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Dakotah Salazar (12 KP) rated Spider-Man: Far From Home (2019) in Movies
Jul 6, 2019
Jaw Dropping Action (3 more)
Mysterio
Mid Credit Scene
Nice Romance
Road Trip Troupes (2 more)
Slow Start
End Credit Scene
Wrapping a bow on an excellent phase.
In Spider-Man's return from the Thanos 'blip' in Avengers Infinity War shows a different world for the MCU.
We are shown with a strong start. A mediocre high school presentation of how the world was affected by the blip, such as the age transitions of some characters. It was a great addition in wanting to expand the aftermath, and Spider-Man uses it humorously. But after that introduction becomes a run of the mill superhero film. At least for the first half.
We see a lot of troupes from this genre, or even road trip movies. Peter Parker is in pursuit for this outlandish plan of asking MJ out. While being a romantic, a force of nature called The Eternals are attacking the cities that Peter and his friends are venturing on. A figure called Mysterio saves Peter from the huge destruction creating a bond between the two heroes. Nick Fury is also caught in the mix as well wanting Peter to stop this problem. Peter refuses because he wants to be normal for a while. And you can't blame Peter. Especially after being snapped and revived to save the world from Thanos. Who wouldn't be tired? But it gets tiring when his only mission is to get MJ to like him when it is clear that she is giving him hints over and over again. It is sweet but becomes trite after a while. The humor is effective at points, but some moments can slow the movie down.
As for the second half, the film twists around with a strong second act. Probably some of the best action in the MCU to date. Yes, it even holds up to Endgame in some regards. It approaches into very psychedelic areas where you really are in the perspective of Peter. We see character depth, tension, and a stronger balance of humor thrown in. Plus a strong mid credit scene at the end which will please fans of Spider-Man. It will create a strong stir of events to come for Phase 4. For only Spider-Man...while we are left wondering what is going to come next for Marvel. In a way, it was kind of disappointing that there wasn't a stronger end credits stinger to help establish another Phase. While some say that it might, it only affects Spider-Man greatly.
As for newcomer Jake Gyllenhaal who is playing Mysterio. He is a veteran actor already playing down to an MCU film. Especially when he is recieving Oscar nominated performances. It was a weird situation for him to come in and play this character. I've had to analyze his performance and found it very strong throughout. He may be the best performance in this movie. Tom Holland and Zendaya had great chemistry throughout. They really gave a sense of an awkward teenage relationship trying to bloom out of their shyness, and while it was meandering after a while, it turned into something that was strong and a nice way of showing depth to their characters. The rest of the cast are there for comedic effect. Even Marisa Tomei's Aunt May is kind of sidelined here.
For any MCU fan, seek it out in a theater as soon as you can. It's a lot of fun. As for Spider-Man fans, it kind of sits in the middle when it comes to listing it. Especially after the triumphant Into the Spider Verse and Homecoming really defined who Spider-Man is.
We are shown with a strong start. A mediocre high school presentation of how the world was affected by the blip, such as the age transitions of some characters. It was a great addition in wanting to expand the aftermath, and Spider-Man uses it humorously. But after that introduction becomes a run of the mill superhero film. At least for the first half.
We see a lot of troupes from this genre, or even road trip movies. Peter Parker is in pursuit for this outlandish plan of asking MJ out. While being a romantic, a force of nature called The Eternals are attacking the cities that Peter and his friends are venturing on. A figure called Mysterio saves Peter from the huge destruction creating a bond between the two heroes. Nick Fury is also caught in the mix as well wanting Peter to stop this problem. Peter refuses because he wants to be normal for a while. And you can't blame Peter. Especially after being snapped and revived to save the world from Thanos. Who wouldn't be tired? But it gets tiring when his only mission is to get MJ to like him when it is clear that she is giving him hints over and over again. It is sweet but becomes trite after a while. The humor is effective at points, but some moments can slow the movie down.
As for the second half, the film twists around with a strong second act. Probably some of the best action in the MCU to date. Yes, it even holds up to Endgame in some regards. It approaches into very psychedelic areas where you really are in the perspective of Peter. We see character depth, tension, and a stronger balance of humor thrown in. Plus a strong mid credit scene at the end which will please fans of Spider-Man. It will create a strong stir of events to come for Phase 4. For only Spider-Man...while we are left wondering what is going to come next for Marvel. In a way, it was kind of disappointing that there wasn't a stronger end credits stinger to help establish another Phase. While some say that it might, it only affects Spider-Man greatly.
As for newcomer Jake Gyllenhaal who is playing Mysterio. He is a veteran actor already playing down to an MCU film. Especially when he is recieving Oscar nominated performances. It was a weird situation for him to come in and play this character. I've had to analyze his performance and found it very strong throughout. He may be the best performance in this movie. Tom Holland and Zendaya had great chemistry throughout. They really gave a sense of an awkward teenage relationship trying to bloom out of their shyness, and while it was meandering after a while, it turned into something that was strong and a nice way of showing depth to their characters. The rest of the cast are there for comedic effect. Even Marisa Tomei's Aunt May is kind of sidelined here.
For any MCU fan, seek it out in a theater as soon as you can. It's a lot of fun. As for Spider-Man fans, it kind of sits in the middle when it comes to listing it. Especially after the triumphant Into the Spider Verse and Homecoming really defined who Spider-Man is.
