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Scott Tostik (389 KP) rated 31 (2016) in Movies

Feb 3, 2018 (Updated Feb 3, 2018)  
31 (2016)
31 (2016)
2016 | Horror
Richard Brake (2 more)
Some interesting dialogue
Cliffhanger ending
Blood, guts and profanity... my 3 favorite things
I am and always will be a horror movie fan. And a Rob Zombie fan as well. While most in the horror community dispose the man, and do their best to ignore his reimagining of John Carpenter's beloved Halloween. I get his vision. I understand his process.
In 31, Zombie goes out of his way to remind us all of why he is here in this genre and why he should be here to stay.
The script penned for this flick is nothing short of dreadful, but in a good horror film That's what you want. His dialogue is full of pull no punches vulgarity that would make anyone blush. And his pattern of killing off his stars is brutal to say the least.
Capped with an amazing performance by Richard Brake, who from the beginnng of movie, let's you know that he "ain't no fucking clown!!!".
His ability to capture the true disgustingness that lives in every single one of us, that fire that burns in your body when someone cuts you off when your driving to work. Or bumps into you while walking by. That feeling that says, "Fuck, I'd love to kill that person,"... well he lets the beast out in this film.
He turns 5 mild mannered hippie carnies into vicious animalistic slashers. Killing at first out of that need for survival. Then killing because they had to do it. And finally killing because they were starting to enjoy it.
Zombie does what he does, sets them up to be knocked down as only he can. Chuck I'm some great one liners and awesome profanity filled dialogue, sprinkle it with some over the top kickass blood filled deaths and an acting performance by Richard Brake that I can't help but praise and you have a recipe for a disturbing good time. As Doomhead suggests in the opening sequence of 31. In hell everyone loves popcorn.
  
Bad Dreams (1988)
Bad Dreams (1988)
1988 | Horror
10
8.0 (2 Ratings)
Movie Rating
Contains spoilers, click to show
Bad Dreams

Cast: Bruce Abbott (Re-Animator; Bride of Re-Animator); Jennifer Rubin (Nightmare on Elm Street 3: Dream Warriors)

Release date: April 8th 1988

Blu-ray release date: 23rd July 2018

Genre: Horror

Directed by: Andrew Fleming

Run time: 84 mins (approx)

 

'When Cynthia wakes up, she'll wish she were dead...'

 

Cynthia (Jennifer Rubin) wakes up from her coma after 13 years. She was the only survivor of a Jonestown-style suicide cult, a suicide-by-fire pact, instigated by Unity Fields cult leader Franklin Harris (Richard Lynch). We see in a later flashback that she began to retreat after the fire was started, she was just far enough away from the source of the resulting explosion that she lived, badly hurt, but alive.

When she wakes, she begins to have nightmarish visions of Harris, burnt and bloodied from the fire that destroyed all bar herself at Unity Fields.

Cynthia is inserted into a group therapy session, for borderline personality disorder treatment, run by Dr Alex Karmen (Bruce Abbott). Here she meets an eclectic bunch of individuals, including masochist Ralph (Dean Cameron), who takes an instant shine to Cynthia. The film is worth a watch for Dean Cameron's performance, he portrays a very likable psychotic patient perfectly.

The first of Dr Karmen's patients to die is Lana (E.G.Daily). an upset Cynthia has a flashback/vision of herself being baptized into the cult of Unity fields, a vision that takes a dark twist when Harris begins holding her underwater, forcing her under until she drowns, Cynthia horrified, realizes this is actually Lana. Afterwards, with Lana's body below him, Harris turns to Cynthia and says "I warned you Cynthia, I warned you someone else would take your place". Cynthia then 'wakes up' and hears a scream. Running into the pool room, she is confronted with the lifeless body of Lana, who has drowned in the pool - much like in her vision.

Each of the group continue to meet their end, one by one, by Harris (or so it would seem). Cynthia continues to have horrendous visions of him, his face all burnt up from the fire, and then the next person meets a grisly demise. She is convinced it's Harris, she is convinced he has returned to take her, and is punishing her and those around her for fleeing the fire.

