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David McK (3188 KP) rated Sherlock Holmes: A Game of Shadows (2011) in Movies
Jan 18, 2024
More or less direct sequel to the first Robert Downey Jr Sherlock Holmes movie, that again continues the unfortunate trend of an over-reliance of slow motion scenes, and slapstick based around Holmes being in disguise.
Better than the first, yes, but nowhere near as good as the BBC Benedict Cumberbatch adaptations, or even of NBCs Elementary.
Better than the first, yes, but nowhere near as good as the BBC Benedict Cumberbatch adaptations, or even of NBCs Elementary.
David McK (3188 KP) rated Enola Holmes (2020) in Movies
Apr 4, 2021
The other Holmes sibling
Sherlock Holmes?
Yep, I'd heard of him.
Mycroft Holmes?
Less well-known, but again: yes. Mainly because of the recent(ish) TV series Sherlock, and the Robert Downey Jr starring films.
Enola Holmes?
I'm afraid to say: nope, never heard of her.
I actually thought at first she was a completely new creation for this Netflix movie, until a little bit of research showed me that she is actually the main character in a series of young adult mystery novels, by American author Nancy Springer (sorry, Nancy: can't say I know who you are either.)
Starring 'Stranger Things' actor Milly Bobby Brown as Enola, I wasn't keen on the talking-straight-to-the-viewer aspects of the movie, which never really held my attention all that much.
I have to say, though, it does contain some considerable 'star power', including the likes of Helena Bonham Carter as the Holmes matriarch (whose disappearance triggers the whole thing) and Henry Cavill - Superman himself! - as a very different take on the middle of the Holms siblings, Sherlock himself
Yep, I'd heard of him.
Mycroft Holmes?
Less well-known, but again: yes. Mainly because of the recent(ish) TV series Sherlock, and the Robert Downey Jr starring films.
Enola Holmes?
I'm afraid to say: nope, never heard of her.
I actually thought at first she was a completely new creation for this Netflix movie, until a little bit of research showed me that she is actually the main character in a series of young adult mystery novels, by American author Nancy Springer (sorry, Nancy: can't say I know who you are either.)
Starring 'Stranger Things' actor Milly Bobby Brown as Enola, I wasn't keen on the talking-straight-to-the-viewer aspects of the movie, which never really held my attention all that much.
I have to say, though, it does contain some considerable 'star power', including the likes of Helena Bonham Carter as the Holmes matriarch (whose disappearance triggers the whole thing) and Henry Cavill - Superman himself! - as a very different take on the middle of the Holms siblings, Sherlock himself
Chris Sawin (602 KP) rated Sherlock Holmes (2009) in Movies
Jun 22, 2019
Sherlock Holmes (Robert Downey Jr) has developed a reputation for having one of the most brilliant crime solving minds of his time. Along with his partner, Dr. John Watson (Jude Law), there is rarely ever a time when a case goes unsolved or a suspect is able to get the best of the two of them. However, that very well may be the case this time around. Holmes and Watson were able to apprehend Lord Blackwood (Mark Strong), who is believed to be a master of black magic. Blackwood is hanged and that is thought to be the end of it until he returns from the grave. Somehow Irene Adler (Rachel McAdams), an adversary of Holmes who he not only has feelings for but has gotten the best of him on more than one occasion, is wrapped up in all of this. Not to mention that the Blackwood case was supposed to be Watson's last as he settles down to get married. So Holmes takes the case to try and solve Blackwood's resurrection, figure out how Irene is involved, and convince Watson to stay on as his partner. What he doesn't count on is walking away from this case with an adversary that's just as cunning and brilliant as he is.
As a fan of the majority of Guy Ritchie's previous works (Lock, Stock, and Two Smoking Barrels, Snatch, Revolver, RocknRolla) and the incredible streak Robert Downey Jr has of impressive performances that have turned him into one of the most entertaining and profitable leading actors of today, you could say the anticipation and expectations for this film were fairly high. Other reviews for the film seemed to be mixed as a lot of them mentioned the writing for the film being lackluster and most complained that Sherlock Holmes wasn't an action star, but the film still brought in around $65 million its opening weekend. So is Ritchie's version of Sherlock Holmes worth seeing? If you're looking for one final film to make you laugh, have hard-hitting action, have a great cast, and have a fairly well-written story, then look no further than Sherlock Holmes.
The chemistry between Robert Downey Jr and Jude Law is the main reason to see this film. Robert Downey Jr puts in another top notch performance as Sherlock Holmes. Despite Holmes being a rather selfish individual, you can't help but find his antics entertaining. It became easier to sympathize with him as the film went on since how much Watson means to him as a friend and as his partner is revealed in the latter half of the film. As impressive as Robert Downey Jr was, Jude Law as just as entertaining. The way Holmes and Watson argue with each other and the way Watson thinks Holmes guilts him into coming along on each case is pure delight to the audience. That's partially due to the impeccable comedic timing the two have, but also due to the fact that they're both extremely talented actors at the top of their game in this film.
