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Guy Maddin recommended Written on the Wind (1957) in Movies (curated)
Kirk Bage (1775 KP) rated Mute (2017) in Movies
Feb 17, 2021 (Updated Feb 25, 2021)
Oh no Duncan Jones! How are you managing that occasional trick of each subsequent film you make being inferior to your last? Moon was sublime, Source Code was pretty damn good, Warcraft: The Beginning (and end probably) was just about watchable, and Mute is… fucking dreadful! I don’t buy Alexander Skarsgård as a leading man at the best of times, but given this ridiculous premise, script and downright careless production value, he falls flat to a ridiculous, almost laughable degree. It looks pretty in parts, very shiny and HD, but is never believable as a reality. I mean the main character can’t talk, which could have been used interestingly with good direction, but is frankly annoying here. Paul Rudd has a blast as Cactus Bill, and is mostly forgiven. Look out also for Robert Sheenan (Klaus from the Umbrella Academy) in a blameless and interesting role as Luba. Very very minor cult status is possible for this a few years down the line, but not enough to save it from the gutter.
LoganCrews (2861 KP) rated Indecent Proposal (1993) in Movies
Sep 21, 2020 (Updated Nov 26, 2020)
Okay, look - I'm a straight man... but I'd let Robert Redford fuck *me* for a million dollars. First hour >>> second hour, but some seriously luscious looking pulp from one of the resounding kings of shooting gorgeous people looking into picturesque backgrounds. Still to date one of my favorite film premises, so it's a shame that it goes for a more conventional romance and doesn't hold all its weight in the second half like it did in the much more mysterious, sick intrigue of the first. God-level Redford, I'd like to think this is what Alexander Pierce from 𝘊𝘢𝘱𝘵𝘢𝘪𝘯 𝘈𝘮𝘦𝘳𝘪𝘤𝘢: 𝘛𝘩𝘦 𝘞𝘪𝘯𝘵𝘦𝘳 𝘚𝘰𝘭𝘥𝘪𝘦𝘳 did in his free time. Harrelson overreacting to everything is fucking hilarious, can't believe they played all this deliciously goofy portent straight. Speaking of which, the fact that we're supposed to empathize with either of these assholes is demeaning. Though as a result, rather than viewing this perhaps deservedly maligned piece as outright misogyny - imo I think this works best at showing the lengths either extreme of man will go to treat women like property, a vaguely cartoonish version mind you, but it isn't too far off from the unfortunate reality. Lurid, engaging, occasionally funny (intentional and not so) 90s psychopathic businessman trash.
LeftSideCut (3778 KP) rated The Northman (2022) in Movies
May 11, 2022
Robert Eggers continues his winning streak with The Northman, surely one of the most visually stunning and compelling movies in recent years. A Viking revenge story presented in his signature style is just cinematic crack waiting to happen as far as I'm concerned.
The first third is a fast moving setup that effectively establishes the characters and shows off quite an epic production. After that, The Northman becomes a tight and slow burning thriller as Amleth (Alexander Skarsgård) exacts a psychologically torturous revenge on the people who killer his father. It's a perfect marriage of powerful character drama, weird imagery, Viking culture and beliefs, bizarre gore, and fantasy set pieces, and it's slower pace ensures that it's utterly captivating.
The whole film looks incredible from start to finish and is complimented by a wonderful music score.
It's all cemented by a stacked cast. Skarsgård is a capable lead for sure, and is just a big walking muscle in this, the manly bastard. Anya Taylor-Joy is great as always, and the supporting cast boasts the likes of Nicole Kidman, Willem Dafoe, Ethan Hawke, and Claes Bang who are all stellar.
I can't heap enough praise on The Northman, another homerun from Eggers. I'd happily call it a masterpiece.
The first third is a fast moving setup that effectively establishes the characters and shows off quite an epic production. After that, The Northman becomes a tight and slow burning thriller as Amleth (Alexander Skarsgård) exacts a psychologically torturous revenge on the people who killer his father. It's a perfect marriage of powerful character drama, weird imagery, Viking culture and beliefs, bizarre gore, and fantasy set pieces, and it's slower pace ensures that it's utterly captivating.
