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Sin and Tonic (Sinners #6)
8.0
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Book
Miki St. John believed happy endings only existed in fairy tales until his life took a few...
M_M Contemporary Romance
Connor Sheffield (293 KP) rated Riot Of The Living Dead by Lesbian Bed Death in Music
Jul 24, 2017
Awesome Rock (3 more)
Horror Movie References
Catchy Songs
Inspiring Lyrics
One of my all time favourite albums
I first found Lesbian Bed Death back in 2014 and really enjoyed what I heard. The first song I found was Halloween, and I could not get it out of my head and found myself listening to it over and over again. (Halloween was coming up and I was going to be at Whitby Goth Weekend).
When I went to book my tickets I saw that LBD were in fact going to be playing at WGW that year and I couldn't wait to hear my new found obsession live on stage in my favourite place on earth, Whitby!
After listening to the entire album (and previous albums), I found a new favourite song called Chains, which really spoke to me and in fact inspired me to write a poem called Black Candle, all about how my life throughout school etc. made me feel like I couldn't be myself but I finally broke from those chains and nowadays, I'm not afraid to be me. It was a somewhat anti-bullying themed poem, but also one about courage, and after I had finished writing it, I thought that I should let the artists that inspired me, know what their music has done for me. So I emailed them with my poem and honestly, I thought that would be that. Either they read it or they don't, but at least I went ahead and sent it.
Not long after, but drawing ever closer to the night I was going to see them live in Whitby, the manager (and guitarist), Dan Peach replied to my email, telling me he enjoyed reading the poem and that he showed the other band members and they also liked it. This was surreal to me and I was so excited to walk up to them during the meet and greet before the gig and tell them that I was the one who wrote the poem. When the night came for that opportunity I was nervous as hell, and didn't know how to talk to them. I mean, they're just people, but to me and my mind they were a band with many fans and fans can get creepy. I didn't want to be creepy. So I walked up, greeted them and told them it was so awesome to meet them, and then told them I was the one who wrote the poem and when they all told me it was awesome, I could not stop grinning like a Cheshire cat, and that's not even where the story ends.
After they played a few songs on stage, Kittie announced that the next song was for someone special in the audience. It was a little song of theirs called 'Chains' and it was dedicated to the person it inspired to write a poem about breaking free. Dan Peach nodded at me and so did Kittie and I was lost for words. I rocked so much that night and it remains the greatest night of my life.
The band themselves are awesome, and the music they create is something catchy and lyrically brilliant, with songs that'll stick in your head. I have listened to this album countless times and it remains on of my favourite albums of all time. I highly recommend the album and the band!
When I went to book my tickets I saw that LBD were in fact going to be playing at WGW that year and I couldn't wait to hear my new found obsession live on stage in my favourite place on earth, Whitby!
After listening to the entire album (and previous albums), I found a new favourite song called Chains, which really spoke to me and in fact inspired me to write a poem called Black Candle, all about how my life throughout school etc. made me feel like I couldn't be myself but I finally broke from those chains and nowadays, I'm not afraid to be me. It was a somewhat anti-bullying themed poem, but also one about courage, and after I had finished writing it, I thought that I should let the artists that inspired me, know what their music has done for me. So I emailed them with my poem and honestly, I thought that would be that. Either they read it or they don't, but at least I went ahead and sent it.
Not long after, but drawing ever closer to the night I was going to see them live in Whitby, the manager (and guitarist), Dan Peach replied to my email, telling me he enjoyed reading the poem and that he showed the other band members and they also liked it. This was surreal to me and I was so excited to walk up to them during the meet and greet before the gig and tell them that I was the one who wrote the poem. When the night came for that opportunity I was nervous as hell, and didn't know how to talk to them. I mean, they're just people, but to me and my mind they were a band with many fans and fans can get creepy. I didn't want to be creepy. So I walked up, greeted them and told them it was so awesome to meet them, and then told them I was the one who wrote the poem and when they all told me it was awesome, I could not stop grinning like a Cheshire cat, and that's not even where the story ends.
After they played a few songs on stage, Kittie announced that the next song was for someone special in the audience. It was a little song of theirs called 'Chains' and it was dedicated to the person it inspired to write a poem about breaking free. Dan Peach nodded at me and so did Kittie and I was lost for words. I rocked so much that night and it remains the greatest night of my life.
The band themselves are awesome, and the music they create is something catchy and lyrically brilliant, with songs that'll stick in your head. I have listened to this album countless times and it remains on of my favourite albums of all time. I highly recommend the album and the band!
