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Battue: Storm of the Horse Lords
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Rooted in the World of Terris, a brutal, dark fantasy setting envisioned by authors Robin Laws and...
David McK (3562 KP) rated Troy (2004) in Movies
Apr 28, 2020 (Updated Aug 25, 2024)
Following the success of "Gladiator" in 2000, I was expecting Hollywood to resurrect the old sword and sandals movies of yore, and for their to be a glut of the same.
At the time of writing this review (2020), there was actually surprisingly few such films: of the top of my head, I can only really think of "Robin Hood", "Kingdom of Heaven", and this.
With quite a few big names in its cast - Brad Pitt, Sean Bean, Orlando Bloom, Peter O'Toole and Eric Bana to name a few - this retells the story of the siege of Troy (although said siege doesn't seem to last as long as originally told), following Paris (Orlando Bloom) elopement with the wife of Menelaus of Troy (Brendan Gleeson) Helen (Diane Kruger), giving an excuse for Agememnon (a scenery chewing Brian Cox) to go to war against that city.
While this does have some bruising action scenes - the beach landing, and Achilles Vs Hector are my personal favourite - unfortunately large swathes of the film are bogged down by necessary exposition, and I have to say that the face of this version of Helen of Sparta (or Troy) may not be able to launch the fleet of a thousand ships that she is described as in the original texts (where she is said to be the most beautiful woman in the world).
At the time of writing this review (2020), there was actually surprisingly few such films: of the top of my head, I can only really think of "Robin Hood", "Kingdom of Heaven", and this.
With quite a few big names in its cast - Brad Pitt, Sean Bean, Orlando Bloom, Peter O'Toole and Eric Bana to name a few - this retells the story of the siege of Troy (although said siege doesn't seem to last as long as originally told), following Paris (Orlando Bloom) elopement with the wife of Menelaus of Troy (Brendan Gleeson) Helen (Diane Kruger), giving an excuse for Agememnon (a scenery chewing Brian Cox) to go to war against that city.
While this does have some bruising action scenes - the beach landing, and Achilles Vs Hector are my personal favourite - unfortunately large swathes of the film are bogged down by necessary exposition, and I have to say that the face of this version of Helen of Sparta (or Troy) may not be able to launch the fleet of a thousand ships that she is described as in the original texts (where she is said to be the most beautiful woman in the world).
Gareth von Kallenbach (980 KP) rated Robots (2005) in Movies
Aug 14, 2019
talents at Fox animation have crafted a new animated classic that firmly establishes the studio as a major force in the animated feature industry with the release of the next animated classic, Robots.
Set in the peaceful community of Rivettown, the film follows the story of Rodney Copperbottom (Ewan Mc Gregor), a young robot who dreams of becoming a great inventor and working for his idol, Big Weld (Mel Brooks), in Robot City.
With one of his new inventions in hand, Rodney sets off for the big city to realize his dreams and make life better for robots everywhere. Upon arriving at the city, Rodney meets up with Fender (Robin Williams), who helps Rodney with the ways of the big city. This help really becomes necessary when Rodney learns that Big Weld has not been seen in ages and that a evil and scheming robot names Ratchet (Greg Kinnear), has taken his place and is plotting to eliminate spare parts for robots thus forcing them to buy costly upgrades or face the scrap pile.
Rodney decides to fix the poorer robots on his own, and in the company of Fender and his friends, Rodney becomes a hero to the local community. Naturally this does not sit well with Ratchet and his plans, causing Rodney and his friends to face his full ire. As if this was not bad enough, it seems that Rodney’s father is in desperate need of a replacement part which forces Rodney to take Ratchet head as well as find the missing Big Weld.
The strength of the film is not just in the amazing animation and the incredible detail paid to the virtual world of the robots, but in the hilarious performance of Robin Williams and the fine work of the supporting cast.
The humor of the show was filled with many jokes that went over the heads of most of the children in the audience as they were clearly made for the adults in the audience as the film does have a PG rating. The film blends content for adults and children into a mixture that will delight both, as this is not a film that parents will have to endure for the sake of the kids, they will have plenty of material to keep them laughing.
