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Ross (3284 KP) rated Black Mirror - Season 2 in TV
Jan 15, 2018
Series 2 includes 4 more episodes (three plus a Christmas special) of the cult Charlie Brooker series exploring the use of technology and extrapolating it to show where society could be headed.
We explore the use of our online personalities to recreate ourselves after we die (though this quickly became more about robots than the differences in our personalities between online and the real world so for me a trick missed to an extent).
We see a post-apocalyptic world where one woman wakes up to be haunted by people filming her on mobile phones while she runs from psychopaths trying to kill her. This is a look at how obsessed the world is with filming and documenting everything, even unpleasant events happening to other people, and voyeurism as a whole. There is a massive twist at the end which makes what was a jarring, inconsistent episode (as in doesn't fit in with the rest of the series) into an exceptional look at an aspect of the world (spoiler avoided).
I found the Waldo episode to be incredibly irritating. As if a rude, cartoonish character with tiny hands could ever really be taken seriously in the world of politics?! Waldo shows an echo of Ali G's rise to fame but takes it to the next level. While I don't think we are meant to actually find Waldo funny, I found him very annoying and a step too far. Weirdly he reminded me of the banter comedy in Nathan Barley (it turns out this story was originally written for Nathan Barley).
The Christmas special was possibly my favourite of the episodes, Rafe Spall and Jon Hamm (Don Draper) living in awkward circumstances in a cabin. We are led to believe they are working at a remote mining operation or some such and finally start to bond over Christmas dinner and open up. They share stories about their lives before they moved, all three showing the benefits and perils of the technology whereby people can stream their lives to others (and get real-time dating advice) but can also block others from their lives (whereby they are pixelated to you and vice versa). Parts of this story were truly harrowing, how a happy relationship could quickly turn sour and the technology mean years of upset that could be avoided.
We explore the use of our online personalities to recreate ourselves after we die (though this quickly became more about robots than the differences in our personalities between online and the real world so for me a trick missed to an extent).
We see a post-apocalyptic world where one woman wakes up to be haunted by people filming her on mobile phones while she runs from psychopaths trying to kill her. This is a look at how obsessed the world is with filming and documenting everything, even unpleasant events happening to other people, and voyeurism as a whole. There is a massive twist at the end which makes what was a jarring, inconsistent episode (as in doesn't fit in with the rest of the series) into an exceptional look at an aspect of the world (spoiler avoided).
I found the Waldo episode to be incredibly irritating. As if a rude, cartoonish character with tiny hands could ever really be taken seriously in the world of politics?! Waldo shows an echo of Ali G's rise to fame but takes it to the next level. While I don't think we are meant to actually find Waldo funny, I found him very annoying and a step too far. Weirdly he reminded me of the banter comedy in Nathan Barley (it turns out this story was originally written for Nathan Barley).
The Christmas special was possibly my favourite of the episodes, Rafe Spall and Jon Hamm (Don Draper) living in awkward circumstances in a cabin. We are led to believe they are working at a remote mining operation or some such and finally start to bond over Christmas dinner and open up. They share stories about their lives before they moved, all three showing the benefits and perils of the technology whereby people can stream their lives to others (and get real-time dating advice) but can also block others from their lives (whereby they are pixelated to you and vice versa). Parts of this story were truly harrowing, how a happy relationship could quickly turn sour and the technology mean years of upset that could be avoided.
Emma @ The Movies (1786 KP) rated Willy's Wonderland (2021) in Movies
Jul 18, 2021
Oh come on... you know I'm watching Nic Cage go full rage at some killer robots!
A stranger runs into bad luck as he nears a small town in the middle of nowhere. Luckily a local mechanic comes across him stranded and offers him assistance. But the bad luck isn't over. With no way to pay for his new tyres, he has to agree to some light cleaning work in the abandoned town attraction. What could possibly go wrong when you're locked in a family restaurant overnight with some large, menacing looking, animatronics?
What's not to love about this particular breed of film? Horror that is so over the top with daftness and unintentional/intentional humour really does hit the spot.
Is this storyline sensible? Absolutely not. If you pick at any thread this will very quickly fall apart... but we're here for the nonsense. You don't come to a Nic Cage film these days for anything else. And much like shark films, I have an independent scoring system to deem the quality of his offerings.
The dynamics between all of the characters is hilarious. Cage with... everyone... is stranger (as expected), and the others all have stereotypical elements to them that bounce back and forth well. Though none of them are quite as obvious as you'd see in spoof horrors though. Beth Grant is always fun to have in things, and she's got the sinister thing down quite well, definitely a great pick for this role.
Our animatronic actors have the perfect creepy movements, combine this with the oversized costumes and the somewhat magical elements to their activities, and you get some fantastic nightmare fuel.
Though I have to query who designed such a terrible layout for a family restaurant, I can't help but marvel at all the different rooms scattered around the building. A fantastic maze of terror waiting for anyone who enters, and each one with its retro-ramshackle look is a delight to see. Throw in the oversized entertainment and the look is great.
At just 88 minutes in length it's a nice easy watch, and you'll definitely have enough to keep you... intrigued? I found myself shouting at the screen with "why", "how" and "what" type questions, and that just added to my enjoyment. A masterpiece.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/07/willys-wonderland-movie-review.html
A stranger runs into bad luck as he nears a small town in the middle of nowhere. Luckily a local mechanic comes across him stranded and offers him assistance. But the bad luck isn't over. With no way to pay for his new tyres, he has to agree to some light cleaning work in the abandoned town attraction. What could possibly go wrong when you're locked in a family restaurant overnight with some large, menacing looking, animatronics?
What's not to love about this particular breed of film? Horror that is so over the top with daftness and unintentional/intentional humour really does hit the spot.