Daniel Boyd (1066 KP) rated Bohemian Rhapsody (2018) in Movies
Oct 25, 2018 (Updated Oct 25, 2018)
Sublime performance from Rami Malek (1 more)
Sound mixing
They Will Rock You
I feel like I should preface this review with some context. Queen were the first band that I was properly into and the Bohemian Rhapsody/These Are The Days Of Our Loves double A side CD was the first piece of music that I ever bought with my own money. I have loved Queen's music for the vast majority of my life and I have grown up watching their concerts and music videos. I have been waiting for this movie to be made for a long time.
So did it meet my lofty expectations? Well, that depends on what aspects you choose to highlight. If you are asking me if Rami Malek did a good job portraying Freddie Mercury, then I would reply; that is the understatement of the century. This performance is the best I've seen so far this year. There were points that I genuinely forgot that I wasn't watching the real Freddie onscreen, Malek totally disappeared into the persona and if there is any justice, the academy will recognise that come Oscar nomination time. Not only did he capture Freddie's onstage mannerisms, but even the subtle way that Freddie would shift his eyes or lick his lips during interviews etc was absolutely spot on. In terms of the singing, I believe the method used was that Malek would sing into a computer and Freddie's voice was then added over the top, then it was manipulated to where it best resembled Freddie's vocal. If this film deserves another Oscar nod, it's for the sound mixing. They managed to recreate Freddie's unique vocal range perfectly and the lip syncing is also lined up incredibly well.
The rest of the cast are great too. The rest of the band were well cast, especially Gwilym Lee as Brian May. I really enjoyed the chemistry and camaraderie between the band members too. I also enjoyed what Aidan Gillen, Tom Hollander and an unrecognisable Mike Myers brought to the film. Lucy Boynton was also believable as Freddie's one true love, Mary Austin and she and Malek brought a new dimension to Mary's and Freddie's relationship that I had never really thought too much about.
Could the movie have went further than it did in terms of portraying the hedonism went on in Freddie's life? Yes, it definitely could have and that was one of my main concerns going in. I was concerned regarding the film's 12A rating and wondered how they were going to get around this and still show the sexually driven, intense life that Freddie led. Thankfully, I felt that the movie still managed to contain enough implications and allusions to the more adult stuff in the story that you were able to fill in the blanks without feeling robbed of too much of the narrative.
Unfortunately, there was a fairly important part in the movie where the sound abruptly cut out in my cinema hall for about 30 seconds, this obviously isn't the movie's fault, but it did detract from my initial viewing.
Overall, I enjoyed Bohemian Rhapsody. It catalogued Queen's exceptional inventory of hits and did a fantastic job in casting the right actor to portray a modern day icon. The other actors that rounded out the cast helped to sell the whole movie and the production was very well done in terms of recreating the talent and energy that this band were famous for.
So did it meet my lofty expectations? Well, that depends on what aspects you choose to highlight. If you are asking me if Rami Malek did a good job portraying Freddie Mercury, then I would reply; that is the understatement of the century. This performance is the best I've seen so far this year. There were points that I genuinely forgot that I wasn't watching the real Freddie onscreen, Malek totally disappeared into the persona and if there is any justice, the academy will recognise that come Oscar nomination time. Not only did he capture Freddie's onstage mannerisms, but even the subtle way that Freddie would shift his eyes or lick his lips during interviews etc was absolutely spot on. In terms of the singing, I believe the method used was that Malek would sing into a computer and Freddie's voice was then added over the top, then it was manipulated to where it best resembled Freddie's vocal. If this film deserves another Oscar nod, it's for the sound mixing. They managed to recreate Freddie's unique vocal range perfectly and the lip syncing is also lined up incredibly well.
The rest of the cast are great too. The rest of the band were well cast, especially Gwilym Lee as Brian May. I really enjoyed the chemistry and camaraderie between the band members too. I also enjoyed what Aidan Gillen, Tom Hollander and an unrecognisable Mike Myers brought to the film. Lucy Boynton was also believable as Freddie's one true love, Mary Austin and she and Malek brought a new dimension to Mary's and Freddie's relationship that I had never really thought too much about.
Could the movie have went further than it did in terms of portraying the hedonism went on in Freddie's life? Yes, it definitely could have and that was one of my main concerns going in. I was concerned regarding the film's 12A rating and wondered how they were going to get around this and still show the sexually driven, intense life that Freddie led. Thankfully, I felt that the movie still managed to contain enough implications and allusions to the more adult stuff in the story that you were able to fill in the blanks without feeling robbed of too much of the narrative.
