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Sean Lennon recommended In the Court of the Crimson King by King Crimson in Music (curated)
Gareth von Kallenbach (965 KP) rated Due Date (2010) in Movies
Aug 8, 2019
What could possibly go wrong when you pair a stressed out father-to-be, Peter (Robert Downey Jr.), with the world’s worst road trip partner, Ethan (Zach Galifianakis), on a trip from Atlanta to Los Angeles? In a karmic way, at least these two men appear to be meant for each other.
Zach Galifianakis’s role as Ethan Tremblay is wildly funny, though he plays a role very similar to the one he played in The Hangover, with a slightly more childish demeanor. If his character in the Hangover was a 14 year old in an adult’s body, in this film he is a 7 year old boy.
Peter Highman, played by Robert Downey Jr., is obviously frustrated because he’s trying to get home to his very pregnant wife. This inevitably creates an anger that is only exacerbated by the stupidity and carelessness of Ethan. The minor truces and cease-fires they found during their trip were constantly being broken by something Ethan would do that was hilariously rude and dumb.
This film walked a fine line with both characters, with Ethan pushing the charm up to keep us from totally hating him, all the while allowing Peter be an asshole from time to time to keep us from being too sympathetic to him. In one particularly funny moment, during a side stop soon after they take off from Atlanta, we see Peter discipline a young boy in a ridiculously inappropriate way that makes us question his fitness as a father. It’s during these times that the movie really shines. The chemistry between them was good for the most part, but the inevitable reconciliation between them was rushed at the end, and while the actors more than did their jobs, the script didn’t give them very much cause to act so suddenly benevolent toward each other.
Overall, the movie was funny, but not quite funny enough. Some of the gags were fairly disgusting, and while most didn’t detract from the movie, only a few really came across as well-executed. This movie had the potential to be very funny, but with some unresolved plot holes and some long stretches where nothing much was going on, I wouldn’t really recommend this to my friends, despite the big name actors and hype.
Zach Galifianakis’s role as Ethan Tremblay is wildly funny, though he plays a role very similar to the one he played in The Hangover, with a slightly more childish demeanor. If his character in the Hangover was a 14 year old in an adult’s body, in this film he is a 7 year old boy.
Peter Highman, played by Robert Downey Jr., is obviously frustrated because he’s trying to get home to his very pregnant wife. This inevitably creates an anger that is only exacerbated by the stupidity and carelessness of Ethan. The minor truces and cease-fires they found during their trip were constantly being broken by something Ethan would do that was hilariously rude and dumb.
This film walked a fine line with both characters, with Ethan pushing the charm up to keep us from totally hating him, all the while allowing Peter be an asshole from time to time to keep us from being too sympathetic to him. In one particularly funny moment, during a side stop soon after they take off from Atlanta, we see Peter discipline a young boy in a ridiculously inappropriate way that makes us question his fitness as a father. It’s during these times that the movie really shines. The chemistry between them was good for the most part, but the inevitable reconciliation between them was rushed at the end, and while the actors more than did their jobs, the script didn’t give them very much cause to act so suddenly benevolent toward each other.
Overall, the movie was funny, but not quite funny enough. Some of the gags were fairly disgusting, and while most didn’t detract from the movie, only a few really came across as well-executed. This movie had the potential to be very funny, but with some unresolved plot holes and some long stretches where nothing much was going on, I wouldn’t really recommend this to my friends, despite the big name actors and hype.
Andy K (10821 KP) rated The Equalizer 2 (2018) in Movies
Mar 10, 2019
Revenge not as sweet the 2nd time...
When we left Robert McCall, he had just vanquished a set of Russian baddies and went back to trying to enjoy a normal life. When we meet him again, he is up to his old tactics trying to help those who cannot help themselves. After some initial carnage, the film takes a different turn striking McCall where it hurts with someone close to him. The situation is challenging McCall gets drawn in as he tries to figure out who is responsible.
Meanwhile, he befriends a young man who lives near him and tries to give him advice and steer him along the right course in life avoiding the temptation to fall in with the wrong crowd.
After the true nature of the crimes is discovered and the perpetrators reveal themselves, McCall falls into his old ways of doing whatever it takes and using whatever means necessary to attempt to prevail.
Although I thought the idea to strike closer to home for McCall was an interesting one, and took him out of his comfort zone, the screenplay was not good enough and I saw the twist coming almost immediately. These characters didn't seem to be very smart and made the film more cumbersome and not nearly as fun.
The climax scene was kind of cool I guess, but seemed very forced and something the writer thought would be cooler than what it was.