Gareth von Kallenbach (971 KP) rated Spider-Man: Far From Home (2019) in Movies
Jun 27, 2019 (Updated Jun 28, 2019)
A Truly Amazing And Enjoyable Spider-Man
Sony and Marvel Studios have rounded out Phase Three of the Marvel Cinematic Universe in grand style with “Spider-man: Far From Home”. The film picks up shortly after the events of “Avengers: Endgame”, and finds Peter Parker (Tom Holland), attempting to deal with the aftermath of the final battle with Thanos and picking up his life as best as he is able.
As such; Peter is looking forward to a European trip as not only is his friend Ned (Jacob Batalon) coming along; but Peter also wants to use this trip to get closer to MJ (Zendaya) and express his feelings for her.
While the early part of the trip starts off as you would expect for a bunch of teens experiencing Venice for the first time; Peter soon finds himself struggling to save the day and keep his alter ego a secret when a dangerous Elemental creature attacks the city.
With the help of a powered individual named Mysterio (Jake Gyllenhaal); Peter is able to stop the attack but with the arrival of Maria Hill (Colbie Smulders), and Nick Fury (Samuel L. Jackson), Peter learns that there are bigger attacks on the way and that his skills are being pressed into service for the greater good.
This causes a great deal of conflict for Peter as after his recent experiences with the Avengers; he simply wants to enjoy a vacation as a 16 year old and feels that he needs time to have a life and recover from his recent ordeals.
As if this was not enough to deal with; Peter has also been entrusted with an unexpected gift which gives him access to new technology but also comes with a heavy sense of responsibility that forces him to question if he is truly up to the expectations that have been put upon him by Fury and society as a whole.
While Peter and Fury attempt to balance the delicate situation to their mutual advantage; a shocking turn of events happens, forcing Peter to step up and risk everything to save his friends and the public from a much larger threat than he imagined.
The film is a dynamic thrill ride that in a summer that has largely been filled with disappointments following “Avengers: Endgame”; delivers the goods.
The cast is great and the film mixes the action and humor of the character well as we get everything that fans have come to expect from the series.
The visuals are amazing and the audience was cheering for the twistingly nimble and gravity defying moves of the title character as well as laughing at the surprising amount of humor that is in the film which supports the action sequences well.
Holland truly owns the role as he encompasses the duality and conflict of the character so well. For all the quips and bravado Spider-man has; he is still an awkward and confused teen who deals with everyday issues despite having tremendous abilities and lives in a world filled with dangers most could never fathom.
The supporting cast is amazingly strong and it was so nice to see Jon Favreau back as Happy as he works so well within the Marvel Universe. There are two bonus scenes in the credits and rather than act as a bit of fun filler, they are filled with many surprise moments and cameos which not only delight; but setup some very interesting consequences and opportunities down the road when Phase 4 of the Marvel Cinematic Universe resumes.
5 stars out of 5
http://sknr.net/2019/06/27/spider-man-far-from-home/
As such; Peter is looking forward to a European trip as not only is his friend Ned (Jacob Batalon) coming along; but Peter also wants to use this trip to get closer to MJ (Zendaya) and express his feelings for her.
While the early part of the trip starts off as you would expect for a bunch of teens experiencing Venice for the first time; Peter soon finds himself struggling to save the day and keep his alter ego a secret when a dangerous Elemental creature attacks the city.
With the help of a powered individual named Mysterio (Jake Gyllenhaal); Peter is able to stop the attack but with the arrival of Maria Hill (Colbie Smulders), and Nick Fury (Samuel L. Jackson), Peter learns that there are bigger attacks on the way and that his skills are being pressed into service for the greater good.
This causes a great deal of conflict for Peter as after his recent experiences with the Avengers; he simply wants to enjoy a vacation as a 16 year old and feels that he needs time to have a life and recover from his recent ordeals.
As if this was not enough to deal with; Peter has also been entrusted with an unexpected gift which gives him access to new technology but also comes with a heavy sense of responsibility that forces him to question if he is truly up to the expectations that have been put upon him by Fury and society as a whole.
While Peter and Fury attempt to balance the delicate situation to their mutual advantage; a shocking turn of events happens, forcing Peter to step up and risk everything to save his friends and the public from a much larger threat than he imagined.
The film is a dynamic thrill ride that in a summer that has largely been filled with disappointments following “Avengers: Endgame”; delivers the goods.
The cast is great and the film mixes the action and humor of the character well as we get everything that fans have come to expect from the series.
The visuals are amazing and the audience was cheering for the twistingly nimble and gravity defying moves of the title character as well as laughing at the surprising amount of humor that is in the film which supports the action sequences well.
Holland truly owns the role as he encompasses the duality and conflict of the character so well. For all the quips and bravado Spider-man has; he is still an awkward and confused teen who deals with everyday issues despite having tremendous abilities and lives in a world filled with dangers most could never fathom.
The supporting cast is amazingly strong and it was so nice to see Jon Favreau back as Happy as he works so well within the Marvel Universe. There are two bonus scenes in the credits and rather than act as a bit of fun filler, they are filled with many surprise moments and cameos which not only delight; but setup some very interesting consequences and opportunities down the road when Phase 4 of the Marvel Cinematic Universe resumes.
