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Lee Ronaldo recommended Anthem of the Sun by Grateful Dead in Music (curated)

 
Anthem of the Sun by Grateful Dead
Anthem of the Sun by Grateful Dead
1968 | Psychedelic, Rock
6.0 (1 Ratings)
Album Favorite

"I was really into them for a long time in the 70s and it coincided with early drug influences and when I jumped from the kind of psychedelia that the Beatles put forth to kind of what was happening in our own backyard on the West Coast with the Airplane and the Dead and Quicksilver.. The Beatles stopped so I never got the chance to see them, but the Dead came around a lot and so you got to see those bands. The Grateful Dead delved really deep into acoustic music, that was really important, and later their famous electric records, but Anthem of the Sun was in their early period. One of the things I keep talking about with my new record Electric Trim is that it was really created in the studio and I keep mentioning Dark Side of The Moon or Pet Sounds or Revolver or Sgt. Pepper’s Lonely Hearts Club Band when I should be referencing Anthem of the Sun Anthem of the Sun was the kind of record that they were trying to construct in a studio. It’s a studio experience of a live concert experience, so they were mixing all this stuff they recorded in all the studio with all these different live takes, slowing things down and speeding things up and thinking of all these trippy aspects of the way the sound exists in stereo space. A couple of those guys, especially Phil Lesh trained alongside Steve Reich at school and studied Luciano Berio and all this 20th century modernist stuff, so he was aware of where music was going on that level and they were just at a cross roads where they weren’t sure they wanted to be a straight ahead rock band. They had moments of being a rock dance band and then they had other aspirations. I love listening to Anthem of the Sun because it may not be perfect, or achieved what they really wanted, but it’s one of those records that set its sights really high and whether or not it got all the way there it achieved something really unique. There’s not many records that sound like that, not just the fact they were splicing together live tapes from 30 different gigs, it was kind of a ridiculous stoned or drugged task from the beginning but they threw their back against the wheel, and tried to do it. If you ever listen to that record with headphones it’s so rich. I was really into them for a long time but once New York City punk and all that stuff happened I kind of dropped it like a hot potato and went onto other stuff and it was only in the last 7 or 8 years that I’ve come back to my appreciation of it through a number of different avenues. I was involved a couple of years ago with this record that this group The National put together called Day of the Dead where they covered 60 songs or something and they asked me to cover ‘Mountains of the Moon’. There were a couple of good Dead songs I was listening to at the time because they related to a song I was doing for my record with The Dust – Last Night on Earth and when I went to record with them they played me a lot of the songs they were working on and whether you like 30 minute noodling electric guitar solos or not you can put that aside and say the thing that impressed me about what they were doing was how great their song writing was. Jerry Garcia and Robert Hunter especially, wrote a lot of amazing songs together and that’s what really struck me – that’s why I liked these guys way back when because they had really great songs. Their songs are like the 60s era American songbook. And it was also in this period where I was thinking that I wanted a lyrical collaborator and so the idea of Hunter’s role with Garcia in that band especially or like when Dylan turned to either Robert Hunter or Jacques Levy for inspiration when he was working on Desire Dylan doesn’t need a lyrical collaborator - why’s he working with outside lyricists? And yet at some point he thought “I need someone else to shift the viewpoint”. So that’s what inspired me to ask Jonathan Lethem to work on Electric Trim. We’d known each other for a long time and I just felt like this was a good time to get someone else’s input, put another voice in the mix. Every single aspect of the record, words, lyrics, tunes didn’t have to spring from me. Music can be very collaborative and I’ve kind of come up in a very collaborative situation with Sonic Youth for so many years – every song was listed as all four of us writing it, ‘cos that’s ultimately what happened. In Sonic Youth, it was only a very rare occasion where one of us came in and said, “Hey I’ve got a new song this is how it goes…”

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David Brent: Life on the Road (2017)
David Brent: Life on the Road (2017)
2017 | Comedy
6
7.5 (2 Ratings)
Movie Rating
A squirm-athon from beginning to end.
“Life on the Road” is a mockumentary sequel to the classic British version of the TV comedy “The Office” (obviously later remade for the US market and featuring Steve Carell). Ricky Gervais played the ego-centric David Brent, a monster of a character who exercised what little control he had in his managerial role at a Slough paper company.

Here in “Life on the Road” we join Brent 15 years later where he has taken a rung or two down the career ladder and is working as a sales rep for Lavachem, a sanitary goods manufacturer, also based in Slough.

But Brent still harbours a dream of making it big in the rock world with his middle-of-the-road band called ‘Foregone Conclusion (2)’. Gathering around him his ethnic rapper ‘friend’ Dom Johnson (Doc Brown) and a band of session musicians (who can’t stand him), Brent cashes in “several pensions” to fund a tour of the venues of Berkshire… or at least, those that will give stage time over to a “shite band”. As the tour delivers predictably diminishing returns, and no record-company interest (at least, not in him) Brent is forced to face his inner demons and some uncomfortable truths.

Bringing TV comedy characters to screen is fraught with difficulty, and few have successfully done it. Even legends like Morecambe and Wise struggled with a series of lacklustre films. Perhaps in recent times Steve Coogan’s Alan Partridge has come closest with “Alan Partridge – Alpha Papa” and indeed there are a lot of similarities visible between Partridge and Brent: both have extreme ego issues and self-centredness. But there are significant differences as well, for while Partridge is just an irritatingly loud and obnoxious minor-celebrity Brent – as this film makes much clearer – has real mental illness.
Brent - the sun shines out of his earhole.
Brent – the sun shines out of his earhole.

