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Bob Mann (459 KP) rated Star Trek III - The Search for Spock (1984) in Movies
Sep 28, 2021
Why mess with a winning formula? Most of the original cast return for this next outing – with Robin Curtis stepping in for Kirstie Alley who “didn’t want to get typecast”. And the story continues from where we left off. But it all feels more forced this time. There are various absurdities in the story that make things very convenient! There are also things that make you say “hang on a minute” from Star Trek II. (For example, McCoy just stands there without objection in the funeral scene! Wouldn’t a “wait a minute” at that point have saved an AWFUL lot of grief??!).
Christopher Lloyd is wonderfully over the top as the Klingon commander, making a very believable baddie. And he really is a villain, allowing Shatner the opportunity to test his acting range (unfortunately, he singularly fails): “You Klingon bastard, you killed my son…. You Klingon bastard, you killed my son”.
Overall, it’s not a total disaster, but it all feels lacklustre and lazy after the glory of the Wrath of Khan. It makes you wonder what might have been if Nicholas Meyer had stayed at the helm to direct it instead of Nimoy.
Christopher Lloyd is wonderfully over the top as the Klingon commander, making a very believable baddie. And he really is a villain, allowing Shatner the opportunity to test his acting range (unfortunately, he singularly fails): “You Klingon bastard, you killed my son…. You Klingon bastard, you killed my son”.
Overall, it’s not a total disaster, but it all feels lacklustre and lazy after the glory of the Wrath of Khan. It makes you wonder what might have been if Nicholas Meyer had stayed at the helm to direct it instead of Nimoy.
Lindsay (1760 KP) rated Robbie Robin in Books
Nov 22, 2021
Robbie Robin teaches children and others about birds. A little about taking care of young birds. Your child or children will learn the life lessons that birds or some animals imply, letting go and living where they happened to exist.
This book follows that journey. However, most of the children in the book did not do much to care for the bird. It mainly was their mother. All family members learn what it is like to raise a baby bird. I know that a true story inspires this.
This book is really for children that can read. The print is a bit small for children. I would think this book means more geared more advanced readers. Otherwise, the book signifies achieved well. The pictures are well-drawn. I did enjoy the images. Images were great to look at, and they could somewhat tell the story.
What will the family do when it is time for Robbie to go? What will Robbie do? Does the mother seem to feel heartfelt when Robbie leaves the nest? This book does teach some tough lessons about wildlife and letting go.
This book follows that journey. However, most of the children in the book did not do much to care for the bird. It mainly was their mother. All family members learn what it is like to raise a baby bird. I know that a true story inspires this.
This book is really for children that can read. The print is a bit small for children. I would think this book means more geared more advanced readers. Otherwise, the book signifies achieved well. The pictures are well-drawn. I did enjoy the images. Images were great to look at, and they could somewhat tell the story.
What will the family do when it is time for Robbie to go? What will Robbie do? Does the mother seem to feel heartfelt when Robbie leaves the nest? This book does teach some tough lessons about wildlife and letting go.
Daniel Boyd (1066 KP) rated Robin Hood (2018) in Movies
Jan 28, 2019 (Updated Jan 28, 2019)
A Middling Reboot
This is another movie from late 2018 that I am only just getting a chance to see. After my girlfriend and I sat through this one, she turned to me and asked what I thought of it. In response, I just shrugged my shoulders and went, "It was alright." That is genuinely the best way that I can think of to sum up my feeling on this film.
It's a mediocre action movie based around the basic concept of the old tale of Robin Hood. It is extremely cheesy and has bags of whatever the opposite of subtle is. It tries to tell a gritty, 'Year One,' type of story for the character and treats the Robin Hood moniker as a dual identity for Robin Loxley, which draws heavy comparisons to the Batman/Bruce Wayne dynamic. Unfortunately, not much of it lands due to the lack of risk-taking involved.
The movie also feels weirdly dated, especially considering that it's only a few months old. There are an abundance of overindulgent slow motion shots in the style of 300; a movie that was 12 years old at the time of this movie's release. The use of green-screen in this film is actually pretty atrocious judging by today's standards and actually might be some of the worst out of any 2018 movie I saw. This is noticeable throughout the whole movie, but is especially rough-looking during a carriage chase that happens around two thirds into the film.