5 stars out of 5
http://sknr.net/2019/06/27/spider-man-far-from-home/
Caribou recommended Music for 18 Musicians by Steve Reich in Music (curated)
Gareth von Kallenbach (971 KP) rated Identity Thief (2013) in Movies
Aug 7, 2019
Life for Sandy Patterson (Jason Bateman), is a comfortable middle class existence. He is a father of two daughters and is expecting a third child soon with his loving wife Trish (Amanda Peet). While they have financial concerns with the pending arrival of their new baby, Sandy is hoping for a bonus and promotion at his job working for a financial service company. Things take a turn for the worse for Sandy when not only does he get neither a bonus nor promotion, but he learns that his supervisors are authorizing themselves large bonus checks which he is in charge of issuing.
Sandy and his friend Daniel (John Cho), decide that enough is enough and decide to start their own company with Sandy as V.P. Although a risky move, this could be the answer to his financial needs and Sandy jumps aboard without a second thought. Enter Diana (Melissa McCarthy), a professional identity thief who packs her Florida home with all manner of items obtained via her knack for creating credit cards belonging to other people.
Sandy thanks to his unisex name, has become the latest target for Diana and in no time, finds that his credit cards are maxed out, and worst yet, he is wanted by the police. This does not sit well for his new position as a V.P. with credit issues and warrants will scare off investors. Sandy learns that the timeline for clearing his name can be extensive, so he hatches a plan after receiving a spa confirmation call from Florida. Sandy with the knowledge of the police plans to travel to Florida and bring the person who has stolen his identity to Denver to clear his name. He hopes that a promise of no prosecution will trick her into the trip and clearing his good name.
Since the film is a comedy, things naturally do not go as planned as Denise is crafty and will resort to anything from throat punches to vehicular assault to stay one step ahead of the law. Denise has run afoul of a criminal element for issuing them credit cards that she has already maxed out and they dispatch two killers to take her and anyone she is with out. As if this is not bad enough, a psycho skip tracer (Robert Patrick) is also in hot pursuit and set on capturing the large reward on Denise. What follows is a mixture of the buddy comedy formula and road trip film which more than once reminded me of the recent “Due Date”. “Identity Thief” has a great premise and cast to it, but it is saddled by long stretches that drag on. The film takes a while to get started and never seems to find a pace that works for it.
McCarthy has some great lines and moments and Bateman does a solid job as the straight main foil. The problem is, the laughs are to few and far between to justify the nearly two hour run time. This is a shame as with about 30 minutes trimmed this could have been a very tight and witty comedy but instead under director Seth Gordon best efforts, the film never reaches its potential.
Sandy and his friend Daniel (John Cho), decide that enough is enough and decide to start their own company with Sandy as V.P. Although a risky move, this could be the answer to his financial needs and Sandy jumps aboard without a second thought. Enter Diana (Melissa McCarthy), a professional identity thief who packs her Florida home with all manner of items obtained via her knack for creating credit cards belonging to other people.
Sandy thanks to his unisex name, has become the latest target for Diana and in no time, finds that his credit cards are maxed out, and worst yet, he is wanted by the police. This does not sit well for his new position as a V.P. with credit issues and warrants will scare off investors. Sandy learns that the timeline for clearing his name can be extensive, so he hatches a plan after receiving a spa confirmation call from Florida. Sandy with the knowledge of the police plans to travel to Florida and bring the person who has stolen his identity to Denver to clear his name. He hopes that a promise of no prosecution will trick her into the trip and clearing his good name.
Since the film is a comedy, things naturally do not go as planned as Denise is crafty and will resort to anything from throat punches to vehicular assault to stay one step ahead of the law. Denise has run afoul of a criminal element for issuing them credit cards that she has already maxed out and they dispatch two killers to take her and anyone she is with out. As if this is not bad enough, a psycho skip tracer (Robert Patrick) is also in hot pursuit and set on capturing the large reward on Denise. What follows is a mixture of the buddy comedy formula and road trip film which more than once reminded me of the recent “Due Date”. “Identity Thief” has a great premise and cast to it, but it is saddled by long stretches that drag on. The film takes a while to get started and never seems to find a pace that works for it.
McCarthy has some great lines and moments and Bateman does a solid job as the straight main foil. The problem is, the laughs are to few and far between to justify the nearly two hour run time. This is a shame as with about 30 minutes trimmed this could have been a very tight and witty comedy but instead under director Seth Gordon best efforts, the film never reaches its potential.
Bob Mann (459 KP) rated Logan (2017) in Movies
Sep 29, 2021
“When the man comes around”
At last – a superhero movie with real heart… (and not just the chunks over the knuckle blades!). Logan is a bit of a revelation. I was reluctant to go and see it, since a) I’m a lukewarm X-Men fan at best and b) I hadn’t seen either of the previous two Wolverine spin-off films. (Seeing the other Wolverine films, by the way, is not a pre-requisite for enjoying this one). After a long day at work, my choice was “Logan” or “Kong: Skull Island”. I voted for this one, and I’m so glad I did.