Is this storyline sensible? Absolutely not. If you pick at any thread this will very quickly fall apart... but we're here for the nonsense. You don't come to a Nic Cage film these days for anything else. And much like shark films, I have an independent scoring system to deem the quality of his offerings.
The dynamics between all of the characters is hilarious. Cage with... everyone... is stranger (as expected), and the others all have stereotypical elements to them that bounce back and forth well. Though none of them are quite as obvious as you'd see in spoof horrors though. Beth Grant is always fun to have in things, and she's got the sinister thing down quite well, definitely a great pick for this role.
Our animatronic actors have the perfect creepy movements, combine this with the oversized costumes and the somewhat magical elements to their activities, and you get some fantastic nightmare fuel.
Though I have to query who designed such a terrible layout for a family restaurant, I can't help but marvel at all the different rooms scattered around the building. A fantastic maze of terror waiting for anyone who enters, and each one with its retro-ramshackle look is a delight to see. Throw in the oversized entertainment and the look is great.
At just 88 minutes in length it's a nice easy watch, and you'll definitely have enough to keep you... intrigued? I found myself shouting at the screen with "why", "how" and "what" type questions, and that just added to my enjoyment. A masterpiece.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/07/willys-wonderland-movie-review.html
Daniel Boyd (1066 KP) rated Bumblebee (2018) in Movies
Jan 23, 2019 (Updated Jan 23, 2019)
Chock-full of tropes (1 more)
Pretty lazy in most aspects
Bit of a Buzzkill
When this movie dropped late last year, I never paid any attention to it. Everything in the Transformers series has been awful since the first movie and although I knew that Michael Bay wasn't directing this one, I was still more than happy to skip it. However, after it opened to rave reviews, it peaked my interest a bit. I was hearing all sorts of good things, with this movie even being compared to the likes of ET and The Goonies. Well last night we went to the cinema planning to see Glass, but had missed the previous showing and didn't want to wait around for hours until the next one so we decided to check out Bumblebee to see if it could live up to the hype surrounding it.
TL;DR - It didn't...
I think that I did go into this movie with fairly lofty expectations, but that was due to what I had heard from other people through word-of-mouth. In fact, I don't think I heard one bad review for this thing, so I really was expecting something great. Unfortunately, what you get is a mediocre Hollywood shlock-fest with some pretty impressive CGI, but a painfully formulaic story with a lazy script and actors phoning in their performances.
Let's start with the main positive of the movie; the CGI. The animators really did do an incredible job here and there are some truly awesome action sequences that were really impressive to witness, (it's just unfortunate that we had already seen most of these sequences prior to seeing the movie in the trailers.) The robots also felt much more grimy, weighty and realistic in this film as opposed to the more slick and polished feel that they all had in Bay's Transformers movies, which helped to make it more convincing that the robots were actually present in the room with the actors rather than being added in later in post production.
The other bright spot in the movie was John Cena. Sure, he has played the stereotypical army jarhead plenty of times before, but he is still charismatic and engaging whenever he is onscreen. His career is definitely benefitting from taking roles like this where he is able to be taken less seriously rather than trying to be a super serious action star in forgettable movies like The Marine.
Unfortunately that is about it for the positives, everything else is extremely lazy and generic. The direction is serviceable, the cinematography is nothing special and the score goes through the motions it has to in order to meet the tone of each scene. The script is full of extremely cheesy lines which is delivered half heartedly by the cast who it feels like are pretty much sleepwalking through this thing for the most part. Some characters are fairly irritating such as Memo and Ron, but nothing anywhere near as egregious as Mudflap and Skids from the previous Transformers movies.
And that last statement pretty much sums up my opinion on this movie. Sure, it isn't anywhere near as annoying, obnoxious, or cringe-inducing as the movies that Michael Bay previously gave us in the main Transformers series, but it is still really cheesy and lazy and isn't anything special at all.
I think that this movie serves as a lesson for managing your expectations when going to see a film. Due to the fact that the previous Transformers movies are SO bad and so poorly regarded, most people went into this one with little to no expectation that it would be any good. When it actually turned out to be surprisingly half decent, people were so shocked that they began telling everyone else how fantastic this thing was, when it actually isn't fantastic in any way, it's just less garbage than what we were getting before with these movies. Then, because of all of these brilliant reviews, I have went in expecting something substantial and meaningful and came away sorely disappointed because it turned out to be unremarkable and mediocre.
Overall, I probably would have got more out of this movie if I was told beforehand to just switch off my brain and expect a cheesy popcorn flick. Instead I went in expecting this generation's E.T because of the overblown reviews and was let down pretty hard. It's not the worst film of last year and it is better than anything else in the Transformers series since the first movie, but it's still not anything special. There are a few highs throughout the movie, but in general it's pretty unremarkable and I don't seeing it standing the test of time in the same way that the movies that it's being compared to have done.
TL;DR - It didn't...
I think that I did go into this movie with fairly lofty expectations, but that was due to what I had heard from other people through word-of-mouth. In fact, I don't think I heard one bad review for this thing, so I really was expecting something great. Unfortunately, what you get is a mediocre Hollywood shlock-fest with some pretty impressive CGI, but a painfully formulaic story with a lazy script and actors phoning in their performances.
Let's start with the main positive of the movie; the CGI. The animators really did do an incredible job here and there are some truly awesome action sequences that were really impressive to witness, (it's just unfortunate that we had already seen most of these sequences prior to seeing the movie in the trailers.) The robots also felt much more grimy, weighty and realistic in this film as opposed to the more slick and polished feel that they all had in Bay's Transformers movies, which helped to make it more convincing that the robots were actually present in the room with the actors rather than being added in later in post production.
The other bright spot in the movie was John Cena. Sure, he has played the stereotypical army jarhead plenty of times before, but he is still charismatic and engaging whenever he is onscreen. His career is definitely benefitting from taking roles like this where he is able to be taken less seriously rather than trying to be a super serious action star in forgettable movies like The Marine.
