeps their relationship strictly professional, and keeps up her facades. But she doesn't take into account the idea of Jay falling in love with her… and her falling right back. But Nikki has some ghosts in her closet. Can she let go of them and learn to love Jay?
How to Knit a Wild Bikini was a cute, slightly sappy, yet enjoyable read. The characters were likeable—definitely likeable, in Jay's case—and the pacing was good. The writing wasn't horrible but it wasn't anything spectacular.
I gave it an extra half a star because it was addicting! I couldn't put it down. The title and cover could have been better, since there was no knit bikini, only the mention of one. I wouldn't read the sequel, but I did enjoy this one.
It was, in some ways, unrealistic. Nikki had a lot of stuff in her past, and her reactions weren't always in line with them. It surprised me how much the author was able to put into this story. There were a lot of little "mini-stories" woven into it… it almost felt ridiculous, but then again it was still fun to read. Sometimes, for a summer read, you just need a book that let's you goof off. This is one of them.
There was a fun combination of an untouchable free spirited woman, a stuck-up but slightly desperate sexy man, and hand-painted knitting needles. This one is perfect for an afternoon on a couch with a pair of knitting needles (If you're talented enough to knit and read at the same time. It does take skill.)
Content/Recommendation: Some language and sex. Ages 18+
Haley Mathiot (9 KP) rated Wildwing in Books
Apr 27, 2018
Wildwing by Emily Whitman
Genre: YA, romance, time travel, historical fiction
ISBN: 9780061724527
Published: September 21st 2010 by Greenwillow Books
Rating: 5
Addy isn't satisfied in her world, with her life, with the mean girls from school always telling her that she's worthless. She wants to be free, be respected, not have to work for her food every night. She knows she's better than what she's been given… and she's determined to find it. So when she stumbles into a time machine that brings her back to the time of castles and lords and falconers, and she is mistaken for a rich lady betrothed to marry the king, she believes she has found exactly what she wants to do.
But she didn't count on falling in love with a falconer, a nobody. If only she hadn't gone along with the lie, she'd be herself, a nobody too, and Will could be hers.
Addy must decide what she wants, and what is more important, and then fight to get home. But in the process she might lose the people she loves.
Wildwing drew me in from the first line and held me captive until the last words. A poor sweet lovable main character who isn't being treated fairly, she makes every girl understand her pain. Her insecurities are ours. She is one of the more relatable female protagonists I've read this year.
One thing I really liked about the story was Addy and Will's relationship. It wasn't based on pure physical attraction—although I'm adding Will to my list of literary crushes—they spent time together, they learned, they talked, they argued. It wasn't a shallow empty relationship, which is why it hurt so much in the end, and why the resolution was so sweet.
The plot started off so simple, and got more complex with every page. Addy's little schemes and ideas didn't always go through, and she had to improvise. It kept my heart pounding and my mind curious. The writing was very good, though nothing extraordinary. The characters were quickly developed, some became my friends and some were despicable.
This was more than a love story with a time machine; it was a beautiful enchanting story about a young girl who finds out for herself what is important, how to sacrifice, and how to truly fight for what she loves.
All in all I adored this story and recommend it to anyone ages 12+. No sex or language.
This review is copyright Haley Mathiot and Night Owl Reviews. Do not copy without permission.
Original review here: http://haleymathiot.blogspot.com/2010/12/review-wildwing.html
Genre: YA, romance, time travel, historical fiction
ISBN: 9780061724527
Published: September 21st 2010 by Greenwillow Books
Rating: 5
Addy isn't satisfied in her world, with her life, with the mean girls from school always telling her that she's worthless. She wants to be free, be respected, not have to work for her food every night. She knows she's better than what she's been given… and she's determined to find it. So when she stumbles into a time machine that brings her back to the time of castles and lords and falconers, and she is mistaken for a rich lady betrothed to marry the king, she believes she has found exactly what she wants to do.
But she didn't count on falling in love with a falconer, a nobody. If only she hadn't gone along with the lie, she'd be herself, a nobody too, and Will could be hers.