The cast are all phoning it in as well. Taron Egerton does nothing special with the lead role and Ben Mendlesohn hams it up as the Sheriff Of Nottingham, doing pretty much the same villainous shlock that he did in Ready Player One and Star Wars: Rogue One, way to not get typecast Mendo!
That's the other weird thing about this movie, is that it's not sure what era it wants to be set in. Some of the accents, language and costumes are suitable for the period that the movie is set in, but other elements and other lines and costumes etc feel like they are from 2018, the year that this movie was made. The end result that they were aiming for may have been a sort of rolling timeline that transcends the days of the Crusades that the movie is set in but what we get is just a scattered mess.
There were a few positives in this thing. Some cool shots, Some of the stunt archery is, (while super unrealistic,) pretty cool to watch. I know that 'Real Life Legolas,' Lars Andersen was hired to teach the cast some archery and I believe he helped out with the action choreography as well, which is pretty cool. There are also some glimpses of creativity in some of the shots. One in particular that stood out to me was a shot that gradually panned out from behind a solitary soldiers shield to show the intensity and scale of the battle that was taking place. It's just unfortunate that in so many other places in the movie, all we get is lazy, generic camera angles that add nothing to the scene taking place.
Overall, this is an okay action romp. Don't go in expecting anything of substance or you will most definitely come away disappointed. Though, if all that you are looking for is something to stick on in the background while you do other things or if you are just after an easy, straightforward action adventure popcorn flick, then you could probably do worse than this.
It's a mediocre action movie based around the basic concept of the old tale of Robin Hood. It is extremely cheesy and has bags of whatever the opposite of subtle is. It tries to tell a gritty, 'Year One,' type of story for the character and treats the Robin Hood moniker as a dual identity for Robin Loxley, which draws heavy comparisons to the Batman/Bruce Wayne dynamic. Unfortunately, not much of it lands due to the lack of risk-taking involved.
The movie also feels weirdly dated, especially considering that it's only a few months old. There are an abundance of overindulgent slow motion shots in the style of 300; a movie that was 12 years old at the time of this movie's release. The use of green-screen in this film is actually pretty atrocious judging by today's standards and actually might be some of the worst out of any 2018 movie I saw. This is noticeable throughout the whole movie, but is especially rough-looking during a carriage chase that happens around two thirds into the film.
The cast are all phoning it in as well. Taron Egerton does nothing special with the lead role and Ben Mendlesohn hams it up as the Sheriff Of Nottingham, doing pretty much the same villainous shlock that he did in Ready Player One and Star Wars: Rogue One, way to not get typecast Mendo!
That's the other weird thing about this movie, is that it's not sure what era it wants to be set in. Some of the accents, language and costumes are suitable for the period that the movie is set in, but other elements and other lines and costumes etc feel like they are from 2018, the year that this movie was made. The end result that they were aiming for may have been a sort of rolling timeline that transcends the days of the Crusades that the movie is set in but what we get is just a scattered mess.
There were a few positives in this thing. Some cool shots, Some of the stunt archery is, (while super unrealistic,) pretty cool to watch. I know that 'Real Life Legolas,' Lars Andersen was hired to teach the cast some archery and I believe he helped out with the action choreography as well, which is pretty cool. There are also some glimpses of creativity in some of the shots. One in particular that stood out to me was a shot that gradually panned out from behind a solitary soldiers shield to show the intensity and scale of the battle that was taking place. It's just unfortunate that in so many other places in the movie, all we get is lazy, generic camera angles that add nothing to the scene taking place.
Overall, this is an okay action romp. Don't go in expecting anything of substance or you will most definitely come away disappointed. Though, if all that you are looking for is something to stick on in the background while you do other things or if you are just after an easy, straightforward action adventure popcorn flick, then you could probably do worse than this.