The whole film looks incredible from start to finish and is complimented by a wonderful music score.
It's all cemented by a stacked cast. Skarsgård is a capable lead for sure, and is just a big walking muscle in this, the manly bastard. Anya Taylor-Joy is great as always, and the supporting cast boasts the likes of Nicole Kidman, Willem Dafoe, Ethan Hawke, and Claes Bang who are all stellar.
I can't heap enough praise on The Northman, another homerun from Eggers. I'd happily call it a masterpiece.
LeftSideCut (3778 KP) rated Captain America: The Winter Soldier (2014) in Movies
Oct 15, 2020
This first sequel to Captain America: The First Avenger is everything a sequel should be. It has bigger and better set pieces, it has a bigger emotional centre, it brings in already established MCU characters and introduces new ones, and is arguably one of the best entries into the MCU to date.
Chris Evans does nothing more than tighten his grip around his most famous role. He joins Robert Downey Jr. in the category of irreplaceable actors for these characters.
Scarlett Johansson is once again great as Black Widow, and newcomer Anthony Mackie as Sam Wilson/Falcon provides Cap with a likeable new ally. The three of them as a sort of mini Avengers in this movie are fantastic.
Sebastian Stan plays The Winter Soldier with aplomb, and gives us a truly dangerous antagonist. The dude is fucking terrifying, yet his relationship with Steve Rogers gives us the heart of this movie. It's a tragic story which of course will be further explored in Civil War further down the line.
The cast is rounded off with Samuel L. Jackson returning as Nick Fury, Robert Redford as Alexander Pierce, Emily VanCamp as Agent 13, Frank Grillo as Brock Rumlow, and some smaller roles for Cobie Smulders and Hayley Atwell.
It's a really solid cast all in all, an area that Marvel Studios rarely missteps.
The set pieces are hugely high octane and thrilling. The opening scene on the barge is a highlight, as well as the teams fight with the Winter Soldier midway through. Even Nick Fury gets a banger of an action sequence. Also, this film boasts probably the biggest plot twist gut punch in the whole MCU with the SHIELD/Hydra reveal. It's an extremely well crafted, ballsy narrative that impacts the shape of the MCU going forward.
There's honestly nothing bad to say about this one. It's top tier comic book cinema.
Chris Evans does nothing more than tighten his grip around his most famous role. He joins Robert Downey Jr. in the category of irreplaceable actors for these characters.
Scarlett Johansson is once again great as Black Widow, and newcomer Anthony Mackie as Sam Wilson/Falcon provides Cap with a likeable new ally. The three of them as a sort of mini Avengers in this movie are fantastic.
Sebastian Stan plays The Winter Soldier with aplomb, and gives us a truly dangerous antagonist. The dude is fucking terrifying, yet his relationship with Steve Rogers gives us the heart of this movie. It's a tragic story which of course will be further explored in Civil War further down the line.
The cast is rounded off with Samuel L. Jackson returning as Nick Fury, Robert Redford as Alexander Pierce, Emily VanCamp as Agent 13, Frank Grillo as Brock Rumlow, and some smaller roles for Cobie Smulders and Hayley Atwell.
It's a really solid cast all in all, an area that Marvel Studios rarely missteps.
The set pieces are hugely high octane and thrilling. The opening scene on the barge is a highlight, as well as the teams fight with the Winter Soldier midway through. Even Nick Fury gets a banger of an action sequence. Also, this film boasts probably the biggest plot twist gut punch in the whole MCU with the SHIELD/Hydra reveal. It's an extremely well crafted, ballsy narrative that impacts the shape of the MCU going forward.
There's honestly nothing bad to say about this one. It's top tier comic book cinema.
Gareth von Kallenbach (980 KP) rated Journey 2: The Mysterious Island (2012) in Movies
Aug 7, 2019
A follow up to the 2008, “Journey to the Center of the Earth,” here is another modern take on those beloved classic stories of the 19th century. “Journey 2: The Mysterious Island” is based on the idea that Jules Verne’s Mysterious Island, Jonathan Swift’s Gulliver’s Travels and Robert Louis Stevenson’s Treasure Island, are in fact the same island which really does exist.