It’s now 2029. Hugh Jackman plays Wolverine, but this is not a Wolverine we have seen before. This is an aged and deteriorating superhero: his self-healing powers are waning; a limp is developing; and his fighting prowess (although still legendary) doesn’t show the stamina it once did. This is a Wolverine that is also an unlikely carer, looking after a mentally degenerating Professor Xavier (Patrick Stewart), now 90 years old and finding it increasingly difficult to keep his devastating mental superpowers under control. This is a Wolverine trying desperately to avoid the limelight, working diligently as a limo-driver in an effort to save money for the dream of buying a ‘Sunseeker’ and sailing off with Xavier into the sunset, gaining true anonymity among the boating fraternity.
Life doesn’t play ball though. A brutal encounter with a gang on the highway outside El Paso advertises Wolverine’s presence and brings him into contact with a strange eleven-year-old girl (Dafne Keen) with impressive powers of her own. The girl is being pursued by a “reiver” (Boyd Holbrook, “Run all Night”) supported by a small private army. Against his will, Wolverine is forced into a memorable road trip with the old man and the young girl that leaves a trail of bloodied bodies behind them.
For, be warned, this is an *extremely* violent film, with much dismemberment and ‘blade work’ that must have kept the prosthetics department busy for months. It’s also quite emotionally brutal, particularly within a central segment set in a “Field of Dreams” style idyll (featuring Eriq La Salle from E.R.) that you know in your gut is not going to end with “Goodnight John Boy” pleasantries.
The well-choreographed and frenetic action within the road-trip segment reminded me at times of the harsh cinematography and dynamics of “Mad Max: Fury Road” – a great compliment.
But the film also takes time to pause, in uncharacteristic Marvel-ways, for character development and genuinely intelligent dialogue. These interludes allow the acting to shine, and it is first-rate. We all know (from “Les Miserables” for instance) that Hugh Jackman can act, but this is arguably his best-ever performance: a meaty role (he actually has two in the film) that affords him tremendous range and emotion. At one point towards the end of the film I thought “this has genuine Oscar show-reel potential”. He will surely never get nominated – a Marvel film? Get Away! But wouldn’t it make a refreshing change if he was? Recognizing good acting, regardless of the context.
Patrick Stewart is a great Shakespearean actor, and here he also gets given full rein to impress as he hasn’t had chance to in most of his movie roles to date.
Claiming the prize so far this year for the most unusual casting decision is Stephen Merchant as the albino helper Caliban, unrecognizable to me at first until he had some lengthy dialogue to flex his Bristol accent on! A non-comic and dramatic role, Merchant does really well with it.
Finally, I can’t leave the acting without doffing my cap to young Dafne Keen whose mesmerising feral stare would probably put the fear of God into every parent of a pre-teen girl! Even though she has only a handful of lines, this is an impressive feature film debut. I predict we will see much more of this young lady.
Less convincing to me was Richard E Grant as the evil mastermind behind the scheme, who never quite seemed nasty enough to me to be believable: in one scene he could be calling back a dog that’s run off down the beach rather than desperately trying to gain control of an out of control situation!
Directed by James Mangold (“Walk the Line”, “Knight and Day”), who co-wrote the piece with Scott Frank (“Minority Report”) and Michael Green (“Green Lantern”… yes, really!), this was a gritty and well constructed movie. If you can stomach the gore and the body count (I would see it as very lucky to have got away with its UK ’15’ certificate) this is a rollercoaster of a movie that is recommended.
By the way, to save you from sitting through the end titles (although you do get a Johnny Cash classic to enjoy) there is no “monkey” at the end of this Marvel film. (I’m no stranger to still be sitting there as the lights come up… but many of the crowd that were left looked vaguely embarrassed!)
In terms of my rating, I’m not a fanboy for Marvel or DC properties, but here I award a rating I have only previously bestowed on two superhero films before: the quirky “Ant Man” and the anarchic “Deadpool“….
It’s now 2029. Hugh Jackman plays Wolverine, but this is not a Wolverine we have seen before. This is an aged and deteriorating superhero: his self-healing powers are waning; a limp is developing; and his fighting prowess (although still legendary) doesn’t show the stamina it once did. This is a Wolverine that is also an unlikely carer, looking after a mentally degenerating Professor Xavier (Patrick Stewart), now 90 years old and finding it increasingly difficult to keep his devastating mental superpowers under control. This is a Wolverine trying desperately to avoid the limelight, working diligently as a limo-driver in an effort to save money for the dream of buying a ‘Sunseeker’ and sailing off with Xavier into the sunset, gaining true anonymity among the boating fraternity.
Life doesn’t play ball though. A brutal encounter with a gang on the highway outside El Paso advertises Wolverine’s presence and brings him into contact with a strange eleven-year-old girl (Dafne Keen) with impressive powers of her own. The girl is being pursued by a “reiver” (Boyd Holbrook, “Run all Night”) supported by a small private army. Against his will, Wolverine is forced into a memorable road trip with the old man and the young girl that leaves a trail of bloodied bodies behind them.
For, be warned, this is an *extremely* violent film, with much dismemberment and ‘blade work’ that must have kept the prosthetics department busy for months. It’s also quite emotionally brutal, particularly within a central segment set in a “Field of Dreams” style idyll (featuring Eriq La Salle from E.R.) that you know in your gut is not going to end with “Goodnight John Boy” pleasantries.
The well-choreographed and frenetic action within the road-trip segment reminded me at times of the harsh cinematography and dynamics of “Mad Max: Fury Road” – a great compliment.