Unfortunately that is about it for the positives, everything else is extremely lazy and generic. The direction is serviceable, the cinematography is nothing special and the score goes through the motions it has to in order to meet the tone of each scene. The script is full of extremely cheesy lines which is delivered half heartedly by the cast who it feels like are pretty much sleepwalking through this thing for the most part. Some characters are fairly irritating such as Memo and Ron, but nothing anywhere near as egregious as Mudflap and Skids from the previous Transformers movies.
And that last statement pretty much sums up my opinion on this movie. Sure, it isn't anywhere near as annoying, obnoxious, or cringe-inducing as the movies that Michael Bay previously gave us in the main Transformers series, but it is still really cheesy and lazy and isn't anything special at all.
I think that this movie serves as a lesson for managing your expectations when going to see a film. Due to the fact that the previous Transformers movies are SO bad and so poorly regarded, most people went into this one with little to no expectation that it would be any good. When it actually turned out to be surprisingly half decent, people were so shocked that they began telling everyone else how fantastic this thing was, when it actually isn't fantastic in any way, it's just less garbage than what we were getting before with these movies. Then, because of all of these brilliant reviews, I have went in expecting something substantial and meaningful and came away sorely disappointed because it turned out to be unremarkable and mediocre.
Overall, I probably would have got more out of this movie if I was told beforehand to just switch off my brain and expect a cheesy popcorn flick. Instead I went in expecting this generation's E.T because of the overblown reviews and was let down pretty hard. It's not the worst film of last year and it is better than anything else in the Transformers series since the first movie, but it's still not anything special. There are a few highs throughout the movie, but in general it's pretty unremarkable and I don't seeing it standing the test of time in the same way that the movies that it's being compared to have done.
Gareth von Kallenbach (980 KP) rated the PC version of Wolfenstein II: The New Colossus in Video Games
Jun 19, 2019
Bj Blazkowicz is back to fight Nazis in the latest chapter in the long-running Wolfenstein series. With Wolfenstein 2: The New Colossus marks the third entry in the series by Bethesda and continues their focus on gritty and gripping storytelling where all the focus is on the campaign versus having a multiplayer component.
Set in an alternate 1960s, BJ and his band of rebels look to strike back at the evil Nazi forces that have enslaved the entire world and much of the solar system as well. Using a captured submarine, the missions task players with exploring and interacting with members of the crew as well as multiple locales throughout the United States and strategic locations.
As any fan of the series knows, BJ is all about death and destruction, and he has a very impressive arsenal of weaponry available to him. From pistols and shotguns, to machine guns, grenades, and more advanced energy and Napalm based weapons; he can give back as much as the overwhelming enemy forces can dish out.
This is a very good thing as there are all manner of enhanced troops, robots, and truly devastating enemy units awaiting him.
Along the way players can gain health, ammunition, and armor from dispatched enemies, and there are charging stations located throughout the missions to charge up the big guns.
The game also has optional side quests for players to take and does have some new mission options following the credits for the game.
What makes the game stand out aside from the action is the great attention to detail of the locales and maps but also acting that is well above what one would expect in a game of this type. Players are given a deeper look at the title character as well as his past, his motivations, and in a refreshing twist, his fragility in dealing with his own mortality in the face of pending changes in his life.
While I was able to complete the game in less than half the time that it took me to complete Wolfenstein: The New Order, there was still over 10 hours of gameplay for me and there are bonus missions and pending DLC for me to look forward to.
With great graphics, sound, action, and a compelling story, Wolfenstein 2: The New Colossus is another great entry for the series and one that you will not want to miss.
http://sknr.net/2017/10/30/wolfenstein-2-new-colossus/
Set in an alternate 1960s, BJ and his band of rebels look to strike back at the evil Nazi forces that have enslaved the entire world and much of the solar system as well. Using a captured submarine, the missions task players with exploring and interacting with members of the crew as well as multiple locales throughout the United States and strategic locations.
As any fan of the series knows, BJ is all about death and destruction, and he has a very impressive arsenal of weaponry available to him. From pistols and shotguns, to machine guns, grenades, and more advanced energy and Napalm based weapons; he can give back as much as the overwhelming enemy forces can dish out.
This is a very good thing as there are all manner of enhanced troops, robots, and truly devastating enemy units awaiting him.
Along the way players can gain health, ammunition, and armor from dispatched enemies, and there are charging stations located throughout the missions to charge up the big guns.
The game also has optional side quests for players to take and does have some new mission options following the credits for the game.
What makes the game stand out aside from the action is the great attention to detail of the locales and maps but also acting that is well above what one would expect in a game of this type. Players are given a deeper look at the title character as well as his past, his motivations, and in a refreshing twist, his fragility in dealing with his own mortality in the face of pending changes in his life.
While I was able to complete the game in less than half the time that it took me to complete Wolfenstein: The New Order, there was still over 10 hours of gameplay for me and there are bonus missions and pending DLC for me to look forward to.
With great graphics, sound, action, and a compelling story, Wolfenstein 2: The New Colossus is another great entry for the series and one that you will not want to miss.
http://sknr.net/2017/10/30/wolfenstein-2-new-colossus/
Gareth von Kallenbach (980 KP) rated Futurama: Bender's Game (2008) in Movies
Aug 14, 2019
The third of the straight to DVD Futurama movies, “Futurama: Bender’s Game” has arrived and continues the winning formula of the television series and two previous films.
This time the film starts out as a standard episode rather than continue the events of the past film. In true Futurama style, there are references to past characters and pop culture gags throughout. The early focus of the story is on the Dark Matter fuel shortage that is controlled by the greedy Mom and her corporation. Mom insists that prices are way up so she has to charge more for the precious starship fuel, but avoids any questions related to her record profits related to the ever rising fuel prices.
