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Ryan Hill (152 KP) rated Iron Man 2 (2010) in Movies
May 9, 2019
"if you could make god bleed people would cease to believe in him"
What made Iron Man so great was its original story, exciting action, and stellar performances. But beneath all the spectacle was a heart, characters we cared about and a coherent story in which we watched a narsasistic asshole become a good guy. All of that has vanished in the rushed, noisy, but enjoyable sequel.
Tony Stark is now living the life of a rockstar, a superhero that everyone knows the identity of, enjoying a celebrity lifestyle. Meanwhile, a villain connected to Tony's past recreates his technology and seeks revenge. Tony also deals with the mystery of his dead parents, his relationship with Pepper, wards off government attempts to control his technology, rebuffs his corporate rival, and has to rework his technology that is slowly killing him. Oh, and The Avengers show up.
If that sounds like an overcrowded movie to you, that's because it is. Iron Man 2 acts as an Iron Man sequel and an Avengers prequel. The clashing of these two stories is due to an unfocused narrative trying to cram in ten different storylines. Half the stories don't conclude in a satisfying way, and we're left with a pretty looking movie.
Luckily the performances are still great, Robert Downey Jr. is again a delight to watch, Sam Rockwell is fun as his counterpart rival, and Don Cheadle replaces Terrence Howard as best friend Rhodes, a worthy replacement. Scarlett Johansson joins the cast as an Avengers refenerence, with very little to do other than look good and kick ass.
Jon Favreau seems much less interested in the project this time around, as he falls under the weight of the studio pushing for a sequel in two years as opposed to three. The script has a couple of witty highlights, mostly with Same Rockwell as Tony's business rival.
The action is thrilling and everything you'd want when it comes, but it doesn't show up often. The visual effects are improved, and the sound design is top notch. The score is mediocre, with a few notable exceptions.
There is too much going on for one movie, but by the end of the movie you're left wanting more. Not enough time was devoted to the different characters and plot lines, which results in a highly uneven movie with short bursts of excitement and a solid cast. Worth one watch.
Tony Stark is now living the life of a rockstar, a superhero that everyone knows the identity of, enjoying a celebrity lifestyle. Meanwhile, a villain connected to Tony's past recreates his technology and seeks revenge. Tony also deals with the mystery of his dead parents, his relationship with Pepper, wards off government attempts to control his technology, rebuffs his corporate rival, and has to rework his technology that is slowly killing him. Oh, and The Avengers show up.
If that sounds like an overcrowded movie to you, that's because it is. Iron Man 2 acts as an Iron Man sequel and an Avengers prequel. The clashing of these two stories is due to an unfocused narrative trying to cram in ten different storylines. Half the stories don't conclude in a satisfying way, and we're left with a pretty looking movie.
Luckily the performances are still great, Robert Downey Jr. is again a delight to watch, Sam Rockwell is fun as his counterpart rival, and Don Cheadle replaces Terrence Howard as best friend Rhodes, a worthy replacement. Scarlett Johansson joins the cast as an Avengers refenerence, with very little to do other than look good and kick ass.
Jon Favreau seems much less interested in the project this time around, as he falls under the weight of the studio pushing for a sequel in two years as opposed to three. The script has a couple of witty highlights, mostly with Same Rockwell as Tony's business rival.
The action is thrilling and everything you'd want when it comes, but it doesn't show up often. The visual effects are improved, and the sound design is top notch. The score is mediocre, with a few notable exceptions.
There is too much going on for one movie, but by the end of the movie you're left wanting more. Not enough time was devoted to the different characters and plot lines, which results in a highly uneven movie with short bursts of excitement and a solid cast. Worth one watch.
Ryan Hill (152 KP) rated Avengers: Endgame (2019) in Movies
May 11, 2019
"Part of the journey is the end"
A satisfying conclusion to the Infinity Saga, the best way to describe Avengers: Endgame is Fan Wish Fulfillment: The Movie. Seriously, this film lives and breathes fan service from top to bottom, yet it WORKS. Rather than coming off as obnoxiously pandering, the film’s use of fan service is more secondary to everything else, often being used in ways that are creative and even add to the comedy. And speaking of comedy, Avengers: Endgame is unquestionably one of the funniest films in the MCU, yet the comedy never detracts from the heart or the emotional weight of the film itself.
It’s legitimately shocking how much the Russo Bros have improved as filmmakers. Not only do they perfectly nail tonal consistency here, but most, if not all, of the drama scenes are well handled, the direction of actors is great, and even in terms of just visual composition (especially cinematography) and editing, they show major improvement here compared to their previous MCU works. There’s also some neat production design and Alan Silvestri provides a fantastic score.
Co-writers Christopher Markus and Stephen McFeely’s screenplay is easily one of the strongest aspects of Avengers: Endgame. While some characters won’t get as much focus as others, the characters who are primarily focused on (Nebula, Tony, Steve and Hawkeye) each have legitimately really great, character arcs, and the way it ties them into the film’s theme of loss only makes them even better.
But despite the shockingly strong writing and direction, Avengers: Endgame mostly works so well due to its mostly committed ensemble. The acting is mostly pretty solid-strong across the board, with the standouts being Robert Downey Jr, Karen Gillan and Chris Evans who are excellent. That said, Chris Hemsworth, Brie Larson (in very minimal screen time), Jeremy Renner, Scarlett Johansson, Mark Ruffalo,Paul Rudd, Bradley Cooper, Josh Brolin and Don Cheadle all have their moments as well.
If Avengers: Endgame really is a farewell to many characters people have grown to love, then it is almost certainly a rewarding and satisfying one, and the third act features one of the best battle sequences in any comic book film. It might not be absolutely perfect, but it’s well performed, strongly written & directed, thoroughly entertaining and incredibly satisfying, and you’ll laugh, cheer and most definitely even cry. Without a doubt one of the absolute best MCU installments to date.