But the film also takes time to pause, in uncharacteristic Marvel-ways, for character development and genuinely intelligent dialogue. These interludes allow the acting to shine, and it is first-rate. We all know (from “Les Miserables” for instance) that Hugh Jackman can act, but this is arguably his best-ever performance: a meaty role (he actually has two in the film) that affords him tremendous range and emotion. At one point towards the end of the film I thought “this has genuine Oscar show-reel potential”. He will surely never get nominated – a Marvel film? Get Away! But wouldn’t it make a refreshing change if he was? Recognizing good acting, regardless of the context.
Patrick Stewart is a great Shakespearean actor, and here he also gets given full rein to impress as he hasn’t had chance to in most of his movie roles to date.
Claiming the prize so far this year for the most unusual casting decision is Stephen Merchant as the albino helper Caliban, unrecognizable to me at first until he had some lengthy dialogue to flex his Bristol accent on! A non-comic and dramatic role, Merchant does really well with it.
Finally, I can’t leave the acting without doffing my cap to young Dafne Keen whose mesmerising feral stare would probably put the fear of God into every parent of a pre-teen girl! Even though she has only a handful of lines, this is an impressive feature film debut. I predict we will see much more of this young lady.
Less convincing to me was Richard E Grant as the evil mastermind behind the scheme, who never quite seemed nasty enough to me to be believable: in one scene he could be calling back a dog that’s run off down the beach rather than desperately trying to gain control of an out of control situation!
Directed by James Mangold (“Walk the Line”, “Knight and Day”), who co-wrote the piece with Scott Frank (“Minority Report”) and Michael Green (“Green Lantern”… yes, really!), this was a gritty and well constructed movie. If you can stomach the gore and the body count (I would see it as very lucky to have got away with its UK ’15’ certificate) this is a rollercoaster of a movie that is recommended.
By the way, to save you from sitting through the end titles (although you do get a Johnny Cash classic to enjoy) there is no “monkey” at the end of this Marvel film. (I’m no stranger to still be sitting there as the lights come up… but many of the crowd that were left looked vaguely embarrassed!)
In terms of my rating, I’m not a fanboy for Marvel or DC properties, but here I award a rating I have only previously bestowed on two superhero films before: the quirky “Ant Man” and the anarchic “Deadpool“….
Haley Mathiot (9 KP) rated Before They are Hanged: The First Law: Book Two in Books
Apr 27, 2018
First of all, these were some of the longest books I’ve listened to in a while. I’ve been plugging away on these suckers for over a month. some of the tracks are an hour or longer. So if you like long books, it’s worth the time investment! this is a great series for a long road trip, a summer (winter) vacation, or to play in the background while you attack a major knitting project.
All three books have a part 1 and a part 2. Part 1 of the first book was spent introducing a huge variety of characters that didn’t seem to have anything to do with each other; in fact they didn’t even feel like they were living in the same world. I did put the story down and move away from it a few times, because there wasn’t much plot or connection between them. Even though it was interesting, funny, and well written, that first part seemed very disconnected.
I told myself I’d listen to one more track. So I did, and that one track was the one where everything started falling together. Not only were they in the same world, they would be going on the same adventure and working together to save the world from an evil king, a crazy wizard, and magical zombies.
I love a good war story.
Each story left off with a stunning finish that begged for more. Even the last one; though it was open enough that anything could happen, you’re pretty sure you know. All the loose ends are tied up: bad guys die, people get their revenge, the king gets married, the deserving are promoted, and the drunks get… less drunk than normal.
If you’re into action, adventure, fantasy, or bloody thrillers, this series will keep you busy for a good long time!
Content and Recommendation: Ages 18+. Some sex (I’ll tell you know it’s awkward not great, even worse when you’re listening to it, not reading it). Plenty of language. Lots of violence; war scenes, murder, and cutting off body parts. One of the main characters is a torturer, okay? This one isn’t for the faint of heart. And don’t listen to it while you’re eating.
All three books have a part 1 and a part 2. Part 1 of the first book was spent introducing a huge variety of characters that didn’t seem to have anything to do with each other; in fact they didn’t even feel like they were living in the same world. I did put the story down and move away from it a few times, because there wasn’t much plot or connection between them. Even though it was interesting, funny, and well written, that first part seemed very disconnected.
I told myself I’d listen to one more track. So I did, and that one track was the one where everything started falling together. Not only were they in the same world, they would be going on the same adventure and working together to save the world from an evil king, a crazy wizard, and magical zombies.
I love a good war story.
Each story left off with a stunning finish that begged for more. Even the last one; though it was open enough that anything could happen, you’re pretty sure you know. All the loose ends are tied up: bad guys die, people get their revenge, the king gets married, the deserving are promoted, and the drunks get… less drunk than normal.
If you’re into action, adventure, fantasy, or bloody thrillers, this series will keep you busy for a good long time!
Content and Recommendation: Ages 18+. Some sex (I’ll tell you know it’s awkward not great, even worse when you’re listening to it, not reading it). Plenty of language. Lots of violence; war scenes, murder, and cutting off body parts. One of the main characters is a torturer, okay? This one isn’t for the faint of heart. And don’t listen to it while you’re eating.