Kind of disappointed.
Meanwhile, he befriends a young man who lives near him and tries to give him advice and steer him along the right course in life avoiding the temptation to fall in with the wrong crowd.
After the true nature of the crimes is discovered and the perpetrators reveal themselves, McCall falls into his old ways of doing whatever it takes and using whatever means necessary to attempt to prevail.
Although I thought the idea to strike closer to home for McCall was an interesting one, and took him out of his comfort zone, the screenplay was not good enough and I saw the twist coming almost immediately. These characters didn't seem to be very smart and made the film more cumbersome and not nearly as fun.
The climax scene was kind of cool I guess, but seemed very forced and something the writer thought would be cooler than what it was.
Kind of disappointed.
Chris Sawin (602 KP) rated The Northman (2022) in Movies
Apr 30, 2022
The bloody action. (2 more)
The rhythmic, pounding score.
Amleth's visions and strange encounters.
May be too weird or slow for some. (2 more)
Won't change your opinion of Robert Eggers if you already dislike him as a filmmaker.
...Did you say fart sniffing?
A Gory Viking Epic Forged in Boisterous Greatness
The Northman is director Robert Eggers third feature length film after The Witch and The Lighthouse. The film is written by Eggers and Sjón (Lamb, frequent collaborator with Björk). The Northman is described as an epic historical action drama, but is essentially a Viking revenge film. Taking place in AD 895, King Aurvandill War-Raven (Ethan Hawke) is killed by his brother, Fjölnir (Claes Bang). Aurvandill’s son, Amleth (Oscar Novak portrays young Amleth) flees and swears revenge on his uncle while vowing to save his mother Queen Gudrún (Nicole Kidman).
In AD 914, a now adult Amleth (Alexander Skarsgård) has been raised as a Viking and was enlisted as a berserker. Seemingly losing his focus in furious battle, Amleth is reminded of his vengeful mission a few years later by a Seeress (Björk) that predicts that Amleth will soon get his sought after revenge on his uncle.
The film is based on the story of Amleth, which was written sometime before the year 1200 and inspired Shakespeare’s Hamlet. The Northman feels like it’s forged by the same cinematic swordsmith that created the likes of Conan the Barbarian, Beowulf, and Gladiator, but with a bloodier, and slightly trippier ambiance Robert Eggers tends to be known for.
Amleth’s opening voiceover as the film opens with a monstrously intimidating volcano on the verge of erupting is haunting. Alexander Skarsgård has this gruff and nearly grunt-like growl to his speech that you can feel reverberate in your chest as he speaks. The score to the film is also just as memorable and incredible. On paper, it’s just a series of loud drumming or pounding, a fancy string arrangement, and some harmless chanting. But all of those elements together suddenly become this impressive musical declaration of war. The score constantly crescendos and always finds a way to ignite a fire within you.
It’s humorous to think that most will have seen Willem Dafoe last in Spider-Man: No Way Home. Dafoe’s role as Heimir the Fool is also a leap in a different direction even when compared to his role as Thomas Wake in The Lighthouse. Heimir’s key role in the story is to oversee the spiritual journey Almeth takes with Aurvandill right before his death. It’s a bizarre sequence as both grown men and young boy are dressed in nothing but loin cloths as they act like dogs, get on their hands and knees, drink water from a bowl, belch, and take turns sniffing each other’s farts. It’s an intriguing role for Dafoe as he’s this crowd pleasing jester one minute and a spiritual guide the next.
The barbaric action is fairly straightforward in The Northman, but what complicates things are Amleth’s visions. Beginning with his encounter with the Seeress, Amleth also battles an undead spirit for the Night Blade, has a vision of a Valkyrie taking him to Valhalla, and sees his unborn children in rare glimpses of the future. These surreal sequences have a palpable dream-like quality to them. It makes you wonder if they’re actually occurring or are only in Amleth’s head.
Nicole Kidman is exceptional as Queen Gudrún. The character is written in a way that makes her seem like a damsel in distress, but she’s much more evil and manipulative. At first, she seems like the typical Queen character that is pushed aside in order to give the spotlight to the king. But once Gudrún comes face to face with an adult Amleth, she strikes like a snake with venomous words that pierce Amleth deeper than any weapon actually could. Kidman shines in the role as well as you seem to love the fact that a mother could be so cruel to one of her children.