The movie opens up with the return of Sean Anderson (Josh Hutcherson) getting caught by the police for climbing a satellite tower. To his chagrin, Josh is released into the custody of his stepfather Hank (Dwayne ‘The Rock’ Johnson), a former Navy man who wants nothing more than to be friends with his stepson. Sean’s reason for climbing the satellite tower was to get a hold of a satellite transmission code that he believes is the key to a message from his long-lost grandfather Alexander(Michael Caine).
Sean, with the help of Hank’s Navy expertise, attempts to decode the message which eventually leads them to the Mysterious Island. Along the way, the two hire a helicopter pilot Gabato (Luis Guzman), who provides the comedic relief and his daughter Kailani (Vanessa Hudgens) who, of course, is the eye candy and the romantic interest for Sean.
Upon arrival at the Mysterious Island, they locate Sean’s grandfather Alexander and they discover they must trek across the island, past a volcano that erupts gold leaves and run from dangerous creatures to find Captain Nemo’s ship. All before the island sinks!
You don’t have to be a “Vernian” to know what’s going on here. This movie was definitely geared toward a younger audience. The idea behind recreating Verne’s novels with a modern day twist was clever, however the execution was poor as the sequence of events didn’t flow from one scene to the next and the character relationships were not genuine at all. I must say, however the visual effects were stunning. as well as some of the action scenes which could have rivaled “Indiana Jones” or even “The Goonies” with just a bit more care and attention to detail.
The movie opens up with the return of Sean Anderson (Josh Hutcherson) getting caught by the police for climbing a satellite tower. To his chagrin, Josh is released into the custody of his stepfather Hank (Dwayne ‘The Rock’ Johnson), a former Navy man who wants nothing more than to be friends with his stepson. Sean’s reason for climbing the satellite tower was to get a hold of a satellite transmission code that he believes is the key to a message from his long-lost grandfather Alexander(Michael Caine).
Sean, with the help of Hank’s Navy expertise, attempts to decode the message which eventually leads them to the Mysterious Island. Along the way, the two hire a helicopter pilot Gabato (Luis Guzman), who provides the comedic relief and his daughter Kailani (Vanessa Hudgens) who, of course, is the eye candy and the romantic interest for Sean.
Upon arrival at the Mysterious Island, they locate Sean’s grandfather Alexander and they discover they must trek across the island, past a volcano that erupts gold leaves and run from dangerous creatures to find Captain Nemo’s ship. All before the island sinks!
You don’t have to be a “Vernian” to know what’s going on here. This movie was definitely geared toward a younger audience. The idea behind recreating Verne’s novels with a modern day twist was clever, however the execution was poor as the sequence of events didn’t flow from one scene to the next and the character relationships were not genuine at all. I must say, however the visual effects were stunning. as well as some of the action scenes which could have rivaled “Indiana Jones” or even “The Goonies” with just a bit more care and attention to detail.
Chris Sawin (602 KP) rated The Northman (2022) in Movies
Apr 30, 2022
The bloody action. (2 more)
The rhythmic, pounding score.
Amleth's visions and strange encounters.
May be too weird or slow for some. (2 more)
Won't change your opinion of Robert Eggers if you already dislike him as a filmmaker.
...Did you say fart sniffing?
A Gory Viking Epic Forged in Boisterous Greatness
The Northman is director Robert Eggers third feature length film after The Witch and The Lighthouse. The film is written by Eggers and Sjón (Lamb, frequent collaborator with Björk). The Northman is described as an epic historical action drama, but is essentially a Viking revenge film. Taking place in AD 895, King Aurvandill War-Raven (Ethan Hawke) is killed by his brother, Fjölnir (Claes Bang). Aurvandill’s son, Amleth (Oscar Novak portrays young Amleth) flees and swears revenge on his uncle while vowing to save his mother Queen Gudrún (Nicole Kidman).
In AD 914, a now adult Amleth (Alexander Skarsgård) has been raised as a Viking and was enlisted as a berserker. Seemingly losing his focus in furious battle, Amleth is reminded of his vengeful mission a few years later by a Seeress (Björk) that predicts that Amleth will soon get his sought after revenge on his uncle.
