"One of the first movies I saw on a date after my marriage fell apart. My date and I, both single parents, were glued to the performances of Ethan Hawke and Patricia Arquette–parents doing the best they can with the tools they have, all while the clock of their son’s childhood ticks on. I know other people were amazed at Richard Linklater’s feat of filming over twelve years. But I would have been sold on the story if there were twelve different actors: I loved the longitudinal look at how the decisions or mistakes that parents make can define their son’s childhood. And, like The Ice Storm, Boyhood never loses touch with our constituency: the boy."

"I loved Primal Fear. It was my first introduction, I think, to Edward Norton. I don’t know what he was in prior to that. I love these complex storylines of scandals of the church and the greed of Richard Gere and then, of course, obviously that they fooled us for so long. I really fell down the rabbit hole and it turned on a dime and blew my mind. Frickin’ Edward Norton is such a genius. I hate to say this but I get jealous very easily [laughing]. If it’s a fantastic movie, or fantastic director or fantastic actor. Like, doing this play [Spring Awakening on Broadway] I remember [when seeing the original Los Angeles production] saying, “I’m jealous I’m not in it,” and that’s the biggest praise I can give. Honestly, I think Edward Norton is one of the best of our generation. I’d like to call myself in his generation."

"""Whole Lotta Shakin'', was the first time I heard him, in Pontypridd, being played from Freddy Fey's record shop. People used to ask me, because I loved music so much, 'What do you think of this record, what do you think of that record?' When Elvis Presley came out, I said he can't be the only one - a white man being influenced by black music in the South. So when 'Whole Lotta Shakin'' came out, my friends said, 'Is that what you're talking about?' I said, 'That's exactly what I'm talking about!' Another guy, playing piano, similar to what Elvis was doing, but even more syncopated, white and from the South. It was unbelievable to hear that record. Then 'Great Balls Of Fire' followed, and 'High School Confidential' was a great record. When you listen to his records, he always sings up, except towards when he got older and the pressures of life got on him. In the beginning, he was always up, you know the ends of everything came up. Little Richard was pushing the shit out of everything but Jerry Lee, he had his syncopation, it was like he floated. He fell out of favour, because he married his cousin - it was a shame, he was still making great records. There's one called 'Loving Up A Storm' and that's equally good. That's on The Sun Years, they're all there. I saw him live in Cardiff in 1962, and Johnny Kidd and the Pirates were there and they were slick... I thought, 'Shit, how's Jerry Lee going to get over this?', because they closed the first half. He came on, and instead of how Johnny Kidd and the Pirates were very aggressive, Jerry Lee was the opposite, he opened up with 'Move On Down The Line' and the band were like [sings] and he just walked on and was like [gestures] showing us the the chord he was going to play. He just sat down at the piano and - boom - went into it. It was like 'Jesus Christ!' You know, it was smooth, it was slick, it was rock & roll but he wasn't like, screaming - he had a different take on it and yet it was rocking."""