One of the most interesting aspects of the film is the way the film seemed to allow its viewers inside the mind of Sherlock Holmes at times. There's two occasions where Holmes is dissecting the moves he's about to make in a fight before he makes them as he announces each blow and the damage each blow does to his opponent. As he's narrating, the film plays in slow motion. When he's done, we jump back to the moment before he started narrating and see the entire situation play out in real time. There were other times, like the time in the restaurant when he's waiting to meet Watson's fiancé, Mary Morstan (Kelly Reilly), and when he's sitting in Blackwood's jail cell where it seemed like Holmes heard absolutely everything that was going on. It was as if he was aware of everything that was going on around him. Those parts of the film established just how adept Holmes really was.
The one flaw the film may have may be tucked away in the storyline somewhere. It felt convoluted at times. It may just need a repeat viewing or two to process everything rationally. So while just about everything is explained in full by Sherlock Holmes and everything is wrapped up by the time the credits roll (other than the open-ended finale that leaves it wide open for a sequel), it did seem like the writers were trying too hard or that they were reaching out too far for explanations or something.
Sherlock Holmes is Guy Ritchie's biggest box office success to date and it's safe to say that Robert Downey Jr has jumpstarted another successful and entertaining franchise. If you're familiar with Ritchie's previous works, then this film almost feels like the Sherlock Holmes character being thrown into the same world Ritchie established in Lock, Stock, and Two Smoking Barrels and Snatch if they took place in the late nineteenth century. The film centers on Holmes' anti-social behavior, is inspired heavily by the martial art Bartitsu mentioned in the Sherlock Holmes story from 1901 entitled The Adventure of the Empty House, and focuses on Holmes' brilliant analytical mind. Sherlock Holmes is full of high octane-fueled action, entertaining comedy, and witty dialogue.
As a fan of the majority of Guy Ritchie's previous works (Lock, Stock, and Two Smoking Barrels, Snatch, Revolver, RocknRolla) and the incredible streak Robert Downey Jr has of impressive performances that have turned him into one of the most entertaining and profitable leading actors of today, you could say the anticipation and expectations for this film were fairly high. Other reviews for the film seemed to be mixed as a lot of them mentioned the writing for the film being lackluster and most complained that Sherlock Holmes wasn't an action star, but the film still brought in around $65 million its opening weekend. So is Ritchie's version of Sherlock Holmes worth seeing? If you're looking for one final film to make you laugh, have hard-hitting action, have a great cast, and have a fairly well-written story, then look no further than Sherlock Holmes.
The chemistry between Robert Downey Jr and Jude Law is the main reason to see this film. Robert Downey Jr puts in another top notch performance as Sherlock Holmes. Despite Holmes being a rather selfish individual, you can't help but find his antics entertaining. It became easier to sympathize with him as the film went on since how much Watson means to him as a friend and as his partner is revealed in the latter half of the film. As impressive as Robert Downey Jr was, Jude Law as just as entertaining. The way Holmes and Watson argue with each other and the way Watson thinks Holmes guilts him into coming along on each case is pure delight to the audience. That's partially due to the impeccable comedic timing the two have, but also due to the fact that they're both extremely talented actors at the top of their game in this film.
One of the most interesting aspects of the film is the way the film seemed to allow its viewers inside the mind of Sherlock Holmes at times. There's two occasions where Holmes is dissecting the moves he's about to make in a fight before he makes them as he announces each blow and the damage each blow does to his opponent. As he's narrating, the film plays in slow motion. When he's done, we jump back to the moment before he started narrating and see the entire situation play out in real time. There were other times, like the time in the restaurant when he's waiting to meet Watson's fiancé, Mary Morstan (Kelly Reilly), and when he's sitting in Blackwood's jail cell where it seemed like Holmes heard absolutely everything that was going on. It was as if he was aware of everything that was going on around him. Those parts of the film established just how adept Holmes really was.
The one flaw the film may have may be tucked away in the storyline somewhere. It felt convoluted at times. It may just need a repeat viewing or two to process everything rationally. So while just about everything is explained in full by Sherlock Holmes and everything is wrapped up by the time the credits roll (other than the open-ended finale that leaves it wide open for a sequel), it did seem like the writers were trying too hard or that they were reaching out too far for explanations or something.
Sherlock Holmes is Guy Ritchie's biggest box office success to date and it's safe to say that Robert Downey Jr has jumpstarted another successful and entertaining franchise. If you're familiar with Ritchie's previous works, then this film almost feels like the Sherlock Holmes character being thrown into the same world Ritchie established in Lock, Stock, and Two Smoking Barrels and Snatch if they took place in the late nineteenth century. The film centers on Holmes' anti-social behavior, is inspired heavily by the martial art Bartitsu mentioned in the Sherlock Holmes story from 1901 entitled The Adventure of the Empty House, and focuses on Holmes' brilliant analytical mind. Sherlock Holmes is full of high octane-fueled action, entertaining comedy, and witty dialogue.