Is this therefore a comedy at all? Well, yes, but in a very black way. There are certainly moments of excellent humour, with the tattooing scene being a high-point. But the result of watching Brent’s progressive decline, with his nervous laugh as a constant ‘fingernails on chalk board’ reminder of his insecurity, results in a level of audience squirming that is palpable. Everything he does is perverse, from describing in excruciating detail every song before singing it, to spending his money on multiple hotel rooms when every gig is within the County of Berkshire.

As a black comedy its important that it doesn’t outstay its welcome, and at 96 minutes it doesn’t. However, the film lacks the courage of its own dark convictions, and unnecessarily switches tack in the last reel to provide a degree of redemption for Brent. Whilst ‘sweet’, it is also implausible given what’s happened before and I would have suspected the interference of the director in lightening the mood of the writer’s original intent. However, as Gervais is both writer and director, there is no such excuse. That’s a shame.

So, in summary, an uncomfortable watch that aligns appropriately with the high squirm factor of the original TV show. Prepare to laugh, but feel a bit guilty in doing so.
  
Knights of Stone: Mason (Highland Gargoyles #1)
Knights of Stone: Mason (Highland Gargoyles #1)
Lisa Carlisle | 2014 | Fiction & Poetry
8
8.0 (1 Ratings)
Book Rating
Knights of Stone: Mason (Highland Gargoyles #1)
Knights of Stone: Mason is the first book in the Highland Gargoyles series. Mason is the middle brother (I think) and a guitarist in the rock band. Kayla is a tree witch and has crossed the boundaries to watch them play, even whilst knowing it is forbidden. These two connect on a sensual level, and they don't want to fight it, even though they know they should. However, things are happening amongst the three species that share the Isle of Stone, and it may break down borders, or it might just destroy them all.

Whilst Mason is hot/sexy/built... and whatever you want to say about him, there was an innocence between both him and Kayla that leapt off the page. Now, don't get me wrong, it was as hot anything, but still tinged with this innocence that was delightful. I absolutely loved that part. Kayla is strong and sassy, yet not disrespectful to her elders... at least, not until they disrespect her. Both characters are perfect for each other, and memorable in their own rights.

With no editing or grammatical errors that disrupted my reading flow, this book flowed smoothly along, involving me in their story. This is the first book in the series, so do I want to read the others? You betcha! Absolutely recommended by me.

* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *

Merissa
Archaeolibrarian - I Dig Good Books!
  
Attention Attention by Shinedown
Attention Attention by Shinedown
2018 | Alternative, Metal
10
9.5 (4 Ratings)
Album Rating
Fresh, consistent, recognisable, motivating (0 more)
Only 14 tracks! Wish there was more (0 more)
They’re back!
Well! The Shinedown guys are back with another rip roaring album that doesn’t fail to please.

It’s been long awaited since the last album, Threat to Survival and it does not disappoint.

It’s got that recognisable Shinedown stamp on it so as soon as you hear the riffs and vocals, there’s no denying who it is.

The songs are fuelled by a rebellion feel and motivating you to stand up against what’s holding you back. It is perfect for the gym to keep pushing you.

My favourite track on it is Human Radio so far although it is quite hard to pick a favourite.

It’s good to see the album at the front of my local HMV too as the music I tend to buy is hidden away deep within the shelves of the metal/alt rock section with no deserved place of its own.

If you haven’t listened to any Shinedown then I recommend you check them out. There are quite a few albums to listen to. Sound of Madness would be a good starting point although feel free to start with Attention Attention and work backwards as you will find a vein of familiarity with the songs that everyone can relate to.

An epic album from an epic band. Been to see them six times live and one of the best bands I’ve seen performing. Their energy is relentless and the engagement with the crowd is awe inspiring.

Welcome back, Shinedown!!!!
  
Pocket Full of Kryptonite by Spin Doctors
Pocket Full of Kryptonite by Spin Doctors
1991 | Alternative
7.0 (2 Ratings)
Album Favorite

"It was 1991/2 when the Spin Doctors had their relatively brief moment of huge fame, and their first album went triple platinum. I actually first saw them on The David Letterman Show in the early days of that, and was intrigued by the bouncy, very New York, educated and musicianly sound of the band, who were clearly great players. They were very much a product of that era when very good, very musically aware, very elegant musicians got together to make very direct rock music in a way that sounded so fresh and unlike the other stuff that was going on. They were musos, not a bunch of kids in a garage. They were guys who really knew about time signatures, rhythms and arrangements and had great ability with their instruments. And the singer, Chris Barron, brought a freshness in delivery that worked extremely well on The David Letterman Show and in the few videos they did at the time. I actually went to see them live in the UK and I met them, at the Wolverhampton Civic Hall or somewhere. The guitar player was a very charming guy, a bit of a fan and very pleased I came to the gig and went backstage to say hi, whereas the bass player and drummer gave me the cold shoulder, as if I was from a previous generation, like an earlier episode of Star Trek. For basically a three-piece with a singer they made a very cohesive noise."

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