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Bob Mann (459 KP) rated Free Fire (2017) in Movies
Sep 29, 2021
A movie with more than a whiff of cordite about it
As I write this, I’m really struggling to evaluate whether the latest film of Ben Wheatley (“High Rise”) is a masterpiece or just pulp trash. It’s certainly a brave and highly distinctive venture, with that you can’t argue.
Set in Boston in 1978, an arms deal is going down in a deserted warehouse. Brokered by Justine (Brie Larson, “Room”) an IRA team headed by Frank (Michael Smiley, “The World’s End“) with his business guy Chris (Cillian Murphy, “Inception”, “Batman Begins”) are on the buying side. As ‘roadies’ they’ve brought with them a couple of crack-head friends Stevo (Sam Riley, “Brighton Rock”, “Maleficent“) and Bernie (Enzo Cilenti, “The Martian“) who are far from stable.
On the selling side is South African dealer and “international asshole” Vern (Sharlto Copley, “Elysium“), his suave and wisecracking protector Ord (Armie Hammer, “The Man From Uncle”) and Vern’s right hand man Martin (Babou Ceesay, “Eye in the Sky“). What connects all of these individuals is that no-one likes or trusts anyone else.
Unfortunately, one of Vern’s van drivers is John Denver-lover Harry (the excellent Jack Treynor, “Sing Street”) who has very recent personal history with Stevo. The fuse is lit, and when the two meet chaos ensues: in the words of Anchorman’s Ron Burgundy, “That escalated quickly”!
And, for a 90 minute film, that’s basically it. If you think after viewing the trailer “there must be more to the film than this”…. you’re wrong!
However, what there is of it is enormously entertaining. Played ostensibly for laughs, with very very black humour and an F-word and a gunshot in every other sentence, some of the characters – notably those played by Sharlto Copley, Arnie Hammer and Brie Larson – have some hilarious dialogue. The star turn for me though was Jack Treynor who was just so impressive as the ‘lost at sea’ brother in the delightful “Sing Street” and here delivers a stand-out performance as another brother on a mission… this time a mission of vengeance. You are waiting throughout the film for the inevitable showdown between Harry and Stevo – – and when it comes it is both bloody and memorable.
A cracking 70’ soundtrack, put together by the Portishead duo of Geoff Barrow and Ben Salisbury, involves 70’s classics by Credence Clearwater Revival, John Denver and The Real Kids and it’s hammered out at top volume over the action. The downside of this effect is that – for my old ears at least – it sometimes make some of the dialogue hard to follow.
As a policing exercise, the film clearly has merit. In the same manner as Schwarzenegger’s “Running Man” put criminals in an arena to cull them, so this must have reduced the crime rates in both Boston and Belfast no end! While some may not approve of the levels of violence on show, it is all done in a highly cartoonish way: like a “Tom and Jerry” cartoon, or “Home Alone”, everyone seems to get shot multiple times and yet (in the main) is still active and mobile. All of this makes criticism of the performances something of a waste of time, but I would comment that some of the acting is of the “over the top” variety: surprisingly, I found some of Oscar winner Brie Larson’s scenes falling into this category and snapping me out of the narrative at times.
But overall, my evaluation is now done and I am rooting on the side of it being a brash and exhilarating minor masterpiece. Yes, it’s one-dimensional. Yes, it is virtually impossible to feel any empathy with any of the characters, as they are all universally loathsome. But it’s a movie whose flaws are forgivable based on the characterisation and the cracking good script by long-term collaborators Ben Wheatley and Amy Jump.
Tight as it is within its 90 minute running time, I very much doubt you will be bored.
Set in Boston in 1978, an arms deal is going down in a deserted warehouse. Brokered by Justine (Brie Larson, “Room”) an IRA team headed by Frank (Michael Smiley, “The World’s End“) with his business guy Chris (Cillian Murphy, “Inception”, “Batman Begins”) are on the buying side. As ‘roadies’ they’ve brought with them a couple of crack-head friends Stevo (Sam Riley, “Brighton Rock”, “Maleficent“) and Bernie (Enzo Cilenti, “The Martian“) who are far from stable.
