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Awix (3310 KP) rated At the Earth's Core (1976) in Movies
Nov 10, 2018 (Updated Nov 10, 2018)
Second in Amicus's series of Burroughs-inspired pulp adventures with Doug McClure. Adventurers seeking to drill through the mountains from England to Wales take a wrong turn and end up in a terrifying wasteland dominated by sub-human beasts; it takes them a while to figure out their mistake. It turns out the Earth's core is ruled by evil giant pterodactyls with hypnotic powers - having taken a fancy to the local princess (Munro), the beefier of the visitors (McClure) resolves to sort the situation out.
One of the final examples of the kind of cheap and cheerful genre movie that the success of Star Wars the following year was to transform utterly. This one is notable for some of the worst man-in-a-suit monster effects ever seen outside Japan, the closest thing to a bad performance ever given by Peter Cushing, and an oddly inconsistent tone - much of it is rather juvenile, but some of the violence is a bit heavy for what often feels like a knockabout kid's film (the Earth's core is a wholly abstinent place - there isn't even the suggestion of funny business between McClure and Munro). The Iron Mole model is actually not bad, and the prog rock soundtrack certainly makes it distinctive. Kind of fun, in the end. Contains the line 'You can't mesmerise me, I'm British!'
One of the final examples of the kind of cheap and cheerful genre movie that the success of Star Wars the following year was to transform utterly. This one is notable for some of the worst man-in-a-suit monster effects ever seen outside Japan, the closest thing to a bad performance ever given by Peter Cushing, and an oddly inconsistent tone - much of it is rather juvenile, but some of the violence is a bit heavy for what often feels like a knockabout kid's film (the Earth's core is a wholly abstinent place - there isn't even the suggestion of funny business between McClure and Munro). The Iron Mole model is actually not bad, and the prog rock soundtrack certainly makes it distinctive. Kind of fun, in the end. Contains the line 'You can't mesmerise me, I'm British!'
Lee KM Pallatina (951 KP) rated Alex Kidd in Video Games
Aug 17, 2019
Rock, paper, scissors
Alex Kidd is a video game character whose popularity peaked during the late 1980s and who was the protagonist of both a series of video games released by Sega and their fictional universe, as well as in numerous spin-offs such as novelizations and comics.
Alex Kidd is a pint-sized, big eared hero who was the unofficial mascot of Sega prior to Sonic the Hedgehog's release in 1991.
Before I started gaming myself, I was an avid observer, roughly 5/6 years old, there was this breakable box, some had coins,some had items...but this one box had a bluddy Ghost! I hid every time..until I took Control (get it?) Now im......years old I can appreciate it for the little gem its was/is.
Although a little short, this character and game has left its mark (if only a small one) on gaming culture itself, it seems Alex kidd was all but forgotten until sega classics collection was released on multiple platforms allowing player's old,young new and long timers to enjoy his adventure once more.
Since this, Alex kidd has been a playable character/racer in sonic All Star Racing which means he was down but not out, hopefully we'll see a solo comeback someday.
P.s THAT box is next to Alex in the uploaded pic.....
Alex Kidd is a pint-sized, big eared hero who was the unofficial mascot of Sega prior to Sonic the Hedgehog's release in 1991.
Before I started gaming myself, I was an avid observer, roughly 5/6 years old, there was this breakable box, some had coins,some had items...but this one box had a bluddy Ghost! I hid every time..until I took Control (get it?) Now im......years old I can appreciate it for the little gem its was/is.
Although a little short, this character and game has left its mark (if only a small one) on gaming culture itself, it seems Alex kidd was all but forgotten until sega classics collection was released on multiple platforms allowing player's old,young new and long timers to enjoy his adventure once more.
Since this, Alex kidd has been a playable character/racer in sonic All Star Racing which means he was down but not out, hopefully we'll see a solo comeback someday.
P.s THAT box is next to Alex in the uploaded pic.....
David McK (3204 KP) rated The Mummy Returns (2001) in Movies
Sep 6, 2021 (Updated Sep 3, 2023)
Brendan Fraser as Rick O'Connoll (1 more)
Rachel Weisz as Evie
There was a time in the mid to late 90s/early 00s where Brendan Fraser was a Bona Fide movie star, back before he took a break from acting.
A large part of that appeal was due to his (very) Indiana Jones-alike Rick O'Connell, a role he first portrayed in 1999s The Mummy and reprised in this (which is the middle of the Mummy films).
