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Hazel (2934 KP) rated The Village (The Spread #2) in Books
Nov 14, 2021
Following on from "The Hill", the first in this series and one which I do think you need to have read in order to get the full picture of just what the heck has gone on, this is another great book from Iain Rob Wright.
Here we have the survivors from "The Hill" making their way to "The Village" in the hope of safety and salvation. What they get is quite the opposite.
Iain creates brilliant characters each with their own interesting back story and all with their part to play. He also creates suspense, tension and the unexpected - one thing I have learned with Iain's books is not to get too comfortable with any of the characters no matter how big or small ... no one is safe!
This is an interesting take on the zombie theme and one which I am looking forward to seeing where it goes with subsequent books - I'm here for the ride and I know it's going to be bumpy!
Here we have the survivors from "The Hill" making their way to "The Village" in the hope of safety and salvation. What they get is quite the opposite.
Iain creates brilliant characters each with their own interesting back story and all with their part to play. He also creates suspense, tension and the unexpected - one thing I have learned with Iain's books is not to get too comfortable with any of the characters no matter how big or small ... no one is safe!
This is an interesting take on the zombie theme and one which I am looking forward to seeing where it goes with subsequent books - I'm here for the ride and I know it's going to be bumpy!
Bubba Gee (147 KP) rated The Wolf of Wall Street (2013) in Movies
Jun 29, 2019
Best ballsy film ever
This is just madness yet based on a true story.
Jordan Belfort (played by Leonardo DiCaprio) goes from being an honest to God working man to the scammer of all scammers working a pump and dump stock trading system using his impressive hard selling skills.
Donnie Azoff (played by Jonah Hill) is his best friend and ally in this scam, you get the sense that Donnie is really just there for comic relief with a couple of scenes standing out.
This film is an enjoyable raucous mix of sex drugs and rock and roll within a financial office setting.
There are several other notable members of cast in this including Jordans long suffering wife Naomi (played by Margot Robbie) and smaller parts from Jon Bernthal, Matthew McConaughey, Rob Reiner and Ethan Suplee.
Well worth a watch and excellently done by Martin Scorsese as always.
Jordan Belfort (played by Leonardo DiCaprio) goes from being an honest to God working man to the scammer of all scammers working a pump and dump stock trading system using his impressive hard selling skills.
Donnie Azoff (played by Jonah Hill) is his best friend and ally in this scam, you get the sense that Donnie is really just there for comic relief with a couple of scenes standing out.
This film is an enjoyable raucous mix of sex drugs and rock and roll within a financial office setting.
There are several other notable members of cast in this including Jordans long suffering wife Naomi (played by Margot Robbie) and smaller parts from Jon Bernthal, Matthew McConaughey, Rob Reiner and Ethan Suplee.
Well worth a watch and excellently done by Martin Scorsese as always.
Erika (17788 KP) rated Wrath of Man (2021) in Movies
May 23, 2021 (Updated May 23, 2021)
Guy Ritchie’s newest film, Wrath of Man, is based upon a French film called le Convoyeur, or ‘Cash Truck’. It’s one of the first ‘big’ films that’s only been released in theaters here in the US.
The film was broken into chapters, with different timelines. The opening scene is a violent armored truck robbery, which set an interesting fast-paced tone right off the bat. For me, that pace didn’t stick.
Jason Statham’s character, Hill, or ‘H’ is introduced on his first day working at the same armored truck company a few months later. It’s obvious that Hill isn’t really his name, as he delays his response, and everything is not as it seems. He forms a bond, or something resembling a bond on the surface, with ‘Bullet’, who is his trainer and eventual partner. All the cash truck drivers had very odd nicknames, like Josh Hartnett’s character’s nickname was ‘Boy Sweat’. I don’t believe whatever inside joke it was referring to was ever explained. Of course, per usual, witty banter ensues, which was just kind of gross and crass. Apparently, all the other people in the theater, dudes, thought it was hilarious and it got some laughs. Of course, there was the obligatory ‘Mary Poppins’ comment concerning H’s English accent. I don’t understand why this keeps getting used, the only quip I have ever heard in real life by an American towards someone with an English accent is ‘Masterpiece Theater’.