Chris Sawin (602 KP) rated World's Greatest Dad (2009) in Movies
Jun 22, 2019
Lance Clayton is a pretty well-established writer, in a sense. He's written several novels and children's books. The problem is none of his work has ever been published. Every submission to publishers has been denied. So Lance tells himself that if his next novel is rejected, he'll give up writing. Lance is also a high school poetry teacher that's on the verge of losing his course due to not having enough student interest. During all of this, Lance has his hands full with his son Kyle. Kyle doesn't seem too interested in much of anything other than the most disturbing type of pornographic videos while continually acting out at school and is on the verge of being transferred to a school for students with special needs. Then, as if that wasn't enough, Lance is seeing the art teacher, Claire, who wants to keep their relationship a secret while not getting too serious. So, it's safe to say that Lance has his hands full. On top of it all though, he's afraid of dying alone. Lance winds up getting everything he's ever wanted after a certain situation presents itself, but soon realizes having all of that doesn't automatically make you happy.
World's Greatest Dad hooked me the first time I read about it debuting at Sundance. I heard, "dark comedy," and, "Robin Williams," and was instantly interested. Then the trailer and plot summary really reeled me in. The result is a film that not only surpassed expectations, but also went in an unexpected direction. When a film is described as a dark comedy, it has usually still stuck to specific guidelines. Maybe it still followed a similar formula to what other comedies did before it. These other films that are labeled as dark comedies don't really break any new ground. World's Greatest Dad goes beyond that. It breaks any ground rules that were laid before it and doesn't follow any sort of formula. When they say, "dark," they aren't kidding. The subject content is pretty disturbing yet is somehow still humorous.
Robin Williams plays the role of a dad who's trying to do his best with the obstacles life has thrown at him incredibly well. With everything that's going on in his life, even in the moments of the film where he doesn't speak, it looks like he's constantly thinking about something. Always dwelling on what's going on around him with the people who are close to him in his life and trying to decide how he's going to handle this situation he's gotten himself into. While his role does show a bit of his comedic side, Robin Williams proves he can handle serious roles rather well with this performance.
While I obviously can't say much about what direction the film goes in without completely spoiling the film, I will say that the trailer does a good job of not giving any of that away. Once the film makes that turn though, it really follows through with it and doesn't let up. One of the best parts of the experience of watching this film for the first time is seeing how far the concept of the film is going to go. As Lance buries himself in this, people begin to say the actions that were taken changed their life for the better. If you told a lie that did that to not just one person, but practically an entire high school...how would you tell them the truth?
World's Greatest Dad is not going to be for everyone. Some people will love it and others will just downright hate it. The film isn't just dark, it's DARK. That and it's a very different kind of comedy with an unexpected turn of events. Most of the humor is very dry, so if that's not your thing then I wouldn't recommend it. For me personally though, it's one of the most interesting films I've seen in quite some time.
World's Greatest Dad hooked me the first time I read about it debuting at Sundance. I heard, "dark comedy," and, "Robin Williams," and was instantly interested. Then the trailer and plot summary really reeled me in. The result is a film that not only surpassed expectations, but also went in an unexpected direction. When a film is described as a dark comedy, it has usually still stuck to specific guidelines. Maybe it still followed a similar formula to what other comedies did before it. These other films that are labeled as dark comedies don't really break any new ground. World's Greatest Dad goes beyond that. It breaks any ground rules that were laid before it and doesn't follow any sort of formula. When they say, "dark," they aren't kidding. The subject content is pretty disturbing yet is somehow still humorous.
Robin Williams plays the role of a dad who's trying to do his best with the obstacles life has thrown at him incredibly well. With everything that's going on in his life, even in the moments of the film where he doesn't speak, it looks like he's constantly thinking about something. Always dwelling on what's going on around him with the people who are close to him in his life and trying to decide how he's going to handle this situation he's gotten himself into. While his role does show a bit of his comedic side, Robin Williams proves he can handle serious roles rather well with this performance.
While I obviously can't say much about what direction the film goes in without completely spoiling the film, I will say that the trailer does a good job of not giving any of that away. Once the film makes that turn though, it really follows through with it and doesn't let up. One of the best parts of the experience of watching this film for the first time is seeing how far the concept of the film is going to go. As Lance buries himself in this, people begin to say the actions that were taken changed their life for the better. If you told a lie that did that to not just one person, but practically an entire high school...how would you tell them the truth?
