Search

Search only in certain items:

Stop Making Sense by Talking Heads
Stop Making Sense by Talking Heads
1984 | Rock
9.0 (4 Ratings)
Album Favorite

Psycho Killer by Talking Heads

(0 Ratings)

Track

"The ‘60s things we’ve discussed were a really big influence on me - it almost seemed like an early dream - but then I got into the Bowie, glam rock thing, which was my first choice of things in a way. That led me into New York punk rock and that’s the bit that made me pick up the guitar. I’d played the guitar a bit, but along with Television, Talking Heads made me want to be in a band and that whole scene inspired me much more than English punk rock. That time very much felt like a new chapter - ‘out with the old, and in with the new’ - and I guess that’s what punk rock was, but I thought a lot of the English punk bands were a bit crap. There were a few good ones and a lot of people talk about The Clash and The Pistols, but for me it was Patti Smith, Talking Heads, Blondie, MC5, New York Dolls and Iggy Pop. I loved all that stuff and it somehow seemed to fit with glam rock, with Bowie, Roxy Music and Marc Bolan and led me into Talking Heads and that whole thing. When I was an unemployed kid I’d get the bus into town, wander around and meet loads of people who wanted to form bands. There weren’t many people into The Velvet Underground back then, which I was at the time and I was a bit of a misfit in many ways. Matthew Street in Liverpool was a run-down area of empty warehouses then and there was nothing much there, but I met a lot of likeminded people around a warehouse called The Liverpool School of Music, Dream, Art and Pun and that was where I first met a lot of the guys who ended up in my first band. Opposite to that there was a record shop called Probe, a tea rooms and a club called Eric’s, and they became the centre of my everyday existence. Eric’s was set up by a guy called Roger Eagle who had been in Manchester. He was a Northern Soul DJ and a music aficionado and was heavily involved in the scene. Although those bands weren’t mainstream at that point, I got to see them all at Eric’s, which was brilliant. We got let into the gigs for free in return for helping them to carry amps and I got to chat to all of the bands that I loved at the time. As a song, “Psycho Killer” really stood out. It was very compelling and there was the whole idea of how David Byrne looked like he was a college professor or something, he was so awkward and gangly, but he had brilliant words. I remember thinking at the time ‘He’s not singing about the usual things, how are these words in a song? How do you do this?!’"

Source
  
VA
10
10.0 (1 Ratings)
Book Rating
I have no idea what rock I had been living under but I sure am glad that I climbed out from underneath it and read this book because I LOVED IT!!!

Erica is a young woman who is caught up in an abusive relationship but that's not all; her husband Shawn is a vampire. When things finally come to a head for Erica she runs for her life with the help of the very attractive and sumptuous Kevin. However, things are not what they seem and Erica is in for the ride of her life.

The author's creative and sensual writing style does not leave you lacking. The story line is well developed and the sizzling sex scenes will leave you completely breathless. The characters are strong and compliment the story rather well and did I mention the tantalizing sex scenes?! I look forward to reading more books from this author and I HIGHLY suggest/recommend you quickly jump on the Alice Brown band wagon.
  
40x40

CHILLFILTR (46 KP) rated Bottle It In by Kurt Vile in Music

Jun 5, 2019 (Updated Jun 5, 2019)  
Bottle It In by Kurt Vile
Bottle It In by Kurt Vile
2018 | Indie, Rock
https://chillfiltr.com/blog/2018/9/3/kurt-vile-loading-zones
                            

If you haven't heard of Kurt Vile yet, you are missing out. His sound more or less defines modern lo-fi folk rock, and his live shows are a staple of music festivals around the world: you might hear him (with support from The Violators) at the Take Root Festival this October in Groningen, Netherlands, or Dublin, or Brooklyn, this November. It's a roots band backing this bardic guru of young seekers everywhere.

Some interesting guitar lines through a vocoder, lyrics which feel half sung and half spoken, and a sense that this is the sound of something different, something creative; it's water in this desert of sameness that our pop landscape has become. And there is this feeling that the music here is just a bit raw, very human, and unadorned; it's not exactly alt-folk, it's not exactly anything, it's Kurt Vile.
  
Where She Went (If I Stay, #2)
Where She Went (If I Stay, #2)
Gayle Forman | 2011 | Fiction & Poetry
8
8.0 (20 Ratings)
Book Rating
This is a sequel, of sorts, to "If I Stay" and picks up three years after Mia leaves Adam to start a new life at Juilliard. We learn that Mia has become a star in her own right, while Adam is rock star: the main focus of his band, Shooting Star. He has a celebrity girlfriend, a major tour, and a crazy life. But is he happy? And is Mia content with the choice she made to walk away from Adam?

This book is told from Adam's point of view and we learn about how Mia's decision has left him devastated. It's another rather short book, but it's also lovely. I am not sure exactly how to describe it. I liked "If I Stay," but I truly loved "Where She Went" -- it was beautiful and poignant and touching. Even though Adam (and Mia) could be a bit frustrating at times, it was certainly a worthwhile read.
  
40x40

Awix (3310 KP) rated Bohemian Rhapsody (2018) in Movies

Oct 24, 2018 (Updated Oct 24, 2018)  
Bohemian Rhapsody (2018)
Bohemian Rhapsody (2018)
2018 | Biography, Drama, Music
Unimaginatively-titled, probably-inevitable Queen movie doesn't really take many risks in telling the remarkable story of Farrokh Bulsara, a gay Asian baggage-handler at Heathrow Airport who reinvents himself as the supremely charismatic frontman of one of the most enduringly popular rock bands in history. Very much the family-friendly Hollywood version of the band's story, hitting all the beats you'd expect and soft-pedalling some of the excesses of Freddie Mercury's lifestyle.

That said, assuming you're okay with the fact that this is a rather fictionalised retelling of the tale (history is quietly rewritten throughout), there is a huge amount here to enjoy: the band are well-cast, it's not afraid of the odd Spinal Tap moment, and obviously the music is tremendous (assuming you're a Queen fan, and if you're not why would you be watching a Queen movie?). It's also unexpectedly moving in places, particularly in the closing stages. Not perfect by any means, but still a really good piece of entertainment.