Gareth von Kallenbach (965 KP) rated Sherlock Holmes: A Game of Shadows (2011) in Movies
Aug 7, 2019
Robert Downey, Jr. and Jude Law return once again as Sherlock Holmes and Dr. Watson in “Sherlock Holmes: A Game of Shadows“. In this installment, a series of bombings across Europe has positioned the nations of the world on the brink of war. Holmes is convinced that there is a criminal mastermind behind the numerous, seemingly unrelated events and he believes it is renowned scholar James Moriarty (Jared Harris).
Watson, well-accustomed to Holmes’ eccentric and erratic behavior, is dubious of Holmes claims. Besides, Watson has his upcoming wedding to focus on, and only deigns to spend time with Holmes at the promise of a stag party at an upscale gentlemen’s club. While the bachelor party includes an entertaining Stephen Fry playing Holmes’ brother, Mycroft, Holmes has ulterior motives for taking Watson to this particular club. Early in the film, Holmes had cleverly intercepted a message from Irene Adler (Amy McAdams), that led him to a fortuneteller named Madam Simza Heron (Noomi Rapace), a woman Holmes believes has been targeted for death by Moriarty, who just happens to be working at the gentlemen’s club.
Eventually a meeting with Moriarty is arranged for Holmes. The two intellectuals spar with one another verbally in a civilized manner, with menacing undertones. Holmes isn’t able to convince Moriarty that Watson is no longer a partner in any of his endeavors and, Holmes is forced to take drastic measures to ensure the doctor and his new wife stay out of harm’s way. From Paris to Germany and other European locales, Holmes, Watson, and Simza and her gypsy friends race against time to uncover the diabolical plot that Moriarty has set for their demise in his quest to drive nations to war.
The film is an absolute delight and is a rare sequel that is even better than the previous film in the series. Robert Downey, Jr. and Jude Law have amazing chemistry with one another and their timing is absolutely perfect. The duo deftly mix action and comedy as well as the serious subject matter of the plot line and are utterly captivating and enjoyable to watch every step of the way. Rapace continues to impress in a much softer character than her Lisbeth Salandar role in the “Girl with the Dragon Tattoo” Swedish trilogy. and is poised to become one of Hollywood’s new leading ladies.
Having become familiar with Harris’ work on the series Mad Men, I was delighted to see him expertly portray such a complex character as Moriarty: a gentleman scholar of impeccable upbringing and education who is also a twisted and evil genius. Harris plays Moriarty perfectly and never lets you forget the dark and sinister side of him without ever becoming a campy or cartoony vaudeville villain.
Guy Ritchie returns as director and lets his stars carry the film. The action has been ramped up this time around with some spectacular action sequences but the action never overshadows the character-driven story. The film was well-paced and an absolute thrill ride from beginning to end mixing fantastic action and some great humor for a very winning combination that is not to be missed. I am already looking forward to future outings of Holmes and Watson on the big screen as this was a truly enjoyable experience that shows you how action comedies are supposed to be made.
Watson, well-accustomed to Holmes’ eccentric and erratic behavior, is dubious of Holmes claims. Besides, Watson has his upcoming wedding to focus on, and only deigns to spend time with Holmes at the promise of a stag party at an upscale gentlemen’s club. While the bachelor party includes an entertaining Stephen Fry playing Holmes’ brother, Mycroft, Holmes has ulterior motives for taking Watson to this particular club. Early in the film, Holmes had cleverly intercepted a message from Irene Adler (Amy McAdams), that led him to a fortuneteller named Madam Simza Heron (Noomi Rapace), a woman Holmes believes has been targeted for death by Moriarty, who just happens to be working at the gentlemen’s club.
Eventually a meeting with Moriarty is arranged for Holmes. The two intellectuals spar with one another verbally in a civilized manner, with menacing undertones. Holmes isn’t able to convince Moriarty that Watson is no longer a partner in any of his endeavors and, Holmes is forced to take drastic measures to ensure the doctor and his new wife stay out of harm’s way. From Paris to Germany and other European locales, Holmes, Watson, and Simza and her gypsy friends race against time to uncover the diabolical plot that Moriarty has set for their demise in his quest to drive nations to war.
The film is an absolute delight and is a rare sequel that is even better than the previous film in the series. Robert Downey, Jr. and Jude Law have amazing chemistry with one another and their timing is absolutely perfect. The duo deftly mix action and comedy as well as the serious subject matter of the plot line and are utterly captivating and enjoyable to watch every step of the way. Rapace continues to impress in a much softer character than her Lisbeth Salandar role in the “Girl with the Dragon Tattoo” Swedish trilogy. and is poised to become one of Hollywood’s new leading ladies.