On the selling side is South African dealer and “international asshole” Vern (Sharlto Copley, “Elysium“), his suave and wisecracking protector Ord (Armie Hammer, “The Man From Uncle”) and Vern’s right hand man Martin (Babou Ceesay, “Eye in the Sky“). What connects all of these individuals is that no-one likes or trusts anyone else.
Unfortunately, one of Vern’s van drivers is John Denver-lover Harry (the excellent Jack Treynor, “Sing Street”) who has very recent personal history with Stevo. The fuse is lit, and when the two meet chaos ensues: in the words of Anchorman’s Ron Burgundy, “That escalated quickly”!
And, for a 90 minute film, that’s basically it. If you think after viewing the trailer “there must be more to the film than this”…. you’re wrong!
However, what there is of it is enormously entertaining. Played ostensibly for laughs, with very very black humour and an F-word and a gunshot in every other sentence, some of the characters – notably those played by Sharlto Copley, Arnie Hammer and Brie Larson – have some hilarious dialogue. The star turn for me though was Jack Treynor who was just so impressive as the ‘lost at sea’ brother in the delightful “Sing Street” and here delivers a stand-out performance as another brother on a mission… this time a mission of vengeance. You are waiting throughout the film for the inevitable showdown between Harry and Stevo – – and when it comes it is both bloody and memorable.
A cracking 70’ soundtrack, put together by the Portishead duo of Geoff Barrow and Ben Salisbury, involves 70’s classics by Credence Clearwater Revival, John Denver and The Real Kids and it’s hammered out at top volume over the action. The downside of this effect is that – for my old ears at least – it sometimes make some of the dialogue hard to follow.
As a policing exercise, the film clearly has merit. In the same manner as Schwarzenegger’s “Running Man” put criminals in an arena to cull them, so this must have reduced the crime rates in both Boston and Belfast no end! While some may not approve of the levels of violence on show, it is all done in a highly cartoonish way: like a “Tom and Jerry” cartoon, or “Home Alone”, everyone seems to get shot multiple times and yet (in the main) is still active and mobile. All of this makes criticism of the performances something of a waste of time, but I would comment that some of the acting is of the “over the top” variety: surprisingly, I found some of Oscar winner Brie Larson’s scenes falling into this category and snapping me out of the narrative at times.
But overall, my evaluation is now done and I am rooting on the side of it being a brash and exhilarating minor masterpiece. Yes, it’s one-dimensional. Yes, it is virtually impossible to feel any empathy with any of the characters, as they are all universally loathsome. But it’s a movie whose flaws are forgivable based on the characterisation and the cracking good script by long-term collaborators Ben Wheatley and Amy Jump.
Tight as it is within its 90 minute running time, I very much doubt you will be bored.
Darren (1599 KP) rated 3 Lives (2019) in Movies
Jul 25, 2019
Story: 3 Lives starts when a therapist Emma (Calvey) gets kidnapped after years of being on the run, left trapped with Jamie (Kaps) and Ben (Ricketts) a man that went to prison for her first kidnapping, despite being considered the rescuer. The three escape, with three men Thoms (Taubman), Piggy (Alfieri) and Frotti (Riley) chasing them down.
With Emma, Jamie and Ben trying to figure out why they are kidnapped, Emma starts looking back on her previous experience, hoping to uncover more about why Ben acted the way she believes he did, as he seems to be the only one guiding them to safety.
Thoughts on 3 Lives
Characters – Emma is a therapist that has been helping victims of violent crimes, she knows what it is like to have been a victim after previously being kidnapped and raped, she finds herself getting kidnapped once again and left wondering if the right person took the blame for the crime against her. Jamie is a man that has been kidnapped too, he believes that Ben was innocent and doesn’t want Emma to trust him while they plan to escape, he doesn’t seem to have any experience of the woods though. Ben is the man who claimed to be the rescuer of Emma before, only to take the blame for the crime, he sees this as a chance to redeem himself for what she believes he might have done, he knows how the survive in the conditions and is always thinking about survival. Thoms is leading the men hunting them down, with his training to make him a brilliant tracker through the woods.