From a visual standpoint, the film is amazing; a travel segment showing the cross town transit of Robot Town is filled with all sorts of amazing visuals as well as more than a few in jokes for baby boomers.
While some may find the plot a bit thin, this is after all a family film that is geared to younger audiences, and it does have a good flow and continuity that keeps the film moving along. Robots is simply one of the best animated films ever made and is a sign that Disney no longer has a lock on animated classics.
Set in the peaceful community of Rivettown, the film follows the story of Rodney Copperbottom (Ewan Mc Gregor), a young robot who dreams of becoming a great inventor and working for his idol, Big Weld (Mel Brooks), in Robot City.
With one of his new inventions in hand, Rodney sets off for the big city to realize his dreams and make life better for robots everywhere. Upon arriving at the city, Rodney meets up with Fender (Robin Williams), who helps Rodney with the ways of the big city. This help really becomes necessary when Rodney learns that Big Weld has not been seen in ages and that a evil and scheming robot names Ratchet (Greg Kinnear), has taken his place and is plotting to eliminate spare parts for robots thus forcing them to buy costly upgrades or face the scrap pile.
Rodney decides to fix the poorer robots on his own, and in the company of Fender and his friends, Rodney becomes a hero to the local community. Naturally this does not sit well with Ratchet and his plans, causing Rodney and his friends to face his full ire. As if this was not bad enough, it seems that Rodney’s father is in desperate need of a replacement part which forces Rodney to take Ratchet head as well as find the missing Big Weld.
The strength of the film is not just in the amazing animation and the incredible detail paid to the virtual world of the robots, but in the hilarious performance of Robin Williams and the fine work of the supporting cast.
The humor of the show was filled with many jokes that went over the heads of most of the children in the audience as they were clearly made for the adults in the audience as the film does have a PG rating. The film blends content for adults and children into a mixture that will delight both, as this is not a film that parents will have to endure for the sake of the kids, they will have plenty of material to keep them laughing.
From a visual standpoint, the film is amazing; a travel segment showing the cross town transit of Robot Town is filled with all sorts of amazing visuals as well as more than a few in jokes for baby boomers.
While some may find the plot a bit thin, this is after all a family film that is geared to younger audiences, and it does have a good flow and continuity that keeps the film moving along. Robots is simply one of the best animated films ever made and is a sign that Disney no longer has a lock on animated classics.
BankofMarquis (1832 KP) rated Good Will Hunting (1997) in Movies
Jul 9, 2021
Well Deserved Oscars for Williams, Damon and Affleck
One of the benefits of “Secret Movie Night” is that it forces me to watch (or rewatch) a film that I would not seek out on my own. Such is the case with this month’s selection - GOOD WILL HUNTING - the film that made Matt Damon and Ben Affleck stars and earned the late, great Robin Williams his only Academy Award.
Leaning hard on the mantra “write what you know”, GOOD WILL HUNTING tells the tale of a generationally talented math prodigy, who grew up in South Boston and fights his demons to find his place in this world.
Famously, the screenplay of this film earned Damon and Affleck Oscars for Best Original Screenplay and it is well deserved. They paint a picture of life of these “Southies” that appears to me real and genuine. The “family” feel of the friendship of the main characters rings true and Damon and Affleck have real chemistry with each other - like old friends playing off each other.
However, the relationship between Affleck and Damon’s character in this film is only the 3rd best relationship in this film. The best, of course, is the relationship between Will Hunting (Damon) and the shrink that is assigned to him, played by Robin Williams. It is a haunting, raw, emotional and REAL performance by Williams - one very deserving of the Oscar - and I was more than a little sad to watch this performance knowing that this uniquely talented performer is no longer with us.
The surprise to me in this rewatch of the film is the performance of Minnie Driver as a young lady that becomes emotionally attached to Will. Driver’s performance as Harvard student Skylar is also real and the struggles of her character to get a connection with Will was heartbreaking to watch.
Good Will Hunting also features strong supporting work by Stellan Skarsgard as the MIT Math Professor who discovers - and then becomes jealous of - Will’s talents and Ben Affleck’s younger brother, a then unknown Casey Affleck, who steals almost every scene he is in.