Kristina (502 KP) rated Infinity + One in Books
Dec 7, 2020
Oh my gosh, I absolutely loved this book! I had read Amy's 'Making Faces' and wasn't a big fan, so I was a little apprehensive when I started reading Infinity + One. Thankfully, I'm not the type to base an opinion on one experience, because I would have missed out on the awesomeness that is Bonnie and Clyde. When it started out, I was drawn in by the overwhelming emotions Bonnie felt. Though connecting the infamous Bonnie and Clyde to the current duo is made before we're even introduced to the two, I was immediately curious as to how their story would pan out compared to the 1930's couple. I didn't miss the parallel: where Bonnie and Clyde, circa 1930, had brought death and destruction, Bonnie and Clyde, circa 2014, brought kindness and love. Despite being infuriated that Bonnie refused to contact her family or the police for so long, which only made their situation worse, I started to feel sorry for her, because it seemed like everything she did only screwed things up more. I was enraptured from the beginning, both fearing and longing for the end. I took Clyde's perspective on how their road trip would turn out, especially because the "old" Bonnie and Clyde's death was so central to the story.
**Spoiler Alert**
I'm so happy the ending was the complete opposite of what really happened 80 years ago. All the twists and turns given by the media had me confused and, for the most part, I assumed Bonnie's grandmother was throwing in a few false accusations and even setting things up to make the story more appalling, so I was truly shocked when it was revealed that Hank was behind most of the unexplained charges. My favorite part, though, was when William spoke on the television about his dream of Minnie and Fish. I literally got chills as I read that part. Honestly, if someone had told me something like that happened in reality, I'd accuse them of being a liar or a fool, but for a book (where I can suspend my beliefs), I thought it was perfect.
**Spoiler Alert**
I'm so happy the ending was the complete opposite of what really happened 80 years ago. All the twists and turns given by the media had me confused and, for the most part, I assumed Bonnie's grandmother was throwing in a few false accusations and even setting things up to make the story more appalling, so I was truly shocked when it was revealed that Hank was behind most of the unexplained charges. My favorite part, though, was when William spoke on the television about his dream of Minnie and Fish. I literally got chills as I read that part. Honestly, if someone had told me something like that happened in reality, I'd accuse them of being a liar or a fool, but for a book (where I can suspend my beliefs), I thought it was perfect.
Gareth von Kallenbach (971 KP) rated Impractical Jokers: The Movie (2020) in Movies
May 28, 2020
Fans of truTV’s Impractical Jokers should know what the show is all about. “Scenes of graphic stupidity among four lifelong friends who compete to embarrass each other.” The show first aired on truTV back in 2011 and has had 8 successful seasons so far. Now jokers Joe, Sal, Q and Murr are headed to the big screen in Funny or Die’s Impractical Jokers: The Movie.
Picture this, Staten Island 1994 at a Paula Abdul concert. The jokers at this point are cocky “youngsters”. Having always had great confidence they decide to break into the concert as security guards. While inside, Joe has the crazy idea of being a hype man for Abdul. After interrupting the show, Abdul becomes enraged and chaos breaks out. Now 25 years later after the success of their show; Abdul happens apon the group and being a big fan, offers the guys three tickets to her next show/party in Miami. Then the guys realize that there are four of them and only three tickets. What better way to settle this than to go head to head with eachother in their classic embarrassing challenges. As per usual if one refuses to do anything the other guys tell them to do or say they loose. So the four of them embark on a hilarious and chaos fueld cross country road trip.
After being a huge long time fan, it was hard to see the guys in a semi scripted project. I am by no means saying it was not enjoyable but just different. The challenges though were a step up from the regular show and were really funny. Being huge fan myself, I was able to pick up on all the easter eggs hidden throughout the film. Though I prefer the show to the movie I was happy with it none the less. Fans and newbies alike should give the film a chance to see them in a different light. If you are new to the jokers and have seen the film; hopefully now you’ll take the time to watch the TV show on truTV and laugh your ass off! Impractical Jokers: The Movie is available to own on Digital now. Go see it!
3 out of 5
Picture this, Staten Island 1994 at a Paula Abdul concert. The jokers at this point are cocky “youngsters”. Having always had great confidence they decide to break into the concert as security guards. While inside, Joe has the crazy idea of being a hype man for Abdul. After interrupting the show, Abdul becomes enraged and chaos breaks out. Now 25 years later after the success of their show; Abdul happens apon the group and being a big fan, offers the guys three tickets to her next show/party in Miami. Then the guys realize that there are four of them and only three tickets. What better way to settle this than to go head to head with eachother in their classic embarrassing challenges. As per usual if one refuses to do anything the other guys tell them to do or say they loose. So the four of them embark on a hilarious and chaos fueld cross country road trip.
After being a huge long time fan, it was hard to see the guys in a semi scripted project. I am by no means saying it was not enjoyable but just different. The challenges though were a step up from the regular show and were really funny. Being huge fan myself, I was able to pick up on all the easter eggs hidden throughout the film. Though I prefer the show to the movie I was happy with it none the less. Fans and newbies alike should give the film a chance to see them in a different light. If you are new to the jokers and have seen the film; hopefully now you’ll take the time to watch the TV show on truTV and laugh your ass off! Impractical Jokers: The Movie is available to own on Digital now. Go see it!
3 out of 5
Gareth von Kallenbach (971 KP) rated Vacancy (2007) in Movies
Aug 14, 2019
While driving down a back road late one evening on their way to L.A. an embattled couple, are about to make a stop that could cost them their lives. In Vacancy, Amy and David Fox, are returning home from a trip to celebrate the anniversary of their in laws.