The film is based on the story of Amleth, which was written sometime before the year 1200 and inspired Shakespeare’s Hamlet. The Northman feels like it’s forged by the same cinematic swordsmith that created the likes of Conan the Barbarian, Beowulf, and Gladiator, but with a bloodier, and slightly trippier ambiance Robert Eggers tends to be known for.
Amleth’s opening voiceover as the film opens with a monstrously intimidating volcano on the verge of erupting is haunting. Alexander Skarsgård has this gruff and nearly grunt-like growl to his speech that you can feel reverberate in your chest as he speaks. The score to the film is also just as memorable and incredible. On paper, it’s just a series of loud drumming or pounding, a fancy string arrangement, and some harmless chanting. But all of those elements together suddenly become this impressive musical declaration of war. The score constantly crescendos and always finds a way to ignite a fire within you.
It’s humorous to think that most will have seen Willem Dafoe last in Spider-Man: No Way Home. Dafoe’s role as Heimir the Fool is also a leap in a different direction even when compared to his role as Thomas Wake in The Lighthouse. Heimir’s key role in the story is to oversee the spiritual journey Almeth takes with Aurvandill right before his death. It’s a bizarre sequence as both grown men and young boy are dressed in nothing but loin cloths as they act like dogs, get on their hands and knees, drink water from a bowl, belch, and take turns sniffing each other’s farts. It’s an intriguing role for Dafoe as he’s this crowd pleasing jester one minute and a spiritual guide the next.
The barbaric action is fairly straightforward in The Northman, but what complicates things are Amleth’s visions. Beginning with his encounter with the Seeress, Amleth also battles an undead spirit for the Night Blade, has a vision of a Valkyrie taking him to Valhalla, and sees his unborn children in rare glimpses of the future. These surreal sequences have a palpable dream-like quality to them. It makes you wonder if they’re actually occurring or are only in Amleth’s head.
Nicole Kidman is exceptional as Queen Gudrún. The character is written in a way that makes her seem like a damsel in distress, but she’s much more evil and manipulative. At first, she seems like the typical Queen character that is pushed aside in order to give the spotlight to the king. But once Gudrún comes face to face with an adult Amleth, she strikes like a snake with venomous words that pierce Amleth deeper than any weapon actually could. Kidman shines in the role as well as you seem to love the fact that a mother could be so cruel to one of her children.
Spoiling a film is no fun, but since The Northman is kind of bombing at the box office right now ($23.5 million opening weekend on a $70-$90 million budget) this is worth mentioning. The finale of the film takes place at the volcano Hekla, which resides at the Gates of Hel. Lava is spilling out everywhere as smoke fills the air and two grown men sword duel to the death. That’s right, the ending of The Northman has two naked men sword fighting at the base of an erupting volcano. It’s freaking nuts.
The Northman is a bloody and ferocious battle cry of a revenge film. The action is brutal and the performances are extraordinary. This is Robert Eggers at his most savage and masterful.
In AD 914, a now adult Amleth (Alexander Skarsgård) has been raised as a Viking and was enlisted as a berserker. Seemingly losing his focus in furious battle, Amleth is reminded of his vengeful mission a few years later by a Seeress (Björk) that predicts that Amleth will soon get his sought after revenge on his uncle.
The film is based on the story of Amleth, which was written sometime before the year 1200 and inspired Shakespeare’s Hamlet. The Northman feels like it’s forged by the same cinematic swordsmith that created the likes of Conan the Barbarian, Beowulf, and Gladiator, but with a bloodier, and slightly trippier ambiance Robert Eggers tends to be known for.
Amleth’s opening voiceover as the film opens with a monstrously intimidating volcano on the verge of erupting is haunting. Alexander Skarsgård has this gruff and nearly grunt-like growl to his speech that you can feel reverberate in your chest as he speaks. The score to the film is also just as memorable and incredible. On paper, it’s just a series of loud drumming or pounding, a fancy string arrangement, and some harmless chanting. But all of those elements together suddenly become this impressive musical declaration of war. The score constantly crescendos and always finds a way to ignite a fire within you.
