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Sarah (7798 KP) rated Richard Jewell (2019) in Movies
Nov 7, 2020
An interesting watch
Richard Jewell follows the story of a security guard at the 1996 Olympics who saves many lives after discovering a bomb, yet later finds himself as the main suspect in the ensuing FBI investigation.
This is yet another true story I know nothing about, so for me I found this to be quite an interesting watch to discover what happened. To be honest I was almost in disbelief at times to see how Richard was treated by law enforcement and whilst I know some artistic license is always used, it’s still crazy what they did to him! The story is fascinating, although I do think the film drags this out a bit at a run time of well over 2 hours.
That said, there are some good performances in this namely from Paul Walter Hauser (who was great in I, Tonya too), Sam Rockwell and Kathy Bates. The relationship between Richard and Rockwell’s character Watson is particularly heartwarming and provides a lot of the funnier aspects of the film and actually proves to be the best thing about this. Sadly there are some who have fared less well - Jon Hamm and Olivia Wilde’s seem like your typical cliched FBI and reported characters respectively, and while they both put in good performances, the characters let them down.
What confused me the most about this film was the tone. It felt like it should be a rather tense suspense filled drama (similar to say Patriots Day) but instead it felt too happy or lighthearted to be serious, which considering the subject matter is rather odd. And I think this impacted on how much I liked this. It also didn’t help that they completely gloss over who the real bomber actually was right at the end, and this felt rather abrupt and frustrating considering the length of time the film spends showing them investigating Richard! Overall this is an enjoyable interesting film but falls short of being anything spectacular.
This is yet another true story I know nothing about, so for me I found this to be quite an interesting watch to discover what happened. To be honest I was almost in disbelief at times to see how Richard was treated by law enforcement and whilst I know some artistic license is always used, it’s still crazy what they did to him! The story is fascinating, although I do think the film drags this out a bit at a run time of well over 2 hours.
That said, there are some good performances in this namely from Paul Walter Hauser (who was great in I, Tonya too), Sam Rockwell and Kathy Bates. The relationship between Richard and Rockwell’s character Watson is particularly heartwarming and provides a lot of the funnier aspects of the film and actually proves to be the best thing about this. Sadly there are some who have fared less well - Jon Hamm and Olivia Wilde’s seem like your typical cliched FBI and reported characters respectively, and while they both put in good performances, the characters let them down.
What confused me the most about this film was the tone. It felt like it should be a rather tense suspense filled drama (similar to say Patriots Day) but instead it felt too happy or lighthearted to be serious, which considering the subject matter is rather odd. And I think this impacted on how much I liked this. It also didn’t help that they completely gloss over who the real bomber actually was right at the end, and this felt rather abrupt and frustrating considering the length of time the film spends showing them investigating Richard! Overall this is an enjoyable interesting film but falls short of being anything spectacular.
LeftSideCut (3778 KP) rated Predator (1987) in Movies
Sep 2, 2019 (Updated Oct 25, 2019)
Dug in like an Alabama Tic
Here we have a shining example of a crazy genre mash up that nails it first try.
Predator starts off as another 80s action fest, full of one liners, muscles, and explosions. It's ridiculous in all the right ways. (Dutch and Dillon's gratuitous muscles hand shake will always remain one of the most stupid-but-incredible shots committed to film)
As we all know, Predator takes a turn near the halfway mark into sci-fi-horror territory, introducing us to one of the most iconic on screen alien species ever.
The Predator design is badass, and the inevitable unmasking is pretty nasty.
As the movie draws to it's climax, the showdown between Dutch and The Predator is exciting and inventive, and cements Predator as one of the very best Arnold Schwarzenegger films.
Throw in a healthy amount of violence and some Little Richard and we have a hugely enjoyable action film to enjoy over and over.
It's a damn shame that none of the sequels have ever come close to the original and best. Maybe one day...
Predator starts off as another 80s action fest, full of one liners, muscles, and explosions. It's ridiculous in all the right ways. (Dutch and Dillon's gratuitous muscles hand shake will always remain one of the most stupid-but-incredible shots committed to film)
As we all know, Predator takes a turn near the halfway mark into sci-fi-horror territory, introducing us to one of the most iconic on screen alien species ever.
The Predator design is badass, and the inevitable unmasking is pretty nasty.
As the movie draws to it's climax, the showdown between Dutch and The Predator is exciting and inventive, and cements Predator as one of the very best Arnold Schwarzenegger films.
Throw in a healthy amount of violence and some Little Richard and we have a hugely enjoyable action film to enjoy over and over.
It's a damn shame that none of the sequels have ever come close to the original and best. Maybe one day...