With the rising fuel costs the Planetary Express Office, is put on a very strict flight schedule that causes havoc amongst the crew. Fry (Billy West), still drifts aimlessly about life, Amy (Lauren Tom) is as shallow as ever and Leela (Katey Sagal), has an ager issue and is outfitted with a shock collar that jolts her whenever she loses her temper.
Bender (John Di Maggio), has a larger issue as he spots some of the staff children and their friends playing Dungeons and Dragons and wants to be a part of the action. It is learned that robots were not built for imagination so when Bender takes up the game and becomes the entity Titanius, he soon has a hard time distinguishing between reality and fantasy. Combine this with Leela’s entry of the Planet Express ship into a Demo Derby and you get a premise ripe with laughter.
The story shifts into high gear when Professor Farnsworth (Billy West), decides to use his anti-backwards crystal to end his old flame Moms hold on the fuel industry. The Crew make a startling discovery as they battle mom, and thanks to the power of the crystal and Bender, find themselves in a strange medieval world where each of them has new identities in this alternate universe.
In a race against time, the Planet Express staff must not only survive the alternate universe, but defeat Mom and her plans for universal domination.
With sharp picture and sound, this is a very enjoyable new adventure for fans.
There are loads of extras which include deleted scenes, commentaries, and a look at the next film “Into The Wild Green Yonder”.
All in all a welcome and satisfying film that should delight fans and help keep us happy until the new film arrives next year.
This time the film starts out as a standard episode rather than continue the events of the past film. In true Futurama style, there are references to past characters and pop culture gags throughout. The early focus of the story is on the Dark Matter fuel shortage that is controlled by the greedy Mom and her corporation. Mom insists that prices are way up so she has to charge more for the precious starship fuel, but avoids any questions related to her record profits related to the ever rising fuel prices.
With the rising fuel costs the Planetary Express Office, is put on a very strict flight schedule that causes havoc amongst the crew. Fry (Billy West), still drifts aimlessly about life, Amy (Lauren Tom) is as shallow as ever and Leela (Katey Sagal), has an ager issue and is outfitted with a shock collar that jolts her whenever she loses her temper.
Bender (John Di Maggio), has a larger issue as he spots some of the staff children and their friends playing Dungeons and Dragons and wants to be a part of the action. It is learned that robots were not built for imagination so when Bender takes up the game and becomes the entity Titanius, he soon has a hard time distinguishing between reality and fantasy. Combine this with Leela’s entry of the Planet Express ship into a Demo Derby and you get a premise ripe with laughter.
The story shifts into high gear when Professor Farnsworth (Billy West), decides to use his anti-backwards crystal to end his old flame Moms hold on the fuel industry. The Crew make a startling discovery as they battle mom, and thanks to the power of the crystal and Bender, find themselves in a strange medieval world where each of them has new identities in this alternate universe.
In a race against time, the Planet Express staff must not only survive the alternate universe, but defeat Mom and her plans for universal domination.
With sharp picture and sound, this is a very enjoyable new adventure for fans.
There are loads of extras which include deleted scenes, commentaries, and a look at the next film “Into The Wild Green Yonder”.
All in all a welcome and satisfying film that should delight fans and help keep us happy until the new film arrives next year.
JT (287 KP) rated Real Steel (2011) in Movies
Mar 10, 2020
Michael Bay, take note, this is how to make a proper film about robots beating the living shit out of each other. Based on the Richard Matheson short story Steel, this follows the journey of former professional boxer Charlie Kenton (Jackman) who now spends his time in debt, as a promoter for the new sport of robot boxing.
When Charlie meets his 11-year old son Max (Goyo) the two must rediscover themselves and build a relationship strong enough to get them through any of life’s toughest challenges. Let’s get one thing clear right away, this is Levy’s best film to date. Which is not hard when past titles include, both Night at the Museum’s, Date Night and The Pink Panther.
Jackman is strong enough in a role which let’s him flex his muscles from time to time, he’s a rough and rugged character anyway which is why he fits the Charlie Kenton mould so well. Partnered opposite young Max, who has enough cheeky charm and wide eyed looks to seduce any adult in to letting things go his way. But its not just about the Charlie and Max relationship, there is of course ‘Atom’, the sparing robot they discover in a junkyard.
Despite being all metal and wires, there is a strong feeling that Atom has a personality of his own even if it is mirrored by the person standing in front of him. But the scenes that Atom and Max share on screen together are genuine heart felt moments.
There is enough robot smashing mayhem going on through the drama, as Atom beings the road to underdog glory moving from one metal crunching bout to the next. The fights are very well choreographed from no holes barred scrap fights to the glitz and glamour of the Robot Boxing League where the stakes and money are high.
It’s hard not to see the underlying homage to the Rocky franchise, even the final fight which pairs Atom against the mighty Zeus is a robotic version of Balboa Vs Drago, right down to the female Russian, Olga, who sits in his corner. The supporting cast are in effect just that, the chemistry between Kenton and Bailey (Lily) is good, but she’s not really given enough in the script to make her stand out, so sparks are few and far between.
Jackman is likeable and the kid less annoying than others before him, its flashy and packs a punch that produces some great action sequences throughout.
When Charlie meets his 11-year old son Max (Goyo) the two must rediscover themselves and build a relationship strong enough to get them through any of life’s toughest challenges. Let’s get one thing clear right away, this is Levy’s best film to date. Which is not hard when past titles include, both Night at the Museum’s, Date Night and The Pink Panther.
Jackman is strong enough in a role which let’s him flex his muscles from time to time, he’s a rough and rugged character anyway which is why he fits the Charlie Kenton mould so well. Partnered opposite young Max, who has enough cheeky charm and wide eyed looks to seduce any adult in to letting things go his way. But its not just about the Charlie and Max relationship, there is of course ‘Atom’, the sparing robot they discover in a junkyard.