It’s humorous to think that most will have seen Willem Dafoe last in Spider-Man: No Way Home. Dafoe’s role as Heimir the Fool is also a leap in a different direction even when compared to his role as Thomas Wake in The Lighthouse. Heimir’s key role in the story is to oversee the spiritual journey Almeth takes with Aurvandill right before his death. It’s a bizarre sequence as both grown men and young boy are dressed in nothing but loin cloths as they act like dogs, get on their hands and knees, drink water from a bowl, belch, and take turns sniffing each other’s farts. It’s an intriguing role for Dafoe as he’s this crowd pleasing jester one minute and a spiritual guide the next.
The barbaric action is fairly straightforward in The Northman, but what complicates things are Amleth’s visions. Beginning with his encounter with the Seeress, Amleth also battles an undead spirit for the Night Blade, has a vision of a Valkyrie taking him to Valhalla, and sees his unborn children in rare glimpses of the future. These surreal sequences have a palpable dream-like quality to them. It makes you wonder if they’re actually occurring or are only in Amleth’s head.
Nicole Kidman is exceptional as Queen Gudrún. The character is written in a way that makes her seem like a damsel in distress, but she’s much more evil and manipulative. At first, she seems like the typical Queen character that is pushed aside in order to give the spotlight to the king. But once Gudrún comes face to face with an adult Amleth, she strikes like a snake with venomous words that pierce Amleth deeper than any weapon actually could. Kidman shines in the role as well as you seem to love the fact that a mother could be so cruel to one of her children.
Spoiling a film is no fun, but since The Northman is kind of bombing at the box office right now ($23.5 million opening weekend on a $70-$90 million budget) this is worth mentioning. The finale of the film takes place at the volcano Hekla, which resides at the Gates of Hel. Lava is spilling out everywhere as smoke fills the air and two grown men sword duel to the death. That’s right, the ending of The Northman has two naked men sword fighting at the base of an erupting volcano. It’s freaking nuts.
The Northman is a bloody and ferocious battle cry of a revenge film. The action is brutal and the performances are extraordinary. This is Robert Eggers at his most savage and masterful.
Lyndsey Gollogly (2893 KP) rated Comatose (Vixen Bluff #1) in Books
Jul 15, 2020
128 of 200
Kindle
Comatose (Vixen Bluff book 1)
By Catherine Black
Shaye Robinson never questions her role as the tame, submissive sweetheart of Vixen Bluff's illustrious physician, Dr. Robert Baxter. At least, not until she finds his hands wrapped around her neck at the office Christmas party. Blinded by betrayal and more than ready to bid adieu to their loveless engagement, Shaye makes a devastating mistake that leaves her scarred and broken, and at the mercy of the one man she was trying to escape.
Nurse Alexander Mayes avoids temptation of any kind. Always. No exceptions. Living a mediocre, no-frills life is all that's kept him and his little brother fed, clothed, and off the streets since the untimely death of their parents. So when the blonde in room 301 emerges from a coma and immediately charms her way into Alex's heart, he has no other choice than to keep her at arm's length. Her smile may be as rare as her miraculous circumstances, and her eyes may hint at an uncontrollable fire just waiting to lay waste to those who have wronged her, but crossing that particular line would be career suicide.
As Shaye and Alex navigate the treacherous waters of her recovery, they discover everyone in Vixen Bluff has already deemed them 'meant to be', despite the clear conflict of interest. But just when Shaye thinks a happily-ever-after could be in the cards after all, a threat from her past makes his presence known, jeopardizing everything she's fought so hard to rebuild.
I’ve never read anything by this author and this was recommended. I’m so glad I picked it up it was just brilliant! I love the writing style and the story! What’s not to love? Romance isn’t usually a go to genre for me but I really loved this book.
Kindle
Comatose (Vixen Bluff book 1)
By Catherine Black
Shaye Robinson never questions her role as the tame, submissive sweetheart of Vixen Bluff's illustrious physician, Dr. Robert Baxter. At least, not until she finds his hands wrapped around her neck at the office Christmas party. Blinded by betrayal and more than ready to bid adieu to their loveless engagement, Shaye makes a devastating mistake that leaves her scarred and broken, and at the mercy of the one man she was trying to escape.