Having become familiar with Harris’ work on the series Mad Men, I was delighted to see him expertly portray such a complex character as Moriarty: a gentleman scholar of impeccable upbringing and education who is also a twisted and evil genius. Harris plays Moriarty perfectly and never lets you forget the dark and sinister side of him without ever becoming a campy or cartoony vaudeville villain.
Guy Ritchie returns as director and lets his stars carry the film. The action has been ramped up this time around with some spectacular action sequences but the action never overshadows the character-driven story. The film was well-paced and an absolute thrill ride from beginning to end mixing fantastic action and some great humor for a very winning combination that is not to be missed. I am already looking forward to future outings of Holmes and Watson on the big screen as this was a truly enjoyable experience that shows you how action comedies are supposed to be made.
BankofMarquis (1832 KP) rated Enola Holmes (2020) in Movies
Oct 18, 2020
A Winning (enough) combination
I'm a sucker for Sherlock Holmes. I grew up watching the fantastic black and white Holmes films from the 1940's starring Basil Rathbone and Nigel Bruce. I checked out '70's Holmes flicks like MURDER BY DECREE and the 7 PERCENT SOLUTION and then re-fell-in-love with Holmes with the Jeremy Brett BBC SHERLOCK HOLMES TV series of the 1980's and, of course, Benedict Cumberbatch's modern take on the master sleuth in the 2000's was "must see TV" for me. I was even on-board with Robert Downey Jr's. "take" on this iconic sleuth and was thrilled when Sir Ian McKellen portrayed an elderly Sherlock Holmes in MR. HOLMES.
So...I eagerly awaited the Netflix treatment of the "younger" sister of Sherlock Holmes in ENOLA HOLMES -and, I gotta say, I wasn't disappointed.
Based on the Young Adult series of novels by Nancy Springer, ENOLA HOLMES introduces us to the (heretofore unknown) younger sister of Sherlock and Mycroft Holmes. Raised by a fiercely independent mother in the late 1880's, Enola goes searching for her when she goes missing and gets mixed up in the "The Case of the Missing Marquess" along the way.
Millie Bobbie Brown (STRANGER THINGS) is a winning, charismatic (enough) performer as Enola. She is a steady and sure hand at the helm of this ship throughout the course of this 2 hour and 3 minute adventure. While I would have liked her to command the screen more with her presence, she does enough to make it a good, solid, effort.
The supporting cast is just as good. Helena Bonham Carter (FIGHT CLUB) is perfectly cast as Enola's (and Sherlock's and Mycroft's) mother - she has that fierce streak of independence and "don't mess with me" energy while carving her own path. She is the type of character that one would go looking for if she went missing. Sam Claflin (HUNGER GAMES: CATCHING FIRE) is finely unrecognizable (at least to me) as Mycroft - written in this piece as the more "traditional" of the Holmes family and Henry Cavill (MAN OF STEEL) brings a strong arrogance to his portrayal of Sherlock. He also brings something else - heart - to this character, a character trait that has "traditional" fans of this character up in arms. For me, it works well in the context of this film.
As for the film itself - it is good (enough). I found myself enjoying the mystery and the characters and enjoyed my time in this world. It's not anything new, but it's like putting on a pair of old shoes - comforting to wear.
This is an adaptation of the first book of the series, and I, for one, hope that there are more. It's a winning combination that was pleasant to watch.
Letter Grade: B+
7 1/2 stars (out of 10) and you can take that to the Bank(ofMarquis)
So...I eagerly awaited the Netflix treatment of the "younger" sister of Sherlock Holmes in ENOLA HOLMES -and, I gotta say, I wasn't disappointed.
Based on the Young Adult series of novels by Nancy Springer, ENOLA HOLMES introduces us to the (heretofore unknown) younger sister of Sherlock and Mycroft Holmes. Raised by a fiercely independent mother in the late 1880's, Enola goes searching for her when she goes missing and gets mixed up in the "The Case of the Missing Marquess" along the way.
Millie Bobbie Brown (STRANGER THINGS) is a winning, charismatic (enough) performer as Enola. She is a steady and sure hand at the helm of this ship throughout the course of this 2 hour and 3 minute adventure. While I would have liked her to command the screen more with her presence, she does enough to make it a good, solid, effort.
The supporting cast is just as good. Helena Bonham Carter (FIGHT CLUB) is perfectly cast as Enola's (and Sherlock's and Mycroft's) mother - she has that fierce streak of independence and "don't mess with me" energy while carving her own path. She is the type of character that one would go looking for if she went missing. Sam Claflin (HUNGER GAMES: CATCHING FIRE) is finely unrecognizable (at least to me) as Mycroft - written in this piece as the more "traditional" of the Holmes family and Henry Cavill (MAN OF STEEL) brings a strong arrogance to his portrayal of Sherlock. He also brings something else - heart - to this character, a character trait that has "traditional" fans of this character up in arms. For me, it works well in the context of this film.