World's Greatest Dad is not going to be for everyone. Some people will love it and others will just downright hate it. The film isn't just dark, it's DARK. That and it's a very different kind of comedy with an unexpected turn of events. Most of the humor is very dry, so if that's not your thing then I wouldn't recommend it. For me personally though, it's one of the most interesting films I've seen in quite some time.
Kristy H (1252 KP) rated Never Look Back in Books
Sep 2, 2019
For Quentin Garrison, his podcast, entitled Closure, is truly about just that--closure. It centers on a series of murders in the 1970s committed by teens Gabriel LeRoy and April Cooper. The victims included Quentin's mother's little sister and his grandmother. As a result, Quentin has spent most of his life raised by a neglectful, drug addict mom. For Robin Diamond, a columnist, the podcast causes only confusion. When Quentin contacts her about it, asking specifically about April Cooper and tying her to Robin's own mother, Robin is bewildered. But the more she delves into the murders, the more she starts to wonder. Then there's a terrible home invasion at her parent's house, killing her father and leaving her mom unconscious. What exactly happened back in the '70s--and, now, in the home invasion?
This was an excellent thriller that had me hooked from the first page. It's dark, gritty, and utterly mesmerizing. When I started it, I was thinking to myself, not another podcast mystery, but little did I know... this book is totally addictive and brings in the podcast element in a seamless, fresh way.
It's told from the perspective of several of our main characters--particularly Robin and Quentin. We also get excerpts from a school assignment of April's when she was fifteen: letters to her future child. These slowly reveal what happened during the killings, and they are told in a spot-on voice of a fifteen-year-old girl. The way everything is woven together is perfect: I found myself completely captivated and read basically the last half of the book in one breathless setting, staying up past my bedtime to finish it.
We learn that both Gabriel and April died in a fire at the site of their last attempted murder. So when Quentin receives a tip claiming that April Cooper is still alive, it changes everything, including the focus of his podcast. When he starts to believe that Robin's mother is April, things get even more interesting. I loved the suspense--constantly wondering if April was alive and if she was, who she could be. And then, there's the aspect of was April "good" or "bad" during the killings. So many people blamed her for the deaths of their loved ones, and nothing is black or white in this book.
Even Quentin. Since his past is strongly affected by the murders, we find ourselves wondering if we can trust him, too. Quentin's grandfather basically gave up raising his daughter, Kate--Quentin's mother--after the death of his wife and young daughter. As such, Quentin's own mother wasn't much of a parent to him. Quentin's own bitterness and anger shines through--a strong theme in the book. Can we rely on someone so angry, we wonder? I felt for him, and his devoted husband and loving best friend and podcast partner. So many of the characters are intense, and each is so well-crafted and unique. Each flew off the page.
This is often a dark book, and there are many scenes of violence. But, for me, it was the emotional scenes that were the toughest to read. There are many touching moments, too, and I found myself attached to several of the characters. Reading young April's letters was quite a feat. Gaylin is such an excellent writer, and she just pulls you into the story so effortlessly--you feel as if you are there with her characters. Throw in some great twists and turns and this is an excellent and suspenseful novel.
The ending was a tough one, but I get it. Overall, I really enjoyed this dark psychological thriller. I am just loving Gaylin's recent books and need to go back and read some of her previous works (there's a little Brenna Spector shoutout in this one for those of you who are fans). Definitely recommend! 4.5 stars.
This was an excellent thriller that had me hooked from the first page. It's dark, gritty, and utterly mesmerizing. When I started it, I was thinking to myself, not another podcast mystery, but little did I know... this book is totally addictive and brings in the podcast element in a seamless, fresh way.
It's told from the perspective of several of our main characters--particularly Robin and Quentin. We also get excerpts from a school assignment of April's when she was fifteen: letters to her future child. These slowly reveal what happened during the killings, and they are told in a spot-on voice of a fifteen-year-old girl. The way everything is woven together is perfect: I found myself completely captivated and read basically the last half of the book in one breathless setting, staying up past my bedtime to finish it.