Nurse Alexander Mayes avoids temptation of any kind. Always. No exceptions. Living a mediocre, no-frills life is all that's kept him and his little brother fed, clothed, and off the streets since the untimely death of their parents. So when the blonde in room 301 emerges from a coma and immediately charms her way into Alex's heart, he has no other choice than to keep her at arm's length. Her smile may be as rare as her miraculous circumstances, and her eyes may hint at an uncontrollable fire just waiting to lay waste to those who have wronged her, but crossing that particular line would be career suicide.
As Shaye and Alex navigate the treacherous waters of her recovery, they discover everyone in Vixen Bluff has already deemed them 'meant to be', despite the clear conflict of interest. But just when Shaye thinks a happily-ever-after could be in the cards after all, a threat from her past makes his presence known, jeopardizing everything she's fought so hard to rebuild.
I’ve never read anything by this author and this was recommended. I’m so glad I picked it up it was just brilliant! I love the writing style and the story! What’s not to love? Romance isn’t usually a go to genre for me but I really loved this book.
Matthew Krueger (10051 KP) rated Dead Ringers (1988) in Movies
Sep 15, 2020 (Updated Sep 15, 2020)
Whats The Difference Between Us
Dead Ringers- is a decent movie, its the last movie david cronenberg did in the 80's. So his 80's streak ending on a low ball/a dispointment. I really liked Jeremy Irons he was really good. And the psychological espect was good as well. Other than that it was a okay movie.
The Plot: Elliot (Jeremy Irons), a successful gynecologist, works at the same practice as his identical twin, Beverly (also Irons). Elliot is attracted to many of his patients and has affairs with them. When he inevitably loses interest, he will give the woman over to Beverly, the meeker of the two, without the woman knowing the difference. Beverly falls hard for one of the patients, Claire (Geneviève Bujold), but when she inadvertently deceives him, he slips into a state of madness.
In his DVD commentary, Irons claims that Robert De Niro declined playing the Mantles due to his unease with the subject matter and portraying gynecologists, while William Hurt decided to reject the parts because "it is hard enough to play one role".
Irons was given two different dressing rooms with two sets of costumes for playing his two characters. However, given the fact that he said "the whole point of the story is you should sometimes be confused as to which is which", he chose to use only one of the rooms and combine different costume items intended for different characters. Irons also developed an "internal way" to portray each character, employing the Alexander technique for "different energy points", giving each character his own appearance.
Like i said before the psychological espect is good in this. Jeremy Irons was excellent. I wouldnt really recordmend this film, rather davids other 80's films instead.
The Plot: Elliot (Jeremy Irons), a successful gynecologist, works at the same practice as his identical twin, Beverly (also Irons). Elliot is attracted to many of his patients and has affairs with them. When he inevitably loses interest, he will give the woman over to Beverly, the meeker of the two, without the woman knowing the difference. Beverly falls hard for one of the patients, Claire (Geneviève Bujold), but when she inadvertently deceives him, he slips into a state of madness.
In his DVD commentary, Irons claims that Robert De Niro declined playing the Mantles due to his unease with the subject matter and portraying gynecologists, while William Hurt decided to reject the parts because "it is hard enough to play one role".
Irons was given two different dressing rooms with two sets of costumes for playing his two characters. However, given the fact that he said "the whole point of the story is you should sometimes be confused as to which is which", he chose to use only one of the rooms and combine different costume items intended for different characters. Irons also developed an "internal way" to portray each character, employing the Alexander technique for "different energy points", giving each character his own appearance.
Like i said before the psychological espect is good in this. Jeremy Irons was excellent. I wouldnt really recordmend this film, rather davids other 80's films instead.
Gareth von Kallenbach (980 KP) rated Pete's Dragon (2016) in Movies
Aug 6, 2019
Pete’s Dragon is a staple of my childhood. It was one of the three movies I would always choose to watch. So, naturally, I was a little worried when I heard about the new movie earlier this year. The teaser trailer didn’t give much to go by, but it looked promising. I trying something new this year where I do not watch anything beyond the teaser trailer (believe me, it’s killing me not to watch the new Rogue One trailer), so that’s all I had going into this. And I was pleasantly surprised.