The pace, as I said, slowed down, until the end of this ‘chapter’, when H stops his armored truck from being robbed by Post Malone. After he takes out all these robbers, he becomes a hero at the company. After a subsequent robbery, all H did was reveal his face, and bam, everyone scatters. Which was really kind of odd. I would have rather watched H tear through them like he did the first batch of robbers, but ok. Bullet then recites the jazzed-up title of this chapter, ‘He’s a dark {expletive] spirit’.
In the subsequent chapters, it becomes clear as to who H is, why the robbery at the beginning was featured, and who ends up being the rat.
Statham’s character in this film was the meanest and most ruthless character he’s ever played. Though, I’m pretty sure the movie could have used a lot more of his wrath. The other characters, portrayed by the likes of Hartnett, Holt McCallany, Andy Garcia, Rob Delany, Eddie Marsan, and Scott Eastwood, didn’t particularly stand out to me.
Overall, I was entertained during the film, I left feeling ambivalent. I think that it just wasn’t enough, maybe there needed to be more violence and more wrath. It almost needed to be more extreme, because in the end, it was neither here nor there.
The film was broken into chapters, with different timelines. The opening scene is a violent armored truck robbery, which set an interesting fast-paced tone right off the bat. For me, that pace didn’t stick.
Jason Statham’s character, Hill, or ‘H’ is introduced on his first day working at the same armored truck company a few months later. It’s obvious that Hill isn’t really his name, as he delays his response, and everything is not as it seems. He forms a bond, or something resembling a bond on the surface, with ‘Bullet’, who is his trainer and eventual partner. All the cash truck drivers had very odd nicknames, like Josh Hartnett’s character’s nickname was ‘Boy Sweat’. I don’t believe whatever inside joke it was referring to was ever explained. Of course, per usual, witty banter ensues, which was just kind of gross and crass. Apparently, all the other people in the theater, dudes, thought it was hilarious and it got some laughs. Of course, there was the obligatory ‘Mary Poppins’ comment concerning H’s English accent. I don’t understand why this keeps getting used, the only quip I have ever heard in real life by an American towards someone with an English accent is ‘Masterpiece Theater’.
The pace, as I said, slowed down, until the end of this ‘chapter’, when H stops his armored truck from being robbed by Post Malone. After he takes out all these robbers, he becomes a hero at the company. After a subsequent robbery, all H did was reveal his face, and bam, everyone scatters. Which was really kind of odd. I would have rather watched H tear through them like he did the first batch of robbers, but ok. Bullet then recites the jazzed-up title of this chapter, ‘He’s a dark {expletive] spirit’.
In the subsequent chapters, it becomes clear as to who H is, why the robbery at the beginning was featured, and who ends up being the rat.
Statham’s character in this film was the meanest and most ruthless character he’s ever played. Though, I’m pretty sure the movie could have used a lot more of his wrath. The other characters, portrayed by the likes of Hartnett, Holt McCallany, Andy Garcia, Rob Delany, Eddie Marsan, and Scott Eastwood, didn’t particularly stand out to me.
Overall, I was entertained during the film, I left feeling ambivalent. I think that it just wasn’t enough, maybe there needed to be more violence and more wrath. It almost needed to be more extreme, because in the end, it was neither here nor there.
Gareth von Kallenbach (980 KP) rated Extract (2009) in Movies
Aug 9, 2019
While some might argue potty mouth humor is a constant from Mike Judge, the man behind “Office Space” and “King of the Hill”, I always seem to be curious when he takes on a new project. Judge’s latest film “Extract” combines his classic comedy style with a slightly more mature kind of humor.
A small company, Reynold’s Extract, is about to be bought out much to the joy of the depressed and sexually frustrated owner, Joel Reynold (Jason Bateman). Joel, tired of working long days with disgruntled employees, would love nothing more than returning to a simpler life at home with his wife, Suzie (Kristen Wiig). When the factories irresponsible employees accidently injure long time worker, Step, the deal begins to go south.
The sudden appearance of attractive new employee, Cindy (Mila Kunis) who has the eye of both frustrated Joel and recently damaged employee, Step, further complicates the situation. As does Reynold’s best friend, Dean (Ben Affleck), the local bartender filled with creative ideas on “bettering” Joel’s situation.
As the film progressed I keep wondering is the movie really funny or is Jason Bateman just so entertaining that it doesn’t matter. The honest truth is probably a little of both. With that said I did laugh, mostly at the blatant delivery by the aforementioned Bateman and at the scattered comedic moments derived from the unexpected nature of the film, it is not everyday you encounter a movie about an flavor extract company.
