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Louise (64 KP) rated Roald Dahl's Book of Ghost Stories in Books
Jul 2, 2018
The book consisted of 14 short stories, some longer than others and some quiet spooky whilst the others were just a bit dark.
Here is a list of the stories in the book:
W.S by L.P.Hartley
Harry by Rosemary Timperley
The Corner shop by Cynthia Asquith
In the Tube by E.F.Benson
Christmas meeting by Rosemary Timperley
Elias and the Draug by Jonas Lie
Playmates by A.M. Burrage
Ringing the changes by Robert Aickman
The Telephone by Mary Treadgold
The Ghost of a Hand by J.Sheridan Le Fanu
The Sweeper by A.M Burrage
On the Brighton Road by Richard Middleton
Afterward by Edith Warton
The Upper Berth by Marion Crawford
The scariest one for me was the Ghost of a hand, that could be because I was reading it at 1am in the morning with everyone asleep, the sounds of the house creaking and the wind outside added to the spookiness.
My top three are The Ghost of a Hand, Harry and Ringing the Changes,however they weren't great. I felt really let down by this selection of short stories, they didn't seem to have very satisfying ends and they were somewhat predictable.
Also there is an introduction from Roald Dahl himself stating that he read over 700 short stories trying to find the best, I seriously can't believe these were the best ones he found and then he was rambling on about women being better at writing ghost stories and men being better at general fiction which I felt was irrelevant but I suppose he had a certain amount of words to fulfil.
Maybe I am being a little harsh, seeing as the book is 30 years old and the stories are even older than that.
Let me know if you have read this book, and what you thought.
Overall I gave this 3 out of 5 stars
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Benedick Lewis (3001 KP) rated Origin in Books
Jul 13, 2018
Then I didn’t touch Dan Brown again. Simply because I had other things to read and the premises weren’t that interesting - until Origin, which looked like it would be as shattering as the Da Vinci Code was. What I forgotten was I got older and more educated. Origin promises answers to two questions: where did we come from? Where are we going? These questions are repeated constantly and you start to get Rednex’s Cotton Eye Joe in your head. For about 100 pages the build up is admittedly incredible but at the same time you think you know what is going to happen because there are 300 plus pages left. I won’t spoil anything and I advise you not to read the blurb because that does 25% of the book for you. From then on, apparently it is a race against time but you never truly feel anything is at stake. When the answers do come, you feel like ‘oh, right’ as if someone told you a fact you didn’t know but not really going to remember. And, in summary, Origin is so badly written that you won’t remember it.
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Matthew Krueger (10051 KP) rated The Body Snatcher (1945) in Movies
Oct 17, 2020
The plot: Dr. Toddy MacFarlane (Henry Daniell) needs cadavers for his medical experiments, ultimately intended to treat a young disabled girl. However, they are not easy to come by, so he enlists the help of taxi driver John Gray (Boris Karloff) and his assistant, Joseph (Bela Lugosi), to unearth bodies from the cemetery. When Donald (Russell Wade), Dr. MacFarlane's assistant, recognizes one of the corpses Gray delivers, the true source of the bodies is called into question.
It is based on the short story "The Body Snatcher" by Robert Louis Stevenson. The film's producer Val Lewton helped adapt the story for the screen, writing under the pen name of "Carlos Keith". The film was marketed with the tagline "The screen's last word in shock sensation!" The frequent mentions of Burke, Hare, and Dr. Knox, all refer to the West Port murders in 1828.
The Body Snatcher was one of three films that Boris Karloff did with RKO Radio Pictures from 1945 to 1946, which were produced by Val Lewton. The other two films were Isle of the Dead (1945) and Bedlam (1946).
Bela Lugosi, who became famous with another Universal classic, Dracula (1931), also signed a deal with RKO. Lewton and MacDonald eventually wrote a small role for him; it became the last film Lugosi and Karloff made together.
Robert Wise – later best-known for his work in The Day the Earth Stood Still (1951), West Side Story (1961), The Sound of Music (1965), and The Sand Pebbles (1966) – was assigned to direct the film. Longtime film editor at RKO, he had replaced the original director on The Curse of the Cat People (1944) when it fell behind schedule and Lewton, who produced it, decided to promote him to his superiors.
Its a excellent film.
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