It’s legitimately shocking how much the Russo Bros have improved as filmmakers. Not only do they perfectly nail tonal consistency here, but most, if not all, of the drama scenes are well handled, the direction of actors is great, and even in terms of just visual composition (especially cinematography) and editing, they show major improvement here compared to their previous MCU works. There’s also some neat production design and Alan Silvestri provides a fantastic score.
Co-writers Christopher Markus and Stephen McFeely’s screenplay is easily one of the strongest aspects of Avengers: Endgame. While some characters won’t get as much focus as others, the characters who are primarily focused on (Nebula, Tony, Steve and Hawkeye) each have legitimately really great, character arcs, and the way it ties them into the film’s theme of loss only makes them even better.
But despite the shockingly strong writing and direction, Avengers: Endgame mostly works so well due to its mostly committed ensemble. The acting is mostly pretty solid-strong across the board, with the standouts being Robert Downey Jr, Karen Gillan and Chris Evans who are excellent. That said, Chris Hemsworth, Brie Larson (in very minimal screen time), Jeremy Renner, Scarlett Johansson, Mark Ruffalo,Paul Rudd, Bradley Cooper, Josh Brolin and Don Cheadle all have their moments as well.
If Avengers: Endgame really is a farewell to many characters people have grown to love, then it is almost certainly a rewarding and satisfying one, and the third act features one of the best battle sequences in any comic book film. It might not be absolutely perfect, but it’s well performed, strongly written & directed, thoroughly entertaining and incredibly satisfying, and you’ll laugh, cheer and most definitely even cry. Without a doubt one of the absolute best MCU installments to date.
Gareth von Kallenbach (965 KP) rated Avengers: Endgame (2019) in Movies
Jun 19, 2019
The epic Marvel Saga that started over ten years ago has been building up to the inevitable clash with the powerful tyrant Thanos (Josh Brolin). Last year’s “Avengers: Infinity War” set the stage for the highly-anticipated conclusion; “Avengers: End Game” and at long last it has arrived.
Picking up shortly after the events of the last film, the Avengers must deal with the aftermath of what Thanos has done. The team is naturally divided between wanting revenge, wanting to set things right, and just wanting to take what they have and go on.
As time passes and they struggle to accept the reality of their situation; an unexpected individual returns and with them comes the seeds of a new plan to make things right. Naturally Tony Stark (Robert Downey Jr.) is skeptical but eventually warms to the possibilities of the idea thanks to a new scientific breakthrough that makes it possible.
Inspired, Tony sets out to put an elaborate plan in motion that will allow the team to try to fix things and to stop Thanos once and for all.
What follows is an extended and at times nostalgic heist where various members of the team work to assemble the pieces needed for the plan as they believe they only have one chance to make things right.
The film is essentially three acts in one. The first deals with the recap and expansion of their situation and the planning. The second act is basically a heist where action and comedy are blended with some touching moments.
This all leads to the final act which is the FX laden set piece where the ensemble cast gathers to fight the forces of evil in a battle to save the Universe.
The film is epic in scale and length as it clocks in at over three hours but the movie is filled with so much content that the time goes by quickly and you have a hard time believing three hours have elapsed.
It is also a difficult film to review as you cannot recap elements of the film in any great detail without giving away elements that are sure to delight the fans. Suffice it to say that my only real issue with the film and it was minor; was that it took a while to get to the action but at least there was plenty to keep you entertained along the way.
As this phase of the Marvel Film Universe winds down and plans are put in place for the next five years; “Avengers: End Game” is a satisfying conclusion to the epic saga that was started many years ago and weaves elements of many of the past Marvel films into an entertaining tale which features all of the best elements that have made the series of films such big hits.
http://sknr.net/2019/04/23/avengers-endgame/
Picking up shortly after the events of the last film, the Avengers must deal with the aftermath of what Thanos has done. The team is naturally divided between wanting revenge, wanting to set things right, and just wanting to take what they have and go on.
As time passes and they struggle to accept the reality of their situation; an unexpected individual returns and with them comes the seeds of a new plan to make things right. Naturally Tony Stark (Robert Downey Jr.) is skeptical but eventually warms to the possibilities of the idea thanks to a new scientific breakthrough that makes it possible.
Inspired, Tony sets out to put an elaborate plan in motion that will allow the team to try to fix things and to stop Thanos once and for all.
What follows is an extended and at times nostalgic heist where various members of the team work to assemble the pieces needed for the plan as they believe they only have one chance to make things right.
The film is essentially three acts in one. The first deals with the recap and expansion of their situation and the planning. The second act is basically a heist where action and comedy are blended with some touching moments.
This all leads to the final act which is the FX laden set piece where the ensemble cast gathers to fight the forces of evil in a battle to save the Universe.
The film is epic in scale and length as it clocks in at over three hours but the movie is filled with so much content that the time goes by quickly and you have a hard time believing three hours have elapsed.
It is also a difficult film to review as you cannot recap elements of the film in any great detail without giving away elements that are sure to delight the fans. Suffice it to say that my only real issue with the film and it was minor; was that it took a while to get to the action but at least there was plenty to keep you entertained along the way.
As this phase of the Marvel Film Universe winds down and plans are put in place for the next five years; “Avengers: End Game” is a satisfying conclusion to the epic saga that was started many years ago and weaves elements of many of the past Marvel films into an entertaining tale which features all of the best elements that have made the series of films such big hits.
http://sknr.net/2019/04/23/avengers-endgame/
Gareth von Kallenbach (965 KP) rated The Nice Guys (2016) in Movies
Aug 6, 2019
This is how it’s supposed to be done. Though it’s not the most original flick to grace the silver screen, Shane Black’s follow-up to his instant cult classic Kiss Kiss Bang Bang has everything you could want in an action/comedy romp. A solid dynamic between its two charming yet flawed leads, a strong plot that has enough twists and turns to keep you thrilled but not lost, and plenty of quotably razor-sharp dialogue. Imagine the Lethal Weapon type meets a less obtuse Inherent Vice. Besides the return of Jason Bourne in July, it will undoubtedly be the most entertaining thing you’ll see in another summer season of mediocrity. Is anybody really that interested in a ninth X-Men film?