Kirk Bage (1775 KP) rated About Time (2013) in Movies
Mar 3, 2020
I have gone on quite a bit about this one recently. I just think it is wonderful, and by far the best and least mawkishly sentimental work from Richard Curtis, of Love, Actually infamy. It makes me laugh so hard; the perfect awkwardness of Domhnal Gleason against the cute intelligence of Rachel McAdams; the exquisite turn by Bill Nighy as the time travelling father; and every small character and very British nuance in-between – it is such a pleasure. It also makes me cry… a lot! What I like about it is that it feels exactly like being in love. Exactly! There will be regret and pain, but in the end there is that one person that gets you and always will. And that idea… feels good!
Paul Morrissey recommended Richard III (1995) in Movies (curated)
Sonofdel (6265 KP) rated More Than Just a Good Life in Books
Feb 8, 2021
Wonderful, Light hearted, in-depth
When you think of Richard Briers, if like me you were born in the early seventies, then you will always associate him with The Good Life and Ever Decreasing Circles. Reading this book i found out that he was so much more than just situation comedy actor. From his early childhood days selling cigarettes and comics to appearing in films with such legendary actors as Robert De Niro and Denzel Washington this book covers it all. It also tells the background story of his family life, which opens him up to be a more complex character than you can imagine. A fantastic read and definitely up there with the best i have read :)
BankofMarquis (1832 KP) rated Richard Jewell (2019) in Movies
Feb 2, 2020
Mellow paced - nothing special
89 year old Director/Actor Clint Eastwood has mellowed with age. He seems at peace with himself and prefers to work at a pace that he sets. His latest Directing effort - RICHARD JEWELL - has that sort of mellowness. It takes it time to tell it's story with no real urgency to it.
It could have used some life to be injected in it.
Based on the true events of the pipe bombing in Centennial Park in Atlanta during the 1996 Summer Olympics, RICHARD JEWELL tells the story of...well...Richard Jewell - the Security Guard who was hailed as a hero for warning people about the bomb, saving many lives, while also being listed as the #1 suspect in the bombing.
Director Eastwood and Writer Billy Ray do not spend much time making the audience guess at to whether or not they think that Jewell committed the crime (he did not - the real bomber was caught in 2006), rather they spend their time showing a person who's being railroaded by the FBI and who's life is caught up in the scramble by the press to "get the story." Again...this would be more interesting if Director Eastwood would show some sort of urgency to the proceedings, but this film is paced on an even keel from start to finish, and I never got caught up, emotionally, in the events that were transpiring in front of me.
Paul Walter Hauser (Shawn Eckhardt in I, TONYA) does a "fine enough" job as the titular character - but it isn't anything special and since the viewer is spending almost every scene with him "fine enough" isn't good enough. Adding to my disappointment are the portrayals by John Hamm (as an FBI Agent) and Olivia Wilde (as a Newspaper Reporter). Both of these performances border on caricature (especially Wilde's performance). I'm disappointed in Eastwood for letting this happen.
Injecting "some" life into this film is Kathy Bates - who was nominated for an Academy Award for Best Supporting Actress for her portrayal of Richard Jewell's mother - and she delivers better than the others...but not "Oscar Worthy". She does nail her "Oscar moment", but I don't think the script gives her much else to do.
The brightest spot in this film - by far - is the portrayal of Richard Jewell's lawyer, Watson Bryant, by Sam Rockwell and the performance of Nina Ariande as Bryant's Secretary/Girlfriend. If anyone should have been nominated for an Oscar for their performance in this film, it is Rockwell - his is the best one in the film and Ariande plays off him wonderfully well. I sat up a little taller in my seat whenever these two had a scene together.
But that's about it. It's a pretty "meh" movie - professionally made and paced deliberately and mellowly - like Clint Eastwood. But not like an Oscar contending film.
Letter Grade: B-
6 stars (out of 10) and you can take that to the Bank(ofMarquis)
It could have used some life to be injected in it.
Based on the true events of the pipe bombing in Centennial Park in Atlanta during the 1996 Summer Olympics, RICHARD JEWELL tells the story of...well...Richard Jewell - the Security Guard who was hailed as a hero for warning people about the bomb, saving many lives, while also being listed as the #1 suspect in the bombing.
Director Eastwood and Writer Billy Ray do not spend much time making the audience guess at to whether or not they think that Jewell committed the crime (he did not - the real bomber was caught in 2006), rather they spend their time showing a person who's being railroaded by the FBI and who's life is caught up in the scramble by the press to "get the story." Again...this would be more interesting if Director Eastwood would show some sort of urgency to the proceedings, but this film is paced on an even keel from start to finish, and I never got caught up, emotionally, in the events that were transpiring in front of me.
Paul Walter Hauser (Shawn Eckhardt in I, TONYA) does a "fine enough" job as the titular character - but it isn't anything special and since the viewer is spending almost every scene with him "fine enough" isn't good enough. Adding to my disappointment are the portrayals by John Hamm (as an FBI Agent) and Olivia Wilde (as a Newspaper Reporter). Both of these performances border on caricature (especially Wilde's performance). I'm disappointed in Eastwood for letting this happen.