The eclectic cast of actors, from various avenues of fame, works seamlessly together. The most unexpected acting choice is Ben Affleck as Dean a role that could have filled by any number of lesser celebrities, possibly Rob Schneider.
Still the plot is unique and the story varies greatly from Judge’s traditional support of the working class. In “Extract” the protagonist is the boss man, not an underpaid employee.
A delightful little flick about working, neighbors, and other relationships, “Extract” is a creative yet diluted tale
A small company, Reynold’s Extract, is about to be bought out much to the joy of the depressed and sexually frustrated owner, Joel Reynold (Jason Bateman). Joel, tired of working long days with disgruntled employees, would love nothing more than returning to a simpler life at home with his wife, Suzie (Kristen Wiig). When the factories irresponsible employees accidently injure long time worker, Step, the deal begins to go south.
The sudden appearance of attractive new employee, Cindy (Mila Kunis) who has the eye of both frustrated Joel and recently damaged employee, Step, further complicates the situation. As does Reynold’s best friend, Dean (Ben Affleck), the local bartender filled with creative ideas on “bettering” Joel’s situation.
As the film progressed I keep wondering is the movie really funny or is Jason Bateman just so entertaining that it doesn’t matter. The honest truth is probably a little of both. With that said I did laugh, mostly at the blatant delivery by the aforementioned Bateman and at the scattered comedic moments derived from the unexpected nature of the film, it is not everyday you encounter a movie about an flavor extract company.
The eclectic cast of actors, from various avenues of fame, works seamlessly together. The most unexpected acting choice is Ben Affleck as Dean a role that could have filled by any number of lesser celebrities, possibly Rob Schneider.
Still the plot is unique and the story varies greatly from Judge’s traditional support of the working class. In “Extract” the protagonist is the boss man, not an underpaid employee.
A delightful little flick about working, neighbors, and other relationships, “Extract” is a creative yet diluted tale
BankofMarquis (1832 KP) rated Don't Look Up (2021) in Movies
Jan 9, 2022
A Brilliant Satire
Satire is a tricky thing to get right, there is a balance between humor and pathos that must be struck in order to drive home the point.
The Netflix Original Satire, DON’T LOOK UP, Directed by Adam McKay (THE BIG SHORT) finds the right line, beautifully.
A send-up of the Climate Change debate (but also, a condemnation of the reaction to the current Global Virus), DON’T LOOK UP has a who’s who of performers that are at the top of their game and delivers a top-notch entertainment that also makes you think.
The plot of the film is simple enough - a PhD Student (Jennifer Lawrence) discovers a “planet killing” comet that is on a collision course with Earth and, joined by her Professor (Leonardo DiCaprio), tries to get the “powers-that-be” to listen to the threat.
DiCaprio (in essence, in the Anthony Fauci role) is superb as the Professor that tries to convince the Politicians about the Science of the threat. His frustration at hitting the brick wall of “political spin” crescendos in an absurdly bravura performance.
Meryl Streep is brilliant (of course) as the President who is more interested in how this situation affects her, politically, than how it affects the populace. She is joined by a sychophantic Jonah Hill (as her son and Chief of Staff). Hill has never been better and understands the nature of this character and mines it for comedic gold.
Cate Blanchette and Tyler Perry are also strong as the Cable News Anchors who are more interested in keeping the conversation “light and fun” and they actually have good “co-anchor” chemistry with each other.
Timothee Chalamet, Mark Rylance, Rob Morgan, Ron Perlman and, yes, Ariana Grande are also strong in smaller, almost cameo, roles.
But the standout star of this film is Jennifer Lawrence as PhD student Kate DiBiasky, the person who discovers the comet (and for whom the comet is named). It is easy to forget just how strong of a performer that Lawrence is but she goes toe-to-toe with Streep/DiCaprio/Blanchette et al and more than holds her own. Her character/performance is the backbone - and conscience - that holds this film together.
Of course, credit for all of this must go to Writer/Director Adam McKay who showed in THE BIG SHORT that he is more than “the comedy Director” of such films like ANCHORMAN and he puts that ability to work, strongly, in this film. He clearly had a vision of what he wanted to put across in this film and straddles the line between humor and seriousness in such a way that no matter what side of the “Global Change” and “Global Pandemic” crisis you are on, you will think that this film skewers you and favors the other side.
