Search

Search only in certain items:

Mr. Holland's Opus (1995)
Mr. Holland's Opus (1995)
1995 | Drama
9
8.3 (6 Ratings)
Movie Rating
Richard Dreyfuss (1 more)
Music
Great movie about music teacher and thru the music of the decades Richard. Dreyfuss is amazing as mr Holland it's like good bye mr chips but with music good choice of music. Thumbs up from me
  
Jaws (1975)
Jaws (1975)
1975 | Thriller
Love this film one of the first revenge movies I watched as a kid. Actor are great Richard Dreyfuss brilliant well worth a watch and purchase all time classic
  
Close Encounters of the Third Kind (1977)
Close Encounters of the Third Kind (1977)
1977 | Action, Mystery, Sci-Fi

"And my third favorite is Steven Spielberg’s Close Encounters of the Third Kind. And I prefer the kind of dark cut — where the family is a little bit more “damned.” Richard Dreyfuss’ family — they’re a little bit more nagging, and it’s almost like they’re stepping on his dream and vision. They sort of become representative of a kind of bourgeois middle class America that doesn’t have any imagination and perhaps is even a little bit materialistic. It’s great. And in this one, I think it’s hinted that Dreyfuss and Melinda Dillon do get together. I just love it. I love Close Encounters –– it’s magical. "

Source
  
Hello Down There (1969)
Hello Down There (1969)
1969 | Adventure, Comedy
3
3.0 (1 Ratings)
Movie Rating
The only performer to appear in three of the AFI's Hundred Greatest Films of All Time is Janet Leigh, which is quite an achievement, but she also turns up in a load of absolute dross, like this borderline-unwatchable musical comedy adventure about a family spending a month in an underwater house. Tony Randall is there for the older viewers; there are some swinging kids for the younger audience (a young Richard Dreyfuss keeps singing songs about goldfish); low-octane underwater thrills are occasionally attempted.
The list of people involved in this movie might lead one to expect something at least mildly interesting: Jack Arnold made many interesting SF B-movies, one of which (Creature from the Black Lagoon) featured co-director Browning in the title role; the cast list includes Randall, Leigh, Dreyfuss, and Roddy McDowell. And yet it feels almost aggressively anodyne and bland, horribly calculated, and made to TV-standard production values. Even when it was made this probably only appealed to the most undemanding viewers; nowadays it exerts a weird fascination if only as a relic of an unrecognisable sensibility.
  
Close Encounters of the Third Kind (1977)
Close Encounters of the Third Kind (1977)
1977 | Action, Mystery, Sci-Fi
Oringal Sci-Fi classic
Close Encounters of the Third Kind- takes elements from the thing from anethor world, the war of the worlds and many other sci-fi movies and mix them all togther and the outcome is a excellent movie, directed by one of the great directors of all time- Steven Spilberg.

The Plot: Science fiction adventure about a group of people who attempt to contact alien intelligence. Roy Neary (Richard Dreyfuss) witnesses an unidentified flying object, and even has a "sunburn" from its bright lights to prove it. Roy refuses to accept an explanation for what he saw and is prepared to give up his life to pursue the truth about UFOs.

This is a must watch and must see film.
  
Close Encounters of the Third Kind (1977)
Close Encounters of the Third Kind (1977)
1977 | Action, Mystery, Sci-Fi
1977's other great fantasy movie is somewhat forgotten, relatively speaking, probably because it wasn't franchised to death. Scientist Francois Truffaut and everyman Richard Dreyfuss both become aware of the impending visitation of alien beings, must decide how to react.

Not really much of an SF movie, strictly speaking, but it works brilliantly as a both a thriller-drama and a fantasy film. Always seems to me to be a film about what it means to find faith and surrender yourself to it: ordinary guy Roy finds the transcendental and unknown inserting itself into his life, finds himself becoming devoted to it, willing to sacrifice everything to it. Great performances from the leads, but it's really Spielberg's film, containing some of his neatest moments of directorial legerdemain. Still one of Spielberg's most iconic movies, 40+ years on.
  
