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The Walking Dead  - Season 7
The Walking Dead - Season 7
2016 | Drama
Contains spoilers, click to show
Season 7 of The Walking Dead opens with a hard to watch bang, and one of the most infamous scenes from the comic series.
The introduction of Negan is suitably bleak, gory and unexpected, delivering a throat punch of two main character executions.
It is made clear that Rick could very well be out if his depth. It's a strong and terrifying opener, but it unfortunately does not set the tone for the rest of the season.

As I've mentioned before, TWD settled into a formula - a season would tend to consist of a couple of outstanding episodes, a handful a good ones, and then passed out with a lot of filler.
The main problem with season 7 is that after the opening episode, the remaining episodes all feel like filler. For the first time since it's beginning to, I found myself bored with TWD.
The plot remains very samey for the most part, with Rick and co. gathering supplies for Negan to avoid anymore culling of the cast.
Meanwhile we're introduced to new communities in the shape of The Kingdom and Oceanside, and it becomes clear early one that the four communities (including Alexandria and Hilltop) will unite to take on The Saviours, but it takes an excruciatingly long time to get there.
The side plot of Daryl's capture is dragged out for way too long and becomes testing.
The side plot of Eugene's reluctant turn to The Savior's is dragged out for way too long (it doesn't actually get resolved until the end of season 8!)
It all just feels like a bit of a slog.
We're also introduced to a group of survivors lead by a woman called Jadis, who are so f*cking pretentious, that they made me want to stop TWD altogether.

Its not all bad. My personal highlight of the season is probably Negan himself, a character that a lot of people didn't like. His jokey demeanor works well against all the seriousness, and to be honest, I'm just a fan of Jeffrey Dean Morgan in general.

Overall though, season 7 is thoroughly average, and unfortunately, it's not quite the low point of TWD. The main positive here is that it reminded me just how good the first few seasons were.
  
The Walking Dead - Season 10
The Walking Dead - Season 10
2019 | Drama, Horror
The latest season of The Walking Dead is why I have trust issues. I was all but done with this show during season 8, and now, I'm genuinely sad that we only have one more season left. Stop playing with my emotions!

Seriously though, season 10 is a proper return to form in my opinion. The show continues to prove that the time jump introduced last season was a positive direction to take.
Finally, I care about almost every character again. Negan is a huge highlight this time around. The contrast between the bonafide maniac he once once, and the humble guy genuinely looking for acceptance now is massive, buts it's pulled off in a way that is 100% believable. Big props to Jeffrey Dean Morgan.
This is the first full season not to feature Rick Grimes, so the position of lead character is shared out between Daryl (Norman Reedus), Carol (Melissa McBride) and Michonne (Danai Gurira). I like all three characters so this wasn't an issue for me. With Daryl and Carol in particular being season 1 veterans, it's easy to be on their side.

The villains are once again The Whisperers. I can acknowledge that TWD has delved into antagonist back stories before, but the amount of time spent with Alpha and Beta is commendable. The more screentime they get, the more unhinged they seem. They feel dangerous. There's a trio of mid season episodes here (Stalker, Morning Star, Walk With Us) that are hugely tense and high stakes, and reminded me of some of The Governor episodes from way back that had me on a seats edge.
Samantha Morton and Ryan Hurst sell these characters so so well, and are some of the best villains this show has seen.

TWD is never going to be the same show it was when it started, and it's taken the show runners a hell of a long time to figure out how it's going to look going forward. With the movies and various spin offs approaching, I feel they've finally found their footing again. Here's hoping for a rager of a final season.
  
Considering the fact all of the nominees for the 2015-2016 Gateway Award aren't exactly very appealing and I've had quite the bad luck with them... I pretty much decided to take a stab with Ashley Elston's <i>The Rules for Disappearing</i> as my next victim.

In elaboration of that bad luck, <a title="In the Shadow of Blackbirds" href="https://bookwyrmingthoughts.com/review-in-the-shadow-of-blackbirds-by-cat-winters/"; target="_blank" rel="noopener">my first one was insanity</a>. I'm scared of reading another book by Cat Winters. <a href="http://bookwyrmingthoughts.com/dnf-review-the-5th-wave-by-rick-yancey"; target="_blank" rel="noopener">My second one had a highly annoying character named after a constellation</a>.
<div class="separator" style="clear: both; text-align: center;"><img src="http://bookwyrmingthoughts.bookblog.io/wp-content/uploads/sites/317/2015/05/dean-what-have-i-done.gif"; border="0" /></div>
And now, my third book has a very materialistic character (completely opposite spectrum from me) whose family is in Witness Protection for the last year and has quite literally changed their names far more times than Zach/Jack in <i>Zach's Lie</i> and <i>Jack's Run</i>. With their eighth move, "Meg," is extremely tired of constantly having to move places, leaving her life behind, and changing her identities – the moves were beginning to tear apart their family. Meg vows to find what landed her and her family in Witness Protection in the first place throughout the book.

I personally liked how the book was formatted. The beginning of each chapter has a "rule for disappearing," possibly concocted by Meg over the year her family has been in Witness Protection, and what happens in the chapter is sort of a reason "why" Meg established the rule in the first place.

For almost half the book there isn't really too much that happens – Meg makes a plan to not settle down with her new life like she did in her past placements, her "diary" gets stolen, and she tries to avoid a boy named Ethan Landry who's a lot smarter than he seems. After accidentally hearing a few conversations her dad has over the phone in the middle of the night, things start to pick up – Meg starts to remember more of what happened in her original life and becomes more determined to get her family out of Witness protection.

Meg is like a clamshell at the very beginning – she's very closed off and she wants to isolate herself from her peers because who cares about making friends when you might be plucked from your current life any moment? It's not until she meets Ethan that she "gives up" on trying to isolate herself and becomes more open with other people. In all honesty, if Ethan didn't make a constant attempt to open up her shell, Meg probably wouldn't have told her story – how her old life was like, why she's really in Witness Protection, and what each of her moves were like compared to her original life.

Elston does drop a hint or two of a sequel near the end of the book, which I'm not exactly too excited for. <i>The Rules for Disappearing</i> felt like a stand-alone rather than a duology, but maybe the sequel will be equally or more interesting.
<blockquote>We force you to sit through the chick flicks so maybe you'll get some idea of how you're supposed to act.</blockquote>

<a href="https://bookwyrmingthoughts.com/review-the-rules-for-disappearing-by-ashley-elston/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>