As for the film itself - it is good (enough). I found myself enjoying the mystery and the characters and enjoyed my time in this world. It's not anything new, but it's like putting on a pair of old shoes - comforting to wear.
This is an adaptation of the first book of the series, and I, for one, hope that there are more. It's a winning combination that was pleasant to watch.
Letter Grade: B+
7 1/2 stars (out of 10) and you can take that to the Bank(ofMarquis)
Movie Metropolis (309 KP) rated Mr. Holmes (2015) in Movies
Jun 10, 2019 (Updated Jun 11, 2019)
Sir Ian McKellen is magnificent
Sherlock Holmes is hot property at the moment. Robert Downey Jr has played the titular detective in two box-office behemoths and Benedict Cumberbatch is supremely popular across the globe for his take on the character.
Now, Sir Ian McKellen is giving it a go in the little-publicised BBC funded Mr Holmes. But does it continue the trend of crafting intriguing dramas from the stories of Sir Arthur Conan Doyle?
Bill Condon, director of Dreamgirls and the upcoming Beauty & the Beast live-action remake takes charge of an intriguing film that ends up having a whiff of Saturday night drama about it.
Mr Holmes follows the story of the titular character as he comes to terms with his advancing years. McKellen plays Holmes at age 93, living away from the public eye in a quiet rural location alongside his harsh housekeeper Mrs Munro (Laura Linney) and her son Roger – a wonderful Milo Parker in his first big-screen role.
Ian McKellen is simply brilliant throughout the course of the film and after years of playing Gandalf and Magneto, slows things right down in a portrayal of the detective never really seen before – he is magnificent.
Laura Linney is a good distraction from McKellen’s rather downbeat role but her character doesn’t really do enough to register and her accent wanders through numerous countries by the time the end credits roll. This is very much McKellen’s film.
Mr Holmes, much like A Little Chaos earlier this year is a slow-paced drama that would rather tackle the finer details of the script and focus on its characters then delve into unnecessary subplots and fancy special effects and there’s something charming about this simplicity.
Unfortunately though, it all just feels a little TV drama like. Because of this, you’re almost expecting a ‘To be continued…’ credit to be added at the end of the first hour – with the conclusion coming a week later.
This is a real shame as it makes Mr Holmes feel longer than it actually is. At just over 100 minutes, this is by no means a drawn-out film but the slow pace ensures things seem to take a little longer than they perhaps would in another feature.
Thankfully though, Ian McKellen’s performance is reason enough to give Mr Holmes a watch, with another being the intriguing and at times, rather unpredictable plot.
Overall, there isn’t really that much wrong with Mr Holmes but its release date is almost suicidal. Being sandwiched in between blockbusters like Jurassic World, Minions and Terminator: Genisys, it has a tough job to do and it deserves more success than I fear it will end up having.
Ian McKellen, like Meryl Streep is one of the finest living thespians and Mr Holmes only cements his position at the very top of his craft. However, it’s probably best reserved for a night-time viewing with slippers and a hot cup of cocoa.
https://moviemetropolis.net/2015/06/21/sir-ian-mckellen-is-magnificent-mr-holmes-review/
Now, Sir Ian McKellen is giving it a go in the little-publicised BBC funded Mr Holmes. But does it continue the trend of crafting intriguing dramas from the stories of Sir Arthur Conan Doyle?
Bill Condon, director of Dreamgirls and the upcoming Beauty & the Beast live-action remake takes charge of an intriguing film that ends up having a whiff of Saturday night drama about it.
Mr Holmes follows the story of the titular character as he comes to terms with his advancing years. McKellen plays Holmes at age 93, living away from the public eye in a quiet rural location alongside his harsh housekeeper Mrs Munro (Laura Linney) and her son Roger – a wonderful Milo Parker in his first big-screen role.
Ian McKellen is simply brilliant throughout the course of the film and after years of playing Gandalf and Magneto, slows things right down in a portrayal of the detective never really seen before – he is magnificent.
Laura Linney is a good distraction from McKellen’s rather downbeat role but her character doesn’t really do enough to register and her accent wanders through numerous countries by the time the end credits roll. This is very much McKellen’s film.
Mr Holmes, much like A Little Chaos earlier this year is a slow-paced drama that would rather tackle the finer details of the script and focus on its characters then delve into unnecessary subplots and fancy special effects and there’s something charming about this simplicity.
Unfortunately though, it all just feels a little TV drama like. Because of this, you’re almost expecting a ‘To be continued…’ credit to be added at the end of the first hour – with the conclusion coming a week later.