All of this would not have worked without the magnificent, Oscar nominated, Direction of Gus Van Sant (DRUGSTORE COWBOY). He was the perfect choice to direct this intimate, personal drama and he has a way of drawing out the emotions and rawness of the characters on the screen without being cloying or overdramatic. He was a strong contender for Best Director that year (as was Good Will Hunting for Best Picture) but it ran into a roadblock that was James Cameron and TITANIC.
If you have never seen this film - or if you haven’t seen this in quite some time - check out GOOD WILL HUNTING, it is well worth your time.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank(ofMarquis)
Leaning hard on the mantra “write what you know”, GOOD WILL HUNTING tells the tale of a generationally talented math prodigy, who grew up in South Boston and fights his demons to find his place in this world.
Famously, the screenplay of this film earned Damon and Affleck Oscars for Best Original Screenplay and it is well deserved. They paint a picture of life of these “Southies” that appears to me real and genuine. The “family” feel of the friendship of the main characters rings true and Damon and Affleck have real chemistry with each other - like old friends playing off each other.
However, the relationship between Affleck and Damon’s character in this film is only the 3rd best relationship in this film. The best, of course, is the relationship between Will Hunting (Damon) and the shrink that is assigned to him, played by Robin Williams. It is a haunting, raw, emotional and REAL performance by Williams - one very deserving of the Oscar - and I was more than a little sad to watch this performance knowing that this uniquely talented performer is no longer with us.
The surprise to me in this rewatch of the film is the performance of Minnie Driver as a young lady that becomes emotionally attached to Will. Driver’s performance as Harvard student Skylar is also real and the struggles of her character to get a connection with Will was heartbreaking to watch.
Good Will Hunting also features strong supporting work by Stellan Skarsgard as the MIT Math Professor who discovers - and then becomes jealous of - Will’s talents and Ben Affleck’s younger brother, a then unknown Casey Affleck, who steals almost every scene he is in.
All of this would not have worked without the magnificent, Oscar nominated, Direction of Gus Van Sant (DRUGSTORE COWBOY). He was the perfect choice to direct this intimate, personal drama and he has a way of drawing out the emotions and rawness of the characters on the screen without being cloying or overdramatic. He was a strong contender for Best Director that year (as was Good Will Hunting for Best Picture) but it ran into a roadblock that was James Cameron and TITANIC.
If you have never seen this film - or if you haven’t seen this in quite some time - check out GOOD WILL HUNTING, it is well worth your time.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank(ofMarquis)
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Emma @ The Movies (1786 KP) rated Pig (2021) in Movies
Sep 30, 2021
A new Nicolas Cage film that's not below three stars on IMDb?! Who had "Earth sliding into the Twilight Zone" on their 2021 bingo card?
Rob must delve into his past when his only companion, a truffle-hunting pig, is pignapped in the dead of night.
I'm genuinely at a loss as to what I can say about the plot of Pig... I mean, it's basically Taken with a pig. I'm not sure I want to say much more about it at the moment because A] it mostly defies explanation, and B] bits of the detail will unfold as we go.
Nicolas Cage does some actual serious acting, and not the slightly ridiculous serious acting that happens in most of his other recent releases. Robin is basically a recluse out in the woods selling truffles and living off the land. I initially thought that we were going to get another non-speaking role with Pig, but his character evolves throughout in such a wonderful way.
Alex Wolff plays Amir, Robin's "food mover", it took me a moment to realise it was him. In my head he's still a "child", as I only really know him from the Jumanjis and Old. Seeing him playing an adult threw me. That did colour my opinion a little early on, but he started to grow on me as we got deeper into the film.
Their partnership starts off as one of necessity, but once the pignapping happens their bond transforms and you get to see how loss has affected both of them. They balance out the gaps in each other's lives, and the journey they take together works as a great way to further the background information and keep everything moving along.
The beginning did feel a little sparse, it wasn't quite a bored feeling, but I was fidgety and waiting for things to happen. That feeling carried on, and though that worried me a bit, I actually found it to be a rather calming tone that carried through the whole film. Robin's laid back attitude even flowed through the more actiony bits.
Robin's deep and insightful nature seeps into everyone around him and leaves them changes, it left me changed, and I enjoyed watching it all unfold throughout the story. There were some wonderful moments in the script and they left me thinking about the film on several different levels after I finished it.