Despite being all metal and wires, there is a strong feeling that Atom has a personality of his own even if it is mirrored by the person standing in front of him. But the scenes that Atom and Max share on screen together are genuine heart felt moments.
There is enough robot smashing mayhem going on through the drama, as Atom beings the road to underdog glory moving from one metal crunching bout to the next. The fights are very well choreographed from no holes barred scrap fights to the glitz and glamour of the Robot Boxing League where the stakes and money are high.
It’s hard not to see the underlying homage to the Rocky franchise, even the final fight which pairs Atom against the mighty Zeus is a robotic version of Balboa Vs Drago, right down to the female Russian, Olga, who sits in his corner. The supporting cast are in effect just that, the chemistry between Kenton and Bailey (Lily) is good, but she’s not really given enough in the script to make her stand out, so sparks are few and far between.
Jackman is likeable and the kid less annoying than others before him, its flashy and packs a punch that produces some great action sequences throughout.
BankofMarquis (1832 KP) rated Spies in Disguise (2019) in Movies
Dec 7, 2020
Strong chemistry between Smith and Holland
Blue Sky Animation Studios has often been seen as the "poor little sister" in the animation game - behind Disney/Pixar and Dreamworks - and is often listed as the "Ice Age" studio. But, if you look into their filmography, you will see a solid mark of quality throughout.
This studio has delivered solid animated outings with such fare as ROBOTS, HORTON HEARS A WHO, RIO and FERDINAND (along with the myriad of ICE AGE films) and their latest feature - 2019's SPIES IN DISGUISE - is no exception. I was pleasantly surprised by the fun, action, comedy and suspense of this film and was entertained throughout.
Blue Sky, of course, IS the "poor little sister" to the "Big 2" and it shows in some of their casting choices. Where I thought vocal work was being done by Tina Fey and Holly Hunter, I soon discovered that it is Rachel Brosnahan and Reba Mcintyre - not shabby at all, but not quite the "A" team either (it's like you are listening to the Broadway replacement actors for the Original Cast).
That is probably because they spent all of their casting money on the 2 leads - Will Smith and Tom Holland - and they are TERRIFIC together. Unlike Holland's lackluster (and lack of chemistry) turn with Chris Pratt in the PIXAR film ONWARD, Holland and Smith work well together in this film and I enjoyed their interactions with each other. Of course, Will Smith is in a league of his own when it comes to charming, cocky adventure hero with raw emotions and a soul - and that is EXACTLY what his character is and it works very, very well. Add to that Holland's riff on his Spiderman Peter Parker character - a scientific genius who is socially awkward and we have a fun duo to root for throughout this film.
Other outstanding voice talents in this cast include Masi Oka (who's voice would be terrific in just about ANY animation film), Rashida Jones, Karen Gillen and the always good Ben Mendelsohn as the villain.
Directors Nick Bruno (in his Directorial debut) and Troy Quane (in only his 2nd Animated outing) do a professional job keeping the plot moving, the fun brewing and the plot and action scenes simple and easy to follow (an easy thing to screw up) and this makes SPIES IN DISGUISE a very fun escape for an hour and 42 minutes.
Letter Grade: B+
7 1/2 stars (out of 10) and you can take that to the Bank(ofMarquis)
This studio has delivered solid animated outings with such fare as ROBOTS, HORTON HEARS A WHO, RIO and FERDINAND (along with the myriad of ICE AGE films) and their latest feature - 2019's SPIES IN DISGUISE - is no exception. I was pleasantly surprised by the fun, action, comedy and suspense of this film and was entertained throughout.
Blue Sky, of course, IS the "poor little sister" to the "Big 2" and it shows in some of their casting choices. Where I thought vocal work was being done by Tina Fey and Holly Hunter, I soon discovered that it is Rachel Brosnahan and Reba Mcintyre - not shabby at all, but not quite the "A" team either (it's like you are listening to the Broadway replacement actors for the Original Cast).
That is probably because they spent all of their casting money on the 2 leads - Will Smith and Tom Holland - and they are TERRIFIC together. Unlike Holland's lackluster (and lack of chemistry) turn with Chris Pratt in the PIXAR film ONWARD, Holland and Smith work well together in this film and I enjoyed their interactions with each other. Of course, Will Smith is in a league of his own when it comes to charming, cocky adventure hero with raw emotions and a soul - and that is EXACTLY what his character is and it works very, very well. Add to that Holland's riff on his Spiderman Peter Parker character - a scientific genius who is socially awkward and we have a fun duo to root for throughout this film.
Other outstanding voice talents in this cast include Masi Oka (who's voice would be terrific in just about ANY animation film), Rashida Jones, Karen Gillen and the always good Ben Mendelsohn as the villain.
Directors Nick Bruno (in his Directorial debut) and Troy Quane (in only his 2nd Animated outing) do a professional job keeping the plot moving, the fun brewing and the plot and action scenes simple and easy to follow (an easy thing to screw up) and this makes SPIES IN DISGUISE a very fun escape for an hour and 42 minutes.
Letter Grade: B+
7 1/2 stars (out of 10) and you can take that to the Bank(ofMarquis)
Gareth von Kallenbach (980 KP) rated the PC version of Atomic Heart in Video Games
Mar 5, 2023
I first heard of Atomic Heart several years ago and aside from brief and sporadic updates; the progress of the game seemed to be a slow process until a few months before release.
I was eager to try a game that was described as a mix of Fallout and Bioshock as a fan of the two franchises, the new entry seemed like a game that I would enjoy.
The game is set in a fictional future filled with advanced scientific discoveries and playing as an agent assigned to the rollout of a new facility; players will soon find things have gone very wrong when the robots assigned to serve have begun brutally attacking and killing all they encounter.