Performances – Mhairi Calvey in the leading role is strong though the film, she does make us believe that her character has been a victim, while showing the strength to face the man that did this too her. Tyron Ricketts give us a strong supporting performance as a man who remains stronger than the broken version of himself could be. Martin Kaps brings us the annoying figure trapped in the woods, he does the I’m the nice guy routine with ease, while also bring us the ‘you’re an idiot’ side to his character.
Story – The story here follows a woman that finds herself kidnapped again, going face to face with the man who went to prison for raping her years ago, now they are joined by another man from their past as they look to escape hunters in the woods looking to eliminate them. The story does tackle the serious affects of sexual assault, how the victim’s life will never be the same, we see how they can confront the person and still remain unsure of the real events of what happened because of the trauma involved such an act. The survival aspect of the story doesn’t reach the levels of peril it could do, while the constant back and forth that goes on trying to point figures between Emma, Ben and Jamie gets confusing because most of it is wondering why they have been selected. The story is saved by the final act which will put the pieces together and make sense of everything we have seen beforehand.
Thriller – The film never reaches the full level of the intensity that it could, with the being hunted side of the story being the weaker and never putting the characters in a level of peril which does feel believable.
Settings – The victims find themselves in the middle of the woods with nowhere to run that makes sense to them, it makes them feel lost and looking for answers to why they are there, creating isolation from their real world.
Scene of the Movie – Final act.
That Moment That Annoyed Me – The hunters never feel like they are dangerous.
Final Thoughts – This is a strong drama with thriller on its arm, it tackles a real life problem of sexual abuse in a new way that will get a chance to see just how difficult it can be for a victim to speak up or even remember the full events of what happened to them.
Overall: Thriller with deeper meaning.
With Emma, Jamie and Ben trying to figure out why they are kidnapped, Emma starts looking back on her previous experience, hoping to uncover more about why Ben acted the way she believes he did, as he seems to be the only one guiding them to safety.
Thoughts on 3 Lives
Characters – Emma is a therapist that has been helping victims of violent crimes, she knows what it is like to have been a victim after previously being kidnapped and raped, she finds herself getting kidnapped once again and left wondering if the right person took the blame for the crime against her. Jamie is a man that has been kidnapped too, he believes that Ben was innocent and doesn’t want Emma to trust him while they plan to escape, he doesn’t seem to have any experience of the woods though. Ben is the man who claimed to be the rescuer of Emma before, only to take the blame for the crime, he sees this as a chance to redeem himself for what she believes he might have done, he knows how the survive in the conditions and is always thinking about survival. Thoms is leading the men hunting them down, with his training to make him a brilliant tracker through the woods.
Performances – Mhairi Calvey in the leading role is strong though the film, she does make us believe that her character has been a victim, while showing the strength to face the man that did this too her. Tyron Ricketts give us a strong supporting performance as a man who remains stronger than the broken version of himself could be. Martin Kaps brings us the annoying figure trapped in the woods, he does the I’m the nice guy routine with ease, while also bring us the ‘you’re an idiot’ side to his character.
Story – The story here follows a woman that finds herself kidnapped again, going face to face with the man who went to prison for raping her years ago, now they are joined by another man from their past as they look to escape hunters in the woods looking to eliminate them. The story does tackle the serious affects of sexual assault, how the victim’s life will never be the same, we see how they can confront the person and still remain unsure of the real events of what happened because of the trauma involved such an act. The survival aspect of the story doesn’t reach the levels of peril it could do, while the constant back and forth that goes on trying to point figures between Emma, Ben and Jamie gets confusing because most of it is wondering why they have been selected. The story is saved by the final act which will put the pieces together and make sense of everything we have seen beforehand.
Thriller – The film never reaches the full level of the intensity that it could, with the being hunted side of the story being the weaker and never putting the characters in a level of peril which does feel believable.
Settings – The victims find themselves in the middle of the woods with nowhere to run that makes sense to them, it makes them feel lost and looking for answers to why they are there, creating isolation from their real world.
Scene of the Movie – Final act.
That Moment That Annoyed Me – The hunters never feel like they are dangerous.
Final Thoughts – This is a strong drama with thriller on its arm, it tackles a real life problem of sexual abuse in a new way that will get a chance to see just how difficult it can be for a victim to speak up or even remember the full events of what happened to them.
Overall: Thriller with deeper meaning.