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Peace of Mind - Single by frogi
Peace of Mind - Single by frogi
8
8.0 (1 Ratings)
Album Rating
frogi is a singer-songwriter and producer based in Los Angeles, California. Not too long ago, she released a lovely debut single, entitled, “Peace of Mind”.

“How many days can we fade away? All that is left is every mistake. You know sometimes we’re picking it up to let it go. Are we alright? All I want is for you to let me know. All this time we’ve been playing all of the same notes. Can we find some peace of mind?” – lyrics

‘Peace of Mind’ tells an interesting tale of a young woman who invites her significant other to share a moment of clarity with her.

Apparently, she’s concern about their fading relationship and desires for them to be on a more serene plateau.

‘Peace of Mind’ contains a relatable storyline, retro vocals, and soft organ-driven instrumentation flavored with an alternative-pop aroma.

“I was feeling pretty low about the state of the world and wanted to make a song about meeting someone halfway. I think if we all could just forget our own bullsh*t and break these patterns we trap ourselves in, the world could be a better place. The song is about having love for someone, but also confronting them in a ‘hey, I care about you, I wanna know where you’re at and how we are’ kind of way. Instead of a ‘what’s wrong with you? I don’t understand you’ kind of way.” – frogi

frogi grew up outside of Chicago and moved to L.A. when she was 19-years-old. Not too long after that, she lost someone dear to her. But writing songs and playing with her dog helped her get through that dark moment in time.

Shortly afterward, she started her musical journey in an indie-rock band called ‘After Arrows’.

Since then, she has worked with an old-time songwriter named Ned (The Monkees, The Archies). He taught her about the writing process and gave her access to his studio, where she nurtured her writing and producing skills.

https://www.bongminesentertainment.com/frogi-peace-of-mind/
  
    Hotel Transylvania 2

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Adam Green recommended Up the Bracket by The Libertines in Music (curated)

 
Up the Bracket by The Libertines
Up the Bracket by The Libertines
2002 | Rock
8.7 (3 Ratings)
Album Favorite

"On the first Strokes tour we had a Libertines demo on the bus. I remember thinking 'Oh man there's already a British version of The Strokes? That's fast, this is only the first tour!' Not that they were, but that was the perception around them. What is so cool about The Libertines is in fact that they're in that tradition of great British bands that really draw on being British to make a very special version of rock. The Sex Pistols are in that tradition, The Clash, all these really cool English bands that make you want to be some sort of geezer and know what a "two bob cunt" is. So being label mates with The Libertines and becoming friend with them they indoctrinated me into this whole British universe: listening to Chas And Dave, that comedian Tony Hancock and all kinds of weird British shit. In a way they became this vital group that almost channeled Lord Byron or Percy Shelley. They were almost a subculture unto themselves. At a time when England is in such a flux, their music reminds everyone why people love what being British is. The way they re-appropriated Albion and Blake's vision of England, it was just really beautiful. Their version of British, for me as a New Yorker, immediately made me want to learn about London and go to all these places. Their first record was a calling for people to learn about the history of England, their music made you want to educate yourself, but it is also so fucking catchy. I covered their song 'What A Waster' while they were in New York. They were recording 'Don't Look Back Into The Sun' at a studio but they were making these endless demo tapes that eventually appeared as the 'Babyshambles Sessions'. My version of their song was recorded while they were doing those. For me they were a band that birthed a new romantic movement in England."

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Power Corruption & Lies by New Order
Power Corruption & Lies by New Order
2009 | Rock
8.0 (1 Ratings)
Album Favorite

"I love Power, Corruption & Lies. I also love Movement and I play it all the time, as it was the first album after Joy Division. It still has a bit of that Joy Division darkness, almost with a sense of defeat about it, which is kind of how I felt when I was a teenager in the late fucking '70s. But I think Power, Corruption, the record after it, there's more light in it. It's more joyous, it's more lyrically lighter. And I think Bernard Sumner found his own voice, loosened up and just became Bernard when he came out of Ian Curtis's shadow. This album is a huge inspiration and I was fascinated at the time by the way that New Order would take electronics and the sequencer sound, which I loved from Donna Summer's 'I Feel Love', and they took it and applied it to rock & roll. They first did this with 'Temptation', which was released before 'Blue Monday'. I was previously in a band on Factory called The Wake and we'd opened for New Order. I'd had a tape recorder and I'd recorded some of their shows. They were playing 'Temptation' live, long before it was released as a single. I was obsessed by the way they took that tut-tut-tutut-tut-tut-tut sequence inspired by Donna Summer and Giorgio Moroder's arpeggio sound. To this day, that's still a big influence on Primal Scream. I'm just saying thank you to Bernard, Hooky, Stephen and Gill because I remember buying that record when it came out with a beautiful Peter Saville sleeve. The reason there's no writing on the album cover of Screamedelica is in total homage to Saville and Factory Records. A lot of our albums have no writing on the cover either. I mean, 'Age Of Consent': What. The. Fuck. Is. That? Playing with New Order back in the early '80s was like a fucking dream at the height of their fucking power!"

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Johnny Marr recommended Raw Power by The Stooges in Music (curated)

 
Raw Power by The Stooges
Raw Power by The Stooges
1973 | Punk, Rock
8.4 (9 Ratings)
Album Favorite

"When you inevitably are asked about your favourite record, you can scratch your head and go through a list, because your taste changes from year-to-year or through different periods of your life. However, I have always been able to say that Raw Power is my favourite from the moment I first heard it, and I don't think it has been equalled since. A couple of friends recommended it to me. At the age of 14, I was starting to play guitar in a certain way and the name [of Stooges' guitarist] James Williamson kept cropping up. A couple of guys I knew assumed I had been listening to Raw Power because of the way I was playing riffs. So I thought I had better investigate. I knew all about Iggy and The Stooges but I wasn't aware of Raw Power. I got the album in about 1976. I had heard so much about it that eventually I want into town to buy it and I picked up a copy for about three quid, which was all I had. The cover alone made me want to buy the record, and, when I heard it, I realised why my mates had been saying what they had. In particular, the song 'Gimme Danger' started off with a riff that was very much like one I was playing with the band I was in at the time. As a guitarist, James Williamson's playing struck me as having the technique of Jimmy Page but with the irreverence and attitude of Keith Richards. I have since become friends with James and have talked to him about what he was doing back then. He knew exactly what he was doing and it was very deliberate, which is always quite impressive. There is a lot more I could say about Raw Power. It gave me a path to follow as a guitar player. It was an opening into a world of rock & roll, sleaze, sexuality, drugs, violence and danger. That's a hard combination to beat."

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