Players must travel deep into an underground facility to find weapons and materials which they can craft into more powerful weapons as they take on an increasingly difficult series of enemies and puzzles.
Using a special glove that can heal and move objects, players have to at times do a series of timed jumps to navigate the damaged facility and complete necessary tasks.
While all of this sounds good, the game at times throws too many puzzles at you as having to decipher locks repeatedly tends to take away from the action, and dealing with the over-amorous upgrade machines goes from being amusing to tedious quickly.
Another issue I had was a recent patch broke the game for me as I was unable to start the game from the main screen and had to delete and install the game again to resume my play. There is also the matter of why the agent sounds like he should be in an office in California as his tone and mannerisms do not reflect the character.
Atomic Heart does provide entertainment I found the combat and graphics to be dated and that aspects of the game grew old very quickly. The best strategy for me was to play the game in segments and take a break of a few days between sessions which gave me a fresh perspective versus trying to do things in a series of extended sessions.
In the end, the game is enjoyable for those willing to be patient and accept the game for what it is and hopefully, with a few more updates the full potential of the game will be achieved. The game is available on the Microsoft Game Pass and is worth a look.
3 stars out of 5
I was eager to try a game that was described as a mix of Fallout and Bioshock as a fan of the two franchises, the new entry seemed like a game that I would enjoy.
The game is set in a fictional future filled with advanced scientific discoveries and playing as an agent assigned to the rollout of a new facility; players will soon find things have gone very wrong when the robots assigned to serve have begun brutally attacking and killing all they encounter.
Players must travel deep into an underground facility to find weapons and materials which they can craft into more powerful weapons as they take on an increasingly difficult series of enemies and puzzles.
Using a special glove that can heal and move objects, players have to at times do a series of timed jumps to navigate the damaged facility and complete necessary tasks.
While all of this sounds good, the game at times throws too many puzzles at you as having to decipher locks repeatedly tends to take away from the action, and dealing with the over-amorous upgrade machines goes from being amusing to tedious quickly.
Another issue I had was a recent patch broke the game for me as I was unable to start the game from the main screen and had to delete and install the game again to resume my play. There is also the matter of why the agent sounds like he should be in an office in California as his tone and mannerisms do not reflect the character.
Atomic Heart does provide entertainment I found the combat and graphics to be dated and that aspects of the game grew old very quickly. The best strategy for me was to play the game in segments and take a break of a few days between sessions which gave me a fresh perspective versus trying to do things in a series of extended sessions.
In the end, the game is enjoyable for those willing to be patient and accept the game for what it is and hopefully, with a few more updates the full potential of the game will be achieved. The game is available on the Microsoft Game Pass and is worth a look.
3 stars out of 5
Gareth von Kallenbach (980 KP) rated Pacific Rim (2013) in Movies
Jun 19, 2019
Director Guillermo Del Toro has introduced an interesting new twist to the “giant monster run amok” genre with his latest film “Pacific Rim”. The movie details how extraterrestrial life has appeared upon the earth via a rift in the ocean floor. These gigantic alien life are known as Kaijus after the Japanese word for gigantic creature and have unleashed utter devastation upon the coastal cities of the world. Since the first attack took six days to repel, the leaders of the world devised a new plan of defense which involves the building of gigantic mechanized robots or Jaegers, after the German word for hunter. It is learned that the initial results were very promising however as time went along, the alien threat continued to evolve and adapt and were soon becoming a challenge for the mech defenses.
Enter into the mix Raleigh Becket (Charlie Hunnam), a young Jaeger pilot who, with his brother, pilots the Gypsy Danger mech. It is learned that two pilots are needed to control the mechs as the neural demands were too much for one individual alone. Through a process known as “drifting” the pilots are linked to one another’s minds which allows them each to control one half of the machine in combat situations. Needless to say it is vital that the two pilots are compatible as the connection allows them to see into each other’s minds and memories so therefore having somebody of a compatible nature is key to success.
Six years into the war tragedy strikes leaving Raleigh dissolution and alone. In the ensuing seven years he is working on a last gasp project to build gigantic walls around coastal cities in an effort to stop the alien menace and protect cities. Things have not been going well and due to increasing losses the command has canceled the Jaeger program and ordered the few remaining next to Hong Kong to provide a measure of defense will wall is completed.
This does not sit well with Defense Marshall Pentecost (Idris Elba), who believes that the mechs offer humanity’s best defense against the enemy and as such he seeks down Raleigh and return Sam reluctantly to the program. It is learned that there are only four mechs left and a desperate plan to deliver a nuclear payload through the rift directly to the enemy is put in place. Of course complications arise specifically in the form that Raleigh needs to find a new copilot and by far and away the best candidate for him Rinko (Mako Mori) is being blocked from taking part in the mission by the Defense Marshall. This combined with tension between their rival pilot and Raleigh certainly has him rethinking his place in the mission.
As if this was not complicated enough, base scientist Newton (Charlie Day), is convinced that there is a much bigger threat coming and that their current course of action is not going to be enough to save the day.What follows is an FX heavy spectacle of action as humanity makes a last-ditch stand against the alien apocalypse in spectacular style.
The movie, while entertaining, does strain credibility to a serious extreme even by adventure film standards. We’re supposed to believe that enormous amounts of money have been spent to develop and maintain the defense program when the weaponry aboard the mechs as well as conventional weaponry such as Tomahawk missiles and such could be mounted aboard ships and coastal batteries and deployed with similar success at a significantly reduced cost. We are told that the initial attack took six days to repel using jets and tanks but from my point of view heavy assault gunships, rail guns, cruise missiles, as well as the plasma weaponry shown in the film would certainly do the job from any floating or fixed coastal location.
