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40x40

Robert Englund recommended 1900 (Novecento) (1977) in Movies (curated)

 
1900 (Novecento) (1977)
1900 (Novecento) (1977)
1977 | Drama, History, International
(0 Ratings)
Movie Favorite

"Bernardo Bertolucci’s 1900 is one of my favorites. It’s epic — when I saw it at a film festival, they literally had an intermission where they served pasta and red wine. It was wonderful. It’s a thin, handsome Gérard Depardieu in the prime of his youth, and Robert De Niro doing a great aging character, the rich boy. Depardieu [as] the poor boy. Probably one of the greatest entrances in the history of cinema for the beautiful actress Dominique Sanda. And Bertolucci uses this town, this little village — and you see it go from the turn of the century to WWII, and it changes with the seasons, and the time. And one of the best villains ever, Donald Sutherland, as this sort of grand guignol, a fascista, brown shirt — you know, black shirt — that is corrupted by the Mussolini movement in Italy. And he just completely surprises you with his performance. It’s really wonderful and kinky, and strange and beautiful. And the music is extraordinary. Yeah, it’s really a great film — a long movie, but a great movie — and it really left an indelible stamp on my brain. All these movies in my top five are what I call “desert island” movies. These are films that I can see again and again, and they have sequences or images in them, or they’ve left such a film memory in my imagination — such a stamp on my memory and imagination — that I can see them again and again."

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Benedick Lewis (3001 KP) rated Origin in Books

Jul 13, 2018  
Origin
Origin
Dan Brown | 2017 | Fiction & Poetry
2
7.3 (21 Ratings)
Book Rating
Short chapters (0 more)
Research appears to have been done on Wikipedia (1 more)
Although chapters are short, nothing happens
Slow and poorly written...that’s just the title
I enjoyed The Da Vinci Code. It was a book of the time and it felt like a blockbuster, which is what it eventually became. I then read Digital Fortess and Deception Point (not part of the Robert Langdon mythology) and they did the job as well. I felt, yeah, alright, that was worth two pounds (GBP).
Then I didn’t touch Dan Brown again. Simply because I had other things to read and the premises weren’t that interesting - until Origin, which looked like it would be as shattering as the Da Vinci Code was. What I forgotten was I got older and more educated. Origin promises answers to two questions: where did we come from? Where are we going? These questions are repeated constantly and you start to get Rednex’s Cotton Eye Joe in your head. For about 100 pages the build up is admittedly incredible but at the same time you think you know what is going to happen because there are 300 plus pages left. I won’t spoil anything and I advise you not to read the blurb because that does 25% of the book for you. From then on, apparently it is a race against time but you never truly feel anything is at stake. When the answers do come, you feel like ‘oh, right’ as if someone told you a fact you didn’t know but not really going to remember. And, in summary, Origin is so badly written that you won’t remember it.