Unlike the sequel to this, this one also sees the return of Rachel Weisz as his now-wife Evie O'Connell (a role recast in the third film) alongside returning players from the first movie: Arnold Vosloo's Imhotep himself, John Hannah as Evie's no-good brother, Oded Fehr as the Medjai Ardeth Bay - here on the O'Connell's side throughout - and Patricia Velasquez as the reincarnated Anck Su Namun.
As such, there are strong links to the original move here, with this particular entry also seeing Dwayne 'The Rock' Johnson's breakthrough to acting, as the titular Scorpion King (although some of the later effects haven't aged all that well).
Mostly enjoyable, although (and, IMO, unfortunately), they went down the 'annoying child actor' route, with the whole plot about their child getting kidnapped that kicks the journey into motion ...
A large part of that appeal was due to his (very) Indiana Jones-alike Rick O'Connell, a role he first portrayed in 1999s The Mummy and reprised in this (which is the middle of the Mummy films).
Unlike the sequel to this, this one also sees the return of Rachel Weisz as his now-wife Evie O'Connell (a role recast in the third film) alongside returning players from the first movie: Arnold Vosloo's Imhotep himself, John Hannah as Evie's no-good brother, Oded Fehr as the Medjai Ardeth Bay - here on the O'Connell's side throughout - and Patricia Velasquez as the reincarnated Anck Su Namun.
As such, there are strong links to the original move here, with this particular entry also seeing Dwayne 'The Rock' Johnson's breakthrough to acting, as the titular Scorpion King (although some of the later effects haven't aged all that well).
Mostly enjoyable, although (and, IMO, unfortunately), they went down the 'annoying child actor' route, with the whole plot about their child getting kidnapped that kicks the journey into motion ...
Merissa (11704 KP) rated Alpha Shaman (Bad Oak Boys #2) in Books
May 20, 2023
Josh thinks that he is human, although he is aware of the werewolf gene in his family. However, when he starts having strange dreams and shedding fur, he admits he might be in trouble. He rings Ryan (his brother) who sends out a Shaman who will help him. When Josh and Gerwulf first meet, the wolves both agree that they have found their mates, although the human halves still need convincing. Evil is on the way though, so they may not have as much time as they would like.
This is the first of the Bad Oak Boys that I have read, although I didn't feel that it negatively impacted my enjoyment in any way. Alpha Shaman is full of action, romance, and yes, even grief. I could understand Gerwulf's hang-ups from his past and liked how he worked through them, with Josh's help. Josh and Gerwulf are both excellent characters, well-rounded and with their own quirks.
I have enjoyed this story, and am now looking forward to reading Rock Star Baby, which is book one in this series.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Feb 11, 2016
This is the first of the Bad Oak Boys that I have read, although I didn't feel that it negatively impacted my enjoyment in any way. Alpha Shaman is full of action, romance, and yes, even grief. I could understand Gerwulf's hang-ups from his past and liked how he worked through them, with Josh's help. Josh and Gerwulf are both excellent characters, well-rounded and with their own quirks.
I have enjoyed this story, and am now looking forward to reading Rock Star Baby, which is book one in this series.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Feb 11, 2016
Allison Knapp (118 KP) rated Public Secrets in Books
Jan 22, 2019
Well written and complex characters (7 more)
Covers a broad range of social topics such as addiction, domestic violence, and homosexuality in a way which is both well written and accurate with the times
Strong character dynamics
Not nearly as cheesy as the romance novels of which she is known for writing
At times creepy or psychologically disturbing in a way which makes you care even more about the life of the main character
Strong ensemble cast
Great nostalgic look at music and cinema from the 60s up through the 90s
Excellent and unpredictable plot twists
Murder Mystery set in the world of the Music Industry
The illegitimate daughter of a young rock star witnesses the accidental murder of her baby brother when she is still very young, and due to a case of isolated amnesia, cannot identify the murderer. As she grows up under the public eye, amidst the tragedy and its effects on her family, struggling to let go of her nightmares of that fateful night while struggling to find her own identity aside from the shadow of her father and the legendary status of her family, she faces many struggles and challenges just to prove an identity of her own. Yet as she grows up into a mature young woman, she learns that there are some tragedies from her past which were worth suffering through if she were to finally help bring justice for her brother and their family.
