"I wouldn’t be here writing these lines but for Robert Bresson; when I was still a teenager, his films showed me what cinema could be, showed me how cinema could rival the masterpieces of the other arts. He showed me cinema was something worth devoting one’s life to. Ingmar Bergman once said that Tarkovsky moved effortlessly in areas most filmmakers struggled all their life to reach. I don’t think I’d be able to put it better than him."

"Light and sky. Rain and wind. Sea and smoke. These are the fearsome natural elements that Robert Eggers’ “The Lighthouse” explores, creating a modern cinema that manages to look both backward and forward. Backward, to an almost square format and to the visual sorcery of Bergman and Dreyer, of Herzog and Lang. But forward as well, to Eggers’ own imagining of a peculiarly American past, and toward his own brutal conception of masculinity in a death match with itself… "

"I wouldn’t be here writing these lines but for Robert Bresson; when I was still a teenager, his films showed me what cinema could be, showed me how cinema could rival the masterpieces of the other arts. He showed me cinema was something worth devoting one’s life to. Ingmar Bergman once said that Tarkovsky moved effortlessly in areas most filmmakers struggled all their life to reach. I don’t think I’d be able to put it better than him."