39 years after the original, David Lowery brings us the re-invention of Pete’s Dragon. His aim was not to remake the original film, but to reinvent it. And that he did. PD opens up with a family traveling through a forest on a road trip. The young boy, Pete (Levi Alexander) is reading from a book about a lost puppy name Elliot. A tragic accident occurs, which leaves Pete by himself in the forest. As he starts to wander, a pack of wolves begins to close in on him, only to be thwarted by… you guessed it. A dragon.
Flash forward 6 years, and we now see an older Pete (Oakes Fegley) running around through the forest with Elliot, the dragon who he bonded with over the years. Pete happens upon a forest ranger, Grace (Bryce Dallas Howard) as she is scouting the forest, unmarking trees that were marked for cut down. She’s not a rebel, just protecting the habitat of an owl. Turns out her fiancé, Jack (Wes Bentley), and his brother, Gavin (Karl Urban), run the company that is tearing down the forest. One day, they happen upon Pete and bring him home, but Pete misses Elliot, and Elliot misses Pete. In an effort to get back to him, Elliot is discovered by Gavin who wants to hunt down Pete and bring him in. Grace seeks assistance from her father, Meachum (Robert Redford), who was always thought of as a crazy old man with his wild story of a dragon he met so many years ago. Can they help save Elliot from Gavin and his men?
While a little darker than the original, I found that I enjoyed this movie quite a lot. There are some plot holes to consider, and a little unbelievable on how fast the story develops in time passed in the universe set up here, but you have to understand that this movie is geared toward children. And I think they did well in creating an entertaining film for children and nostalgic adults alike. In fact, this screening was the quietest family screening I have ever attended. There were plenty of kids in the audience, but they were captivated.
Keeping in mind that this is truly a children’s movie, my biggest gripe was the absence of my favorite scene from the original (scorched apples, anyone?). But all in all, it is definitely something to get out to theaters to see. Lowery had indicated that he chose the appearance for Elliot as he did because he wanted to portray a dragon you could hug. Success, Mr. Lowery. Success. Pete’s Dragon is good fun for the whole family, so what are you waiting for? Go see it, already.
39 years after the original, David Lowery brings us the re-invention of Pete’s Dragon. His aim was not to remake the original film, but to reinvent it. And that he did. PD opens up with a family traveling through a forest on a road trip. The young boy, Pete (Levi Alexander) is reading from a book about a lost puppy name Elliot. A tragic accident occurs, which leaves Pete by himself in the forest. As he starts to wander, a pack of wolves begins to close in on him, only to be thwarted by… you guessed it. A dragon.
Flash forward 6 years, and we now see an older Pete (Oakes Fegley) running around through the forest with Elliot, the dragon who he bonded with over the years. Pete happens upon a forest ranger, Grace (Bryce Dallas Howard) as she is scouting the forest, unmarking trees that were marked for cut down. She’s not a rebel, just protecting the habitat of an owl. Turns out her fiancé, Jack (Wes Bentley), and his brother, Gavin (Karl Urban), run the company that is tearing down the forest. One day, they happen upon Pete and bring him home, but Pete misses Elliot, and Elliot misses Pete. In an effort to get back to him, Elliot is discovered by Gavin who wants to hunt down Pete and bring him in. Grace seeks assistance from her father, Meachum (Robert Redford), who was always thought of as a crazy old man with his wild story of a dragon he met so many years ago. Can they help save Elliot from Gavin and his men?
While a little darker than the original, I found that I enjoyed this movie quite a lot. There are some plot holes to consider, and a little unbelievable on how fast the story develops in time passed in the universe set up here, but you have to understand that this movie is geared toward children. And I think they did well in creating an entertaining film for children and nostalgic adults alike. In fact, this screening was the quietest family screening I have ever attended. There were plenty of kids in the audience, but they were captivated.
Keeping in mind that this is truly a children’s movie, my biggest gripe was the absence of my favorite scene from the original (scorched apples, anyone?). But all in all, it is definitely something to get out to theaters to see. Lowery had indicated that he chose the appearance for Elliot as he did because he wanted to portray a dragon you could hug. Success, Mr. Lowery. Success. Pete’s Dragon is good fun for the whole family, so what are you waiting for? Go see it, already.