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Gareth von Kallenbach (971 KP) rated The Judge (2014) in Movies
Jun 19, 2019
Family dramas are nothing new for most people but for hotshot defense lawyer Hank Palmer (Robert Downey Jr.), things are about to get supremely intense following the passing of his mother. Forced to go back to the small Indiana town that he grew up in, Hank has very much become the victim of his success in Chicago. While he has material goods and a wonderful daughter, his marriage is falling apart and he returns home out of a sense of duty, eager to get away from their at his earliest opportunity. His brothers Glen and Dale (Vincent D’Ofrio and Jeremy Strong), are happy to see him but unfortunately the visit brings up old wounds between Hank and his father Judge Palmer (Robert Duvall).
The duo have a very bitter history between them and at their mothers wake things can best be described as icily civil between them. Hank looks forward to catching the early flight out in the morning eager to put the town behind him forever when early the next morning their lives take a change when the judges prize Cadillac is discovered to have damage consistent from a collision.
These feisty and defiant judge claims he hit nothing and he maintains this stance even when the police show up and he is suspected of vehicular homicide. Further compounding the case is that the victim was known to the judge and had been recently released after being sentenced for murder. The fact that the two individuals had a prior and bitter history with one another makes the judge a prime candidate for vehicular homicide.
Despite his best wishes and in defiance of his father, Hank decides to represent his father and pending trial as he clearly sees that his father’s representative (Dax Sheppard), is no match for the hotshot prosecutor (Billy Bob Thornton), that is been brought in to prosecute the judge. In what can best be described as a hate/hate relationship Hank is supremely conflicted but wants to do right by his father.
Further complicating matters is the emergence of his old high school girlfriend Samantha (Vera Farmiga), who causes Hank to revisit childhood memories both painful and pleasant. Along the way new discoveries are made that causes Hank to reevaluate his father as well as his life and family and take stock of his priorities.
The film has some funny and tender moments in between the courtroom proceedings which at times our little incredulous yet always captivating.
The cast is first-rate specifically Downey Jr. and Duvall who do Oscar quality work in their roles. While some may be quick to dismiss the film is courtroom procedural, I found “The Judge” to be a very interesting and engaging human drama about very real characters and their all too relatable clauses human beings. These are not Teflon superheroes but rather real flesh and blood people confronted with problems and emotions that people in the audience should be able to rate late to even if they had not experienced them first-hand.
The supporting cast was fantastic and the pacing of the film helped to move things along despite the nearly two-hour runtime. The film is rated R due to some very intense moments and conversations between the characters but stands out as one of the more memorable and enjoyable films of 2014 .
http://sknr.net/2014/10/10/judge/
The duo have a very bitter history between them and at their mothers wake things can best be described as icily civil between them. Hank looks forward to catching the early flight out in the morning eager to put the town behind him forever when early the next morning their lives take a change when the judges prize Cadillac is discovered to have damage consistent from a collision.
These feisty and defiant judge claims he hit nothing and he maintains this stance even when the police show up and he is suspected of vehicular homicide. Further compounding the case is that the victim was known to the judge and had been recently released after being sentenced for murder. The fact that the two individuals had a prior and bitter history with one another makes the judge a prime candidate for vehicular homicide.
Despite his best wishes and in defiance of his father, Hank decides to represent his father and pending trial as he clearly sees that his father’s representative (Dax Sheppard), is no match for the hotshot prosecutor (Billy Bob Thornton), that is been brought in to prosecute the judge. In what can best be described as a hate/hate relationship Hank is supremely conflicted but wants to do right by his father.
Further complicating matters is the emergence of his old high school girlfriend Samantha (Vera Farmiga), who causes Hank to revisit childhood memories both painful and pleasant. Along the way new discoveries are made that causes Hank to reevaluate his father as well as his life and family and take stock of his priorities.
The film has some funny and tender moments in between the courtroom proceedings which at times our little incredulous yet always captivating.
The cast is first-rate specifically Downey Jr. and Duvall who do Oscar quality work in their roles. While some may be quick to dismiss the film is courtroom procedural, I found “The Judge” to be a very interesting and engaging human drama about very real characters and their all too relatable clauses human beings. These are not Teflon superheroes but rather real flesh and blood people confronted with problems and emotions that people in the audience should be able to rate late to even if they had not experienced them first-hand.
The supporting cast was fantastic and the pacing of the film helped to move things along despite the nearly two-hour runtime. The film is rated R due to some very intense moments and conversations between the characters but stands out as one of the more memorable and enjoyable films of 2014 .
http://sknr.net/2014/10/10/judge/
Lee Ronaldo recommended Dancing In Your Head by Ornette Coleman in Music (curated)
BankofMarquis (1832 KP) rated All That Jazz (1979) in Movies
Oct 1, 2020
Full Blown Fosse (and that's a good thing)
After THE FRENCH CONNECTION, JAWS, MARATHON MAN and SORCERER (and, if I'm honest, JAWS II), my brother and I thought Roy Scheider was just about the toughest son-of-a-gun on the planet, so when he asked if I wanted to check out the latest "Roy Scheider flick", I jumped at the chance.
Little did either of us know that it was the semi-autobiographical Bob Fosse gem ALL THAT JAZZ. Me, being a musical theater kid, was thrilled by this unexpected spectacle while my brother (who would rather sit through C-Span than watch a musical) calls it, to this day, his "favorite" musical (granted, not a long list).
I've rewatched this film various times over the years and still liked it, but I hadn't checked it out for over 20 years at this point, so it was with some trepidation that I popped my DVD in (yes, I own the DVD, not the Blu-Ray) and sat back to see how well it holds up.