Very Good Girls (2014)
Very Good Girls (2014)
2014 | Drama
Surprisingly sweet
I usually don't have much hope for original Netflix or Amazon Prime movies figuring if they were good a studio would have purchased them or they would have played in theatres; however, I thought this one was sweet. I do enjoy both Dakota Fanning and Elizabeth Olsen so I thought I would give it a try.

Two friends decide they want to have sex before going to college. Unfortunately, they decide on the same guy as their companion without telling the other. Relationships get complicated for sure.

Certainly not going to win any awards, but I thought the acting was solid all around including supporting performances by Ellen Barkin, Clark Gregg, Demi Moore and Richard Dreyfuss.

The dialogue was touching in spots and when things get complicated, you are really rooting for the friendship to ensure.

  
Close Encounters of the Third Kind (1977)
Close Encounters of the Third Kind (1977)
1977 | Action, Mystery, Sci-Fi

"I’m going to go with Close Encounters of the Third Kind. It’s amazing. It’s just one of those films that, if it’s on — I have the DVD too — but if it’s on, I just can’t not watch it. A lot of times, that’s how I know that films are my favorite, if they’re on and I just can’t change the channel, and just have to watch it, even though I’ve seen it a million times, and it holds up and it’s still fresh, and it still feels good to me. That’s one of those films. I love everything about it. Again, it’s just one of those movies that makes you think, and it’s inspiring, and it just feels good, and it feels magical. I love Richard Dreyfuss as well, and Jaws is also one of my favorite films. But just the performance, and the whole tones at the end with the aliens, as they’re coming out, it’s just a feelgood film.#"

Source
  
40x40

Awix (3310 KP) rated Jaws (1975) in Movies

Aug 26, 2019 (Updated Aug 26, 2019)  
Jaws (1975)
Jaws (1975)
1975 | Thriller
Spielberg's exemplary suspense-fright machine remains the only killer shark movie you will ever need to watch. A two-course fish supper: the first half concerns police chief Roy Scheider's attempts to persuade the self-serving authorities of the danger posed by a marauding shark (post-Watergate subtext is fairly obvious); the second sees Scheider, bright young oceanographer Richard Dreyfuss, and salty sea dog Robert Shaw setting off on a primal quest to slay the monster, in a boat which may well prove to be of inadequate size.

Spielberg does an excellent job of hiding the pulpy horror-story origins of the tale, swathing it in plausible small-town Americana, low-key humour and excellent characterisation; John Williams' score is, needless to say, essential to the enterprise. The battle to the death in the second half is superbly constructed, paced and executed. Superb entertainment; I am happy to report that over forty years on, Jaws remains entirely capable of making cinema audiences squirm and scream.
  
Close Encounters of the Third Kind (1977)
Close Encounters of the Third Kind (1977)
1977 | Action, Mystery, Sci-Fi

"A beautifully done movie that now, unfortunately, tragically, as a parent you watch and has a very troubling ending. But I have to say as a kid when I saw it and I was unburdened with having my own children, it was absolutely transporting and, again, an incredibly subtle piece of work. Richard Dreyfuss and Teri Garr’s relationship falling apart, and Melinda Dillon’s journey… It’s full of wonderful, subtle acting in a movie that a lot of people thought was about spectacle, and it’s so not. And you can see the enormous influence that that movie had on all the big sci-fi movies after it. Nobody has quite duplicated the amazing sound design on it. People have tried — I mean that movie Twister, there were moments in it I looked around and was going “They’re totally doing Close Encounters.” People can try it, and try to mix that reality with the more spectacular stuff, but people have a very hard time achieving it. It’s really a very simple story. He believes something that his wife doesn’t believe. But it’s done so kitchen-sink and perfect and so influenced by the films of the ’70s with the overlapping dialogue and a very vérité sort of style to it. Also, when Spielberg wants to put on a show, he really can."

Source