The fact that they had to hide their failing marriage, and the tensions that still remain as a result, have driven Amy and David to the point of irritability and they never cease to find new ways to verbally spar with one another.
When their car breaks down, they are happy to discover a gas station attendant who tells them that he can get their car repaired enough to make it to the next town where they will be able to get the help that they need in the morning.
This proves not to be the case as their car once again breaks down shortly after they resume their trip, which forces Amy and David to walk back into town and stay the night at the only hotel in the remote locale.
Frustrated by their situation, the two resign themselves to their situation and check into the hotel and soon make a startling discovery. A stack of video tapes in the room seems to indicate that a series of ghastly murders has been committed in their room, and when hidden cameras are discovered, Amy and David soon realize that they are to be the stars of a future tape.
Trapped and alone, the duo must stave off a series of attacks and find a way to survive, so they can escape the nightmare they have stumbled into.
At first the premise of the film seems to be a step above the usual genre film, as the two leads, Wilson and Beckinsale, bring acredibility to their roles, and do develop their characters beyond the paper thin constructs that are so common in films of this type.
Sadly the film does not take advantage of this advantage and soon becomes a series of pat situations and a surprisingly odd lack of tension and suspense in the film.
One of the biggest problems in the film is that it tips it’s hand way to early in the film, as we know what is going on as the discovery of the tapes eliminates much of the mystery. Had the film saved this piece of information until the end of the film, it might have had far more impact as the audience would be left wondering why the bizarre events were happening to the couple.
Another issue for me was the small cast, as with only Wilson and Beckinsale in peril for the majority of the film, the tension level was greatly reduced, as you know that neither of them is going to be killed early in the film, as that would leave the movie without any protagonists.
As much as I liked the concept and casting, especially Frank Whaley as the creepy hotel clerk, Vacancy is simply a good idea that never rises above its premise, and ends up content to recycle the same old formula from dozens of other horror films without offering any of the thrills or chills, and leaves you unsatisfied.
The fact that they had to hide their failing marriage, and the tensions that still remain as a result, have driven Amy and David to the point of irritability and they never cease to find new ways to verbally spar with one another.
When their car breaks down, they are happy to discover a gas station attendant who tells them that he can get their car repaired enough to make it to the next town where they will be able to get the help that they need in the morning.
This proves not to be the case as their car once again breaks down shortly after they resume their trip, which forces Amy and David to walk back into town and stay the night at the only hotel in the remote locale.
Frustrated by their situation, the two resign themselves to their situation and check into the hotel and soon make a startling discovery. A stack of video tapes in the room seems to indicate that a series of ghastly murders has been committed in their room, and when hidden cameras are discovered, Amy and David soon realize that they are to be the stars of a future tape.
Trapped and alone, the duo must stave off a series of attacks and find a way to survive, so they can escape the nightmare they have stumbled into.
At first the premise of the film seems to be a step above the usual genre film, as the two leads, Wilson and Beckinsale, bring acredibility to their roles, and do develop their characters beyond the paper thin constructs that are so common in films of this type.
Sadly the film does not take advantage of this advantage and soon becomes a series of pat situations and a surprisingly odd lack of tension and suspense in the film.
One of the biggest problems in the film is that it tips it’s hand way to early in the film, as we know what is going on as the discovery of the tapes eliminates much of the mystery. Had the film saved this piece of information until the end of the film, it might have had far more impact as the audience would be left wondering why the bizarre events were happening to the couple.
Another issue for me was the small cast, as with only Wilson and Beckinsale in peril for the majority of the film, the tension level was greatly reduced, as you know that neither of them is going to be killed early in the film, as that would leave the movie without any protagonists.
As much as I liked the concept and casting, especially Frank Whaley as the creepy hotel clerk, Vacancy is simply a good idea that never rises above its premise, and ends up content to recycle the same old formula from dozens of other horror films without offering any of the thrills or chills, and leaves you unsatisfied.
Lee (2222 KP) rated The Hitman's Bodyguard (2017) in Movies
Aug 16, 2017
The double act bickering of Reynolds and Jackson (1 more)
Salma Hayek!
Surprisingly Good
I wasn't sure what to make of The Hitman's Bodyguard when I first saw the poster. Movies which try to squeeze some comedy out of two people being thrown together who don't really like each other generally tend to suck. But then I saw the trailer, which made it look entertaining and worth a watch. However, if it hadn't been for the fact that I was away on holiday last week I may well have read some of the early negative reviews and thought about giving it a miss. Luckily though, I was on holiday, I didn't read any reviews and I ended up watching one of the funniest action packed movies I've seen in a while.
Ryan Reynolds is Michael Bryce, a 'Triple-A' bodyguard with a hot girlfriend, nice house, nice car and a smart suit. He likes to make sure that the protection of his clients runs like clockwork (boring is best, as he likes to remind his team!). So when things go badly wrong on a job, Bryce suddenly finds himself way back down the ladder when it comes to landing quality bodyguard roles. Consequently, his expensive lifestyle takes a big hit and we join him 2 years down the line, unshaven and peeing into a bottle while sitting in his beat up car before heading into a job.