Russell Crowe is the muscle-for-hire opposite Ryan Gosling as the P.I. referred to by his daughter as “the worst detective in the world”. They are thrust together by circumstance and, after a couple of amusing altercations, come to find out they are both involved in a larger case of conspiracy and cover-up as they race to find the girl at the center of it all. Crowe and Gosling make a winning team with chemistry in spades and, though the dialogue they’re given may not feel as fresh as what Val Kilmer and Robert Downey Jr. had to work with in Kiss Kiss Bang Bang; they still pull it off marvelously. Between Gosling’s unfortunate directorial debut, Lost River, and Crowe’s string of misfires since 2010’s Robin Hood, these were the type of roles their fading stars were in dire need of and they both certainly look at home in a 70’s-era Hollywood detective story. For Gosling especially, this is probably the most likable he’s ever been. Well done also to the casting department for finding Angourie Rice. As Gosling’s daughter, she’s does an admirably fine job of playing a girl who can stand up to an incredibly hostile world and give some back. Here’s hoping she’s got a decent agent that will keep her in rich, multi-dimensional characters.
Shane Black, already having proved that he knows his way around a screenplay or two, is firmly coming into his own as a director (though the Christmas thing has got to stop), and I’ll be eagerly anticipating his next foray behind the camera. It’s also another excellent job from Warner’s marketing team, with a trailer that gave just enough of the one-liners and snippets of action without spoiling too many of the fun and twisty plot points. The action beats and moments of violence themselves, due to a tightly-structured script, feel earned and well-placed. Not once did I get that overwhelming feeling of action fatigue I’ve been experiencing so much in film lately (I’m looking at you, Marvel). The Nice Guys is all-around great filmmaking and one I can’t wait to revisit. I wouldn’t doubt it’ll be a day-one buy for me when it hits the home video market.
Russell Crowe is the muscle-for-hire opposite Ryan Gosling as the P.I. referred to by his daughter as “the worst detective in the world”. They are thrust together by circumstance and, after a couple of amusing altercations, come to find out they are both involved in a larger case of conspiracy and cover-up as they race to find the girl at the center of it all. Crowe and Gosling make a winning team with chemistry in spades and, though the dialogue they’re given may not feel as fresh as what Val Kilmer and Robert Downey Jr. had to work with in Kiss Kiss Bang Bang; they still pull it off marvelously. Between Gosling’s unfortunate directorial debut, Lost River, and Crowe’s string of misfires since 2010’s Robin Hood, these were the type of roles their fading stars were in dire need of and they both certainly look at home in a 70’s-era Hollywood detective story. For Gosling especially, this is probably the most likable he’s ever been. Well done also to the casting department for finding Angourie Rice. As Gosling’s daughter, she’s does an admirably fine job of playing a girl who can stand up to an incredibly hostile world and give some back. Here’s hoping she’s got a decent agent that will keep her in rich, multi-dimensional characters.
Shane Black, already having proved that he knows his way around a screenplay or two, is firmly coming into his own as a director (though the Christmas thing has got to stop), and I’ll be eagerly anticipating his next foray behind the camera. It’s also another excellent job from Warner’s marketing team, with a trailer that gave just enough of the one-liners and snippets of action without spoiling too many of the fun and twisty plot points. The action beats and moments of violence themselves, due to a tightly-structured script, feel earned and well-placed. Not once did I get that overwhelming feeling of action fatigue I’ve been experiencing so much in film lately (I’m looking at you, Marvel). The Nice Guys is all-around great filmmaking and one I can’t wait to revisit. I wouldn’t doubt it’ll be a day-one buy for me when it hits the home video market.
Phillip McSween (751 KP) rated Spider-Man: Homecoming (2017) in Movies
Jan 25, 2021
New Vibes, New Dopeness
When I first saw that Sony was playing nice with Disney/Marvel, I almost lost it when I saw that Spider-Man would make an appearance in Captain America: Civil War. Nerd Moment: I’ve always thought that all of the Marvel properties belonged together and this was a step in the right direction. It’s been amazing what’s happened since. In this third reboot since the new century, Spider-Man: Homecoming is the story of a young Peter Parker handling his role as a teenager and a webslinging superhero.
Acting: 10
Beginning: 7
Characters: 7
Peter (Tom Holland) is a lovable kid surrounded by a fun cast of friends and foes. They took a different and, in my opinion, smarter route by making Aunt May (Marisa Tomei) younger and more relatable. Not only did it pay off but it helped contribute to side jokes in the story involving Happy (Jon Favreau) and Tony Stark (Robert Downey Jr.). Yes, there are so many characters to love here, both familiar and new…that is until we get to the villain played by one of my favorite actors Michael Keaton. Don’t get me wrong, he wasn’t horrible, I just couldn’t buy his motivation which made it hard at times to connect to the overall story and conflict.
Cinematography/Visuals: 10
Watching some of these scenes play out seriously made me wish I was Spider-Man. The aerial combat and clever use of webs is such a treat to watch and experience, both at home. and in the theater. Marvel hit another home run here with cinematic perfection that stretches all over the great city of New York.
Conflict: 10
The conflict isn’t just about Spider-Man fighting bad guys. Rather it’s about having to do all of this and be a kid at the same time…and impress Tony Stark…and get used to his new suit…and keep all of this a secret from his caretaker. So many things wrapped into one makes this such a fun ride. Yes, there is plenty of spider fights to enjoy, but there is so much more to love about the movie as a whole.