We learn that both Gabriel and April died in a fire at the site of their last attempted murder. So when Quentin receives a tip claiming that April Cooper is still alive, it changes everything, including the focus of his podcast. When he starts to believe that Robin's mother is April, things get even more interesting. I loved the suspense--constantly wondering if April was alive and if she was, who she could be. And then, there's the aspect of was April "good" or "bad" during the killings. So many people blamed her for the deaths of their loved ones, and nothing is black or white in this book.
Even Quentin. Since his past is strongly affected by the murders, we find ourselves wondering if we can trust him, too. Quentin's grandfather basically gave up raising his daughter, Kate--Quentin's mother--after the death of his wife and young daughter. As such, Quentin's own mother wasn't much of a parent to him. Quentin's own bitterness and anger shines through--a strong theme in the book. Can we rely on someone so angry, we wonder? I felt for him, and his devoted husband and loving best friend and podcast partner. So many of the characters are intense, and each is so well-crafted and unique. Each flew off the page.
This is often a dark book, and there are many scenes of violence. But, for me, it was the emotional scenes that were the toughest to read. There are many touching moments, too, and I found myself attached to several of the characters. Reading young April's letters was quite a feat. Gaylin is such an excellent writer, and she just pulls you into the story so effortlessly--you feel as if you are there with her characters. Throw in some great twists and turns and this is an excellent and suspenseful novel.
The ending was a tough one, but I get it. Overall, I really enjoyed this dark psychological thriller. I am just loving Gaylin's recent books and need to go back and read some of her previous works (there's a little Brenna Spector shoutout in this one for those of you who are fans). Definitely recommend! 4.5 stars.
Kristy H (1252 KP) rated Our Own Private Universe in Books
Feb 18, 2021
A great book for gay teens finding their way
This is the fifteenth book in my #atozchallenge! I'm challenging myself to read a book from my shelves that starts with each letter of the alphabet. Let's clear those shelves and delve into that backlist!
Aki Simon is ready to start living her life. At fifteen, she believes she's bisexual, but she's only dated boys, and only her best friend, Lori, knows about her feelings. So when Aki and Lori go on a church trip to Mexico, Aki vows to stop sitting around and start living. This becomes possible when she meets Christa, another student on the trip. Christa, older and more worldly, clearly seems to like Aki as much as Aki likes her. But how does Aki--whose father is a pastor and along on this trip--experiment with Christa on this trip? How does she figure out if she likes, or even loves, Christa? And if she does, how does she tell her religious parents?
I've read several books by Robin Talley and really loved them all. This one was a little young for me, but I think it would be an excellent read for the teen age group. It covers a range of vital and big themes for teens: bisexuality, coming out, safe sex, parental expectations, religion and being gay, etc. There's a moment when Aki is trying to track down dental dams, and she's researching how to use them. I'm honestly not sure I've ever seen that in a book, and it's so important and honestly, really cool. I would have loved to find a book like this when I was a teen trying to figure out a lot of various things.
Unfortunately, a lot of the plot of UNIVERSE is based on the premise of one character lying to another, which I really do not care for. It gets off to a slow start. And there is a lot of teen drama, with Lori and other kids on the trip at the center. Maybe it wouldn't seem so melodramatic for teens, who live in that world, but it's a bit much and gets repetitive.
Still, I love how important this book is, covering coming out and featuring such a diverse cast of characters. It's serious yet romantic. I would certainly recommend it for teens grappling with their sexuality, those coming out, or those wanting to support their queer friends or kids. 3.5 stars. (Also, if you are older and queer (or even if you're not), read Robin Talley's PULP. It's amazing.)
Aki Simon is ready to start living her life. At fifteen, she believes she's bisexual, but she's only dated boys, and only her best friend, Lori, knows about her feelings. So when Aki and Lori go on a church trip to Mexico, Aki vows to stop sitting around and start living. This becomes possible when she meets Christa, another student on the trip. Christa, older and more worldly, clearly seems to like Aki as much as Aki likes her. But how does Aki--whose father is a pastor and along on this trip--experiment with Christa on this trip? How does she figure out if she likes, or even loves, Christa? And if she does, how does she tell her religious parents?