And...I shouldn't have worried, for it holds up very, very well. Not only as a film, not only as a musical, not only as a look into the life and times (and style) of Bob Fosse, but also as a looking glass into the late 1970's.
Written and Directed by famed Director/Choreographer Bob Fosse (CABARET, CHICAGO), ALL THAT JAZZ tells the (much more than) semi-autobiographical story of famed Director/Choreographer Joe Gideon (Scheider) who is pushing himself hard to finish a film and mount a Broadway show relying on booze, drugs and philandering.
The performances are strong in this film with a bevy of "Fosse regulars" strutting their stuff. From Leland Palmer (in the obvious Gwen Verdon role) to Ann Reinking (in the Ann Reinking role) to Ben Vereen (as the variety show headliner from hell) they all bring strong Broadway credentials to the screen making the musical numbers a veritable showcase of Fosse movements.
A very young Jessica Lange (in an early role that would showcase her acting chops) is mesmerizing, haunting and very, very watchable as a mysterious women in Joe's life while a very young John Lithgow shows up (and chews the scenery very, very well) as a rival director.
The surprise to me, of course, was the strong performance of Scheider in the lead role. He was Oscar-nominated for his work (deservingly so) and when he finally steps into the big finale musical number, he shows that he can hold his own (surprisingly so). He is PERFECTLY cast as Joe Gideon and he never really approached this strong work again in his career.
But, make no mistake about it, this film showcases Bob Fosse's Directing and Choreography skills - and they are excellent. The style of the film - bouncing from real life to something more ethereal - is strong, and strongly Fosse, giving a clear idea of the life and time in which these events unfold. I stated earlier that this film is a "looking glass" into the late 1970's, and I meant it. It immediately brought me back to those times - both the good and bad of it.
The musical numbers are fascinating to watch with the dancing particularly stunning as the angles and forms that the dancers make with their bodies and arms and legs are a wonder to behold. There has never been anyone like Fosse (before or since) and it is GREAT to watch a showcase of his talents.
This film was nominated for 9 Oscars - winning 4 - but losing Picture, Director (Fosse) and Actor (Scheider) to KRAMER vs. KRAMER (Picture, Director - Robert Benton and Actor - Dustin Hoffman). Now, I haven't seen Kramer vs. Kramer in a long, long time (probably not since I saw it in the theaters in 1979), but I gotta think ALL THAT JAZZ is better in all those categories.
If you haven't seen this in awhile - or if you have NEVER seen it - check out ALL THAT JAZZ, you'll be glad you did.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank(ofMarquis)
Little did either of us know that it was the semi-autobiographical Bob Fosse gem ALL THAT JAZZ. Me, being a musical theater kid, was thrilled by this unexpected spectacle while my brother (who would rather sit through C-Span than watch a musical) calls it, to this day, his "favorite" musical (granted, not a long list).
I've rewatched this film various times over the years and still liked it, but I hadn't checked it out for over 20 years at this point, so it was with some trepidation that I popped my DVD in (yes, I own the DVD, not the Blu-Ray) and sat back to see how well it holds up.
And...I shouldn't have worried, for it holds up very, very well. Not only as a film, not only as a musical, not only as a look into the life and times (and style) of Bob Fosse, but also as a looking glass into the late 1970's.
Written and Directed by famed Director/Choreographer Bob Fosse (CABARET, CHICAGO), ALL THAT JAZZ tells the (much more than) semi-autobiographical story of famed Director/Choreographer Joe Gideon (Scheider) who is pushing himself hard to finish a film and mount a Broadway show relying on booze, drugs and philandering.
The performances are strong in this film with a bevy of "Fosse regulars" strutting their stuff. From Leland Palmer (in the obvious Gwen Verdon role) to Ann Reinking (in the Ann Reinking role) to Ben Vereen (as the variety show headliner from hell) they all bring strong Broadway credentials to the screen making the musical numbers a veritable showcase of Fosse movements.
A very young Jessica Lange (in an early role that would showcase her acting chops) is mesmerizing, haunting and very, very watchable as a mysterious women in Joe's life while a very young John Lithgow shows up (and chews the scenery very, very well) as a rival director.
The surprise to me, of course, was the strong performance of Scheider in the lead role. He was Oscar-nominated for his work (deservingly so) and when he finally steps into the big finale musical number, he shows that he can hold his own (surprisingly so). He is PERFECTLY cast as Joe Gideon and he never really approached this strong work again in his career.
But, make no mistake about it, this film showcases Bob Fosse's Directing and Choreography skills - and they are excellent. The style of the film - bouncing from real life to something more ethereal - is strong, and strongly Fosse, giving a clear idea of the life and time in which these events unfold. I stated earlier that this film is a "looking glass" into the late 1970's, and I meant it. It immediately brought me back to those times - both the good and bad of it.
The musical numbers are fascinating to watch with the dancing particularly stunning as the angles and forms that the dancers make with their bodies and arms and legs are a wonder to behold. There has never been anyone like Fosse (before or since) and it is GREAT to watch a showcase of his talents.
This film was nominated for 9 Oscars - winning 4 - but losing Picture, Director (Fosse) and Actor (Scheider) to KRAMER vs. KRAMER (Picture, Director - Robert Benton and Actor - Dustin Hoffman). Now, I haven't seen Kramer vs. Kramer in a long, long time (probably not since I saw it in the theaters in 1979), but I gotta think ALL THAT JAZZ is better in all those categories.
If you haven't seen this in awhile - or if you have NEVER seen it - check out ALL THAT JAZZ, you'll be glad you did.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank(ofMarquis)