Spoiling a film is no fun, but since The Northman is kind of bombing at the box office right now ($23.5 million opening weekend on a $70-$90 million budget) this is worth mentioning. The finale of the film takes place at the volcano Hekla, which resides at the Gates of Hel. Lava is spilling out everywhere as smoke fills the air and two grown men sword duel to the death. That’s right, the ending of The Northman has two naked men sword fighting at the base of an erupting volcano. It’s freaking nuts.
The Northman is a bloody and ferocious battle cry of a revenge film. The action is brutal and the performances are extraordinary. This is Robert Eggers at his most savage and masterful.
In AD 914, a now adult Amleth (Alexander Skarsgård) has been raised as a Viking and was enlisted as a berserker. Seemingly losing his focus in furious battle, Amleth is reminded of his vengeful mission a few years later by a Seeress (Björk) that predicts that Amleth will soon get his sought after revenge on his uncle.
The film is based on the story of Amleth, which was written sometime before the year 1200 and inspired Shakespeare’s Hamlet. The Northman feels like it’s forged by the same cinematic swordsmith that created the likes of Conan the Barbarian, Beowulf, and Gladiator, but with a bloodier, and slightly trippier ambiance Robert Eggers tends to be known for.
Amleth’s opening voiceover as the film opens with a monstrously intimidating volcano on the verge of erupting is haunting. Alexander Skarsgård has this gruff and nearly grunt-like growl to his speech that you can feel reverberate in your chest as he speaks. The score to the film is also just as memorable and incredible. On paper, it’s just a series of loud drumming or pounding, a fancy string arrangement, and some harmless chanting. But all of those elements together suddenly become this impressive musical declaration of war. The score constantly crescendos and always finds a way to ignite a fire within you.
It’s humorous to think that most will have seen Willem Dafoe last in Spider-Man: No Way Home. Dafoe’s role as Heimir the Fool is also a leap in a different direction even when compared to his role as Thomas Wake in The Lighthouse. Heimir’s key role in the story is to oversee the spiritual journey Almeth takes with Aurvandill right before his death. It’s a bizarre sequence as both grown men and young boy are dressed in nothing but loin cloths as they act like dogs, get on their hands and knees, drink water from a bowl, belch, and take turns sniffing each other’s farts. It’s an intriguing role for Dafoe as he’s this crowd pleasing jester one minute and a spiritual guide the next.
The barbaric action is fairly straightforward in The Northman, but what complicates things are Amleth’s visions. Beginning with his encounter with the Seeress, Amleth also battles an undead spirit for the Night Blade, has a vision of a Valkyrie taking him to Valhalla, and sees his unborn children in rare glimpses of the future. These surreal sequences have a palpable dream-like quality to them. It makes you wonder if they’re actually occurring or are only in Amleth’s head.
Nicole Kidman is exceptional as Queen Gudrún. The character is written in a way that makes her seem like a damsel in distress, but she’s much more evil and manipulative. At first, she seems like the typical Queen character that is pushed aside in order to give the spotlight to the king. But once Gudrún comes face to face with an adult Amleth, she strikes like a snake with venomous words that pierce Amleth deeper than any weapon actually could. Kidman shines in the role as well as you seem to love the fact that a mother could be so cruel to one of her children.
Spoiling a film is no fun, but since The Northman is kind of bombing at the box office right now ($23.5 million opening weekend on a $70-$90 million budget) this is worth mentioning. The finale of the film takes place at the volcano Hekla, which resides at the Gates of Hel. Lava is spilling out everywhere as smoke fills the air and two grown men sword duel to the death. That’s right, the ending of The Northman has two naked men sword fighting at the base of an erupting volcano. It’s freaking nuts.
The Northman is a bloody and ferocious battle cry of a revenge film. The action is brutal and the performances are extraordinary. This is Robert Eggers at his most savage and masterful.
Lesley (60 KP) rated A Steep Price in Books
Aug 10, 2018
Tracy Crosswhite never disappoints!
I LOVE Tracy Crosswhite and this newest entry into the series was no exception. I laughed, I cried, I gasped. This is the review that I posted on my blog.
Moving right along. My beloved Tracy Crosswhite is back for book #6, A Steep Price. Every time Robert Dugoni releases a new book in this series, I feel like I get to see old friends again. Kins, Vic, Faz, Dan, Dan's DOGS!, and of course Tracy herself. I love this series because it feels authentic, manages to remain heartwarming in the face of grim subject matters, and really makes you care about the characters.