Even though the 3-D in the movie was converted it was done very well and there were some very good moments of immersion especially during the very well done combat sequences. My biggest issue was that the middle of the film tended to drag as we had a lot of interpersonal dramas play out but they lacked attention and character development that they needed to be fully effective. Despite the extremely solid cast, many of the characters were very thinly developed as the emphasis on the movie was clearly on putting giant robots against giant creatures and unleashing as much carnage and mayhem as possible.
In this regard the film worked however the times in between do not work so well and there is a surprising lack of chemistry amongst many of the leads which undermines the sense of urgency, desperation, and sacrifice which is key to the story.
Charlie Day provides some good comic relief in his role and Hunnam and Elba do a good job with the limited characters that they are given.
While it is not a bad film by any stretch the imagination, it could have been so much more because as it stands now it is basically in the vein of the Toho Godzilla movies just with a bigger budget and better effects.
http://sknr.net/2013/07/11/pacific-rim/
Enter into the mix Raleigh Becket (Charlie Hunnam), a young Jaeger pilot who, with his brother, pilots the Gypsy Danger mech. It is learned that two pilots are needed to control the mechs as the neural demands were too much for one individual alone. Through a process known as “drifting” the pilots are linked to one another’s minds which allows them each to control one half of the machine in combat situations. Needless to say it is vital that the two pilots are compatible as the connection allows them to see into each other’s minds and memories so therefore having somebody of a compatible nature is key to success.
Six years into the war tragedy strikes leaving Raleigh dissolution and alone. In the ensuing seven years he is working on a last gasp project to build gigantic walls around coastal cities in an effort to stop the alien menace and protect cities. Things have not been going well and due to increasing losses the command has canceled the Jaeger program and ordered the few remaining next to Hong Kong to provide a measure of defense will wall is completed.
This does not sit well with Defense Marshall Pentecost (Idris Elba), who believes that the mechs offer humanity’s best defense against the enemy and as such he seeks down Raleigh and return Sam reluctantly to the program. It is learned that there are only four mechs left and a desperate plan to deliver a nuclear payload through the rift directly to the enemy is put in place. Of course complications arise specifically in the form that Raleigh needs to find a new copilot and by far and away the best candidate for him Rinko (Mako Mori) is being blocked from taking part in the mission by the Defense Marshall. This combined with tension between their rival pilot and Raleigh certainly has him rethinking his place in the mission.
As if this was not complicated enough, base scientist Newton (Charlie Day), is convinced that there is a much bigger threat coming and that their current course of action is not going to be enough to save the day.What follows is an FX heavy spectacle of action as humanity makes a last-ditch stand against the alien apocalypse in spectacular style.
The movie, while entertaining, does strain credibility to a serious extreme even by adventure film standards. We’re supposed to believe that enormous amounts of money have been spent to develop and maintain the defense program when the weaponry aboard the mechs as well as conventional weaponry such as Tomahawk missiles and such could be mounted aboard ships and coastal batteries and deployed with similar success at a significantly reduced cost. We are told that the initial attack took six days to repel using jets and tanks but from my point of view heavy assault gunships, rail guns, cruise missiles, as well as the plasma weaponry shown in the film would certainly do the job from any floating or fixed coastal location.
Even though the 3-D in the movie was converted it was done very well and there were some very good moments of immersion especially during the very well done combat sequences. My biggest issue was that the middle of the film tended to drag as we had a lot of interpersonal dramas play out but they lacked attention and character development that they needed to be fully effective. Despite the extremely solid cast, many of the characters were very thinly developed as the emphasis on the movie was clearly on putting giant robots against giant creatures and unleashing as much carnage and mayhem as possible.
In this regard the film worked however the times in between do not work so well and there is a surprising lack of chemistry amongst many of the leads which undermines the sense of urgency, desperation, and sacrifice which is key to the story.
Charlie Day provides some good comic relief in his role and Hunnam and Elba do a good job with the limited characters that they are given.
While it is not a bad film by any stretch the imagination, it could have been so much more because as it stands now it is basically in the vein of the Toho Godzilla movies just with a bigger budget and better effects.
http://sknr.net/2013/07/11/pacific-rim/
Gareth von Kallenbach (980 KP) rated Bumblebee (2018) in Movies
Jul 2, 2019
Like most kids growing up in the 80’s the Transformers always held a special place in my heart. I didn’t have a huge collection because the die-cast/plastic vehicles that transformed into robots could get a little expensive. Thankfully the morning cartoons and comic books filled in the spaces where I lacked the toys. When I heard there would be a live action movie based on the characters that had been such a integral part of my childhood, I couldn’t help but feel excited. I had seen some of the previews of the original Transformers movie by Michael Bay, the characters looked different than I imagined, but how bad could it be. The movie started, and heart break ensued, the first one was ok, the second was worse, and so on and so forth to a point where I still have not brought myself to watch the last installment of the Michael Bay franchise. Fast Forward to the first glimpse I had of Bumblebee, a prequel/reboot of the Transformers franchise, and that feeling of trepidation lingered. The first glimmer of hope was when the previews began to show images of the Transformers that I remembered, now referred to as G1 (Generation One), these transformers were recognizable. Still, the stories have always been lacking, so while I held out a glimmer of hope, I was sure to guard my heart closely…after all, we’ve been down this road before.
Bumblebee begins on Cybertron, where the Autobots and Decepticons are battling for control of what is left of the planet. The visuals are stunning, and as I stated before, here our all our favorites from the G1 universe in their recognizable forms. Once I saw Wheeljack, a personal favorite of mine, I felt I was in for something special. The Autobots are losing control to the evil Decepticons and are forced to evacuate Cybertron to regroup. Bumblebee is sent to Earth, a planet where Optimus Prime feels that the Autobots can rendezvous, but also tasked to protect the planet from any encroachment of the Decepticons.