This is a very well acted, intense and thought provoking film. It doesn't rely on gore and shocks to garner reaction, it relies primarily on the interactions and relationships of the characters, as well as the increasing tension and fear within Cynthia and the remaining patients of Dr Karmen. I particularly enjoyed the relationship between Cynthia and Dr Karmen, Bruce Abbot portrays a very sweet and empathetic character, who cares a great deal about his patients, especially Cynthia who he bonds with closely.

I very much enjoyed the end twist of the film, up on a rooftop, when we are shocked to find out that it is actually Karmen's superior, Dr Berrisford, who has been dosing the patients with psychogenic drugs to make the patients unstable and suicidal. All this just to corroborate his research - makes you wonder how much of this actually goes on in institutions. Karmen had suspected something was amiss with Berrisford for a while, and he confronts him after he sends Cynthia to isolation - "you want this, you want her on the edge, you've wanted this from the beginning".

We are then left to decide for ourselves whether Cynthia's visions of Harris and the resulting deaths of the patients were actually suicides caused by Dr Berrisford's drug cocktails, or was Harris actually there, was he he really tormenting Cynthia and murdering everyone around her in a twisted revenge for her survival.

Special Features:

Duel format collectors edition includes the High Definition Blu-ray (1080p) and the Standard Definition DVD version of the movie.
Interview with director Andrew Fleming.
Interview with actress Jennifer.
Interview with Spencer Murphy - Bad Dreams fan and University Lecturer.
Audio commentary with Nathaniel Thompson and Tim Greer (Mondo-Digital.com).
Theatrical trailer.
Reversible sleeve with alternate artwork.
The blu-ray includes a booklet from 88 Films, looking back at the 30 essential North American slasher movies from 1960-89.

I love this film, I'm extremely impressed with the Blu-ray from 88 Films' Slash Classics Collection.

Great special features, well worth a watch and a listen.

5/5 for the film and 3/5 for the features (A Bruce Abbott interview would have made it perfect)

If you haven't seen this, give it a watch, it's a horror classic!!

Lesley-Ann, the Housewife of Horror
  
Serpentine
Serpentine
Laurell K. Hamilton | 2018 | Science Fiction/Fantasy
8
7.5 (2 Ratings)
Book Rating
Anita's over herself (0 more)
Can't really think of anything (0 more)
Finally!
So I just finished Serpentine in the Anita Blake series. I borrowed it from the library because, well, the series has gone down in quality. In this one, Anita is back to kicking ass and taking names! All of my favorite characters are back (Edward, Olaf, Nicky) and happily, Richard and his baggage are nowhere to be found. Anita's let go of alot of her own so she didn't push and moan her way through this one. Finally.
In Serpentine, Anita and her fiances are in Florida for Edward and Donna's wedding, where Micah has also been in contact with a new group of "Weres" whose body parts become actual snakes. Of course, despite promising to use this time as a threesome vacation, the Four Horsemen have to solve a murder and a kidnapping, deal with a new flavor of psychic, a wedding party that is completely crazy, and keep her relationship going. There is some sex (which honestly makes me happy), but it's not the focus of the story. This book reminds readers that Anita has always been a badass with badass friends, and they start doing what they do best. Even Donna shows some fire, though it quickly goes out again. Still, Anita hardly does any magic or psychic stuff compared to the other books and manages to come out swinging. Hamilton seems to have gotten the memo about the series, because this book finally focused on the action outside of the bedroom.
  
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Erika (17788 KP) rated Fantastic Beasts: Crimes of Grindelwald (2018) in Movies

Nov 16, 2018 (Updated Nov 19, 2018)  
Fantastic Beasts: Crimes of Grindelwald (2018)
Fantastic Beasts: Crimes of Grindelwald (2018)
2018 | Adventure, Family, Fantasy, Mystery
Newt (2 more)
The beasts
Jude Law as Dumbledore
Johnny Depp (2 more)
Johnny Depp
and Johnny Depp
*After reading the screenplay, I'm knocking this rating down.



I am completely torn on this one, I liked some parts, but hated others. I also really can't stand Johnny Depp, and I rolled my eyes to myself every time he was on screen...
In my book, Jude Law was playing Richard Harris' Dumbledore, not... Michael Gambon (Don't even get me started on Gambon: 'Did you put your name in the goblet of fire, Harry?' Dumbledore asked CALMLY). So, it was a good way to go.