This time around, Tracy and Kins are investigating the death of a young Indian woman whose best friend has reported her missing after delivering some life-changing news. Unfortunately, when she is found murdered in a shallow grave in the park, it creates more questions than answers. As they delve deeper into her life, they find a lot of ambition that was hampered by her familys societal expectations, her grim determination to raise money for medical school at any cost despite her parents wishes to return home and accept an arranged marriage, and the seedy underworld of "Sugar Dating", which has enough loopholes to escape being classified as prostitution, despite being dangerous and borderline sex work. Tracy is feeling threatened and on edge due to their newest team member, another female who seems to be snooping in private files and isn't honest about the circumstances of an officer-involved shooting in the case that Vic and Faz are tackling currently. A young activist woman who spoke out against gangs and the drug trade in her underprivileged area gets shot and killed. The guys think it's connected to a local gang leader whose father they put in prison years earlier. The hotter the trail gets, the more in danger they are. Little Jimmy blames them for putting his dad away, and for his subsequent death in prison when a rival gang member stabbed him. Just as things are reaching a boiling point, Tracy and Kins figure out exactly who their killer is and they're hot on the trail. The book, like the others in the series, was a fun, fast-paced read with heart and a satisfying conclusion. I highly recommend starting this series!
Moving right along. My beloved Tracy Crosswhite is back for book #6, A Steep Price. Every time Robert Dugoni releases a new book in this series, I feel like I get to see old friends again. Kins, Vic, Faz, Dan, Dan's DOGS!, and of course Tracy herself. I love this series because it feels authentic, manages to remain heartwarming in the face of grim subject matters, and really makes you care about the characters.
This time around, Tracy and Kins are investigating the death of a young Indian woman whose best friend has reported her missing after delivering some life-changing news. Unfortunately, when she is found murdered in a shallow grave in the park, it creates more questions than answers. As they delve deeper into her life, they find a lot of ambition that was hampered by her familys societal expectations, her grim determination to raise money for medical school at any cost despite her parents wishes to return home and accept an arranged marriage, and the seedy underworld of "Sugar Dating", which has enough loopholes to escape being classified as prostitution, despite being dangerous and borderline sex work. Tracy is feeling threatened and on edge due to their newest team member, another female who seems to be snooping in private files and isn't honest about the circumstances of an officer-involved shooting in the case that Vic and Faz are tackling currently. A young activist woman who spoke out against gangs and the drug trade in her underprivileged area gets shot and killed. The guys think it's connected to a local gang leader whose father they put in prison years earlier. The hotter the trail gets, the more in danger they are. Little Jimmy blames them for putting his dad away, and for his subsequent death in prison when a rival gang member stabbed him. Just as things are reaching a boiling point, Tracy and Kins figure out exactly who their killer is and they're hot on the trail. The book, like the others in the series, was a fun, fast-paced read with heart and a satisfying conclusion. I highly recommend starting this series!
Eleanor Luhar (47 KP) rated Boot Camp (Rock War #2) in Books
Jun 24, 2019
So this is the sequel to Rock War by Robert Muchamore, which is the only other novel I've read by this author. I can't say I loved the first book, but I was intrigued to find out what happened next!
Twelve young bands have earned their big break, and are due to spend their summer in Rock War Manor as part of a new TV show. Among these contestants we have Brontobyte, Jet, and Industrial Scale Slaughter - all of whom we met in the previous novel.
The bands are put through vigorous training, before performing live and having to deal with the nosy media. There's also the added issue of tension among some contestants, such as Jay and his ex-band-mates. There are, of course, some more positive relationships going on too.
This book paints a rather realistic picture of life in the media, with all the ups and down that "fame" can bring. Not that I have any actual experience in this matter, of course.
My main problem with these books is how immature they feel. The language isn't simple, but it just somehow feels childish to me. Not to mention how most characters are a few years younger than me, and remind me of my first couple of years at secondary school.
Despite this, the story is pretty good, and I was really rather shocked by the ending. Again, I'm left wanting to know what happens next?
So although I don't love this book, I don't hate it, and I can see how some people could really enjoy it. So I think it deserves 3.5 stars.
Twelve young bands have earned their big break, and are due to spend their summer in Rock War Manor as part of a new TV show. Among these contestants we have Brontobyte, Jet, and Industrial Scale Slaughter - all of whom we met in the previous novel.
The bands are put through vigorous training, before performing live and having to deal with the nosy media. There's also the added issue of tension among some contestants, such as Jay and his ex-band-mates. There are, of course, some more positive relationships going on too.
This book paints a rather realistic picture of life in the media, with all the ups and down that "fame" can bring. Not that I have any actual experience in this matter, of course.