This is a real shame as it makes Mr Holmes feel longer than it actually is. At just over 100 minutes, this is by no means a drawn-out film but the slow pace ensures things seem to take a little longer than they perhaps would in another feature.
Thankfully though, Ian McKellen’s performance is reason enough to give Mr Holmes a watch, with another being the intriguing and at times, rather unpredictable plot.
Overall, there isn’t really that much wrong with Mr Holmes but its release date is almost suicidal. Being sandwiched in between blockbusters like Jurassic World, Minions and Terminator: Genisys, it has a tough job to do and it deserves more success than I fear it will end up having.
Ian McKellen, like Meryl Streep is one of the finest living thespians and Mr Holmes only cements his position at the very top of his craft. However, it’s probably best reserved for a night-time viewing with slippers and a hot cup of cocoa.
https://moviemetropolis.net/2015/06/21/sir-ian-mckellen-is-magnificent-mr-holmes-review/
Veronica Pena (690 KP) rated Sherlock Holmes (2009) in Movies
Apr 20, 2020
I thought this movie was fine. I loved the chemistry between Jude Law and Robert Downey Jr. I loved the use of color towards the beginning with Rachel McAdam's dress - it made her stand out in the blandness of everything else.
I just thought that the film was kind of slow and I'm not sure the plot made a whole lot of sense. It feels like this movie was just a stepping stone for the second one, to set up Moriarty and Holmes' rivalry.
It was a fine film. A good way to pass time, just not one I'll probably ever watch again.
I just thought that the film was kind of slow and I'm not sure the plot made a whole lot of sense. It feels like this movie was just a stepping stone for the second one, to set up Moriarty and Holmes' rivalry.
It was a fine film. A good way to pass time, just not one I'll probably ever watch again.
Gareth von Kallenbach (965 KP) rated Sherlock Holmes (2009) in Movies
Aug 8, 2019
The stories of master detective Sherlock Holmes have delighted readers, listeners, and viewers for well over a century. The tales have grown from the stories by Sir Arthur Conan Doyle to include radio, television, and film. Director Guy Ritchie casts Robert Downey Jr. as a slightly dysfunctional but brilliant Holmes who, along with his partner Dr. Watson (Jude Law), have just stopped a bizarre ceremony and ended a murder spree in the process.
The people of London are grateful to be free of the terror induced by Lord Blackwood (Mark Strong), but solving the mystery leaves Holmes somewhat despondent and uninterested in solving other mysteries. Most likely because Watson is moving out of their home and office to complete his pending marriage plans. The lack of complexity in the cases Holmes is requested to take leaves him abundant time to sulk in his study and scare the housing staff with his bizarre behavior and inventions.
The monotony of Holmes’s life is abruptly ended when Blackwood summons him shortly before his scheduled execution for his crimes. Blackwood indicates that a dark plot is in the works and though his claims are dismissed by the authorities as the desperate ravings of a madman about to be executed, Holmes begins to think there is more to the case than meets the eye. Things take a bizarre turn when Blackwood appears to rise from the dead and starts a new wave of terror over the city. Pressed into action, Holmes and Watson uncover a series of clues that reveal a diabolic plot that will alter the balance of power in England.
In a race against time, Holmes and Watson must also deal with their unresolved issues regarding Watson’s pending marriage as well as a mysterious, seductive woman from Holmes’s past (Rachel Mc Adams). What follows is a winning combination of comedy, action, mystery, and a touch of romance Ritchie knows he has a strong cast and gives Downey, Law, and Mc Adams ample room to explore their characters yet keeps them within the story.
The plot of the film may be the weakest point and at times its uncertain if it is an action buddy film or a caper picture. It attempts to blend the two but often comes up short, lacking enough action for my taste. The plot may also be confusing to some as it lacks a cohesive structure and seems to be a free roaming entity that exists within a general framework.
Downey and Law work well with one another and Downey gives a strong, clever performance in a role that requires both physical and cerebral dexterity. Mc Adams is good as the love interest in the film but would have benefited from more time to better expand her character which I hope will happen in future films.
While the film may not come across as a traditional American studio film, there is a lot to like about this new Holmes and the new franchise it launches for fans old and new.
The people of London are grateful to be free of the terror induced by Lord Blackwood (Mark Strong), but solving the mystery leaves Holmes somewhat despondent and uninterested in solving other mysteries. Most likely because Watson is moving out of their home and office to complete his pending marriage plans. The lack of complexity in the cases Holmes is requested to take leaves him abundant time to sulk in his study and scare the housing staff with his bizarre behavior and inventions.