Unfortunately, there was a fairly important part in the movie where the sound abruptly cut out in my cinema hall for about 30 seconds, this obviously isn't the movie's fault, but it did detract from my initial viewing.
Overall, I enjoyed Bohemian Rhapsody. It catalogued Queen's exceptional inventory of hits and did a fantastic job in casting the right actor to portray a modern day icon. The other actors that rounded out the cast helped to sell the whole movie and the production was very well done in terms of recreating the talent and energy that this band were famous for.
Justin Hawkins recommended A Little Man And A House And The Whole World Window by Cardiacs in Music (curated)
Eleanor Luhar (47 KP) rated Boot Camp (Rock War #2) in Books
Jun 24, 2019
So this is the sequel to Rock War by Robert Muchamore, which is the only other novel I've read by this author. I can't say I loved the first book, but I was intrigued to find out what happened next!
Twelve young bands have earned their big break, and are due to spend their summer in Rock War Manor as part of a new TV show. Among these contestants we have Brontobyte, Jet, and Industrial Scale Slaughter - all of whom we met in the previous novel.
The bands are put through vigorous training, before performing live and having to deal with the nosy media. There's also the added issue of tension among some contestants, such as Jay and his ex-band-mates. There are, of course, some more positive relationships going on too.
This book paints a rather realistic picture of life in the media, with all the ups and down that "fame" can bring. Not that I have any actual experience in this matter, of course.
My main problem with these books is how immature they feel. The language isn't simple, but it just somehow feels childish to me. Not to mention how most characters are a few years younger than me, and remind me of my first couple of years at secondary school.
Despite this, the story is pretty good, and I was really rather shocked by the ending. Again, I'm left wanting to know what happens next?
So although I don't love this book, I don't hate it, and I can see how some people could really enjoy it. So I think it deserves 3.5 stars.
Twelve young bands have earned their big break, and are due to spend their summer in Rock War Manor as part of a new TV show. Among these contestants we have Brontobyte, Jet, and Industrial Scale Slaughter - all of whom we met in the previous novel.
The bands are put through vigorous training, before performing live and having to deal with the nosy media. There's also the added issue of tension among some contestants, such as Jay and his ex-band-mates. There are, of course, some more positive relationships going on too.
This book paints a rather realistic picture of life in the media, with all the ups and down that "fame" can bring. Not that I have any actual experience in this matter, of course.
My main problem with these books is how immature they feel. The language isn't simple, but it just somehow feels childish to me. Not to mention how most characters are a few years younger than me, and remind me of my first couple of years at secondary school.
Despite this, the story is pretty good, and I was really rather shocked by the ending. Again, I'm left wanting to know what happens next?
So although I don't love this book, I don't hate it, and I can see how some people could really enjoy it. So I think it deserves 3.5 stars.
Ross (3284 KP) rated Bohemian Rhapsody (2018) in Movies
Mar 18, 2019
Missed the mark by some way
Given the length of the film, there was a real chance to tell the compelling story of one of the biggest rock bands in history.
However, so much of the band's story is missed out in favour of portraying Mercury as a troubled man. The opening 10 minutes of the film basically covers the band's formation, first gigs and name change and within 15 minutes they are pretty much world famous. For me, this would have been the most interesting aspect of their fame. Instead it all just happens in some very short, throwaway scenes where the editing is so abrupt as to make you queasy.
There then follows an over-indulgent, though enjoyable, section showing how the recording of Bohemian Rhapsody came about. Very little about where the inspiration came from, just how it was recorded. Again, this felt like a missed mark.
There were some amusing scenes - arguing over the artistic merit of songs like "I'm in love with my car" for example, and Mike Myers' character saying he couldn't see a group of teenagers listening to Bo-Rap in their car (Wayne's World reference).
The film then spirals into misery, with Freddie's coming out, isolation from friends and family, the band's split and his solo career (with none of the highs of that material, just that it was hard work and the band hated it). His eventual realisation that he'd been lead astray by a negative influence and came back was pretty badly handled.
The culmination of the film, the Band Aid scenes, was excellent and thoroughly enjoyable.
I think the film was trying to show Freddie as being a troubled genius. Instead I found it to show him as being an irritating gullible drama queen.
Malek's portrayal of Freddie was mostly fine, but not Oscar-worthy.
All in all, a boring over-dramatized telling of the worst parts of Mercury's life, and by no means a celebration of his career and talent.