My main problem with these books is how immature they feel. The language isn't simple, but it just somehow feels childish to me. Not to mention how most characters are a few years younger than me, and remind me of my first couple of years at secondary school.
Despite this, the story is pretty good, and I was really rather shocked by the ending. Again, I'm left wanting to know what happens next?
So although I don't love this book, I don't hate it, and I can see how some people could really enjoy it. So I think it deserves 3.5 stars.
LeftSideCut (3778 KP) rated A Nightmare on Elm Street (1984) in Movies
Jul 4, 2021
80s horror is its own unique thing, and nothing quite encapsulates the era as well as A Nightmare On Elm Street. Another series that spawned a whole bunch of sequels, the original holds the crown, and still stands the test of time.
For one, iconic slasher villain Freddy Krueger is a scary motherfucker here. There are glimpses of the more comedic elements that would encompass his personality in later entries, but here, for the most part, he's a no nonsense, nasty SOB. Of course Robert Englund relishes in his role, and it's hard to see anyone else effectively filling his shoes.
Opposite Freddy is Nancy Thompson (a fantastic Heather Langenkamp), a well written and hugely likable final girl, a final girl who rivals Laurie Strode in the pantheon of horror protagonists.
The premise of ANOES is wonderfully simple. Don't fall asleep. This film scared the living shit out of me when I was a young teenager. Wes Craven was extremely successful in doing for sleep what Jaws did for swimming in the ocean. As an adult, it's less scary sure, but still makes me feel uneasy. This is thanks to a wonderfully creepy score by Charles Bernstein, and the of course, the incredibly executed, and imaginative kill scenes. The gory moments are paced out nicely, and hit hard when they arrive. The first kill in particular is a solid all timer, and then the infamous scene where Johnny Depp meets his demise is so otherworldly. It really drives home the near impossible odds that the good guys are facing.
ANOES is obviously a genre classic, and I personally think it just gets better with age. One of the all time greats, from one of the all time greats.
For one, iconic slasher villain Freddy Krueger is a scary motherfucker here. There are glimpses of the more comedic elements that would encompass his personality in later entries, but here, for the most part, he's a no nonsense, nasty SOB. Of course Robert Englund relishes in his role, and it's hard to see anyone else effectively filling his shoes.
Opposite Freddy is Nancy Thompson (a fantastic Heather Langenkamp), a well written and hugely likable final girl, a final girl who rivals Laurie Strode in the pantheon of horror protagonists.
The premise of ANOES is wonderfully simple. Don't fall asleep. This film scared the living shit out of me when I was a young teenager. Wes Craven was extremely successful in doing for sleep what Jaws did for swimming in the ocean. As an adult, it's less scary sure, but still makes me feel uneasy. This is thanks to a wonderfully creepy score by Charles Bernstein, and the of course, the incredibly executed, and imaginative kill scenes. The gory moments are paced out nicely, and hit hard when they arrive. The first kill in particular is a solid all timer, and then the infamous scene where Johnny Depp meets his demise is so otherworldly. It really drives home the near impossible odds that the good guys are facing.
ANOES is obviously a genre classic, and I personally think it just gets better with age. One of the all time greats, from one of the all time greats.
Darren (1599 KP) rated The King (2019) in Movies
Nov 27, 2019
Verdict: Another King Fighting Film
Story: The King starts as the war between the English and the Scots continues to rage on, King Henry IV (Mendlesohn) is getting tired of the bloodshed and disloyalty being found in his own soldiers and with his health getting worse he recalls his son Hal (Chalamet) to his side.
As Hal find himself in a new power, he doesn’t know who to trust, so he turns to Falstaff (Edgerton) to help him in battle, with in latest battle being with the future French king The Dauphin (Pattinson).
Thoughts on The King
Characters – Hal is the young prince that would become King, a role he isn’t ready for, he doesn’t want to see large scale bloodshed like his father’s reign, but finds his country in war from all sides, he wants to end the battles and will look for solutions, which don’t always work for him. Falstaff is the man Hal turns to for advice when it comes to conflict, he thought under King Richard and he knows how to outsmart an enemy, first he must give up his drinking problem though. The Dauphin is next in line to be king of France, he is leading the armies into battle and doesn’t want any part of a deal with the King of England.
Performances – Timothee Chalamet is strong in the leading role, continuing to put himself on the right path to do anything he wants to in the future. Joel Edgerton is always a great supporting star in any movie, this is no different, while Robert Pattinson as the villainous soon to be king does a great job too.