The monotony of Holmes’s life is abruptly ended when Blackwood summons him shortly before his scheduled execution for his crimes. Blackwood indicates that a dark plot is in the works and though his claims are dismissed by the authorities as the desperate ravings of a madman about to be executed, Holmes begins to think there is more to the case than meets the eye. Things take a bizarre turn when Blackwood appears to rise from the dead and starts a new wave of terror over the city. Pressed into action, Holmes and Watson uncover a series of clues that reveal a diabolic plot that will alter the balance of power in England.
In a race against time, Holmes and Watson must also deal with their unresolved issues regarding Watson’s pending marriage as well as a mysterious, seductive woman from Holmes’s past (Rachel Mc Adams). What follows is a winning combination of comedy, action, mystery, and a touch of romance Ritchie knows he has a strong cast and gives Downey, Law, and Mc Adams ample room to explore their characters yet keeps them within the story.
The plot of the film may be the weakest point and at times its uncertain if it is an action buddy film or a caper picture. It attempts to blend the two but often comes up short, lacking enough action for my taste. The plot may also be confusing to some as it lacks a cohesive structure and seems to be a free roaming entity that exists within a general framework.
Downey and Law work well with one another and Downey gives a strong, clever performance in a role that requires both physical and cerebral dexterity. Mc Adams is good as the love interest in the film but would have benefited from more time to better expand her character which I hope will happen in future films.
While the film may not come across as a traditional American studio film, there is a lot to like about this new Holmes and the new franchise it launches for fans old and new.
David McK (3188 KP) rated Sherlock Holmes (2009) in Movies
Nov 1, 2020 (Updated Jan 13, 2024)
Guy Ritchie's 2009 very different take on Arthur Conan Doyle's most famous literary creation, starring Robert Downey Jr as the great detective himself, Rachel McAdams as Irene Adler ('the woman') and Jude Law as Dr. Watson.
Unlike the more-contemporary set TV 'Sherlock', this is still set in Victorian times although, I have to say, that I never really took to the portrayal of Holmes in this film at all. It's also a completely-new (to the best of my knowledge) mystery for him to solve; not based on any of the Conan Doyle stories. That's both a good thing and a bad thing: it does mean that it's 'fresh' (unlike, say, another retelling of 'The Hounds of the Baskervilles'), but - I have to say - it also lacks the fun, the sense of mystery, the sheer enthrallment of the Conan Doyle stories.
Unlike the more-contemporary set TV 'Sherlock', this is still set in Victorian times although, I have to say, that I never really took to the portrayal of Holmes in this film at all. It's also a completely-new (to the best of my knowledge) mystery for him to solve; not based on any of the Conan Doyle stories. That's both a good thing and a bad thing: it does mean that it's 'fresh' (unlike, say, another retelling of 'The Hounds of the Baskervilles'), but - I have to say - it also lacks the fun, the sense of mystery, the sheer enthrallment of the Conan Doyle stories.
Bob Mann (459 KP) rated Enola Holmes (2020) in Movies
Oct 4, 2020
Millie Bobby Brown - a confident raw talent (1 more)
Henry Cavill as a new take on Sherlock
The unsinkable Millie Bobby Brown
Sherlock Holmes never had a sister. But if he did, what adventures would Enola Holmes get up to? That’s the premise behind this Netflix feature. starring rising star Millie Bobby Brown.
Enola Holmes (Millie Bobby Brown) thinks she’s been named as such because it spells “alone” backwards. (But then, she admits, that it doesn’t seem to follow for either kcolrehs or tforcym!)
Enola has been brought up by her dearest mother Eudoria (Helena Bonham Carter) to be a strong and confident woman, free of the normal 19th century rituals of ladylike husband-seeking niceties: for her, it’s all mental gymnastics and martial arts. But when on her 16th birthday her mother vanishes, Enola sets out on a quest to find her. But Eudoria is a Holmes, and knows the value of clues and how to cover her tracks.
Of greater concern to Enola is her brother and ward Mycroft (Sam Claflin), who is intent on packing her off to the Victorian finishing school of Miss Harrison (“Killing Eve’s” Fiona Shaw). But while trying to escape from her brothers – not a trivial matter when one is the famous detective Sherlock (Henry Cavill) – Enola encounters a Marquess on the run (Louis Partridge) and adventure, intrigue and murder are on the cards.
Filming in this “Fleabag” style – where the lead is constantly breaking the fourth wall – requires a confidence in delivery that many young actors would struggle with. But not Millie Bobby Brown. Her asides and camera glances – while not quite as skillful as the astonishingly accomplished Phoebe Waller-Bridge – are nonetheless impressive and constantly entertaining. An underwater wink at the camera was particularly enjoyable.
So… actress – tick!
But perhaps more impressive to me was that the 16 year old – most famous for her role in “Stranger Things”, which I still haven’t watched – was also a PRODUCER of this movie. Which makes me think she is a serious person to watch in the movie business (if there ever is a movie business left after 2020). I read that she is the youngest person ever to appear on the annual list of the “world’s 100 most influential people” by Time magazine: so others agree!