There's something about this film, it hits you in so many ways. It's all stunning earthly tones that contrast well with the urban landscapes. My senses were going wild, I could smell the damp earth, and Robin, I could smell the food from all the sounds of cooking and the pouring of wine. It all led to some incredibly powerful moments.
I don't know how Pig managed to create such a feast for the senses, but it left me contented and oddly zen.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/09/pig-movie-review.html
Rob must delve into his past when his only companion, a truffle-hunting pig, is pignapped in the dead of night.
I'm genuinely at a loss as to what I can say about the plot of Pig... I mean, it's basically Taken with a pig. I'm not sure I want to say much more about it at the moment because A] it mostly defies explanation, and B] bits of the detail will unfold as we go.
Nicolas Cage does some actual serious acting, and not the slightly ridiculous serious acting that happens in most of his other recent releases. Robin is basically a recluse out in the woods selling truffles and living off the land. I initially thought that we were going to get another non-speaking role with Pig, but his character evolves throughout in such a wonderful way.
Alex Wolff plays Amir, Robin's "food mover", it took me a moment to realise it was him. In my head he's still a "child", as I only really know him from the Jumanjis and Old. Seeing him playing an adult threw me. That did colour my opinion a little early on, but he started to grow on me as we got deeper into the film.
Their partnership starts off as one of necessity, but once the pignapping happens their bond transforms and you get to see how loss has affected both of them. They balance out the gaps in each other's lives, and the journey they take together works as a great way to further the background information and keep everything moving along.
The beginning did feel a little sparse, it wasn't quite a bored feeling, but I was fidgety and waiting for things to happen. That feeling carried on, and though that worried me a bit, I actually found it to be a rather calming tone that carried through the whole film. Robin's laid back attitude even flowed through the more actiony bits.
Robin's deep and insightful nature seeps into everyone around him and leaves them changes, it left me changed, and I enjoyed watching it all unfold throughout the story. There were some wonderful moments in the script and they left me thinking about the film on several different levels after I finished it.
There's something about this film, it hits you in so many ways. It's all stunning earthly tones that contrast well with the urban landscapes. My senses were going wild, I could smell the damp earth, and Robin, I could smell the food from all the sounds of cooking and the pouring of wine. It all led to some incredibly powerful moments.
I don't know how Pig managed to create such a feast for the senses, but it left me contented and oddly zen.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/09/pig-movie-review.html
I have no explanation for why young adult story anthologies are SO. GOOD. But they are. This particular one revolves around queer teens in historical times. That's about the only commonality; the genres vary from normal fiction to fantasy to magical realism. There are gay, lesbian, transgender, and asexual teens represented. I am a little annoyed that there don't seem to be any bisexual teens in the anthology; it could be argued that at least one if not more are bi simply because they had opposite-sex relationships before the same-sex romance in the story, but that's also common before realizing your sexuality/coming out. No one is explicitly bisexual in this book. There were also two transmen but no transwomen.
There was a decent amount of cultural diversity while remaining mostly centered in the US; Chinatown in 1950s San Francisco, 1870s Mexico, Colonial New England, 1930s Hispanic New Mexico, Robin Hood-era Britain.
The stories were really good, I just wish they'd included a bisexual story and a transwoman. They did have an asexual girl, which is a sexuality often overlooked, so that was nice.
It's a great collection of stories, just limited in scope. They could have cut a few F/F stories and added in bisexual, nonbinary, and transwomen, and lived up to the open umbrella of the "queer" label a bit more. I really enjoyed it, I think I'm just a little disappointed because I was expecting more of the spectrum.
There was a decent amount of cultural diversity while remaining mostly centered in the US; Chinatown in 1950s San Francisco, 1870s Mexico, Colonial New England, 1930s Hispanic New Mexico, Robin Hood-era Britain.
The stories were really good, I just wish they'd included a bisexual story and a transwoman. They did have an asexual girl, which is a sexuality often overlooked, so that was nice.
It's a great collection of stories, just limited in scope. They could have cut a few F/F stories and added in bisexual, nonbinary, and transwomen, and lived up to the open umbrella of the "queer" label a bit more. I really enjoyed it, I think I'm just a little disappointed because I was expecting more of the spectrum.