Entertainment Value: 9
Memorability: 8
Pace: 10
Plot: 9
Really enjoyed the story and how it plays into the Marvel universe as a whole. A few twists here and there keep things interesting. Again there is so much driving conflict here and character growth that it’s easy to miss the complexities of everything involved in the story. Again, not in love with Vulture’s motivation, but it doesn’t diminish things too badly.
Resolution: 10
Overall: 90
The difficulty of Peter trying to get used to his new suit alone was enough to keep me beaming watching this movie. Marvel movies are known for packing a mega punch and Spider-Man: Homecoming definitely stands up there as one of the stronger ones. Great movie.
Acting: 10
Beginning: 7
Characters: 7
Peter (Tom Holland) is a lovable kid surrounded by a fun cast of friends and foes. They took a different and, in my opinion, smarter route by making Aunt May (Marisa Tomei) younger and more relatable. Not only did it pay off but it helped contribute to side jokes in the story involving Happy (Jon Favreau) and Tony Stark (Robert Downey Jr.). Yes, there are so many characters to love here, both familiar and new…that is until we get to the villain played by one of my favorite actors Michael Keaton. Don’t get me wrong, he wasn’t horrible, I just couldn’t buy his motivation which made it hard at times to connect to the overall story and conflict.
Cinematography/Visuals: 10
Watching some of these scenes play out seriously made me wish I was Spider-Man. The aerial combat and clever use of webs is such a treat to watch and experience, both at home. and in the theater. Marvel hit another home run here with cinematic perfection that stretches all over the great city of New York.
Conflict: 10
The conflict isn’t just about Spider-Man fighting bad guys. Rather it’s about having to do all of this and be a kid at the same time…and impress Tony Stark…and get used to his new suit…and keep all of this a secret from his caretaker. So many things wrapped into one makes this such a fun ride. Yes, there is plenty of spider fights to enjoy, but there is so much more to love about the movie as a whole.
Entertainment Value: 9
Memorability: 8
Pace: 10
Plot: 9
Really enjoyed the story and how it plays into the Marvel universe as a whole. A few twists here and there keep things interesting. Again there is so much driving conflict here and character growth that it’s easy to miss the complexities of everything involved in the story. Again, not in love with Vulture’s motivation, but it doesn’t diminish things too badly.
Resolution: 10
Overall: 90
The difficulty of Peter trying to get used to his new suit alone was enough to keep me beaming watching this movie. Marvel movies are known for packing a mega punch and Spider-Man: Homecoming definitely stands up there as one of the stronger ones. Great movie.
Mark Jaye (65 KP) rated Avengers: Infinity War (2018) in Movies
May 12, 2019
To Infinity....and Beyond!
Contains spoilers, click to show
Perhaps it's the eternal child in me, the three year old boy who developed a passion for superheroes after first seeing the 1966 Batman movie in the cinema (re-run of course, this was the 70's!), but this is without doubt the best film I have ever seen! Running at around 2 hours and 20 minutes in length (that's prior to the end credits mind you!) this movie brings together plot strands and characters from the Marvel Cinematic Universe's 10 year tapestry in what I will only describe as an epic thrill-ride.
I'm sure if you're reading this you know the plot. Thanos - the granite jawed world killer from the planet Titan, is rounding up the 6 all powerful infinity stones with which he plans to restore the balance of the universe through essentially wiping out 50% of everything. All that stands in his way are The Avengers, the Guardians of the Galaxy, Doctor Strange, Spiderman, Black Panther, and probably a few I've forgotten to mention! And that's pretty much the story.
We pick things up directly from the mid credits scene of Thor: Ragnarok where the refugee Asgardians, Bruce Banner, and Loki encountered a spaceship of epic proportions. We all knew it at the time... Thanos! Within the first five minutes or so we already have our first casualties at the hands of the purple behemoth which sets the tone for what follows. In possession of two of the stones Thanos dispatches his 'children' - the Black Order, to Earth to retrieve the Mind and Time stones whilst he tracks down the remaining ones. At quite a quick pace our heroes are introduced into the chaos and by employing this structure the writers ably break down the ensemble into smaller manageable groups. Stark, Peter Parker, and Doctor Strange are hurled into the vastness of Space where they encounter Peter Quill and some of his merry misfits, Thor and some of the other Guardians go off in search off forging a weapon to defeat Thanos, and Rogers, Romanoff, Wilson, Rhodes and Maximoff take Vision to Wakanda in order to try and separate the Mind Stone from him with the aid of T'Challa, Shuri and Okaye. Gamora finds herself the prisoner of her adoptive father - a storyline that gives both Brolin and Saldana a chance to really show their worth. Those are effectively the four story strands at play and each is a joy in its own right.
Each character stays true to form with Hemsworth taking the character along he rediscovered in 'Ragnarok' - albeit with some added darkness from the movie's opening moments. Chris Pratt is sheer joy as Quill/Starlord and his interplay with Stark and Hemsworth is a joy to behold. Tom Holland gets one of the best lines when responding to a question from Quill regarding a certain Kevin Bacon movie! Top marks also go to the man who launched this universe a decade ago as Iron Man - yes, Robert Downey Jr knocks it out of the park as a Tony Stark far removed from that we encountered back in the first movie of the MCU. His performance at the climax is simply first rate.
With such a large cast there are characters who don't get as much to do as others although everyone get's a 'moment or two' amongst proceedings. Those that particularly stand out, however, are Robert Downey Jr's Iron Man (reiterating my earlier comments), Chris Hemsworth as Thor (likewise), Zoe Saldana as Gamora (ditto), Chris Pratt as Starlord/Peter Quill (and again), Paul Bettany as Vision and Elisabeth Olsen as Wanda/Scarlet Witch. Surprisingly, Chris Evans doesn't seem to get much to do other than play an active role in a number of excellent battle sequences, although his introduction into the movie along with Black Widow and Falcon as they turn up in Scotland to save the day for Vision and Wanda Maximoff from the Black Order was a personal fist thumping the air moment!