I did not like the way they went with some characters, namely one, who was rumored to go to Grindelwald's camp. Making a likeable character slightly deranged was irritating. There was a name drop at Hogwarts that had to have been a relative, unless the original character became an adult professor before she was technically born...

However, the possible recons that occurred didn't mess with canon as badly as that terrible Cursed Child mess.

It was largely predictable, and even the end, it was all foreshadowed, and not in a good way. The best bits were of Newt with the beasts... I liked Eddie Redmayne, as always, but can we please stop calling these movies Fantastic Beasts? 6 for him and the Niffler alone.
I wanted to largely stay away from a comparison, but I feel like Rowling is going the George Lucas route. And, that's not a compliment.
  
Days of Heaven (1978)
Days of Heaven (1978)
1978 | Drama
Gorgeous sprawling vistas
While I am still a Terrence Malick novice, I truly appreciate the small amount of his films I have seen. Having recently watched The Tree of Life which I found amazing I thought I would look up a few more to see what I was missing.

In or around 1916 middle America, an expansive wheat farm is worked for harvesting by hoards of day laborers. The landowner takes a fancy to one of his prettiest workers and asks her to stay on along with her brother and little sister. Little does the man know the other man is indeed her beau instead of her brother. A love triangle develops after she marries the rich man that slowly builds in tension until the poor couple's relationship is uncovered.

Peril comes to the farm in the form of locusts which threaten the crops and a subsequent fire which could destroy the fields completely.

I have found when I watch a Malick film, an very important supporting character is the landscape, atmosphere and world of nature around their human counterparts. In this film, the majestic fields are supplemented with shots of animals in the fields, vast sky and cloud formations and even unseen plants fighting to break through the soil.

I think these elements add much to deepen the immersion of the audience into the story Malick is telling and helps you accept the world around them quickly.

Richard Gere, Brooke Adams and the handsome Sam Shepard (they all looked so young) were beautifully photographed and played their parts well as we believed their emotions completely.

A truly magnificent film!

  
Free Your Mind...And Your Ass Will Follow by Funkadelic
Free Your Mind...And Your Ass Will Follow by Funkadelic
1970 | Psychedelic, Rhythm And Blues, Rock
6.4 (5 Ratings)
Album Favorite

"This was the first record I took acid to with Richard [Ashcroft]. My dad bought it for 20p in a junk shop. It was the same shop where I used to get all my pedals from. Twenty quid for a flanger and that was what the first Verve record was based on – that flanger. Funkadelic – it didn't even have the proper cover on it, it was just in a tattered white sleeve. I can remember listening to it not under the influence and thinking, ""This is a bit strange!"" Then my folks were away for a week and Richard came and stopped with me for a bit and we did acid. It was my first time, but I think he'd done it a couple of times. We were walking about the field at the back of my house for a bit, but then we went back and inevitably starting ploughing through all the records. Electric Ladyland by Jimi Hendrix, stuff like that. But that Funkadelic record was the one really – we put that up against our first demo and it made our demo sound like toy music. We had a moment of revelation. Not as painful as later on, but just that we were heading in the wrong direction. That's the acid cringe – that portentous, pontificating moment. Because suddenly it was like, ""Oh fucking hell, that really makes sense now"". Those first three Funkadelic albums for me define what a guitar band should sound like. They're just incredible. Eddie Hazel, he sits in the place for me where Ron Asheton does for most people. I love the Stooges but Eddie Hazel crystallised… I don't know if it's as simple as saying psychedelic guitar. He was cramming lots of ideas in. The violence of it to me is what's really appealing. It's the destructive force behind it, but maintaining a beauty about. With Ron Asheton it's all about annihilation, and I like that as well and I do indulge in that. But with Eddie there's texture and space and atmosphere. There's a big fire burning in the middle of it and it is such powerful music. That's what started my love affair with tape echo. I think I had a tape echo at that point, but I wasn't really using it that much. In fact I don't think there's that much on record that caught me using it, which is a shame. But live we were a bit more ferocious than we were presented on record and this is where that came from. I was also into EVOL by Sonic Youth at the time. That's one of my favourite records."

Source
  
Anyone who has read about the Wars of the Roses, and about Richard III in particular, has probably come across mention of The Croyland (now known as Crowland) Chronicle, and in particular the Continuation that refers to events in this period.