Ross (3284 KP) rated Aladdin (2019) in Movies
Jun 3, 2019
Probably the best of the live-action-versions-we-did-not-need
I'm not 100% sure I have seen the animated Aladdin all the way through in one sitting. I have definitely seen the start a number of times and have seen all the other bits, but never in a oner. I love the opening half hour of that film, the Arabian Nights opening and One Jump Ahead are great scene-setters. After that I do tend to drift off and enjoy the film less.
Here it was somewhat the opposite. While the opening scenes were still good, they paled in comparison to the animated version, and the scene meeting the genie was nowhere near as good. From there on, however, I really enjoyed the film. There are no points where it drags, and there is enough comedy and plot to keep everyone entertained.
I appreciated Will Smith's take on the genie and quite enjoyed his version of the role, not trying to replicate Robin Williams' epic performance. The CGI on him, however, may be the worst since Superman's moustache. It actually reminded me of the Scorpion King, it was that bad.
The rest of the cast are pretty strong, with a new star in Jasmine and Aladdin, and while Jafar was overly hammy he wasn't too bad.
I especially enjoyed Iago's Drogon impression near the end of the film.
A good family film.
Here it was somewhat the opposite. While the opening scenes were still good, they paled in comparison to the animated version, and the scene meeting the genie was nowhere near as good. From there on, however, I really enjoyed the film. There are no points where it drags, and there is enough comedy and plot to keep everyone entertained.
I appreciated Will Smith's take on the genie and quite enjoyed his version of the role, not trying to replicate Robin Williams' epic performance. The CGI on him, however, may be the worst since Superman's moustache. It actually reminded me of the Scorpion King, it was that bad.
The rest of the cast are pretty strong, with a new star in Jasmine and Aladdin, and while Jafar was overly hammy he wasn't too bad.
I especially enjoyed Iago's Drogon impression near the end of the film.
A good family film.
David McK (3562 KP) rated Batman, Volume 3: Death of the Family in Books
Jan 30, 2019
With a title that references the famous Batman story 'A Death in the family' (in which the Joker bumps off Robin - or, at least, one of the characters to hold that mantle), this is third volume in 'The New 52' series of Batman comics (after [b:Batman, Volume 1: The Court of Owls|13223349|Batman, Volume 1 The Court of Owls|Scott Snyder|https://images.gr-assets.com/books/1342307351s/13223349.jpg|18412501] and [b:Batman, Volume 2: The City of Owls|15752115|Batman, Volume 2 The City of Owls|Scott Snyder|https://images.gr-assets.com/books/1342309403s/15752115.jpg|21446852]), and sees the return of who is commonly considered to be ol' Bat's arch-nemesis: that of the Joker.
And, boy, is the clown prince of crime scary in this.
With more in common, perhaps, to Heath Ledgers portrayal of that character in 'The Dark Knight' than to Cesar Romero's (Batman '66 TV series) or even Jack Nicholson (the 1989 Batman movie), this version is pretty much just a pure agent of chaos, and a formidable (and scary) foe indeed - this is definitely not a read for the kiddies, say.
Taking in a couple of plot-strands from other New 52 titles (including The Joker, Nightwing, Batgirl and Detective Comics, amongst others) this version of the Joker is out to re-create his early crimes; out to (effectively) 'reset' tgime back to when it was just Batman and him duking it out.
And, boy, is the clown prince of crime scary in this.
With more in common, perhaps, to Heath Ledgers portrayal of that character in 'The Dark Knight' than to Cesar Romero's (Batman '66 TV series) or even Jack Nicholson (the 1989 Batman movie), this version is pretty much just a pure agent of chaos, and a formidable (and scary) foe indeed - this is definitely not a read for the kiddies, say.
Taking in a couple of plot-strands from other New 52 titles (including The Joker, Nightwing, Batgirl and Detective Comics, amongst others) this version of the Joker is out to re-create his early crimes; out to (effectively) 'reset' tgime back to when it was just Batman and him duking it out.
She Can't Stop: Miley Cyrus: The Biography
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Miley Cyrus first shot to fame at a young age playing Hannah Montana but she has long-since said...