Injecting "some" life into this film is Kathy Bates - who was nominated for an Academy Award for Best Supporting Actress for her portrayal of Richard Jewell's mother - and she delivers better than the others...but not "Oscar Worthy". She does nail her "Oscar moment", but I don't think the script gives her much else to do.
The brightest spot in this film - by far - is the portrayal of Richard Jewell's lawyer, Watson Bryant, by Sam Rockwell and the performance of Nina Ariande as Bryant's Secretary/Girlfriend. If anyone should have been nominated for an Oscar for their performance in this film, it is Rockwell - his is the best one in the film and Ariande plays off him wonderfully well. I sat up a little taller in my seat whenever these two had a scene together.
But that's about it. It's a pretty "meh" movie - professionally made and paced deliberately and mellowly - like Clint Eastwood. But not like an Oscar contending film.
Letter Grade: B-
6 stars (out of 10) and you can take that to the Bank(ofMarquis)
Michael Barker recommended L'Eclisse (1962) in Movies (curated)
Lyndsey Gollogly (2893 KP) rated The Midnight Tour (The Beast House Chronicles #3) in Books
Jul 30, 2021
116 of 250
Book
The Midnight Tour ( Beast House chronicles book 3)
By Richard Laymon
Once read a review will be written via Smashbomb and link posted in comments
The midnight tour of the Beast House begins on the stroke of midnight on Saturday nights only. On this particular midnight tour, 13 unlucky tourists are joined by an unexpected visitor and they'll be lucky to get out alive.
I thought this was the best so far by a long shot! The only thing keeping me from speeding through it was the Olympic Games ! I loved the development and I think I’m starting to get his writing style although he always manages a completely irrelevant scene in each book! I’m definitely going to be reading the last one and more.
Book
The Midnight Tour ( Beast House chronicles book 3)
By Richard Laymon
Once read a review will be written via Smashbomb and link posted in comments
The midnight tour of the Beast House begins on the stroke of midnight on Saturday nights only. On this particular midnight tour, 13 unlucky tourists are joined by an unexpected visitor and they'll be lucky to get out alive.
I thought this was the best so far by a long shot! The only thing keeping me from speeding through it was the Olympic Games ! I loved the development and I think I’m starting to get his writing style although he always manages a completely irrelevant scene in each book! I’m definitely going to be reading the last one and more.
Mark Halpern (153 KP) rated Jaws (1975) in Movies
Jan 26, 2018
EPIC
Best Shark Movie Ever
Aminity Island which is a small island getaway is approching it's speak visitor month which is july get visited by a Great White Shark that starts picking off swimmers one by one. The chief enlists the help of a Marine Biologist and gets the local Top fish killer involved in going to take out the shark. They end up on a wild boat ride trying to kill one of the earth longest living eating machines that is not willing to just roll over and die.
Roy Schider, Richard Dryfus and Robert Shaw give an amazing performance in this suspenseful ocean tale.
One great piece of movie history from this movie is that the line "You're gonna need a bigger boat" was improvised and done on the first take. It is part of AFI's 100 greatest quotes.
Aminity Island which is a small island getaway is approching it's speak visitor month which is july get visited by a Great White Shark that starts picking off swimmers one by one. The chief enlists the help of a Marine Biologist and gets the local Top fish killer involved in going to take out the shark. They end up on a wild boat ride trying to kill one of the earth longest living eating machines that is not willing to just roll over and die.
Roy Schider, Richard Dryfus and Robert Shaw give an amazing performance in this suspenseful ocean tale.
One great piece of movie history from this movie is that the line "You're gonna need a bigger boat" was improvised and done on the first take. It is part of AFI's 100 greatest quotes.
Awix (3310 KP) rated The Spy Who Loved Me (1977) in Movies
Feb 21, 2018 (Updated May 31, 2020)
Urbane Legend X
Landmark Bond film updates the series for the 70s (a few years late, but never mind); establishes the tone for the rest of Roger Moore's tenure. Plot to some extent recycles that of You Only Live Twice, which may explain why they got the same director back. This is the one with the amphibious Lotus and the oil tanker that eats submarines.
Very much Bond as a thing unto itself, i.e. a swaggering, effervescent fantasy. First-class fights and chases, lavish sets and set-pieces, takes itself just seriously enough when it really has to (although Bond himself is almost intolerably smug and patronising for much of the film). Main villain is a bit weak but Richard Kiel virtually steals the movie as henchman Jaws. Maybe not Moore's best Bond, but one of his most characteristic; very entertaining too.
Very much Bond as a thing unto itself, i.e. a swaggering, effervescent fantasy. First-class fights and chases, lavish sets and set-pieces, takes itself just seriously enough when it really has to (although Bond himself is almost intolerably smug and patronising for much of the film). Main villain is a bit weak but Richard Kiel virtually steals the movie as henchman Jaws. Maybe not Moore's best Bond, but one of his most characteristic; very entertaining too.