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The Black Hole (1979)
The Black Hole (1979)
1979 | Action, Family, Sci-Fi
Big-budget attempt by Disney to cash in on the success of Star Wars; this sort of thing doesn't happen any more, obviously. Science vessel from Earth discovers fabled lost vessel from a generation before, mysteriously hanging over a black hole; they choose to investigate, eventually there are ray gun battles.

Distinctly odd movie which can't seem to decide whether it's a cheery George Lucas-style family-friendly adventure extravaganza with cute robots and zap guns aplenty, or a post-Stanley Kubrick tale of existential contemplation and all-pervading gloom. In the end the dark tone is mostly triumphant - bemusing final sequence reveals black hole is actually a gateway to hell, which may explain why this has been acclaimed as the most scientifically inaccurate movie in history. Decent cast try hard; very good score from John Barry helps keep things moving along.
  
The Island (2005)
The Island (2005)
2005 | Action, Adventure, Sci-Fi
If Logan's Run and The Hunger Games had a baby...
From Michael Bay, the director of every crappy movie over the last 10 years, comes a really good one!

Ewan McGregor and Scarlett Johansson have surprising chemistry as they try and figure out what's going on in their "perfect" society which ends of having a few surprises. When he begins to question his sterile existance and the "Kool-Aid" they have all been told, he begins to figure out what is actually going on behind the scenes.

A surprising good action movie develops with some interesting twists and turns. Say what you want about Bay. He can certainly orchestrate a good action sequence when he wants to and doesn't have 27 robots fighting each other at the same time.

I highly recommend checking this one out.
  
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Lou Grande (148 KP) May 27, 2018

I love Ewan McGregor and I like Scarlett Johannson, but their chemistry in this was just awful.

    AlphaTots Alphabet

    AlphaTots Alphabet

    Education and Entertainment

    (0 Ratings) Rate It

    App

    “A” is for action in the fun app from Spinlight that uses 26 action verbs to help toddlers learn...

Finch (2021)
Finch (2021)
2021 | Drama, Sci-Fi
9
7.3 (4 Ratings)
Movie Rating
Very Effective
There are times when there is a “Perfect Storm” of film material, performance, mood, style and execution of said material and the headspace that I am in when I sit down to view the movie that elevates a film viewing experience above the norm.

Such was my experience when I sat down and watched the Tom Hanks Post-Apocalyptic film FINCH on AppleTV+. On paper, it looks like a run-of-the-mill “last few survivors on Earth struggle to remain alive” film, but - in my experience - it was much better than that.

Starring Tom Hanks as loner scientist Finch, who is scraping by in the remains of St. Louis with a dog and 2 robot helpers - robots of his own creation. When conditions in St. Louis worsen, Finch must pack up (with his 3 companions in tow) and head to a place where he thinks that life might be better - San Francisco.

Pretty standard “road movie” stuff, right? But in the hands of an Actor like Hanks, Emmy Winning GAME OF THRONES Director Miguel Sapochnik, a script by Craig Luck and Ivor Powell that digs into the humanity of Finch (and the situation) and some top-notch Computer animation of the Robots (especially “Jeff” voiced by Caleb Landry Jones), this film elevates itself above the norm.

There are not too many actors who could hold the attention of an audience for 2 hours speaking with 2 robots and a dog, but Hanks manages to do this - and do this very well. He brings his basic decency to the fore and makes us root for him from the start.

The surprise for me was the voice work of Caleb Landry Jones (GET OUT) who matches Hanks beat for beat and brings the same level of decency to his character. It is a testament to Jones’ work in a Motion Capture suit - and the “mo-cap” (Supervised by Scott Stokdyk) that makes the audience see and feel emotions on the face of the robot that just aren’t there. It’s that good.

Director Sapochnik really moves the film at the correct pace as he stops for the humanity, but doesn’t dwell on it too long - and, thus, avoids making the film too sentimental and mawkish. It is a delicate balancing act that this film walks very well.

Probably the biggest movie-going surprise of the year for me. A film that, at this point, will end up in my Top 10 of 2021.

Yes, I am as surprised as you are by this.

Letter Grade: A

9 stars (out of 10) and you can take that to the Bank(ofMarquis)