There's simply so much to talk about and I'll stop myself there. If, like myself, you just can't avoid spoilers then chances are you know what happens in this movie by now...including that ending!!
Thanos is the perfect villain, fantastically realised, and given real motivation for his actions - the guy thinks he's showing mercy to the universe! I wouldn't agree that this is his movie as the film-makers have repeatedly stated however he is the central cog that keeps things turning.~Josh Brolin does an exceptional job in bringing Thanos to life. Given the feedback and reaction to Steppenwolf in the DCEU there could have been obvious concerns around another CGI villain. Fear not, the technology is exceptional and Brolin's features are evident 100% making Thanos a living creation.
Alan Silvestri's score is the perfect fit and really compliments the action unfolding on the screen. During the aforementioned fist in the air moment as Steve Rogers, Black Widow, and Falcon make their first appearance to take on the Black Order, Silvestri's 'Avengers' theme kicks in creating pure movie magic.
Simply put, this movie is pure perfection.
I'm sure if you're reading this you know the plot. Thanos - the granite jawed world killer from the planet Titan, is rounding up the 6 all powerful infinity stones with which he plans to restore the balance of the universe through essentially wiping out 50% of everything. All that stands in his way are The Avengers, the Guardians of the Galaxy, Doctor Strange, Spiderman, Black Panther, and probably a few I've forgotten to mention! And that's pretty much the story.
We pick things up directly from the mid credits scene of Thor: Ragnarok where the refugee Asgardians, Bruce Banner, and Loki encountered a spaceship of epic proportions. We all knew it at the time... Thanos! Within the first five minutes or so we already have our first casualties at the hands of the purple behemoth which sets the tone for what follows. In possession of two of the stones Thanos dispatches his 'children' - the Black Order, to Earth to retrieve the Mind and Time stones whilst he tracks down the remaining ones. At quite a quick pace our heroes are introduced into the chaos and by employing this structure the writers ably break down the ensemble into smaller manageable groups. Stark, Peter Parker, and Doctor Strange are hurled into the vastness of Space where they encounter Peter Quill and some of his merry misfits, Thor and some of the other Guardians go off in search off forging a weapon to defeat Thanos, and Rogers, Romanoff, Wilson, Rhodes and Maximoff take Vision to Wakanda in order to try and separate the Mind Stone from him with the aid of T'Challa, Shuri and Okaye. Gamora finds herself the prisoner of her adoptive father - a storyline that gives both Brolin and Saldana a chance to really show their worth. Those are effectively the four story strands at play and each is a joy in its own right.
Each character stays true to form with Hemsworth taking the character along he rediscovered in 'Ragnarok' - albeit with some added darkness from the movie's opening moments. Chris Pratt is sheer joy as Quill/Starlord and his interplay with Stark and Hemsworth is a joy to behold. Tom Holland gets one of the best lines when responding to a question from Quill regarding a certain Kevin Bacon movie! Top marks also go to the man who launched this universe a decade ago as Iron Man - yes, Robert Downey Jr knocks it out of the park as a Tony Stark far removed from that we encountered back in the first movie of the MCU. His performance at the climax is simply first rate.
With such a large cast there are characters who don't get as much to do as others although everyone get's a 'moment or two' amongst proceedings. Those that particularly stand out, however, are Robert Downey Jr's Iron Man (reiterating my earlier comments), Chris Hemsworth as Thor (likewise), Zoe Saldana as Gamora (ditto), Chris Pratt as Starlord/Peter Quill (and again), Paul Bettany as Vision and Elisabeth Olsen as Wanda/Scarlet Witch. Surprisingly, Chris Evans doesn't seem to get much to do other than play an active role in a number of excellent battle sequences, although his introduction into the movie along with Black Widow and Falcon as they turn up in Scotland to save the day for Vision and Wanda Maximoff from the Black Order was a personal fist thumping the air moment!
There's simply so much to talk about and I'll stop myself there. If, like myself, you just can't avoid spoilers then chances are you know what happens in this movie by now...including that ending!!
Thanos is the perfect villain, fantastically realised, and given real motivation for his actions - the guy thinks he's showing mercy to the universe! I wouldn't agree that this is his movie as the film-makers have repeatedly stated however he is the central cog that keeps things turning.~Josh Brolin does an exceptional job in bringing Thanos to life. Given the feedback and reaction to Steppenwolf in the DCEU there could have been obvious concerns around another CGI villain. Fear not, the technology is exceptional and Brolin's features are evident 100% making Thanos a living creation.
Alan Silvestri's score is the perfect fit and really compliments the action unfolding on the screen. During the aforementioned fist in the air moment as Steve Rogers, Black Widow, and Falcon make their first appearance to take on the Black Order, Silvestri's 'Avengers' theme kicks in creating pure movie magic.
Simply put, this movie is pure perfection.
Lee (2222 KP) rated Spider-Man: Homecoming (2017) in Movies
Jul 14, 2017
Slightly Disappointed
So, here we are. At last. After a couple of great movies, a really poor third movie and a disastrous reboot/sequel, it was beginning to look as though one of our all time favourite superheroes was never going to get another movie to do him justice. And then, in what was already a hero packed, action roller-coaster of a movie, Spider-Man finally returned home to Marvel in spectacular fashion during Captain America: Civil War. A fantastic portrayal of Peter Parker and an even better Spider-Man, it was enough to leave us wanting more and enough to get us pretty excited when standalone movie Homecoming was announced soon after.