Bumblebee unfortunately crash lands in the middle of a military training exercise and is quickly engaged by the armed forces there. While Bumblebee alone is a match for the Humvees and small arms fire, the battle is quickly joined by a Decepticon who has followed Bumblebee to Earth. He is completely out matched and outgunned it is not long before Bumblebee is defeated and barely escapes with his life. It is here that he is “saved” by Charlie Watson (Hailee Steinfeld) who finds the battered and broken beetle in a junkyard on her birthday, and a deep bond between the two is formed.
Bumblebee does not disappoint in its amazing visuals. The robots are as big as ever, yet now retain a more familiar look. The story still has explosions, and epic one-on-one robot battles that fans of the Michael Bay franchise can enjoy, but it’s the deep and meaningful story where Bumblebee truly shines. Written by Christina Hodson (Shut In/Unforgetable) and Directed by Travis Knight (Kudo and the Two Strings/Paranorman) we are finally given a story with a plot that fans of the series can get behind and enjoy. It’s not to say that the story is perfect, there are still the occasional lines that fall into groan-worthy territory, but to say that Bumblebee surpasses the previous live action movies is an understatement.
You don’t have to be a fan (or have any familiarity at all) with the Transformer toys, cartoon, or live action movies to enjoy it. However, for those who have been fortunate (or unfortunate) to experience them all will appreciate the subtle nods to previous films. The audience clapped and cheered when Stan Bush’s well-known Transformer song The Touch exploded on screen. Sure, it’s a spoiler, but for those who are still reluctant to see it based on previous films, maybe it’s exactly what’s needed. The film is littered with such nods and die-hard Transformer fans are in for a real treat.
The acting in the film is top-notch, not only by Hailee Steinfeld and Jorge Lendeborg Jr who are the main human characters, but by the supporting characters as well. John Cena brings his witty one-liners and Peter Cullen once again reprises his role of the now infamous Optimus Prime. For a movie that seems more at home as a summer blockbuster, it carries with it a tremendous amount of heart. Even Bumblebee who rarely utters a word throughout the entire film, brings out emotion in his facial expressions, or movements.
I’ll admit that going into Bumblebee I had my reservations and for those who have been burned by previous iterations of the series it’s a completely understandable concern. I’ll say it here though, Bumblebee is a terrific Transformers movie, easily on-par with the animated film, which to date had been the only Transformer movie worth talking about. Fans of the franchise will not be disappointed, and probably like myself, will be naming the numerous Transformers on the screen, by how they look…not by what they are called. In the famous words of Optimus Prime…Autobots Roll-out, and go see Bumblebee, coming to theaters on December 21st.
Bumblebee begins on Cybertron, where the Autobots and Decepticons are battling for control of what is left of the planet. The visuals are stunning, and as I stated before, here our all our favorites from the G1 universe in their recognizable forms. Once I saw Wheeljack, a personal favorite of mine, I felt I was in for something special. The Autobots are losing control to the evil Decepticons and are forced to evacuate Cybertron to regroup. Bumblebee is sent to Earth, a planet where Optimus Prime feels that the Autobots can rendezvous, but also tasked to protect the planet from any encroachment of the Decepticons.
Bumblebee unfortunately crash lands in the middle of a military training exercise and is quickly engaged by the armed forces there. While Bumblebee alone is a match for the Humvees and small arms fire, the battle is quickly joined by a Decepticon who has followed Bumblebee to Earth. He is completely out matched and outgunned it is not long before Bumblebee is defeated and barely escapes with his life. It is here that he is “saved” by Charlie Watson (Hailee Steinfeld) who finds the battered and broken beetle in a junkyard on her birthday, and a deep bond between the two is formed.
Bumblebee does not disappoint in its amazing visuals. The robots are as big as ever, yet now retain a more familiar look. The story still has explosions, and epic one-on-one robot battles that fans of the Michael Bay franchise can enjoy, but it’s the deep and meaningful story where Bumblebee truly shines. Written by Christina Hodson (Shut In/Unforgetable) and Directed by Travis Knight (Kudo and the Two Strings/Paranorman) we are finally given a story with a plot that fans of the series can get behind and enjoy. It’s not to say that the story is perfect, there are still the occasional lines that fall into groan-worthy territory, but to say that Bumblebee surpasses the previous live action movies is an understatement.
You don’t have to be a fan (or have any familiarity at all) with the Transformer toys, cartoon, or live action movies to enjoy it. However, for those who have been fortunate (or unfortunate) to experience them all will appreciate the subtle nods to previous films. The audience clapped and cheered when Stan Bush’s well-known Transformer song The Touch exploded on screen. Sure, it’s a spoiler, but for those who are still reluctant to see it based on previous films, maybe it’s exactly what’s needed. The film is littered with such nods and die-hard Transformer fans are in for a real treat.
The acting in the film is top-notch, not only by Hailee Steinfeld and Jorge Lendeborg Jr who are the main human characters, but by the supporting characters as well. John Cena brings his witty one-liners and Peter Cullen once again reprises his role of the now infamous Optimus Prime. For a movie that seems more at home as a summer blockbuster, it carries with it a tremendous amount of heart. Even Bumblebee who rarely utters a word throughout the entire film, brings out emotion in his facial expressions, or movements.
I’ll admit that going into Bumblebee I had my reservations and for those who have been burned by previous iterations of the series it’s a completely understandable concern. I’ll say it here though, Bumblebee is a terrific Transformers movie, easily on-par with the animated film, which to date had been the only Transformer movie worth talking about. Fans of the franchise will not be disappointed, and probably like myself, will be naming the numerous Transformers on the screen, by how they look…not by what they are called. In the famous words of Optimus Prime…Autobots Roll-out, and go see Bumblebee, coming to theaters on December 21st.