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Sean Lennon recommended S.F. Sorrow by The Pretty Things in Music (curated)

 
S.F. Sorrow by The Pretty Things
S.F. Sorrow by The Pretty Things
1968 | Rock
7.5 (2 Ratings)
Album Favorite

"It's one of my favourite concept albums, one of my favourite psychedelic albums, one of my favourite albums from that period full stop. I don't really know what the story to it is, I've never really bothered to figure it out, I just think The Pretty Things are one of the coolest bands of all time. There's something so edgy about their take on British Brian Wilson-influenced music. I love Odessey and Oracle, and I love all the more famous concept albums, but there's something about S.F. Sorrow that feels so much more rock 'n' roll, there's something about the way that they play that feels like punk rock for its time. They just have a real cool edgy energy, but at the same time it's sophisticated and lush. Obviously there were a lot of different bands experimenting in England at that time, but this is special to me because it feels more glib and more flippant, and less precious. It's well thought through but it has a useful punk edge that puts them in another class. I think one of the first times I really got into this album and realised what a masterpiece it is was ten or eleven years ago when I first met my girlfriend Charlotte. We went up with a few friends to a farm in Pennsylvania. It was the first time Charlotte and I kissed, it was a very magical lost country weekend. I remember hearing this record a lot that weekend. I already knew about The Zombies' Odessey and Oracle and I was a huge Beach Boys fan, but I didn't realise that the Pretty Things had done something so complete. They were leading the way, they were ahead of their time and not just copying the others, they were setting the bar."

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Greatest Hits by Rod Stewart
Greatest Hits by Rod Stewart
1979 | Rock
(0 Ratings)
Album Favorite

"This is a bit of a change in mood from the last song! For a long time Rod was a hero and an icon to me. “Da Ya Think I’m Sexy” is just such a confident song and I remember listening to it a lot as I was starting to perform. I think all artists have a different persona they go into, or a switch they hit when they walk on stage, I would listen to this as a warmup song to get to that place before I performed. “I was lucky enough to re-record the song with Rod Stewart about a year ago - one of those moments when it really came full circle for me. My A&R told me they were planning to do a Rod Stewart tribute album with a bunch of different artists. She first presented a different song and I said “that would be amazing! But I’m definitely doing “Da Ya Think I’m Sexy”, right?” I think I even kicked out somebody else who was in line to do it! We recorded it, produced it and then performed it together at the VMAs. “Now we have this cool relationship where I see him when I’m in Vegas and I’m going to try to see one of his shows. Rod Stewart is my rock ‘n’ roll dad! It’s one of those rare experiences when you can say ‘it’s nice to meet your heroes.’"

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Tobin Bell recommended The Firm (1993) in Movies (curated)

 
The Firm (1993)
The Firm (1993)
1993 | Drama, Mystery, Thriller

"The Firm, which was a film that I got a chance to be in, and got a chance to work with Sydney [Pollack] and really rub shoulders with Gene Hackman for the first time. Well, actually, I had been with Gene in Mississippi Burning. But I got to work with Gene Hackman and Tom Cruise and Holly Hunter and Gary Busey and Wilford Brimley. But Sydney Pollack had a great career as a director and I always admired his approach to things. Jeanne Tripplehorn was in The Firm also, did a great job as Tom’s wife. I love the music in The Firm. Dave Grusin wrote the music. I thought the film was very well put together, and when you take a novel, sometimes the film doesn’t match up, and I thought The Firm did match up. I read the novel and was very impressed with the scary Nordic guy who was sort of shadowing Tom Cruise’s character throughout the novel. He was just scary. And then, I’d say it was a year or two years later that my agents got a call from Pollack. I think he knew my work from the Actor’s Studio in New York, because Sydney was always very involved with the studio, and I think he was also a fan of Mississippi Burning and had seen that film. That took its own wings, and he just offered the role of the Nordic, and I thought, “Wow, that’d be great.” So I got to go to Memphis, Tennessee, the home of rock ‘n’ roll."

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