Ok, so I’ve been trying to think about how I feel after watching it, and it’s a tough one. This is a Spider-Man movie by Marvel that feels closer to how a Spider-Man movie should be than any of the previous movies before it. And Tom Holland is just a perfect Peter Parker. But, I kind of felt disappointed by it. It didn’t thrill me as much as other Marvel movies, and certainly not as much as Civil War did. When Spider-Man shows up in Civil War, he’s an enthusiastic teen with a lot to learn, but he still manages to pull off some pretty jaw dropping action. In Homecoming it just feels like the momentum has been lost – too much awkward teen, not enough action hero. The awe and thrill of swooping through the New York skyline that we got in the first Spider-Man movie, there’s nothing like that here. I wonder if, for me anyway, it’s some kind of superhero fatigue. But then I didn’t feel that way about Wonder Woman recently, so I’m just not sure. I just can’t quite put my finger on it. I feel ashamed of myself for not liking it as much as I was expecting!
Most of the big action pieces, such as the Staten Island ferry scene, have already been shown pretty much on their entirety during the trailer. And the climax, involving Spidey and Vulture on a plane, is fairly difficult to follow, as it’s set in the dark with the plane veering out of control. Probably the most impressive sequence is on the Washington monument, a traditional lift-about-to-fall scenario. Spidey is struggling to get used to his upgraded suit, he’s nervous about being so high up (and so are we, this scene is very well done) and he’s unsure of what to do best to save the day. It’s a tense scene, perfectly handled and we really feel for Peter Parker.
There’s plenty of humour and heart throughout and a good supporting cast. Michael Keaton is impressive and suitably menacing as The Vulture and Robert Downey Jr is… well, his usual self. I just hope that as part of the next Avengers movie and beyond, I feel a bit more impressed next time than I did after this.
Ok, so I’ve been trying to think about how I feel after watching it, and it’s a tough one. This is a Spider-Man movie by Marvel that feels closer to how a Spider-Man movie should be than any of the previous movies before it. And Tom Holland is just a perfect Peter Parker. But, I kind of felt disappointed by it. It didn’t thrill me as much as other Marvel movies, and certainly not as much as Civil War did. When Spider-Man shows up in Civil War, he’s an enthusiastic teen with a lot to learn, but he still manages to pull off some pretty jaw dropping action. In Homecoming it just feels like the momentum has been lost – too much awkward teen, not enough action hero. The awe and thrill of swooping through the New York skyline that we got in the first Spider-Man movie, there’s nothing like that here. I wonder if, for me anyway, it’s some kind of superhero fatigue. But then I didn’t feel that way about Wonder Woman recently, so I’m just not sure. I just can’t quite put my finger on it. I feel ashamed of myself for not liking it as much as I was expecting!
Most of the big action pieces, such as the Staten Island ferry scene, have already been shown pretty much on their entirety during the trailer. And the climax, involving Spidey and Vulture on a plane, is fairly difficult to follow, as it’s set in the dark with the plane veering out of control. Probably the most impressive sequence is on the Washington monument, a traditional lift-about-to-fall scenario. Spidey is struggling to get used to his upgraded suit, he’s nervous about being so high up (and so are we, this scene is very well done) and he’s unsure of what to do best to save the day. It’s a tense scene, perfectly handled and we really feel for Peter Parker.
There’s plenty of humour and heart throughout and a good supporting cast. Michael Keaton is impressive and suitably menacing as The Vulture and Robert Downey Jr is… well, his usual self. I just hope that as part of the next Avengers movie and beyond, I feel a bit more impressed next time than I did after this.
Movie Metropolis (309 KP) rated Mr. Holmes (2015) in Movies
Jun 10, 2019 (Updated Jun 11, 2019)
Sir Ian McKellen is magnificent
Sherlock Holmes is hot property at the moment. Robert Downey Jr has played the titular detective in two box-office behemoths and Benedict Cumberbatch is supremely popular across the globe for his take on the character.
Now, Sir Ian McKellen is giving it a go in the little-publicised BBC funded Mr Holmes. But does it continue the trend of crafting intriguing dramas from the stories of Sir Arthur Conan Doyle?
Bill Condon, director of Dreamgirls and the upcoming Beauty & the Beast live-action remake takes charge of an intriguing film that ends up having a whiff of Saturday night drama about it.
Mr Holmes follows the story of the titular character as he comes to terms with his advancing years. McKellen plays Holmes at age 93, living away from the public eye in a quiet rural location alongside his harsh housekeeper Mrs Munro (Laura Linney) and her son Roger – a wonderful Milo Parker in his first big-screen role.
Ian McKellen is simply brilliant throughout the course of the film and after years of playing Gandalf and Magneto, slows things right down in a portrayal of the detective never really seen before – he is magnificent.
Laura Linney is a good distraction from McKellen’s rather downbeat role but her character doesn’t really do enough to register and her accent wanders through numerous countries by the time the end credits roll. This is very much McKellen’s film.
Mr Holmes, much like A Little Chaos earlier this year is a slow-paced drama that would rather tackle the finer details of the script and focus on its characters then delve into unnecessary subplots and fancy special effects and there’s something charming about this simplicity.
Unfortunately though, it all just feels a little TV drama like. Because of this, you’re almost expecting a ‘To be continued…’ credit to be added at the end of the first hour – with the conclusion coming a week later.
This is a real shame as it makes Mr Holmes feel longer than it actually is. At just over 100 minutes, this is by no means a drawn-out film but the slow pace ensures things seem to take a little longer than they perhaps would in another feature.
Thankfully though, Ian McKellen’s performance is reason enough to give Mr Holmes a watch, with another being the intriguing and at times, rather unpredictable plot.
Overall, there isn’t really that much wrong with Mr Holmes but its release date is almost suicidal. Being sandwiched in between blockbusters like Jurassic World, Minions and Terminator: Genisys, it has a tough job to do and it deserves more success than I fear it will end up having.