The supporting case are a broad array of British acting talent, with Henry Cavill being particularly appealing as Sherlock, Burn Gorman at his slimy evil best as a murderous henchman, and Sam Claflin being as anonymous as I always find him. (That’s a compliment by the way: whereas I see some actors and think “oh, there’s <<Tom Hanks>> again”, I never recognize Claflin until the credits role… he is a chameleon of the acting world).
But acting the socks off everyone else for me is Frances de la Tour as the Marquess’s grandmother. A deliciously twinkling and charming performance from an old dame of the screen.
The similarities with “Fleabag” are not coincidental, since the director is Harry Bradbeer; director of all of the episodes except the original pilot. But it’s unfortunate in some ways that the style has been interpolated into the Holmes story. Since, of course, this approach was previously done by Guy Ritchie in the two very entertaining movies featuring Robert Downey Jnr and Jude Law. And for me, that’s a shame. Since although the styles are markedly different – here we have a lot of Paddington-style cardboard animations – the “feel” of the films is the same. As such, it doesn’t feel as novel as it should do. Why couldn’t she have been someone else’s sister? Houdini perhaps? Or Oscar Wilde?
As two hours of entertaining escapism, Enola Holmes worked well for me. Brown is eminently watchable, and given the Netflix response to the movie, a sequel would be – I expect – on the cards.
(For the full graphical review, please visit the One Mann's Movies review here - https://bob-the-movie-man.com/2020/10/04/the-unsinkable-millie-bobby-brown/. Thanks.)
Enola Holmes (Millie Bobby Brown) thinks she’s been named as such because it spells “alone” backwards. (But then, she admits, that it doesn’t seem to follow for either kcolrehs or tforcym!)
Enola has been brought up by her dearest mother Eudoria (Helena Bonham Carter) to be a strong and confident woman, free of the normal 19th century rituals of ladylike husband-seeking niceties: for her, it’s all mental gymnastics and martial arts. But when on her 16th birthday her mother vanishes, Enola sets out on a quest to find her. But Eudoria is a Holmes, and knows the value of clues and how to cover her tracks.
Of greater concern to Enola is her brother and ward Mycroft (Sam Claflin), who is intent on packing her off to the Victorian finishing school of Miss Harrison (“Killing Eve’s” Fiona Shaw). But while trying to escape from her brothers – not a trivial matter when one is the famous detective Sherlock (Henry Cavill) – Enola encounters a Marquess on the run (Louis Partridge) and adventure, intrigue and murder are on the cards.
Filming in this “Fleabag” style – where the lead is constantly breaking the fourth wall – requires a confidence in delivery that many young actors would struggle with. But not Millie Bobby Brown. Her asides and camera glances – while not quite as skillful as the astonishingly accomplished Phoebe Waller-Bridge – are nonetheless impressive and constantly entertaining. An underwater wink at the camera was particularly enjoyable.
So… actress – tick!
But perhaps more impressive to me was that the 16 year old – most famous for her role in “Stranger Things”, which I still haven’t watched – was also a PRODUCER of this movie. Which makes me think she is a serious person to watch in the movie business (if there ever is a movie business left after 2020). I read that she is the youngest person ever to appear on the annual list of the “world’s 100 most influential people” by Time magazine: so others agree!
The supporting case are a broad array of British acting talent, with Henry Cavill being particularly appealing as Sherlock, Burn Gorman at his slimy evil best as a murderous henchman, and Sam Claflin being as anonymous as I always find him. (That’s a compliment by the way: whereas I see some actors and think “oh, there’s <<Tom Hanks>> again”, I never recognize Claflin until the credits role… he is a chameleon of the acting world).
But acting the socks off everyone else for me is Frances de la Tour as the Marquess’s grandmother. A deliciously twinkling and charming performance from an old dame of the screen.
The similarities with “Fleabag” are not coincidental, since the director is Harry Bradbeer; director of all of the episodes except the original pilot. But it’s unfortunate in some ways that the style has been interpolated into the Holmes story. Since, of course, this approach was previously done by Guy Ritchie in the two very entertaining movies featuring Robert Downey Jnr and Jude Law. And for me, that’s a shame. Since although the styles are markedly different – here we have a lot of Paddington-style cardboard animations – the “feel” of the films is the same. As such, it doesn’t feel as novel as it should do. Why couldn’t she have been someone else’s sister? Houdini perhaps? Or Oscar Wilde?
As two hours of entertaining escapism, Enola Holmes worked well for me. Brown is eminently watchable, and given the Netflix response to the movie, a sequel would be – I expect – on the cards.
(For the full graphical review, please visit the One Mann's Movies review here - https://bob-the-movie-man.com/2020/10/04/the-unsinkable-millie-bobby-brown/. Thanks.)