Which is the sign of a terrific satire.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
The Netflix Original Satire, DON’T LOOK UP, Directed by Adam McKay (THE BIG SHORT) finds the right line, beautifully.
A send-up of the Climate Change debate (but also, a condemnation of the reaction to the current Global Virus), DON’T LOOK UP has a who’s who of performers that are at the top of their game and delivers a top-notch entertainment that also makes you think.
The plot of the film is simple enough - a PhD Student (Jennifer Lawrence) discovers a “planet killing” comet that is on a collision course with Earth and, joined by her Professor (Leonardo DiCaprio), tries to get the “powers-that-be” to listen to the threat.
DiCaprio (in essence, in the Anthony Fauci role) is superb as the Professor that tries to convince the Politicians about the Science of the threat. His frustration at hitting the brick wall of “political spin” crescendos in an absurdly bravura performance.
Meryl Streep is brilliant (of course) as the President who is more interested in how this situation affects her, politically, than how it affects the populace. She is joined by a sychophantic Jonah Hill (as her son and Chief of Staff). Hill has never been better and understands the nature of this character and mines it for comedic gold.
Cate Blanchette and Tyler Perry are also strong as the Cable News Anchors who are more interested in keeping the conversation “light and fun” and they actually have good “co-anchor” chemistry with each other.
Timothee Chalamet, Mark Rylance, Rob Morgan, Ron Perlman and, yes, Ariana Grande are also strong in smaller, almost cameo, roles.
But the standout star of this film is Jennifer Lawrence as PhD student Kate DiBiasky, the person who discovers the comet (and for whom the comet is named). It is easy to forget just how strong of a performer that Lawrence is but she goes toe-to-toe with Streep/DiCaprio/Blanchette et al and more than holds her own. Her character/performance is the backbone - and conscience - that holds this film together.
Of course, credit for all of this must go to Writer/Director Adam McKay who showed in THE BIG SHORT that he is more than “the comedy Director” of such films like ANCHORMAN and he puts that ability to work, strongly, in this film. He clearly had a vision of what he wanted to put across in this film and straddles the line between humor and seriousness in such a way that no matter what side of the “Global Change” and “Global Pandemic” crisis you are on, you will think that this film skewers you and favors the other side.
Which is the sign of a terrific satire.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Bob Mann (459 KP) rated The Trip To Spain (2017) in Movies
Sep 29, 2021
Moore should be less.
“The Trip to Spain” is the third in the series of ‘culinery travelogue’ TV programmes by Steve Coogan (“Philomena“) and Rob Brydon (“Gavin and Stacey”). The pair travel by car through Spain sampling the local delicacies while constantly trying to self-salve their fragile egos and trying to out-do each other with comedy spiel. This is of course not a “documentary” as such, since the pair are playing up to their extreme alter-egos (presumably!) of what people expect them to be like. Actors playing their family, agents, etc. call them at various points on the trip to either pour oil on troubled waters or (more often) add fuel to the fire.
All ashore. The guys arrive in Santander.
The six original half hour TV episodes have been edited down into a feature length journey. And this is part of the problem. Repetition that can be forgiven and forgotten about when you see an episode every week, but can become tiresome when forced on you as a continuous stream.
Brydon drinks; Coogan doesn’t; both impersonate.
In this case the repetitive content delivered by Coogan and Brydon are their (normally very good) impersonations of famous stars (most of which it has to be said are British so won’t resonate with a non-UK audience). Roger Moore in particular gets trotted out INTERMINABLY and while some of it is extremely funny – an exchange between Moore as Bond and Scaramanga had me snorting tea out of my nose – it all gets too much by the end.
Coogan in mid-Jagger.
Appearing to recognise this need for more variety, additional characters from Steve’s team join them for a part of their trip – Emma (Clare Keelan) and Yolanda (Marta Barrio). Unfortunately, the additions are just plain dull: they just sit alongside Coogan and Brydon and laugh at their impressions, adding nothing. Now if they had been a couple of good female impersonators, like Ronni Ancona and Jan Ravens, that could act as a foil to the male duo, THAT would have been entertaining.
Coogan and Brydon strides the local streets.