Gareth von Kallenbach (968 KP) rated Doom (2005) in Movies
Aug 14, 2019
In a remote section of Mars, something has gone horribly wrong for the scientists of the Union Aerospace Corporation’s research facility. Scientists run screaming for their lives from a deadly threat. Trapped on a barren world against forces unknown, the call goes out for an elite team of specialists to contain the situation, and neutralize the threat at any cost.
In the new game to film adaptation Doom which is based on the phenomenally popular game series of the same name, International Action Star The Rock stars as Sarge, a by the book, no nonsense leader Of a rapid response team who have been tasked with quelling the situation on Mars. His #2 is John (Reaper) Grimm (Karl Urban), the son of two scientists who were killed years earlier in a move that drove John from the Red Planet and into the corps.
Unsure about where his head is Sarge suggests John take leave and skip the mission less he provide an unstable factor. Driven by his concern for his sister on the planet, and his devotion to duty, John accompanies his team to Mars via a teleportation device know as the Arc.
In no time the team has arrived and begun sweeping the affected areas of the base, and working to ensure that nothing can return to Earth without permission. As the team surveys the dark and isolated lab areas, John is also reunited with his sister Sam (Rosamund Pike), which brings up the memories of their dead parents and repressed hostility over his departure and emotional distance.
Of course this is a movie based on monsters and violence, so in no time, there are some strange things lurking in the darkened corridors of the lab and the team finds themselves locked in a series of deadly confrontations against enemies of unimaginable horror.
In short order the team is picked off by the deadly opposition which causes strain amongst the survivors, as it becomes clear that the work being conducted at the base was far from the simple excavations that they had been claiming for years. The truth is far more dangerous and soon has the very safety of Earth in the balance.
The changing dynamic soon divides Sarge and John and they find themselves at odds with not only the creatures but themselves as they battle for survival and the safety of the Earth.
As a fan of the game series I had followed the long development of the film with interest. As production began there were reports that the film would deviate from the game in not being set on Mars and following Zombies more than demons from hell. While the film is set on Mars there is some deviation that may upset fans of the game. Hell does not serve as the source of the enemies; rather it is something that is not present in any of the games. Another deviation is that the film unlike the game is not nonstop action.
Doom moves at a very deliberate pace and when the action comes, it tends to be against a solitary foe. Only for a brief segment near the conclusion of the film do we get a battle against a large mass, and then it is very short. The novel first person perspective shown late in the film was great fun as the audience howled with delight during this segment.
The Rock shows once again that he is a rising Star as his charisma and commanding presence propels the film even though he is a supporting character. No matter the cheese factor, or stiff lines, The Rock is such a compelling presence, he makes the film viewable. Urban is good in the lead role, though he is overshadowed by The Rock, as his strong soft spoken mannerisms seem out of place in a macho action setting.
All of this said, while it is by no means a landmark piece of cinema, Doom is fun, and is easily the best game adaptation to film yet.
In the new game to film adaptation Doom which is based on the phenomenally popular game series of the same name, International Action Star The Rock stars as Sarge, a by the book, no nonsense leader Of a rapid response team who have been tasked with quelling the situation on Mars. His #2 is John (Reaper) Grimm (Karl Urban), the son of two scientists who were killed years earlier in a move that drove John from the Red Planet and into the corps.
Unsure about where his head is Sarge suggests John take leave and skip the mission less he provide an unstable factor. Driven by his concern for his sister on the planet, and his devotion to duty, John accompanies his team to Mars via a teleportation device know as the Arc.
In no time the team has arrived and begun sweeping the affected areas of the base, and working to ensure that nothing can return to Earth without permission. As the team surveys the dark and isolated lab areas, John is also reunited with his sister Sam (Rosamund Pike), which brings up the memories of their dead parents and repressed hostility over his departure and emotional distance.
Of course this is a movie based on monsters and violence, so in no time, there are some strange things lurking in the darkened corridors of the lab and the team finds themselves locked in a series of deadly confrontations against enemies of unimaginable horror.
In short order the team is picked off by the deadly opposition which causes strain amongst the survivors, as it becomes clear that the work being conducted at the base was far from the simple excavations that they had been claiming for years. The truth is far more dangerous and soon has the very safety of Earth in the balance.
The changing dynamic soon divides Sarge and John and they find themselves at odds with not only the creatures but themselves as they battle for survival and the safety of the Earth.