Ian McKellen, like Meryl Streep is one of the finest living thespians and Mr Holmes only cements his position at the very top of his craft. However, it’s probably best reserved for a night-time viewing with slippers and a hot cup of cocoa.
https://moviemetropolis.net/2015/06/21/sir-ian-mckellen-is-magnificent-mr-holmes-review/
Now, Sir Ian McKellen is giving it a go in the little-publicised BBC funded Mr Holmes. But does it continue the trend of crafting intriguing dramas from the stories of Sir Arthur Conan Doyle?
Bill Condon, director of Dreamgirls and the upcoming Beauty & the Beast live-action remake takes charge of an intriguing film that ends up having a whiff of Saturday night drama about it.
Mr Holmes follows the story of the titular character as he comes to terms with his advancing years. McKellen plays Holmes at age 93, living away from the public eye in a quiet rural location alongside his harsh housekeeper Mrs Munro (Laura Linney) and her son Roger – a wonderful Milo Parker in his first big-screen role.
Ian McKellen is simply brilliant throughout the course of the film and after years of playing Gandalf and Magneto, slows things right down in a portrayal of the detective never really seen before – he is magnificent.
Laura Linney is a good distraction from McKellen’s rather downbeat role but her character doesn’t really do enough to register and her accent wanders through numerous countries by the time the end credits roll. This is very much McKellen’s film.
Mr Holmes, much like A Little Chaos earlier this year is a slow-paced drama that would rather tackle the finer details of the script and focus on its characters then delve into unnecessary subplots and fancy special effects and there’s something charming about this simplicity.
Unfortunately though, it all just feels a little TV drama like. Because of this, you’re almost expecting a ‘To be continued…’ credit to be added at the end of the first hour – with the conclusion coming a week later.
This is a real shame as it makes Mr Holmes feel longer than it actually is. At just over 100 minutes, this is by no means a drawn-out film but the slow pace ensures things seem to take a little longer than they perhaps would in another feature.
Thankfully though, Ian McKellen’s performance is reason enough to give Mr Holmes a watch, with another being the intriguing and at times, rather unpredictable plot.
Overall, there isn’t really that much wrong with Mr Holmes but its release date is almost suicidal. Being sandwiched in between blockbusters like Jurassic World, Minions and Terminator: Genisys, it has a tough job to do and it deserves more success than I fear it will end up having.
Ian McKellen, like Meryl Streep is one of the finest living thespians and Mr Holmes only cements his position at the very top of his craft. However, it’s probably best reserved for a night-time viewing with slippers and a hot cup of cocoa.
https://moviemetropolis.net/2015/06/21/sir-ian-mckellen-is-magnificent-mr-holmes-review/
Gareth von Kallenbach (965 KP) rated Avengers: Age of Ultron (2015) in Movies
Jun 19, 2019
Marvel continues its cinematic dominance with their latest release, “The Avengers: Age of Ultron”. The film once again teams Iron Man (Robert Downey JR.), Captain America (Chris Evans), Thor (Chris Hemsworth), The Hulk (Mark Ruffalo), Black Window , (Scarlett Johannson), and Hawkeye (Jeremy Renner), as the deal with the fall of S.H.I.E.L.D. after the events of “Captain America: The Winter Soldier”.
The film opens with a visually amazing action sequence where the heroes raid a Hydra base as they attempt to retrieve Loki’s spear from the evil organization that is bent on world domination.
While researching the spoils of their raid, a pair of enhanced siblings, (Aaron Taylor-Johnson and Elizabeth Olson), have managed to exert their influence on one of the team which in turn leads to a bold experiment to create an ultimate guardian of humanity named Ultron who will protect the Earth from all manner of enemies from beyond.
Things do not go as planned s unbeknownst to the Avengers, the artificial A.I. they recovered from Hydra soon builds an army and declares an all-out war on the Avengers and eventually all of humanity.
Tasked with stopping a clever enemy who can switch his conscious to any number of bodies the world over, Ultron (James Spader) leads the team on a deadly game of cat and mouse with the fate of the human race hanging in the balance.
The film is darker and bolder than many of the previous Marvel films but still maintains plenty of humor to lighten the tension. The supporting cast is very good, especially Samuel L. Jackson who steals the scenes whenever he appears.
There were a few sub plots and romantic themes that seemed a bit muddled and some aspects of the story were not fully developed and came to conclusions fairly abruptly, but the film is a shining triumph despite the issues.
The leads work very well with one another though some characters such as Thor were given storylines that really never developed and the same goes for some of the questions left unanswered since the fall of S.H.I.E.L.D.
The visual FX were amazing as seeing it in IMAX 3D really made the action leap off the screen. Director Josh Wheedon paces the film well despite a few instances where things drag along.
The action sequences are the bread and butter of the film and they are frequent and truly spectacular to behold.
Spader does a great job bringing a depth to Ultron which helps him avoid being the stock super villain. He mixes the soul of a poet and scholar with the tantrums of a child which makes him a compelling, captivating, and downright deadly opponent.
The newer characters do well and hopefully we will see them developed more in “Avengers: Infinity War” which is currently in the early stages of development.
For now, Wheedon, Marvel, and the talented cast have created an epic summer action film which is everything you would expect from a super hero movie and more.
http://sknr.net/2015/04/30/avengers-age-of-ultron/
The film opens with a visually amazing action sequence where the heroes raid a Hydra base as they attempt to retrieve Loki’s spear from the evil organization that is bent on world domination.
While researching the spoils of their raid, a pair of enhanced siblings, (Aaron Taylor-Johnson and Elizabeth Olson), have managed to exert their influence on one of the team which in turn leads to a bold experiment to create an ultimate guardian of humanity named Ultron who will protect the Earth from all manner of enemies from beyond.
Things do not go as planned s unbeknownst to the Avengers, the artificial A.I. they recovered from Hydra soon builds an army and declares an all-out war on the Avengers and eventually all of humanity.
Tasked with stopping a clever enemy who can switch his conscious to any number of bodies the world over, Ultron (James Spader) leads the team on a deadly game of cat and mouse with the fate of the human race hanging in the balance.
