Search

Search only in certain items:

So in trying to read more inclusively, I had been looking at some prominent minority writers like Junot Diaz or Sherman Alexie (I actually had one of Alexie's books out from the library when I realized where I'd heard his name). When the news broke about Junot Diaz, and I remembered that Sherman Alexie also had sexual harassment accusations against him, I decided instead of reading their books, I'd look up the books of the women calling them out! The Dirty Girls Social Club is the first book of what I'm calling my "Wronged Women" list. Alisa Valdes-Rodriguez wrote an article titled "I tried to warn you about Junot Diaz" about her experience with him. Others on the list include Erika Wurth, Elissa Washuta, Zinzi Clemmons, Carmen Maria Machado, and Monica Byrne. I've built a shelf on Goodreads for my list, and I'm sure more names will wind up on it. (Unfortunately.)

The Dirty Girls Social Club is the story of six college friends who decide to meet every six months for the rest of their lives, no matter what. The book covers one six month period, from one meeting to the next. It took me a few chapters to sort out who was who, and throughout the book I occasionally had to flip back to the first chapter, where Lauren gives a rundown of names and professions. All six are Hispanic of some flavor, whether that's Dominican, Puerto Rican, Colombian, Spanish, or Southwestern Native American. That's why they banded together in college. Each one has her own storyline - dealing with an abusive marriage, leaving a loveless marriage, being forcibly outed as a lesbian and learning to adjust to her new visibility, or becoming a rock star. I enjoyed how each of the six had a very individual story; they have interesting jobs and complicated love lives and unique problems.

Each of the women reflects on her Hispanic heritage in some form, whether that's taking lessons in how to love from their parents, or fighting for recognition for their minority, or writing columns about their lives for the local newspaper. The book both shows and tells us about the differences in various Hispanic cultures.

I especially enjoyed Amber/Cuicatl (the rock star) and Elizabeth (the lesbian). The rest of the book was a little slow going at times, but I think that's largely because I'm not a fan of contemporary fiction. I did enjoy it, though, and I'll probably check out more of the author's books.

You can find all my reviews at http://goddessinthestacks.wordpress.com
  
40x40

Whatchareadin (174 KP) rated Solo in Books

May 10, 2018  
S
Solo
8
8.0 (1 Ratings)
Book Rating
Blade Morrison has reached a pivotal point in his life. He's graduating from high school, about to turn eighteen and has his whole life in front of him But with a famous father who is always in the media and a girlfriend whose parents can't stand you, it's hard to find your place. When Blade discovers something about his past, it will change his future forever. Set on two continents, inspired by rock and roll, and written in poetic verse Solo is one of the best books I have read this year.

Thank you to Kwame Alexander, Mary Rand Hess, and Blink YA for the opportunity to read and review this book and be a part of the Solo Launch Team.

This is the first book I have read by Kwame Alexander or Mary Rand Hess and I have already picked up another at the library. This book was built on a love of music. Every character has a connection to music in some way shape or form.

Blade is yourtypical teenage boy, but for the fact that he has a famous father, Rutherford Morrison who is a rock and roll star who has fallen from grace. Often in the media because of an incident involving drugs or alcohol, Blade is tired of being there to pick up pieces that eventually fall apart again. After the loss of his mother Sunny, the family was never the same. When Blade discovers something about his past and given a letter his mother wrote to him for his 18th birthday, he sets out on a quest to find out where he really belongs.

Full of love, loss, addiction and music, Solo, although written for the YA crowd is a book people of all ages can enjoy.


  
Complete Discography by Minor Threat
Complete Discography by Minor Threat
1988 | Rock
(0 Ratings)
Album Favorite

Filler by Minor Threat

(0 Ratings)

Track

"When I was in Junior High, I met this guy and he had a cassette with Minor Threat on one side and The Exploited on the other. He left it at my house, and I had a Walkman, so I popped it in as I was walking to school. I heard the first chord of “Filler” and then I stopped and turned around. I didn’t go to school that day. I listened to that cassette and I was ‘What is this? This is awesome, this is what I need right now. These people are speaking my language, and they’re young like me as well.’ That’s when I thought I could maybe write a song, record it and put it on a record. That’s all I thought. I didn’t want to be a famous rock star but maybe I could do that DIY stuff. Not like the rock stars who were bigger than life - it was hard to aspire to that - but this other stuff? Yeah, I could do this. Plus, I thought that girls would think it was pretty cool if I played the guitar and I was in a band. So I started a band and this song and the first Minor Threat record was a game changer for me. It also started my record collecting phase. After I got into Minor Threat, I got into Dischord Records - I wanted everything on that label, so I spent years collecting that stuff. I still have all the singles; I might still have it all of it. That band had a huge effect on me that led me to want to write and play music, but also it was a club I could belong to. I was part of something with it – I could put on a leather jacket and help my teenage angst."

Source
  
Skellington by Julian Cope
Skellington by Julian Cope
1989 | Alternative, Indie
(0 Ratings)
Album Favorite

"""My favourite Julian Cope is loose Julian Cope. Back in the day, I was already a fan of his, because of World Shut Your Mouth and Saint Julian; those were great records, not super loose, but very rock and roll. Then, he put out My Nation Underground, which I was pretty dissatisfied with. It had its moments, but it was too produced, and so '80s. I think even he’s disowned that one now. ""After that, I’d be surprised, because I’d be going to the record store and he’d be putting out these albums with no announcement. One of them was Skellington, which this song is from. That record was huge for me, to the point that I named one of my early bands after it. Droolian came after that and it just felt like, when he really hit his peak with Peggy Suicide and Jehovahkill, it was those previous two albums that really laid the groundwork. ""They were totally loose and off the cuff, he was mumbling the lyrics and the liner notes said that he hadn’t ever really finished them. They’re not commercial records and that made them all the more fascinating to me. They’re more human. It was a lesson - not every record has to be polished. You don’t need to appeal to everyone who’s known you up until then. It’s good to throw up the occasional roadblock. ""Plus, at that moment in time, he was doing the whole “Being a rock star” thing better than anybody else. I hung off of anything he had to say; it felt like nothing he was saying wasn’t extraordinary. I mean, the title of the song says it all. He's just an amazing character."

Source