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The American Friend (1977)
The American Friend (1977)
1977 | Crime
8.0 (2 Ratings)
Movie Favorite

"Déclassé doubles being kinda a Ripley thing, The American Friend has a trashy yet seductive sister called Ripley’s Game, which, if you haven’t seen it, has John Malkovich and a very GoldenEye vibe. I watch both on regular rotation. But it’s really so wild that The American Friend is the older film, because where Ripley’s Game is like a classic Hollywood cash-in, The American Friend is a radical reinterpretation of the material. It says all the loud parts quiet in a way that deepens the pathos and significance of the Ripley cycle. Rather than being a social-climbing dandy, Dennis Hopper’s Ripley is a mumbling cowboy hipster—it’s maybe his most likable role. And Bruno Ganz’s Jonathan, who can so easily just be a pathetic sucker, is instead an existential hero. But for all its understatement and the arty languid pacing, when the film needs to be—as in the train scene—it’s as taut and calculated as Hitchcock. Oh man, and that stuff about the Beatles and Hamburg is so damn smart. It’s crazy that a director whose work is all over the place could produce a film so totally organic and emotionally satisfying. Honestly it’s not fair."

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Alien: Sea of Sorrows
Alien: Sea of Sorrows
6
7.0 (2 Ratings)
Book Rating
The second - although I read/listened to it third - in a new(ish) series of Canonical Alien stories, this one is set even further in the future than the previous entry (Alien: River of Pain) and follows a descendant of Ellen Ripley, Alan Decker, who is an empath and who is forced to join a team of mercenaries investigating a dig on the planet known as New Galveston: a dig that has unearthed something that is probably better left forgotten …

Yep, Weyland-Yutanio is at it again, sending in a team of unprepared and ill-advised soldiers (or, here, mercenaries) in an attempt to gather a 'specimen' alive: a team that, of course - with a few exceptions - finds itself completely outclassed by the Xenomorph, who are here shown to hold a particularly impressive millennial-old grudge against 'The Destroyer', one Ellen Ripley (or her descendants).