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Sarah (7798 KP) rated Gremlins 2: The New Batch (1990) in Movies
Dec 22, 2019
A worthy sequel
The Gremlins films huge favourites of mine as a child (worrying as I probably wasn't old enough to watch them), but I always preferred the sequel. Watching it back now, I'm so pleased to say it's still a worthy and rather entertaining sequel.
The plot has been scaled up since the first film, and whilst it's missing the christmas and horror style setting, it more than makes up with the sheer daftness of the entire story. It's ridiculous but so funny, with some great physical effects with the Gremlins, especially as they get themselves into new and interesting situations. Seen as this was released in 1990 the CGI is a little dated but fortunately this is used sparingly. The original cast are back, with some wonderful additions in the marvellous Christopher Lee and Robert Picardo. I remember parts of this terrifying me as a child and whilst it doesn't have quite the same effect now, this definitely isn't a kids film! This entire film is just wonderfully smart, silly and just a riot from start to finish. Definitely underrated and overlooked when it comes to the Gremlins films, but for me a worthy sequel.
The plot has been scaled up since the first film, and whilst it's missing the christmas and horror style setting, it more than makes up with the sheer daftness of the entire story. It's ridiculous but so funny, with some great physical effects with the Gremlins, especially as they get themselves into new and interesting situations. Seen as this was released in 1990 the CGI is a little dated but fortunately this is used sparingly. The original cast are back, with some wonderful additions in the marvellous Christopher Lee and Robert Picardo. I remember parts of this terrifying me as a child and whilst it doesn't have quite the same effect now, this definitely isn't a kids film! This entire film is just wonderfully smart, silly and just a riot from start to finish. Definitely underrated and overlooked when it comes to the Gremlins films, but for me a worthy sequel.
LeftSideCut (3778 KP) rated The Howling (1981) in Movies
Oct 30, 2020
A fair few werewolf horror movies came out during the 80s, but whilst American Werewolf in London is generally considered to be the best of the bunch, The Howling definitely deserves a look in for that honour.
The plot takes a little while to kick in, but the slow first half actually allows the audience time to get to know the characters. Karen White (Dee Wallace) takes the lead, and is a hugely likable protagonist to carry the story forward. By the time the monstrous shenanigans kick off, you genuinely want her to win. Everyone else is a little disposable, allowing the rest of the focus to go towards werewolf characters, mainly Eddie Quist (Robert Picardo) and Marsha (Elisabeth Brooks), two characters that are sick of hiding their true nature, and want to live free, like wild animals should, feeding in humans and all. Unfortunately, the slow burn first half leaves little time to properly explore this aspect of the narrative.
The transformation effects are fucking great. Do they look dated? Sure, but considering that this released in 1981, the practical effects used are fantastic. I'm a fan of the bubbling effects in particular. When the transformation is complete, the aesthetic mostly avoids looking like a guy in a suit (not completely mind) and this is probably down to the make up work on the faces. The creatures look pretty damn mean.
A solid screenplay, a decent cast, and some great effects work ensure that The Howling stands out in a decade of gratuitous horror. Love it.
The plot takes a little while to kick in, but the slow first half actually allows the audience time to get to know the characters. Karen White (Dee Wallace) takes the lead, and is a hugely likable protagonist to carry the story forward. By the time the monstrous shenanigans kick off, you genuinely want her to win. Everyone else is a little disposable, allowing the rest of the focus to go towards werewolf characters, mainly Eddie Quist (Robert Picardo) and Marsha (Elisabeth Brooks), two characters that are sick of hiding their true nature, and want to live free, like wild animals should, feeding in humans and all. Unfortunately, the slow burn first half leaves little time to properly explore this aspect of the narrative.
The transformation effects are fucking great. Do they look dated? Sure, but considering that this released in 1981, the practical effects used are fantastic. I'm a fan of the bubbling effects in particular. When the transformation is complete, the aesthetic mostly avoids looking like a guy in a suit (not completely mind) and this is probably down to the make up work on the faces. The creatures look pretty damn mean.
A solid screenplay, a decent cast, and some great effects work ensure that The Howling stands out in a decade of gratuitous horror. Love it.
Versusyours (757 KP) Dec 22, 2019
Sarah (7798 KP) Dec 23, 2019