I've read several books by Robin Talley and really loved them all. This one was a little young for me, but I think it would be an excellent read for the teen age group. It covers a range of vital and big themes for teens: bisexuality, coming out, safe sex, parental expectations, religion and being gay, etc. There's a moment when Aki is trying to track down dental dams, and she's researching how to use them. I'm honestly not sure I've ever seen that in a book, and it's so important and honestly, really cool. I would have loved to find a book like this when I was a teen trying to figure out a lot of various things.
Unfortunately, a lot of the plot of UNIVERSE is based on the premise of one character lying to another, which I really do not care for. It gets off to a slow start. And there is a lot of teen drama, with Lori and other kids on the trip at the center. Maybe it wouldn't seem so melodramatic for teens, who live in that world, but it's a bit much and gets repetitive.
Still, I love how important this book is, covering coming out and featuring such a diverse cast of characters. It's serious yet romantic. I would certainly recommend it for teens grappling with their sexuality, those coming out, or those wanting to support their queer friends or kids. 3.5 stars. (Also, if you are older and queer (or even if you're not), read Robin Talley's PULP. It's amazing.)
Sam (74 KP) rated Where am I Now?: True Stories of Girlhood and Accidental Fame in Books
Mar 27, 2019
I think I actually expected this to be one of those books that I sort of like but don’t really go mad on but I was wrong.
I always wanted to find out more about the actor behind Matilda and this really gave me the dose I needed.
Mara Wilson is brutally honest about how her acting career when she was younger took its toll on her mental health and even goes into detail about all of the mental health issues she has had. I loved how honest she is – she doesn’t try to sugar-coat it or turn her memoir into a self-help book. Instead she says everything as it is and exactly how it felt for her.
I loved reading about her friendships with other actors, especially Danny DeVito and Robin Williams. I’d previously heard quite a bit about her friendship with Danny DeVito and was really interested in how much he had looked after her while she was working on Matilda.
The only reason that it didn’t make it to five stars from me is that I hoped for a bit more on Matilda, but she seemed to glaze over it a lot.
Overall though, it’s a really interesting read and definitely worth picking up.
I always wanted to find out more about the actor behind Matilda and this really gave me the dose I needed.
Mara Wilson is brutally honest about how her acting career when she was younger took its toll on her mental health and even goes into detail about all of the mental health issues she has had. I loved how honest she is – she doesn’t try to sugar-coat it or turn her memoir into a self-help book. Instead she says everything as it is and exactly how it felt for her.
I loved reading about her friendships with other actors, especially Danny DeVito and Robin Williams. I’d previously heard quite a bit about her friendship with Danny DeVito and was really interested in how much he had looked after her while she was working on Matilda.
The only reason that it didn’t make it to five stars from me is that I hoped for a bit more on Matilda, but she seemed to glaze over it a lot.
Overall though, it’s a really interesting read and definitely worth picking up.
Lewis John Hatchett (23 KP) rated Aladdin (2019) in Movies
May 23, 2019 (Updated May 23, 2019)
Unexpectedly Fun
As a fan of the original 1992 animated film, I came into this film with not much hype but enough that I'd come out enjoying the film. I came our of the film loving it.
The story is pretty much the same as the original but director Guy Ritchie has fleshed out the story extending it with a couple of songs (I'm hoping written by Tim Rice) that are slotted in perfectly.
Guy Ritchie does what he does best and mixes a perfect blend of action, comedic humor and family fun, as he's done in his previous films.
Now the pressing question of Will Smith's portrayal of the Genie. I was sceptical about it at first but the more I watched the trailer for the film the more I adjusted to him. I'm a full fledged fan of the late and great Robin Williams' version of the Genie and Will Smith's version is a perfect interpretation of that character (with some nods to William's animated classic) so I say well done to Mr Smith.