The film also suffers from “Top Gear Challenge” disease. The problem with filming a car journey through Spain is that you know there are not twenty film crews deployed along the route to do the filming…. all of the cameras are carefully set up in advance with someone on a walkie-talkie saying “OK, Steve – coffee down, we’re ready for you to drive over the hill now”. So something that should feel natural and documentary-like feels 100% the opposite.
Tilting at windmills. Brydon and Coogan as Sancho Panza and Don Quixote.
So… if you like Coogan and Brydon, and especially if you liked their Northern England and Italy “trips”, then you will get more laughs out of this one. But I think the concoction needs to be put through the blender and re-heated before it comes out for a fourth outing.
All ashore. The guys arrive in Santander.
The six original half hour TV episodes have been edited down into a feature length journey. And this is part of the problem. Repetition that can be forgiven and forgotten about when you see an episode every week, but can become tiresome when forced on you as a continuous stream.
Brydon drinks; Coogan doesn’t; both impersonate.
In this case the repetitive content delivered by Coogan and Brydon are their (normally very good) impersonations of famous stars (most of which it has to be said are British so won’t resonate with a non-UK audience). Roger Moore in particular gets trotted out INTERMINABLY and while some of it is extremely funny – an exchange between Moore as Bond and Scaramanga had me snorting tea out of my nose – it all gets too much by the end.
Coogan in mid-Jagger.
Appearing to recognise this need for more variety, additional characters from Steve’s team join them for a part of their trip – Emma (Clare Keelan) and Yolanda (Marta Barrio). Unfortunately, the additions are just plain dull: they just sit alongside Coogan and Brydon and laugh at their impressions, adding nothing. Now if they had been a couple of good female impersonators, like Ronni Ancona and Jan Ravens, that could act as a foil to the male duo, THAT would have been entertaining.
Coogan and Brydon strides the local streets.
The film also suffers from “Top Gear Challenge” disease. The problem with filming a car journey through Spain is that you know there are not twenty film crews deployed along the route to do the filming…. all of the cameras are carefully set up in advance with someone on a walkie-talkie saying “OK, Steve – coffee down, we’re ready for you to drive over the hill now”. So something that should feel natural and documentary-like feels 100% the opposite.
Tilting at windmills. Brydon and Coogan as Sancho Panza and Don Quixote.
So… if you like Coogan and Brydon, and especially if you liked their Northern England and Italy “trips”, then you will get more laughs out of this one. But I think the concoction needs to be put through the blender and re-heated before it comes out for a fourth outing.
Heather Cranmer (2721 KP) rated Santa Claus Bank Robbery: A True Crime Saga in Texas in Books
Nov 26, 2019
I don't normally read a lot of non-fiction, but there was something about Tui Snider's true crime novel Santa Claus Bank Robbery that really drew me in. Maybe it was the fact that I love to imagine how things were back in the day or maybe it was the mystery of the blonde woman that I wanted to know. Whatever it was, I am thrilled that I had the chance to read Santa Claus Bank Robbery.
Tui Snider opens her novel with a chapter that talks about how she first heard of this crazy bank heist. She gives information behind the history of bank robberies in Texas. Snider then goes into details about the key players that were apart of the bank robbery in the next chapter. It isn't long before you're thrown into the action of what happened that fateful day in Cisco, Texas when at least four men - Marshall Ratliff, Henry Helms, Robert Hill, and Lewis Davis - decided to rob the First National Bank on December 23, 1927 with Ratliff dressed in a Santa Claus suit. It's a wonder more people didn't die considering back then anyone off the street could get a gun and shoot at criminals! Snider doesn't just end her book when the bank robbery ended. She also writes about what happened to the bank robbers after they were apprehended as well as what happened to some of the other people who were involved whether they were hostages, bystanders, or vigilantes.
It's very obvious that Tui Snider had done extensive research before writing Santa Claus Bank Robbery. Snider even includes a diagram that shows where everyone was standing when the bank robbery occurred! She includes names of many of the key players (witnesses, accessories, bystanders, etc) which can sometimes be a bit daunting to remember. I had to go back to previous chapters to find out who was who sometimes. The names of people get easier to remember further into the book though. I loved that photos from Newspapers around that time were also included in Santa Claus Bank Robbery.