Addy must decide what she wants, and what is more important, and then fight to get home. But in the process she might lose the people she loves.
Wildwing drew me in from the first line and held me captive until the last words. A poor sweet lovable main character who isn't being treated fairly, she makes every girl understand her pain. Her insecurities are ours. She is one of the more relatable female protagonists I've read this year.
One thing I really liked about the story was Addy and Will's relationship. It wasn't based on pure physical attraction—although I'm adding Will to my list of literary crushes—they spent time together, they learned, they talked, they argued. It wasn't a shallow empty relationship, which is why it hurt so much in the end, and why the resolution was so sweet.
The plot started off so simple, and got more complex with every page. Addy's little schemes and ideas didn't always go through, and she had to improvise. It kept my heart pounding and my mind curious. The writing was very good, though nothing extraordinary. The characters were quickly developed, some became my friends and some were despicable.
This was more than a love story with a time machine; it was a beautiful enchanting story about a young girl who finds out for herself what is important, how to sacrifice, and how to truly fight for what she loves.
All in all I adored this story and recommend it to anyone ages 12+. No sex or language.
This review is copyright Haley Mathiot and Night Owl Reviews. Do not copy without permission.
Original review here: http://haleymathiot.blogspot.com/2010/12/review-wildwing.html
Haley Mathiot (9 KP) rated The Secret of Ella and Micha (The Secret, #1) in Books
Apr 27, 2018
I got maybe three or four chapters into this novel. Ella seemed like a strong character with potential, and the basic plot seemed like it could have been really good. Sadly, I couldn’t get past chapter 4. There are a few reasons why.
1. Drama. Drama, drama, drama! Really that’s what most fiction boils down to, but what makes a book good is that the drama is realistic. This drama was a little overdone. Ella goes to college (running away without telling anyone where she went, which technically is impossible: trust me, I know. My university sends my parents stuff all the time with their logo on it). when she comes back, Micah is a mess, and has been looking for her everywhere.
2. Physicalities. I felt like this book was an excuse to write steamy romance… bad steamy romance at that. When Ella comes home, she still wants Micah, but she won’t admit it. And he knows it. Then he starts flirting with her, touching her, kissing her on the ear, etc. Really? The girl won’t even look you in the eye, doesn’t want to talk to you, and you can’t even rekindle your friendship before getting touchy-feely? Talk about being a douche bag. After she tells him off and leaves, he climbs into her room through the window and climbs in bed with her. C’mon. Really? Does this girl have no self respect? Then there was the factor that it wasn’t even hot. I mean, if you want to write erotica, fine. Write erotica. don’t disguise it as a New Adult novel… and at least make it good. It was just sappy and corny. Trust me, writing emotional and physical scenes is really hard: I’ve written a few now since I’ve gotten through some of my own books. But if you suck at writing love scenes, don’t make your whole book a drawn out love scene.
3. The sorority best friend. Every time this b!tch opened her mouth, I had flashbacks to this video (). That was one thing the narrator did really well: She nailed the rich kid! And I couldn’t stand her. Maybe that was the point… but it was just the nail in the coffin for me.
So yeah, that’s why I didn’t like the book. Also, the female narrator sounded like she was fourteen, and the male narrator sounded twenty eight… So that was awkward.
Maybe if I read the book instead of listened to it, I would like it more… but as of now, I can’t recommend it.
1. Drama. Drama, drama, drama! Really that’s what most fiction boils down to, but what makes a book good is that the drama is realistic. This drama was a little overdone. Ella goes to college (running away without telling anyone where she went, which technically is impossible: trust me, I know. My university sends my parents stuff all the time with their logo on it). when she comes back, Micah is a mess, and has been looking for her everywhere.