The film is darker and bolder than many of the previous Marvel films but still maintains plenty of humor to lighten the tension. The supporting cast is very good, especially Samuel L. Jackson who steals the scenes whenever he appears.
There were a few sub plots and romantic themes that seemed a bit muddled and some aspects of the story were not fully developed and came to conclusions fairly abruptly, but the film is a shining triumph despite the issues.
The leads work very well with one another though some characters such as Thor were given storylines that really never developed and the same goes for some of the questions left unanswered since the fall of S.H.I.E.L.D.
The visual FX were amazing as seeing it in IMAX 3D really made the action leap off the screen. Director Josh Wheedon paces the film well despite a few instances where things drag along.
The action sequences are the bread and butter of the film and they are frequent and truly spectacular to behold.
Spader does a great job bringing a depth to Ultron which helps him avoid being the stock super villain. He mixes the soul of a poet and scholar with the tantrums of a child which makes him a compelling, captivating, and downright deadly opponent.
The newer characters do well and hopefully we will see them developed more in “Avengers: Infinity War” which is currently in the early stages of development.
For now, Wheedon, Marvel, and the talented cast have created an epic summer action film which is everything you would expect from a super hero movie and more.
http://sknr.net/2015/04/30/avengers-age-of-ultron/
Lee (2222 KP) rated Spies in Disguise (2019) in Movies
Jan 1, 2020
I’m not exactly complaining, but Tom Holland does seem to literally be in everything right now. As I sat ready to watch Spies in Disguise, which features the voice of Tom Holland, there was a trailer for upcoming Pixar movie Onward, featuring the voice of Tom Holland. Then a trailer for Dolittle, starring Robert Downey Jr and featuring the voice of Tom Holland as loyal dog Jip. On top of starring in 2019s highest grossing movie, as everyone’s favourite neighbourhood webslinger, he’s certainly having quite the year right now. And well deserved it is too.
But before we get to his voicing of Walter in Spies in Disguise, we meet much younger Walter, 14 years earlier, building gadgets and being branded a weirdo at school. His police officer mum comforts Walter, telling him that weird is good and the world needs weirdos. And that one day, the invention he’s just tested on his unsuspecting mum - a grenade which explodes into glitter and projects cute kittens - might just come in handy...
Will Smith on the other hand, hasn’t had quite as great a year as Tom Holland. Ridiculed for his blue genie in the run up to the release of Aladdin, he actually wasn’t too bad when the movie came out. But then came the disaster that was Gemini Man. Hopefully though, the upcoming sequel ‘Bad Boys for Life’ will be a return to form for Smith, but for now, starring as the voice of Lance Sterling, the worlds greatest spy, has certainly landed him a winner. A suave, charming, one man operation, we’re shown just how cool and impressive Sterling is as he single-handedly and effortlessly takes out dozens of bad guys using combat skills and a variety of spy gadgets. But Lance is suddenly caught off guard when, instead of releasing a more traditional explosive to take out some goons, he releases a glitter-kitty explosion.
Returning to headquarters a hero, we discover that Walter is now working in the gadgets department, where new tricks and toys for spies are designed and tested. Lance is not impressed with Walter messing up his operation and the pair don’t exactly hit it off on the right foot. But when Lance is wrongly accused of committing a crime, he must go on the run and reluctantly team up with Walter to get the bad guy and clear his name. And how is he going to do that without being seen and caught? Well, just so happens that Walter has invented a way of turning humans into pigeons!
There’s nothing particularly new about the main plot of Spies in Disguise, aside from the pigeon aspect of it all of course. But it’s the fast paced action and humour that really sets this apart from the crowd and quite often reminded me of The Incredibles - great characters and great ideas all mixed together with some impressive visuals and slick action. Both Tom Holland and Will Smith are perfect in their roles and, aside from a bit of a mid-movie dip, Spies in Disguise actually proved to be hugely entertaining.
But before we get to his voicing of Walter in Spies in Disguise, we meet much younger Walter, 14 years earlier, building gadgets and being branded a weirdo at school. His police officer mum comforts Walter, telling him that weird is good and the world needs weirdos. And that one day, the invention he’s just tested on his unsuspecting mum - a grenade which explodes into glitter and projects cute kittens - might just come in handy...
Will Smith on the other hand, hasn’t had quite as great a year as Tom Holland. Ridiculed for his blue genie in the run up to the release of Aladdin, he actually wasn’t too bad when the movie came out. But then came the disaster that was Gemini Man. Hopefully though, the upcoming sequel ‘Bad Boys for Life’ will be a return to form for Smith, but for now, starring as the voice of Lance Sterling, the worlds greatest spy, has certainly landed him a winner. A suave, charming, one man operation, we’re shown just how cool and impressive Sterling is as he single-handedly and effortlessly takes out dozens of bad guys using combat skills and a variety of spy gadgets. But Lance is suddenly caught off guard when, instead of releasing a more traditional explosive to take out some goons, he releases a glitter-kitty explosion.
Returning to headquarters a hero, we discover that Walter is now working in the gadgets department, where new tricks and toys for spies are designed and tested. Lance is not impressed with Walter messing up his operation and the pair don’t exactly hit it off on the right foot. But when Lance is wrongly accused of committing a crime, he must go on the run and reluctantly team up with Walter to get the bad guy and clear his name. And how is he going to do that without being seen and caught? Well, just so happens that Walter has invented a way of turning humans into pigeons!
There’s nothing particularly new about the main plot of Spies in Disguise, aside from the pigeon aspect of it all of course. But it’s the fast paced action and humour that really sets this apart from the crowd and quite often reminded me of The Incredibles - great characters and great ideas all mixed together with some impressive visuals and slick action. Both Tom Holland and Will Smith are perfect in their roles and, aside from a bit of a mid-movie dip, Spies in Disguise actually proved to be hugely entertaining.