Story – The story here follows a young king taking his place on the throne while his country is involved in wars that he never started and now he wants to end, hoping to find a more peaceful way to end the battles, forcing him to learn the truth about the bitter war between the nations. This is one of those stories which once again puts our history out there for the world to see with the English being seen as an all-conquering nation that always believed they were right, the spin is seeing how the young king wants to try and find a more peaceful way to end things, but just doesn’t get a chance to solve these problems. The pacing follows everything we have seen before, not making this standout on any means whatsoever, which just leads us to disappointment once again.
Biopic/History – This is a film that claims to tell the story of a real king and how he was brave, just like every single one through the years, we don’t know what he was like or what the battles were like, we only know the outcome.
Settings – The settings show us how the kingdoms are beautiful and how the battlefields are covered in blood and bodies.
Scene of the Movie – The battle.
That Moment That Annoyed Me – It is the same typical history story.
Final Thoughts – This is one of the period piece dramas that does everything it needs to without giving us the complete truth to what is happening with the real history.
Overall: Simple Royalty Film.
As Hal find himself in a new power, he doesn’t know who to trust, so he turns to Falstaff (Edgerton) to help him in battle, with in latest battle being with the future French king The Dauphin (Pattinson).
Thoughts on The King
Characters – Hal is the young prince that would become King, a role he isn’t ready for, he doesn’t want to see large scale bloodshed like his father’s reign, but finds his country in war from all sides, he wants to end the battles and will look for solutions, which don’t always work for him. Falstaff is the man Hal turns to for advice when it comes to conflict, he thought under King Richard and he knows how to outsmart an enemy, first he must give up his drinking problem though. The Dauphin is next in line to be king of France, he is leading the armies into battle and doesn’t want any part of a deal with the King of England.
Performances – Timothee Chalamet is strong in the leading role, continuing to put himself on the right path to do anything he wants to in the future. Joel Edgerton is always a great supporting star in any movie, this is no different, while Robert Pattinson as the villainous soon to be king does a great job too.
Story – The story here follows a young king taking his place on the throne while his country is involved in wars that he never started and now he wants to end, hoping to find a more peaceful way to end the battles, forcing him to learn the truth about the bitter war between the nations. This is one of those stories which once again puts our history out there for the world to see with the English being seen as an all-conquering nation that always believed they were right, the spin is seeing how the young king wants to try and find a more peaceful way to end things, but just doesn’t get a chance to solve these problems. The pacing follows everything we have seen before, not making this standout on any means whatsoever, which just leads us to disappointment once again.
Biopic/History – This is a film that claims to tell the story of a real king and how he was brave, just like every single one through the years, we don’t know what he was like or what the battles were like, we only know the outcome.
Settings – The settings show us how the kingdoms are beautiful and how the battlefields are covered in blood and bodies.
Scene of the Movie – The battle.
That Moment That Annoyed Me – It is the same typical history story.
Final Thoughts – This is one of the period piece dramas that does everything it needs to without giving us the complete truth to what is happening with the real history.
Overall: Simple Royalty Film.
BankofMarquis (1832 KP) rated The Pale Blue Eye (2022) in Movies
Jan 15, 2023
Haunting and Intriguing
An eerie, gothic murder mystery pairing an ingenious Detective with a young Edgar Allan Poe is now streaming on Netflix and is the perfect way to shut out the January winds and hibernate on your couch and get involved in the mystery while sitting in front of a warm, roaring fire (or heat lamp) and your favorite warm (possibly adult) beverage).
Written for the screen (from book by Louis Bayard) and Directed by Scott Cooper (OUT OF THE FURNACE), THE PALE BLUE EYE stars the always good Christian Bale (probably my favorite actor working today) as Civilian Detective Augustus Landor who is summoned to 1830’s West Point Military Academy to solve a murder. He is aided by a young cadet played by Harry Melling (Dudley Dursley in the HARRY POTTER FILMS) who turns out to be none other than Edgar Allan Poe.
Cooper films this movie in shadow and dark brown and yellow tones, giving the 1830’s setting a certain dream-like, dreary quality that underscores the gruesome goings-on happening behind the scenes at the fledgling United States Military Academy. These types of films - and the mood that is permeated throughout - can often be slow slogs and often times bogs down under the weight of it’s own pretentiousness - but Cooper keeps the action moving forward (though at a deliberate pace) often-times mimicking the piecing together of the circumstances that Bale’s character is doing.