As a fan of the game series I had followed the long development of the film with interest. As production began there were reports that the film would deviate from the game in not being set on Mars and following Zombies more than demons from hell. While the film is set on Mars there is some deviation that may upset fans of the game. Hell does not serve as the source of the enemies; rather it is something that is not present in any of the games. Another deviation is that the film unlike the game is not nonstop action.
Doom moves at a very deliberate pace and when the action comes, it tends to be against a solitary foe. Only for a brief segment near the conclusion of the film do we get a battle against a large mass, and then it is very short. The novel first person perspective shown late in the film was great fun as the audience howled with delight during this segment.
The Rock shows once again that he is a rising Star as his charisma and commanding presence propels the film even though he is a supporting character. No matter the cheese factor, or stiff lines, The Rock is such a compelling presence, he makes the film viewable. Urban is good in the lead role, though he is overshadowed by The Rock, as his strong soft spoken mannerisms seem out of place in a macho action setting.
All of this said, while it is by no means a landmark piece of cinema, Doom is fun, and is easily the best game adaptation to film yet.
Debbiereadsbook (1087 KP) rated Rocked Hard in Books
Sep 1, 2018
Aubrey was a bit in-yer-face!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
Jumping straight in here!
For the most part, really did enjoy this book by Ms Knight. I've read a lot of her BDSM books and really enjoy the way she spins her tales, so was intrigued to see how this would work.
It works, really well apart from one major issue I struggled with.
Aubrey, himself.
He is so totally in-yer-face, right from the start, with how much he cares for Bryan, loves him, even and I found him too much too soon. Granted, he doesn't let it all out to Bryan early, but WE get it. We get how much he wanted Bryan to write his memoirs. How much it was ONLY Bryan he wanted to write them, so he could get up close and personal with Bryan.
And he does get up close and personal, very VERY quickly. Aubrey and Bryan's relationship moves at rocket speed, partly because of Aubrey's in-yer-face-ness, and partly because Bryan is also a rocket launcher as far as Aubrey is concerned, and I did struggle to keep up with them!
I didn't get just what Chuck was doing, and why, til it all came out in the book. I knew it was be bad, but I wasn't expecting that. I did like how it took a single line from a song Aubrey wrote, to make Bryan see how much he really did love Aubrey, and he would forgive him pretty much anything.
Aubrey in-yer-face aside, I really did enjoy this. It's well told from both man's point of view, so we get all of Aubrey, but also all of Bryan and the internal wrangling he does about his feelings for Aubrey, both as his rock star idol, but also Aubrey the MAN. Because Bryan hasn't been with a man before and it's a huge shock to him to feel this way. But I liked that, while it WAS a shock, Bryan just ran with it, thinking, what the heck and let's see where this takes us.
So, all in all, a great read, just pipped off those 5 star because of the in-yer-face-ness.
4 solid stars
**same worded review will appear elsewhere**
Jumping straight in here!
For the most part, really did enjoy this book by Ms Knight. I've read a lot of her BDSM books and really enjoy the way she spins her tales, so was intrigued to see how this would work.
It works, really well apart from one major issue I struggled with.
Aubrey, himself.
He is so totally in-yer-face, right from the start, with how much he cares for Bryan, loves him, even and I found him too much too soon. Granted, he doesn't let it all out to Bryan early, but WE get it. We get how much he wanted Bryan to write his memoirs. How much it was ONLY Bryan he wanted to write them, so he could get up close and personal with Bryan.
And he does get up close and personal, very VERY quickly. Aubrey and Bryan's relationship moves at rocket speed, partly because of Aubrey's in-yer-face-ness, and partly because Bryan is also a rocket launcher as far as Aubrey is concerned, and I did struggle to keep up with them!
I didn't get just what Chuck was doing, and why, til it all came out in the book. I knew it was be bad, but I wasn't expecting that. I did like how it took a single line from a song Aubrey wrote, to make Bryan see how much he really did love Aubrey, and he would forgive him pretty much anything.
Aubrey in-yer-face aside, I really did enjoy this. It's well told from both man's point of view, so we get all of Aubrey, but also all of Bryan and the internal wrangling he does about his feelings for Aubrey, both as his rock star idol, but also Aubrey the MAN. Because Bryan hasn't been with a man before and it's a huge shock to him to feel this way. But I liked that, while it WAS a shock, Bryan just ran with it, thinking, what the heck and let's see where this takes us.
So, all in all, a great read, just pipped off those 5 star because of the in-yer-face-ness.