It was nice to read Tui Snider's commentary on the events whilst reading through the chapters of Santa Claus Bank Robbery. I felt as if Snider was right beside me giving me her opinion on the events of the book. I do agree with her on who she thinks the mysterious blonde woman was. After reading Tui Snider's book, I'm definitely with Snider. I'm also left wondering, along with the author, why A.C. Greene left out major details and gave pseudonyms to some people in his book The Santa Claus Bank Robbery published in 1972 (not to be confused with Tui Snider's book Santa Claus Bank Robbery) but not to others. That's also a great mystery that I hope one day Snider can find out because it seemed like it was driving her crazy wondering Greene did that (ha!).
One more touch that I really appreciated from Tui Snider in her book Santa Claus Bank Robbery was the fact that at the end, she includes appendices for places of interest, staying in touch with her, and further reading. I really enjoyed the places of interest section which lists the address and websites of places mentioned in the book. After reading Santa Claus Bank Robbery, I'm hankering to check these places out!
Trigger warnings for Santa Claus Bank Robbery include murder, death, and violence. It is a true crime book after all!
Overall, Santa Claus Bank Robbery is a highly fascinating novel full of action and mystery that holds your attention from the very first page. So much research went into the writing of this book, and it really shows. After reading this novel, I have become fascinated with this case. I would definitely recommend Santa Claus Bank Robbery by Tui Snider to those aged 16+ who love true crime, mystery, or just a well written book in general. This is one of those books that you won't be able to put down even when you have to!
--
(A special thank you to Tui Snider for providing me with a paperback copy of Santa Claus Bank Robbery in exchange for an honest and unbiased review.)
Tui Snider opens her novel with a chapter that talks about how she first heard of this crazy bank heist. She gives information behind the history of bank robberies in Texas. Snider then goes into details about the key players that were apart of the bank robbery in the next chapter. It isn't long before you're thrown into the action of what happened that fateful day in Cisco, Texas when at least four men - Marshall Ratliff, Henry Helms, Robert Hill, and Lewis Davis - decided to rob the First National Bank on December 23, 1927 with Ratliff dressed in a Santa Claus suit. It's a wonder more people didn't die considering back then anyone off the street could get a gun and shoot at criminals! Snider doesn't just end her book when the bank robbery ended. She also writes about what happened to the bank robbers after they were apprehended as well as what happened to some of the other people who were involved whether they were hostages, bystanders, or vigilantes.
It's very obvious that Tui Snider had done extensive research before writing Santa Claus Bank Robbery. Snider even includes a diagram that shows where everyone was standing when the bank robbery occurred! She includes names of many of the key players (witnesses, accessories, bystanders, etc) which can sometimes be a bit daunting to remember. I had to go back to previous chapters to find out who was who sometimes. The names of people get easier to remember further into the book though. I loved that photos from Newspapers around that time were also included in Santa Claus Bank Robbery.
It was nice to read Tui Snider's commentary on the events whilst reading through the chapters of Santa Claus Bank Robbery. I felt as if Snider was right beside me giving me her opinion on the events of the book. I do agree with her on who she thinks the mysterious blonde woman was. After reading Tui Snider's book, I'm definitely with Snider. I'm also left wondering, along with the author, why A.C. Greene left out major details and gave pseudonyms to some people in his book The Santa Claus Bank Robbery published in 1972 (not to be confused with Tui Snider's book Santa Claus Bank Robbery) but not to others. That's also a great mystery that I hope one day Snider can find out because it seemed like it was driving her crazy wondering Greene did that (ha!).
One more touch that I really appreciated from Tui Snider in her book Santa Claus Bank Robbery was the fact that at the end, she includes appendices for places of interest, staying in touch with her, and further reading. I really enjoyed the places of interest section which lists the address and websites of places mentioned in the book. After reading Santa Claus Bank Robbery, I'm hankering to check these places out!
Trigger warnings for Santa Claus Bank Robbery include murder, death, and violence. It is a true crime book after all!
Overall, Santa Claus Bank Robbery is a highly fascinating novel full of action and mystery that holds your attention from the very first page. So much research went into the writing of this book, and it really shows. After reading this novel, I have become fascinated with this case. I would definitely recommend Santa Claus Bank Robbery by Tui Snider to those aged 16+ who love true crime, mystery, or just a well written book in general. This is one of those books that you won't be able to put down even when you have to!
--
(A special thank you to Tui Snider for providing me with a paperback copy of Santa Claus Bank Robbery in exchange for an honest and unbiased review.)