This volume was produced to mark the 500th anniversary or the writing of the Continuation and is only the second English translation and publication of it.

The book itself is a very scholarly book and the editors seem to assume that a reader will have a working knowledge of Latin as in the introductory section there are numerous quotations in Latin which are not then rendered in English. The introductory section is quite in-depth and indeed takes up more than half of the pages in the volume! A lot of it I will admit to having found rather heavy going, although the information I did glean was interesting and useful. I was not particularly aware of the history of the original manuscript, in that is had been badly damaged in a fire and much of the current text was therefore taken from a copy of the text written as part of the earlier English publication. There are some plates which show some of the surviving pages of the manuscript, but not all pages have survived, so the current editors have used the earlier transcript as a starting point. There is also an interesting and useful consideration of the authorship of the Continuation.

The Continuation itself takes up just under half of the volume and the original Latin text is printed on one side the the English translation on the facing page. I found the translation quite readable, even if it did feel like a bit of a whirlwind tour of events! Oddly, the national political picture breaks off several times and we have inserted a sort of obituary of Abbots of Croyland who happened to die as this point in the main narrative.

What I think I would like to see, and what would be of interest to a general historical reader, would be a publication of the English translation with an introduction and analysis geared more to the general reader than to the academic scholar.
  
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Tom Jones recommended The Sun Years by Jerry Lee Lewis in Music (curated)

 
The Sun Years by Jerry Lee Lewis
The Sun Years by Jerry Lee Lewis
(0 Ratings)
Album Favorite

"""Whole Lotta Shakin'', was the first time I heard him, in Pontypridd, being played from Freddy Fey's record shop. People used to ask me, because I loved music so much, 'What do you think of this record, what do you think of that record?' When Elvis Presley came out, I said he can't be the only one - a white man being influenced by black music in the South. So when 'Whole Lotta Shakin'' came out, my friends said, 'Is that what you're talking about?' I said, 'That's exactly what I'm talking about!' Another guy, playing piano, similar to what Elvis was doing, but even more syncopated, white and from the South. It was unbelievable to hear that record. Then 'Great Balls Of Fire' followed, and 'High School Confidential' was a great record. When you listen to his records, he always sings up, except towards when he got older and the pressures of life got on him. In the beginning, he was always up, you know the ends of everything came up. Little Richard was pushing the shit out of everything but Jerry Lee, he had his syncopation, it was like he floated. He fell out of favour, because he married his cousin - it was a shame, he was still making great records. There's one called 'Loving Up A Storm' and that's equally good. That's on The Sun Years, they're all there. I saw him live in Cardiff in 1962, and Johnny Kidd and the Pirates were there and they were slick... I thought, 'Shit, how's Jerry Lee going to get over this?', because they closed the first half. He came on, and instead of how Johnny Kidd and the Pirates were very aggressive, Jerry Lee was the opposite, he opened up with 'Move On Down The Line' and the band were like [sings] and he just walked on and was like [gestures] showing us the the chord he was going to play. He just sat down at the piano and - boom - went into it. It was like 'Jesus Christ!' You know, it was smooth, it was slick, it was rock & roll but he wasn't like, screaming - he had a different take on it and yet it was rocking."""

Source
  
In the Aeroplane Over the Sea by Neutral Milk Hotel
In the Aeroplane Over the Sea by Neutral Milk Hotel
1998 | Folk, Indie, Rock
9.0 (6 Ratings)
Album Favorite