Overall I certainly recommend the film for all fans, old and new, and definitely say go see it and (pardon the pun) experience a whole new world. 9/10
The story is pretty much the same as the original but director Guy Ritchie has fleshed out the story extending it with a couple of songs (I'm hoping written by Tim Rice) that are slotted in perfectly.
Guy Ritchie does what he does best and mixes a perfect blend of action, comedic humor and family fun, as he's done in his previous films.
Now the pressing question of Will Smith's portrayal of the Genie. I was sceptical about it at first but the more I watched the trailer for the film the more I adjusted to him. I'm a full fledged fan of the late and great Robin Williams' version of the Genie and Will Smith's version is a perfect interpretation of that character (with some nods to William's animated classic) so I say well done to Mr Smith.
Overall I certainly recommend the film for all fans, old and new, and definitely say go see it and (pardon the pun) experience a whole new world. 9/10
Paul dixon (6 KP) rated Aladdin (2019) in Movies
Jun 11, 2019
Hi all. I must admit I , like a lot of others, was a bit skeptic when the first trailer for this appeared. My wife downright refused to watch it as the original animated version is one of her favourites. However she eventually came round and we popped along to give it a whirl.
While comparisons to the original are inevitable, this version should be watched as a stand alone movie and not a reboot. It’s great fun from start to finish. It looks great, obviously a lot of money has been spent on sets, costumes and effects, and Will Smith is great as the genie. He doesn’t try to out do robin williams, he makes the character his own and does his own thing.
The one thing that does let it down are the new songs. They aren’t in the same league as the other, more well known songs and to me seem forced into the movie. I had forgot all about them before leaving the cinema, they definitely won’t be held in such high esteem as the other songs, a friend like me etc.
Overall go see it, make up your own mind and forget the trailer even exists
While comparisons to the original are inevitable, this version should be watched as a stand alone movie and not a reboot. It’s great fun from start to finish. It looks great, obviously a lot of money has been spent on sets, costumes and effects, and Will Smith is great as the genie. He doesn’t try to out do robin williams, he makes the character his own and does his own thing.
The one thing that does let it down are the new songs. They aren’t in the same league as the other, more well known songs and to me seem forced into the movie. I had forgot all about them before leaving the cinema, they definitely won’t be held in such high esteem as the other songs, a friend like me etc.
Overall go see it, make up your own mind and forget the trailer even exists
David McK (3562 KP) rated Hereward (Hereward, #1) in Books
Jan 30, 2019
Obviously the first in a planned series of novels on Hereward 'the Wake' (in this context, 'the Wake' means wary or watchful), who was a real Saxon who lead the resistance against the Norman invaders of England in William the Conquerors time.
While largely forgotten by history, many of Herewards exploits have later been subsumed into the many legends of Robin Hood - it is easy to see the parallels between the two characters and, as such, I thought that this could prove to be an interesting read.
Unfortunately, for me, much of the novel fell flat - I was never really drawn into it all that much; never really connected with any of the main characters. Starting in 1062, the novels takes place over a span of years (up to, and slightly beyond) The Battle of Hastings in 1066 with that battle (and Stamford bridge beforehand) largely glossed over - maybe only a chapter or two devoted to the both of them. Indeed, it was only in the last 70 pages or so - with the beginnings of the English resistance - that I began to be more drawn into the novel, by which stage it was too late.
While I may read the sequels, I'm not going to be looking for them.
While largely forgotten by history, many of Herewards exploits have later been subsumed into the many legends of Robin Hood - it is easy to see the parallels between the two characters and, as such, I thought that this could prove to be an interesting read.
Unfortunately, for me, much of the novel fell flat - I was never really drawn into it all that much; never really connected with any of the main characters. Starting in 1062, the novels takes place over a span of years (up to, and slightly beyond) The Battle of Hastings in 1066 with that battle (and Stamford bridge beforehand) largely glossed over - maybe only a chapter or two devoted to the both of them. Indeed, it was only in the last 70 pages or so - with the beginnings of the English resistance - that I began to be more drawn into the novel, by which stage it was too late.
While I may read the sequels, I'm not going to be looking for them.