However, so much of the band's story is missed out in favour of portraying Mercury as a troubled man. The opening 10 minutes of the film basically covers the band's formation, first gigs and name change and within 15 minutes they are pretty much world famous. For me, this would have been the most interesting aspect of their fame. Instead it all just happens in some very short, throwaway scenes where the editing is so abrupt as to make you queasy.
There then follows an over-indulgent, though enjoyable, section showing how the recording of Bohemian Rhapsody came about. Very little about where the inspiration came from, just how it was recorded. Again, this felt like a missed mark.
There were some amusing scenes - arguing over the artistic merit of songs like "I'm in love with my car" for example, and Mike Myers' character saying he couldn't see a group of teenagers listening to Bo-Rap in their car (Wayne's World reference).
The film then spirals into misery, with Freddie's coming out, isolation from friends and family, the band's split and his solo career (with none of the highs of that material, just that it was hard work and the band hated it). His eventual realisation that he'd been lead astray by a negative influence and came back was pretty badly handled.
The culmination of the film, the Band Aid scenes, was excellent and thoroughly enjoyable.
I think the film was trying to show Freddie as being a troubled genius. Instead I found it to show him as being an irritating gullible drama queen.
Malek's portrayal of Freddie was mostly fine, but not Oscar-worthy.
All in all, a boring over-dramatized telling of the worst parts of Mercury's life, and by no means a celebration of his career and talent.
TacoDave (3628 KP) rated Young In My Head by Starflyer 59 in Music
May 9, 2019 (Updated May 9, 2019)
songs (3 more)
instruments
vocals
vibe
15 Albums In and Starflyer 59 Still Rocks
If you've never heard of Starflyer 59, I have a treat for you.
What began as a "shoegazer" band in the mid 90's (think Smashing Pumpkins meets The Smiths) has progressed over the years through heavy, chunky guitars, to Brit-pop mixed with synth, to this new album which just ... rocks. With the release of the band's 15th full album (not to mention many EPs and collections), band lead Jason Martin has shown that he's still got it. "Young In My Head" is soothing, catchy rock that is perfect driving music.
I'll attach a Youtube link so you can hear the title song from the album.
The songs themselves are catchy in a way that makes you sing along without realizing it. The lyrics are surprisingly melancholy, dealing with growing older and realizing that you aren't the energetic kid you were when you started ("It's been 25/since I wrote/Blue Collar Love/Man, I had my turn/I need to go/Stayed longer than most"). But the music still has an upbeat groove to it that keeps it from feeling depressing. Martin walks that line between melancholy and depression like an expert.
My only complaint isn't really a complaint: Starflyer has some of the best guitar solos to end songs, and this album is no different, but they feel truncated - like they cut out too early. I would love longer outros like they used on older albums. Listen to the song "Cry," for a good example - the end of the song is amazing, beginning at 2:00, but it doesn't last long enough.
In the past 25 years Starflyer 59 has not released a bad album. Each album has a different sound and groove to it, but they are all undeniably Starflyer. I, for one, will continue to listen to their albums and hope they go another 25 years.
What began as a "shoegazer" band in the mid 90's (think Smashing Pumpkins meets The Smiths) has progressed over the years through heavy, chunky guitars, to Brit-pop mixed with synth, to this new album which just ... rocks. With the release of the band's 15th full album (not to mention many EPs and collections), band lead Jason Martin has shown that he's still got it. "Young In My Head" is soothing, catchy rock that is perfect driving music.
I'll attach a Youtube link so you can hear the title song from the album.
The songs themselves are catchy in a way that makes you sing along without realizing it. The lyrics are surprisingly melancholy, dealing with growing older and realizing that you aren't the energetic kid you were when you started ("It's been 25/since I wrote/Blue Collar Love/Man, I had my turn/I need to go/Stayed longer than most"). But the music still has an upbeat groove to it that keeps it from feeling depressing. Martin walks that line between melancholy and depression like an expert.
My only complaint isn't really a complaint: Starflyer has some of the best guitar solos to end songs, and this album is no different, but they feel truncated - like they cut out too early. I would love longer outros like they used on older albums. Listen to the song "Cry," for a good example - the end of the song is amazing, beginning at 2:00, but it doesn't last long enough.
In the past 25 years Starflyer 59 has not released a bad album. Each album has a different sound and groove to it, but they are all undeniably Starflyer. I, for one, will continue to listen to their albums and hope they go another 25 years.
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