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Ivana A. | Diary of Difference (1171 KP) rated Nemesis in Books
Feb 3, 2020
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<b>The Tom Wilde Series</b>
#1 <a href="https://www.goodreads.com/review/show/2780335366">Corpus</a>; - Not Read Yet
#2 <a href="https://www.goodreads.com/review/show/2780335377">Nucleus</a>; - Not Read Yet
#3 <a href="https://www.goodreads.com/review/show/2664038091">Nemesis</a>; - ★★★★★
<img src="https://diaryofdifference.com/wp-content/uploads/2019/04/New-blog-banner-13.png"/>;
<b><i>Nemesis is the third book from the Tom Wilde series by Rory Clements. I haven't read the previous two books, and I also haven't read any books from Rory Clements before. I received this book through ReadersFirst, and I will be honest, I was quite reluctant to read it. You already know my opinion on reading sequels before reading the previous books - but I went in blind in this book.</i></b>
The blue cover is simply gorgeous and I knew it was a thriller and a mystery, so I decided this was enough to get me going. If this book review ever captures your attention, I advise you to also go in blind. I think going blind made me enjoy this book even more.The fact that this is a third book in a series doesn't mean anything. The only similarity with the other books is the main character. Almost the same basis as Dan Brown's series and his professor Robert Langdon. The books are entirely standalones.
It is very hard to reveal what the plot is about without spoiling the fun. Tom Wilde is a university professor and one of his very talented students, Marcus, has left to join the International Brigades in Spain. Now, two years after, he is in trouble, and Tom helps him come home.
Meanwhile, numerous things happen, involving World War 2 Politics and propaganda, and in these times, no one knows who to trust. And when Tom Wilde finds himself in great danger, who will help him? And who does he needs to be afraid from? Has maybe helping Marcus been his greatest mistake?
Nemesis is full of suspense from the very first chapter, and the thing I loved the most about it was that the chapters are quite short, and always leave you hanging, hungry to find out more. Every word that Rory Clements types had a meaning and a purpose in this book, and that was the bit I admired the most.
The time setting revolves around the Second World War - a subject I don't often read about. I can't judge about the historical fiction element. However I do know that while I am a person that doesn't enjoy war books, this one struck me in a nice way. The war setting was very well written, and you could even feel the atmosphere around it. The ending was pleasantly surprising and it involved a mystery I could simply not resist.
<b>I will definitely read more books by Rory Clements, as I really enjoy the writing. If you enjoy thrillers and if you are a fan of Dan Brown, you will probably enjoy Nemesis a lot!</b>
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
<b>The Tom Wilde Series</b>
#1 <a href="https://www.goodreads.com/review/show/2780335366">Corpus</a>; - Not Read Yet
#2 <a href="https://www.goodreads.com/review/show/2780335377">Nucleus</a>; - Not Read Yet
#3 <a href="https://www.goodreads.com/review/show/2664038091">Nemesis</a>; - ★★★★★
<img src="https://diaryofdifference.com/wp-content/uploads/2019/04/New-blog-banner-13.png"/>;
<b><i>Nemesis is the third book from the Tom Wilde series by Rory Clements. I haven't read the previous two books, and I also haven't read any books from Rory Clements before. I received this book through ReadersFirst, and I will be honest, I was quite reluctant to read it. You already know my opinion on reading sequels before reading the previous books - but I went in blind in this book.</i></b>
The blue cover is simply gorgeous and I knew it was a thriller and a mystery, so I decided this was enough to get me going. If this book review ever captures your attention, I advise you to also go in blind. I think going blind made me enjoy this book even more.The fact that this is a third book in a series doesn't mean anything. The only similarity with the other books is the main character. Almost the same basis as Dan Brown's series and his professor Robert Langdon. The books are entirely standalones.
It is very hard to reveal what the plot is about without spoiling the fun. Tom Wilde is a university professor and one of his very talented students, Marcus, has left to join the International Brigades in Spain. Now, two years after, he is in trouble, and Tom helps him come home.