2. Physicalities. I felt like this book was an excuse to write steamy romance… bad steamy romance at that. When Ella comes home, she still wants Micah, but she won’t admit it. And he knows it. Then he starts flirting with her, touching her, kissing her on the ear, etc. Really? The girl won’t even look you in the eye, doesn’t want to talk to you, and you can’t even rekindle your friendship before getting touchy-feely? Talk about being a douche bag. After she tells him off and leaves, he climbs into her room through the window and climbs in bed with her. C’mon. Really? Does this girl have no self respect? Then there was the factor that it wasn’t even hot. I mean, if you want to write erotica, fine. Write erotica. don’t disguise it as a New Adult novel… and at least make it good. It was just sappy and corny. Trust me, writing emotional and physical scenes is really hard: I’ve written a few now since I’ve gotten through some of my own books. But if you suck at writing love scenes, don’t make your whole book a drawn out love scene.
3. The sorority best friend. Every time this b!tch opened her mouth, I had flashbacks to this video (). That was one thing the narrator did really well: She nailed the rich kid! And I couldn’t stand her. Maybe that was the point… but it was just the nail in the coffin for me.
So yeah, that’s why I didn’t like the book. Also, the female narrator sounded like she was fourteen, and the male narrator sounded twenty eight… So that was awkward.
Maybe if I read the book instead of listened to it, I would like it more… but as of now, I can’t recommend it.
Rachel King (13 KP) rated Masquerade in Books
Feb 11, 2019
I was surprised at how much I enjoyed reading this novel by the end of it. The beginning is a bit slow and dry, as Moser sets up the background information and almost struggles to get the reader to "side" with the main character Charlotte Gleason by using her maid's voice to excuse Charlotte's "spoiled rich girl" behavior. I really have a hard time buying the lines that Charlotte really is a good person even though she chooses to be naive about the world she lives in because she feels helpless to enact change. But what happens to her family to force her to travel to America is just the thing to wake her up to the real world and her own responsibilities in it.
I feel much more sympathetic to Dora Conners' plight, as she has little to no say in her life and what Charlotte forces on her, even if it does seem to benefit Dora in theory. To be forced into a position in which she has to lie about who she is and where she is from by her "boss" is atrocious, no matter how much a "friendship" has been built between them. In addition, the endgame is that she is expected to give of her own body to a man in marriage who does not even know who she really is - it's completely shameful.
The parallel way that the story is told once the girls get to America is quite interesting, especially how their paths intersect in seemingly coincidental ways, such as the sweat shop where Charlotte works temporarily manufacturing the clothes that Dora orders from the Tremaine's department store. The more that Charlotte suffers and the guiltier she feels for the lies she has told and has also forced on Dora makes me like her more for the maturation in character she experiences.
In contrast, I have a hard time blaming Dora for the choices she has to make while living in the Tremaine household given her circumstances. She was made to come to this place and perform to certain expectations, and she has no backup plan should she decide to do otherwise. The guilt she feels despite her lack of personal choice in the matter only make her more likeable to the reader. Given where she is from and what is being handed to her, there are not many who would fault her for going along with the "masquerade."
In the end, the goal of both girls is true love over financial stability, and since I am a romantic at heart, I can't help but approve of the ending.
I feel much more sympathetic to Dora Conners' plight, as she has little to no say in her life and what Charlotte forces on her, even if it does seem to benefit Dora in theory. To be forced into a position in which she has to lie about who she is and where she is from by her "boss" is atrocious, no matter how much a "friendship" has been built between them. In addition, the endgame is that she is expected to give of her own body to a man in marriage who does not even know who she really is - it's completely shameful.
The parallel way that the story is told once the girls get to America is quite interesting, especially how their paths intersect in seemingly coincidental ways, such as the sweat shop where Charlotte works temporarily manufacturing the clothes that Dora orders from the Tremaine's department store. The more that Charlotte suffers and the guiltier she feels for the lies she has told and has also forced on Dora makes me like her more for the maturation in character she experiences.
In contrast, I have a hard time blaming Dora for the choices she has to make while living in the Tremaine household given her circumstances. She was made to come to this place and perform to certain expectations, and she has no backup plan should she decide to do otherwise. The guilt she feels despite her lack of personal choice in the matter only make her more likeable to the reader. Given where she is from and what is being handed to her, there are not many who would fault her for going along with the "masquerade."
In the end, the goal of both girls is true love over financial stability, and since I am a romantic at heart, I can't help but approve of the ending.