Meanwhile, Samuel L Jackson is Darius Kincaid, a hitman being escorted by Interpol from Manchester to testify in Holland at The Hague. The man he is testifying against is warlord Vladislav Dukhovich (Gary Oldman, suitably evil). A nasty piece of work determined to take out anyone with the potential to put him behind bars. So when the escort accompanying Kincaid takes a hit, it becomes clear that someone in Interpol has been leaking their route, and Bryce ends up landing the role of escorting Kincaid for the rest of his trip to The Netherlands. Turns out though that Bryce and Kincaid have history, with Kincaid nearly killing Bryce on 28 previous occasions, so their initial meeting doesn't go too well. Eventually the pair reach enough of an understanding so that they can head out on the road together, down through the English countryside. It's their constant bickering on this road trip that then provides a lot of the humour for the movie. Bryce is pretty particular when it comes to how smoothly these things should be handled, whereas Kincaid just likes to get things done and screw the consequences. The word 'motherfucker' gets used to great effect A LOT by Jackson (as Bryce puts it, “This guy single-handedly ruined the word ‘motherfucker’”) and Bryce continues to be frustrated and amazed at just how 'un-killable' Kincaid appears to be.
It's not very long before the bad guys are on their tail though, leading to a succession of more and more complex action sequences. These hit a real high when everyone reaches The Netherlands, with an exciting chase through the streets and canals of Amsterdam kicking things off nicely. The only complaint with this, and the rest of the action in the movie, is that there does appears to be a never ending supply of bad guys lining up to take them out. Just when you think we're down to the final few, another wave of vehicles appears, all full of weapon waving maniacs! I loved all of the action in the movie, but because of this it does constantly run the risk of seeming a little too dragged out. It's a very fine line.
Before I forget, a special mention to Salma Hayek who stars as the wife of Kincaid. Despite being locked in a cell for the entire movie, she gets more than her fair share of funny lines and action, mainly in flashbacks where we get to see just how much of a foul mouthed bad ass she really is. Taking no crap from anyone, she's brilliant.
Although there's nothing really here that hasn't been done before, it was the brilliant double act of Reynolds and Jackson that really made this worth seeing for me. That, along with the hugely entertaining action sequences. Judging by other reviews though, I think it's just my taste in these movies that's different from most others. I actually hated last years 'The Nice Guys', while everyone else seemed to love it so I guess I'm just going to be in the minority when it comes to this movie too!
Ryan Reynolds is Michael Bryce, a 'Triple-A' bodyguard with a hot girlfriend, nice house, nice car and a smart suit. He likes to make sure that the protection of his clients runs like clockwork (boring is best, as he likes to remind his team!). So when things go badly wrong on a job, Bryce suddenly finds himself way back down the ladder when it comes to landing quality bodyguard roles. Consequently, his expensive lifestyle takes a big hit and we join him 2 years down the line, unshaven and peeing into a bottle while sitting in his beat up car before heading into a job.
Meanwhile, Samuel L Jackson is Darius Kincaid, a hitman being escorted by Interpol from Manchester to testify in Holland at The Hague. The man he is testifying against is warlord Vladislav Dukhovich (Gary Oldman, suitably evil). A nasty piece of work determined to take out anyone with the potential to put him behind bars. So when the escort accompanying Kincaid takes a hit, it becomes clear that someone in Interpol has been leaking their route, and Bryce ends up landing the role of escorting Kincaid for the rest of his trip to The Netherlands. Turns out though that Bryce and Kincaid have history, with Kincaid nearly killing Bryce on 28 previous occasions, so their initial meeting doesn't go too well. Eventually the pair reach enough of an understanding so that they can head out on the road together, down through the English countryside. It's their constant bickering on this road trip that then provides a lot of the humour for the movie. Bryce is pretty particular when it comes to how smoothly these things should be handled, whereas Kincaid just likes to get things done and screw the consequences. The word 'motherfucker' gets used to great effect A LOT by Jackson (as Bryce puts it, “This guy single-handedly ruined the word ‘motherfucker’”) and Bryce continues to be frustrated and amazed at just how 'un-killable' Kincaid appears to be.
It's not very long before the bad guys are on their tail though, leading to a succession of more and more complex action sequences. These hit a real high when everyone reaches The Netherlands, with an exciting chase through the streets and canals of Amsterdam kicking things off nicely. The only complaint with this, and the rest of the action in the movie, is that there does appears to be a never ending supply of bad guys lining up to take them out. Just when you think we're down to the final few, another wave of vehicles appears, all full of weapon waving maniacs! I loved all of the action in the movie, but because of this it does constantly run the risk of seeming a little too dragged out. It's a very fine line.
Before I forget, a special mention to Salma Hayek who stars as the wife of Kincaid. Despite being locked in a cell for the entire movie, she gets more than her fair share of funny lines and action, mainly in flashbacks where we get to see just how much of a foul mouthed bad ass she really is. Taking no crap from anyone, she's brilliant.
Although there's nothing really here that hasn't been done before, it was the brilliant double act of Reynolds and Jackson that really made this worth seeing for me. That, along with the hugely entertaining action sequences. Judging by other reviews though, I think it's just my taste in these movies that's different from most others. I actually hated last years 'The Nice Guys', while everyone else seemed to love it so I guess I'm just going to be in the minority when it comes to this movie too!