Thank goodness Cooper had the good sense to reunite with his OUT OF THE FURNACE star and cast Bale in the lead role. The character of Detective Augustus Landor is dark and brooding - himself still working through the emotions of a tragedy from his past. But he is also thoughtful and deliberate in his detective work and Bale handles these moods…and the pacing of the film…like the pro that he is. If for no other reason, check out THE PALE BLUE EYE (a reference to Poe’s TELL TALE HEART) for Bale’s performance at the center of things.
Fortunately, Bale is aided in this film by a strong ensemble of (mostly) British actors from Toby Jones to Gillian Anderson to Simon McBurney and Timothy Spall - they all bring their considerable talents to lesser roles as suspects and/or witnesses in this “whodunnit”. Cooper also trots out good ol’ (and I do mean old) Robert Duvall for a “blink or you’ll miss it” cameo. The casting works well for this gothic murder mystery.
And then there is Melling as Edgar Allan Poe. He plays Poe as you might expect one to play a young Edgar Allan Poe - as an “odd duck” who is fascinated by macabre scenarios (which would be later found in his storytelling), but Melling gives him an intelligence and gentleness of soul that really works in this case.
The Cinematography of this movie is bleak and dark - as befits a gothic murder mystery - and the pacing is not fast in any sense of the word, but if you click into this world, you’ll be rewarding by an interesting murder mystery that resolves itself in a surprising - and satisfactory - way.
Letter Grade: B+
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Written for the screen (from book by Louis Bayard) and Directed by Scott Cooper (OUT OF THE FURNACE), THE PALE BLUE EYE stars the always good Christian Bale (probably my favorite actor working today) as Civilian Detective Augustus Landor who is summoned to 1830’s West Point Military Academy to solve a murder. He is aided by a young cadet played by Harry Melling (Dudley Dursley in the HARRY POTTER FILMS) who turns out to be none other than Edgar Allan Poe.
Cooper films this movie in shadow and dark brown and yellow tones, giving the 1830’s setting a certain dream-like, dreary quality that underscores the gruesome goings-on happening behind the scenes at the fledgling United States Military Academy. These types of films - and the mood that is permeated throughout - can often be slow slogs and often times bogs down under the weight of it’s own pretentiousness - but Cooper keeps the action moving forward (though at a deliberate pace) often-times mimicking the piecing together of the circumstances that Bale’s character is doing.
Thank goodness Cooper had the good sense to reunite with his OUT OF THE FURNACE star and cast Bale in the lead role. The character of Detective Augustus Landor is dark and brooding - himself still working through the emotions of a tragedy from his past. But he is also thoughtful and deliberate in his detective work and Bale handles these moods…and the pacing of the film…like the pro that he is. If for no other reason, check out THE PALE BLUE EYE (a reference to Poe’s TELL TALE HEART) for Bale’s performance at the center of things.
Fortunately, Bale is aided in this film by a strong ensemble of (mostly) British actors from Toby Jones to Gillian Anderson to Simon McBurney and Timothy Spall - they all bring their considerable talents to lesser roles as suspects and/or witnesses in this “whodunnit”. Cooper also trots out good ol’ (and I do mean old) Robert Duvall for a “blink or you’ll miss it” cameo. The casting works well for this gothic murder mystery.
And then there is Melling as Edgar Allan Poe. He plays Poe as you might expect one to play a young Edgar Allan Poe - as an “odd duck” who is fascinated by macabre scenarios (which would be later found in his storytelling), but Melling gives him an intelligence and gentleness of soul that really works in this case.
The Cinematography of this movie is bleak and dark - as befits a gothic murder mystery - and the pacing is not fast in any sense of the word, but if you click into this world, you’ll be rewarding by an interesting murder mystery that resolves itself in a surprising - and satisfactory - way.
Letter Grade: B+
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Gareth von Kallenbach (965 KP) rated Poseidon (2006) in Movies
Aug 14, 2019
The summer movie season has arrived in grand style with the first thrill ride of the season In Poseidon, viewers are taking to the very edge and beyond in one of the better adventure films in recent memory.
Based on the 1972 original, the film once again follows a ship in peril and a group of survivors attempting to save themselves from certain doom. Onboard the Poseidon, the guests are a mixed bag of society, but fate is about to bring them all together when their transatlantic crossing hits a rather unexpected snag in the form of a massive tidal wave which capsizes the boat leaving the survivors to deal with an upside down ship and the constant threat of drowning.
Wasting little time on character backgrounds and motivations, the film gets right to the action as within 10 minutes, the action is underway, and rarely lets up over the roughly 99 minutes of the films run time.