Meanwhile, numerous things happen, involving World War 2 Politics and propaganda, and in these times, no one knows who to trust. And when Tom Wilde finds himself in great danger, who will help him? And who does he needs to be afraid from? Has maybe helping Marcus been his greatest mistake?
Nemesis is full of suspense from the very first chapter, and the thing I loved the most about it was that the chapters are quite short, and always leave you hanging, hungry to find out more. Every word that Rory Clements types had a meaning and a purpose in this book, and that was the bit I admired the most.
The time setting revolves around the Second World War - a subject I don't often read about. I can't judge about the historical fiction element. However I do know that while I am a person that doesn't enjoy war books, this one struck me in a nice way. The war setting was very well written, and you could even feel the atmosphere around it. The ending was pleasantly surprising and it involved a mystery I could simply not resist.
<b>I will definitely read more books by Rory Clements, as I really enjoy the writing. If you enjoy thrillers and if you are a fan of Dan Brown, you will probably enjoy Nemesis a lot!</b>
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
Bob Mann (459 KP) rated Enola Holmes (2020) in Movies
Oct 4, 2020
Millie Bobby Brown - a confident raw talent (1 more)
Henry Cavill as a new take on Sherlock
The unsinkable Millie Bobby Brown
Sherlock Holmes never had a sister. But if he did, what adventures would Enola Holmes get up to? That’s the premise behind this Netflix feature. starring rising star Millie Bobby Brown.
Enola Holmes (Millie Bobby Brown) thinks she’s been named as such because it spells “alone” backwards. (But then, she admits, that it doesn’t seem to follow for either kcolrehs or tforcym!)
Enola has been brought up by her dearest mother Eudoria (Helena Bonham Carter) to be a strong and confident woman, free of the normal 19th century rituals of ladylike husband-seeking niceties: for her, it’s all mental gymnastics and martial arts. But when on her 16th birthday her mother vanishes, Enola sets out on a quest to find her. But Eudoria is a Holmes, and knows the value of clues and how to cover her tracks.
Of greater concern to Enola is her brother and ward Mycroft (Sam Claflin), who is intent on packing her off to the Victorian finishing school of Miss Harrison (“Killing Eve’s” Fiona Shaw). But while trying to escape from her brothers – not a trivial matter when one is the famous detective Sherlock (Henry Cavill) – Enola encounters a Marquess on the run (Louis Partridge) and adventure, intrigue and murder are on the cards.
Filming in this “Fleabag” style – where the lead is constantly breaking the fourth wall – requires a confidence in delivery that many young actors would struggle with. But not Millie Bobby Brown. Her asides and camera glances – while not quite as skillful as the astonishingly accomplished Phoebe Waller-Bridge – are nonetheless impressive and constantly entertaining. An underwater wink at the camera was particularly enjoyable.
So… actress – tick!
But perhaps more impressive to me was that the 16 year old – most famous for her role in “Stranger Things”, which I still haven’t watched – was also a PRODUCER of this movie. Which makes me think she is a serious person to watch in the movie business (if there ever is a movie business left after 2020). I read that she is the youngest person ever to appear on the annual list of the “world’s 100 most influential people” by Time magazine: so others agree!
The supporting case are a broad array of British acting talent, with Henry Cavill being particularly appealing as Sherlock, Burn Gorman at his slimy evil best as a murderous henchman, and Sam Claflin being as anonymous as I always find him. (That’s a compliment by the way: whereas I see some actors and think “oh, there’s <<Tom Hanks>> again”, I never recognize Claflin until the credits role… he is a chameleon of the acting world).
But acting the socks off everyone else for me is Frances de la Tour as the Marquess’s grandmother. A deliciously twinkling and charming performance from an old dame of the screen.
