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Andy Gill recommended Two Sevens Clash by Culture in Music (curated)

 
Two Sevens Clash by Culture
Two Sevens Clash by Culture
1978 | Reggae, Rock
7.0 (1 Ratings)
Album Favorite

"I saw Culture live. Dub reggae was one of the main things I would listen to, so seeing them live was great! We may have been on the bill with them or something, I can't remember. I think we might have done a big Rock Against Racism gig in Finsbury Park at the Rainbow. And Culture played at that. There was a band called… I know The Jam came and did a few numbers before Gang Of Four. It's all a vague. I think we took the rhythmic nature of the lyrics and the way they fitted around the music was very key, very influential."

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Wayne Coyne recommended Urgh! A Music War (1981) in Movies (curated)

 
Urgh! A Music War (1981)
Urgh! A Music War (1981)
1981 | Documentary, Music
(0 Ratings)
Movie Favorite

"Oklahoma City was a test city for MTV, and this compilation of US and UK punk rock bands – XTC, the Cramps, the Dead Kennedys – came out around the time, and had that same spirit. One song each, blam-blam-blam. You didn’t know who was American and who was English and it didn’t matter – what did was every band was doing it themselves and looking bizarre. And in a world where you knew you could never be the Beatles, here was John Cooper Clarke performing to 50 people and being fantastic. That felt huge. Seeing the energy coming off the audience when he made that effort really did something to me."

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Kathleen Hanna recommended Delete Yourself by Atari Teenage Riot in Music (curated)

 
Delete Yourself by Atari Teenage Riot
Delete Yourself by Atari Teenage Riot
1995 | Alternative, Rock, Techno
(0 Ratings)
Album Favorite

"I think Hanin [Elias] from the band was a Bikini Kill fan so she sent it to me. They mixed punk rock with electronic music and it was the first time I'd heard that done. So definitely that inspired Le Tigre, and I was listening to it while I was making the solo Julie Ruin record, in 1997. It inspired me to get into electronic music because I was like, "Oh, if I want to do something different and if my band's not practising, I can make electronic music." They gave me the idea to learn how to programme a drum machine and use a sampler. It's just really like the world is opening up for you. Their music had a huge effect on the direction my career was going in, that I could mix electronic music with punk rock, that electronic music could be punk."

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    Drum Solo by Gismart

    Drum Solo by Gismart

    Music and Entertainment

    (0 Ratings) Rate It

    App

    ◉ Ultra realistic drum machine experience ◉ All popular drum sets and drum pads Drum Solo is a...

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Adam Ant recommended The Modern Lovers by The Modern Lovers in Music (curated)

 
The Modern Lovers by The Modern Lovers
The Modern Lovers by The Modern Lovers
1976 | Punk, Rock
8.0 (6 Ratings)
Album Favorite

"Jonathan Richman sounded a bit like Lou Reed. The songs were fantastic. The only place you could buy that album was the Rock On store in Camden Town. I think everybody, including John Rotten and all of the Pistols, had been down there at some point to buy it. Anybody that later got into the punk rock scene had bought this record. It still sounds really good. John Cale produced it. It's under-produced if anything, which is what's so good about it. His voice is great. American punk rock was completely different from the London scene – you had Richard Hell & the Voidoids and Television and that, and it all seemed a bit arty. But this was four college kids from California who had got together and made a dark record. It sounds like a guy who's had his heart broken. It's a romantic punk record, really. 'Roadrunner' is the one everybody learnt when they were rehearsing or trying to get into a band. The way he sang, he just sort of threw it away. I can't really think of anybody who'd done it like that before. The solos were great, just one or two notes. Very simple stuff, which was what appealed to the punks. The whole punk thing was about stripping things down because people couldn't play very well. Get the band first and worry about the music later. I saw Jonathan Richman last year doing a festival somewhere, just him and a drummer. He's the only person I know who tells the sound guy to turn it down. But back then he was streets ahead of everyone."

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