After the disaster has hit and the survivors survey the carnage caused by the wave, Robert Ramsey (Kurt Russell), decides to ignore the advice of the ships captain and follow a maverick named Dylan (Josh Lucas), out of the ballroom in an effort not only to find his daughter, but a way out of the ship. Joining the duo are a young mother named Maggie (Jacinda Barrett), and her son, as well as business man Richard Nelson (Richard Dreyfuss). As the group ventures to find a way out, they do in time meet up with Roberts’s daughter and her finance as well as a few other survivors.
As the group is forced to work with one another for survival, conflicts arise as Dylan and Robert clash over the best course of action. It is learned that Robert was a former fireman who after a heroic act was able to become Mayor of New York, but for reasons unknown was not able to deal with his success which had caused his wife to leave him. Now Michael spends his days in luxury being an overprotective father to his daughter Jennifer (Emmy Rossum).
While much of Michael’s past is uncovered in a few lines tossed at him in a moment of anger, even less is known about Dylan. Prior to the accident, he revealed to Maggie that he takes money from people who like to get into arguments and play cards. Only Richard Nelsons character is given a bit more background as we learn that he is a Gay business man whose lover has left him for another in London, leaving Richard alone, and suicidal. The fact that Richard is preparing to jump overboard and is stopped only by the site of the closing wave allows his character to show some diversity as in the face of disaster, he finds new meaning and purpose.
The remainder of the film is packed with narrow escapes, danger, death, and the ever constant menace of the water which like an unrelenting killer is never far away from the group and stalks them without mercy at every turn.
While some of the situations are beyond reason, the film has some impressive sets and visuals, and Director Wolfgang Peterson keeps the pacing of the film fresh as it never stops long enough to loose its momentum.
The leads do the best they can with their stock characters, yet this is compensated for by the thrills of the film and the physicality of the rolls. Josh Lucas reportedly broke his arm while filming the movie underscoring just how much the actors put themselves into the film.
While Poseidon is not likely to be a cinematic classic, it is an enjoyable if flawed summer film that provides enough thrills to keep you entertained.
Based on the 1972 original, the film once again follows a ship in peril and a group of survivors attempting to save themselves from certain doom. Onboard the Poseidon, the guests are a mixed bag of society, but fate is about to bring them all together when their transatlantic crossing hits a rather unexpected snag in the form of a massive tidal wave which capsizes the boat leaving the survivors to deal with an upside down ship and the constant threat of drowning.
Wasting little time on character backgrounds and motivations, the film gets right to the action as within 10 minutes, the action is underway, and rarely lets up over the roughly 99 minutes of the films run time.
After the disaster has hit and the survivors survey the carnage caused by the wave, Robert Ramsey (Kurt Russell), decides to ignore the advice of the ships captain and follow a maverick named Dylan (Josh Lucas), out of the ballroom in an effort not only to find his daughter, but a way out of the ship. Joining the duo are a young mother named Maggie (Jacinda Barrett), and her son, as well as business man Richard Nelson (Richard Dreyfuss). As the group ventures to find a way out, they do in time meet up with Roberts’s daughter and her finance as well as a few other survivors.
As the group is forced to work with one another for survival, conflicts arise as Dylan and Robert clash over the best course of action. It is learned that Robert was a former fireman who after a heroic act was able to become Mayor of New York, but for reasons unknown was not able to deal with his success which had caused his wife to leave him. Now Michael spends his days in luxury being an overprotective father to his daughter Jennifer (Emmy Rossum).
While much of Michael’s past is uncovered in a few lines tossed at him in a moment of anger, even less is known about Dylan. Prior to the accident, he revealed to Maggie that he takes money from people who like to get into arguments and play cards. Only Richard Nelsons character is given a bit more background as we learn that he is a Gay business man whose lover has left him for another in London, leaving Richard alone, and suicidal. The fact that Richard is preparing to jump overboard and is stopped only by the site of the closing wave allows his character to show some diversity as in the face of disaster, he finds new meaning and purpose.
The remainder of the film is packed with narrow escapes, danger, death, and the ever constant menace of the water which like an unrelenting killer is never far away from the group and stalks them without mercy at every turn.
While some of the situations are beyond reason, the film has some impressive sets and visuals, and Director Wolfgang Peterson keeps the pacing of the film fresh as it never stops long enough to loose its momentum.
The leads do the best they can with their stock characters, yet this is compensated for by the thrills of the film and the physicality of the rolls. Josh Lucas reportedly broke his arm while filming the movie underscoring just how much the actors put themselves into the film.
While Poseidon is not likely to be a cinematic classic, it is an enjoyable if flawed summer film that provides enough thrills to keep you entertained.