"I got into Neutral Milk Hotel by accident. Richard Reed Parry from Arcade Fire mentioned this song on an interview, and I explored it and found the Aeroplane record. It was like discovering a secret. There are very few records that I’ve had that relationship with - you hear it and you don’t want to share it with anyone. “The story of the record is so unique and a bonus as to why I love it. Jeff Mangum hadn’t been taught about the Holocaust in school, so when he discovered Anne Frank’s journal in his mid-20s', he picked up this book and was like ‘What’s this?’ ""We take it for granted that we know Anne Frank’s story from a young age, but imagine if you stumbled across that book without the context? It would be incredible, and so it had this profound impact on him, to the point where he kind of invented a relationship in his subconscious mind with her, whereby they were old friends. It became like a soulmate relationship where he got to know her through his dreams. “He practiced lucid dreaming in the making of the record by waking up and putting himself back on the edge of sleep. He managed to have these lucid dreams that he could control; where he could walk through passages in his imagination and he got to know Anne Frank through that space. ""All the songs were written in this otherworldly space, and that’s why it’s quite a surreal record lyrically. I visited Anne Frank’s house listening to In the Aeroplane over the Sea and it created an even stronger bond between me and the record. “Also, around 2013, Mangum announced some really intimate shows. It was about thirteen years since he’d toured the record, and I believe he’s got bipolar and is very reclusive. I somehow managed to get tickets to his Union Chapel gig, and for the author of a cult record like that it’s a very small venue. We just sat there and wept, it was like a funeral. There was this incredible sound when he was performing, and I looked around me and realised that the sound was the whole audience singing the lyrics under their breath. “No one wanted to disturb his performance by singing but everyone in the room had this profound connection to the songs. He came back on for three encores and when he finally left the stage the security couldn’t get people to leave. They were refusing to leave the pews, stomping, in fits of tears. It was like a divine presence had just left the building. “This song has been my medicine at different times in life, curing me from different struggles like mental health or loss. Its music that has never failed to move me."

Source
  
Dream Horse (2021)
Dream Horse (2021)
2021 | Biography, Comedy, Drama, Sport
6
8.7 (3 Ratings)
Movie Rating
Ensemble cast (1 more)
Cinematography of racing scenes
Predictable storyline (0 more)
My lovely lovely horse fails to fully engage
An extraordinary story of ambition against all the odds - based on a true story - will Dream Alliance fulfil the town's dreams, or will it all end in tears?

Positives:
- Toni Collette! Without her powerful acting presence at the heart of the piece, I think the movie would have died in a ditch. As for her Welsh accent I (as an Englishman) thought it was pretty good: on my 'Welshometer', using the scale of Richard Burton as a 10 to RDW's "Doctor Dolittle" as a 1, I'd give Ms Collette about an 8. The illustrious Mrs Movie Man (as a Welsh lady) was less impressed, but found her "tolerable" when mixed with the other Welsh-born actors!
- And what a wonderful supporting cast of well know names from all our yesterdays. Just so great to see the great Siân Phillips ("I, Claudius"), Lynda Baron ('Nurse Gladys' from "Open all Hours"), Peter Davison ("Doctor Who") and Nicholas Farrell ("Chariots of Fire") in the cast. It was also (as is traditional in these "true stories") for the actual people to appear alongside their acting counterparts in the end titles: Howard Davies in particular seemed to be chuffed to bits to be singing alongside Damien Lewis!
- Hats off to cinematographer Erik Wilson and Chris Bates (the "drone operator"), for some impressive shots. The camera angles from the turf-pumping racing scenes are very impressive.

Negatives:
- How did it make me feel? Very little at all. Which is a problem. The movie is so utterly predictable that I saw every element of the story play out way before it did. Did this happen in real life? In which case, that's annoying that life was so unrealistically predictable in its ups and downs!
- Elements of the story also felt formulaic: from the token comedy cranky old bloke (Karl Johnson) to Jan's brooding father-with-a-grudge. This latter element seems unnecessarily bolted onto the plot: poorly worked through and pretty superfluous.

Summary Thoughts on "Dream Horse": This is a feature debut for welsh-born Euros Lyn, most familiar (as a peculiar name) for popping up in the end credits of TV shows such as "Doctor Who", "Torchwood" and "His Dark Materials". And, as a great supporter of UK films, I really wanted to like this one. But it just didn't do it for me. It's also unfortunate that some of the subject material makes it unsuitable for the 6-to-8 year old horse fanatics... this is no "International Velvet".

I've seen some social media comments from people who adore the movie. And, to be clear, it's NOT a bad movie. I just personally didn't connect with me. Just goes to show that cinema really is 'horses for courses' sometimes!

(For the full graphical review, please check out the One Mann's Movies review here - https://bob-the-movie-man.com/2021/06/11/dream-horse-%e2%99%abi-want-to-shower-you-in-sugar-lumps-and-ride-you-over-fences%e2%99%ab/ . Thanks).