The similarities with “Fleabag” are not coincidental, since the director is Harry Bradbeer; director of all of the episodes except the original pilot. But it’s unfortunate in some ways that the style has been interpolated into the Holmes story. Since, of course, this approach was previously done by Guy Ritchie in the two very entertaining movies featuring Robert Downey Jnr and Jude Law. And for me, that’s a shame. Since although the styles are markedly different – here we have a lot of Paddington-style cardboard animations – the “feel” of the films is the same. As such, it doesn’t feel as novel as it should do. Why couldn’t she have been someone else’s sister? Houdini perhaps? Or Oscar Wilde?
As two hours of entertaining escapism, Enola Holmes worked well for me. Brown is eminently watchable, and given the Netflix response to the movie, a sequel would be – I expect – on the cards.
(For the full graphical review, please visit the One Mann's Movies review here - https://bob-the-movie-man.com/2020/10/04/the-unsinkable-millie-bobby-brown/. Thanks.)
Enola Holmes (Millie Bobby Brown) thinks she’s been named as such because it spells “alone” backwards. (But then, she admits, that it doesn’t seem to follow for either kcolrehs or tforcym!)
Enola has been brought up by her dearest mother Eudoria (Helena Bonham Carter) to be a strong and confident woman, free of the normal 19th century rituals of ladylike husband-seeking niceties: for her, it’s all mental gymnastics and martial arts. But when on her 16th birthday her mother vanishes, Enola sets out on a quest to find her. But Eudoria is a Holmes, and knows the value of clues and how to cover her tracks.
Of greater concern to Enola is her brother and ward Mycroft (Sam Claflin), who is intent on packing her off to the Victorian finishing school of Miss Harrison (“Killing Eve’s” Fiona Shaw). But while trying to escape from her brothers – not a trivial matter when one is the famous detective Sherlock (Henry Cavill) – Enola encounters a Marquess on the run (Louis Partridge) and adventure, intrigue and murder are on the cards.
Filming in this “Fleabag” style – where the lead is constantly breaking the fourth wall – requires a confidence in delivery that many young actors would struggle with. But not Millie Bobby Brown. Her asides and camera glances – while not quite as skillful as the astonishingly accomplished Phoebe Waller-Bridge – are nonetheless impressive and constantly entertaining. An underwater wink at the camera was particularly enjoyable.
So… actress – tick!
But perhaps more impressive to me was that the 16 year old – most famous for her role in “Stranger Things”, which I still haven’t watched – was also a PRODUCER of this movie. Which makes me think she is a serious person to watch in the movie business (if there ever is a movie business left after 2020). I read that she is the youngest person ever to appear on the annual list of the “world’s 100 most influential people” by Time magazine: so others agree!
The supporting case are a broad array of British acting talent, with Henry Cavill being particularly appealing as Sherlock, Burn Gorman at his slimy evil best as a murderous henchman, and Sam Claflin being as anonymous as I always find him. (That’s a compliment by the way: whereas I see some actors and think “oh, there’s <<Tom Hanks>> again”, I never recognize Claflin until the credits role… he is a chameleon of the acting world).
But acting the socks off everyone else for me is Frances de la Tour as the Marquess’s grandmother. A deliciously twinkling and charming performance from an old dame of the screen.
The similarities with “Fleabag” are not coincidental, since the director is Harry Bradbeer; director of all of the episodes except the original pilot. But it’s unfortunate in some ways that the style has been interpolated into the Holmes story. Since, of course, this approach was previously done by Guy Ritchie in the two very entertaining movies featuring Robert Downey Jnr and Jude Law. And for me, that’s a shame. Since although the styles are markedly different – here we have a lot of Paddington-style cardboard animations – the “feel” of the films is the same. As such, it doesn’t feel as novel as it should do. Why couldn’t she have been someone else’s sister? Houdini perhaps? Or Oscar Wilde?
As two hours of entertaining escapism, Enola Holmes worked well for me. Brown is eminently watchable, and given the Netflix response to the movie, a sequel would be – I expect – on the cards.
(For the full graphical review, please visit the One Mann's Movies review here - https://bob-the-movie-man.com/2020/10/04/the-unsinkable-millie-bobby-brown/. Thanks.)