4 solid stars
**same worded review will appear elsewhere**
Christine A. (965 KP) rated Good Neighbors in Books
May 13, 2021
I was provided with a complimentary copy of this book so I could give an honest review. The opinions are entirely my own, and any quotes are taken from the ARC and may be different in the final published copy.
Good Neighbors by Sarah Langan is a difficult book to review in 200 words. There is so much I want to mention but need to limit myself. My review can be summed up in three words "read this book."
Maple Street is a perfect place to raise a family. The neighbors interact with each other as an extended family. They gather for barbeques, help each other, and look out for each other's children.
The new family is different. Arlo, a has-been rock star. Gertie, a beautiful ex-pageant queen. Julie, an intelligent preteen who curses like a sailor. Larry, an autistic boy who, along with his family, does not fit with the Maple Street image. The queen bee, Rhea, takes the family under her wing, and everyone welcomes them into the fold.
After a booze-fueled night, Rhea overshares to Gertie, which starts the Maple Street implosion.
Good Neighbors is a twisted story that takes its time to grow like the heat in summer. I recently read an ok writer cannot mess up a great plot while a great author will take a great plot and make it even better. Langan's writing and the great plot make for an excellent, well-written book.
This 200-word review was published on Philomathinphila.com.
Good Neighbors by Sarah Langan is a difficult book to review in 200 words. There is so much I want to mention but need to limit myself. My review can be summed up in three words "read this book."
Maple Street is a perfect place to raise a family. The neighbors interact with each other as an extended family. They gather for barbeques, help each other, and look out for each other's children.
The new family is different. Arlo, a has-been rock star. Gertie, a beautiful ex-pageant queen. Julie, an intelligent preteen who curses like a sailor. Larry, an autistic boy who, along with his family, does not fit with the Maple Street image. The queen bee, Rhea, takes the family under her wing, and everyone welcomes them into the fold.
After a booze-fueled night, Rhea overshares to Gertie, which starts the Maple Street implosion.
Good Neighbors is a twisted story that takes its time to grow like the heat in summer. I recently read an ok writer cannot mess up a great plot while a great author will take a great plot and make it even better. Langan's writing and the great plot make for an excellent, well-written book.
This 200-word review was published on Philomathinphila.com.
Ian Anderson recommended Pocket Full of Kryptonite by Spin Doctors in Music (curated)
Chris Sawin (602 KP) rated Get Him to the Greek (2010) in Movies
Jun 22, 2019 (Updated Jun 23, 2019)
Aaron Green (Jonah Hill) works as a record company intern at Pinnacle Records. His boss Sergio Roma (Sean "Diddy" Combs) is wanting a "game changer" that will help turn the company around. Aaron pitches the idea that since it's the ten year anniversary of out of control British rock star Aldous Snow (Russell Brand) performing at the Greek Theatre in Los Angeles, he believes that the company can make a serious profit from not only a return performance, but by re-releasing his back catalog, as well. Sergio eventually goes for the idea and Aaron flies out to London to bring Aldous back to America to prepare for the show. Unfortunately for him, Aldous Snow's lifestyle tends to rub off on him and turns his life upside down in the process. As Aaron deals with some relationship issues and has his hands full trying to keep Aldous sober, Aldous has some relationship problems of his own and begins to wonder if there's more to life than sex, drugs, and rock and roll. It seems like a moot point by the time the Greek Theater show sells out as Aaron may not have a girlfriend or a job by the time the show begins and Aldous speaks of skipping the gig altogether.
I was a pretty big fan of Forgetting Sarah Marshall, but that was mostly due to the Dracula rock opera and Russell Brand's outrageous portrayal of Aldous Snow. So Get Him to the Greek immediately grabbed my attention since it was announced as a spinoff sequel, but I became excited when reviews trickled in saying it was raunchier than its predecessor. Is more Aldous Snow really a good thing though? The short answer is yes. Yes it is.
Russell Brand is really the backbone of the film. Aldous Snow's rock star lifestyle provides his character with a sense of unpredictability as his outlandish outbursts and struggle with more adult decisions is enticing and at often times hilarious. Jonah Hill's screen presence is just as important to the film. His usual quick witted and delightfully explicit sense of humor in addition to his chemistry with Russell Brand is really a spectacular combination. Sean Combs manages to steal quite a few scenes, as well. His theory on screwing with people's heads and his one-liners ("You cannot out run me! I am black!") were surprisingly hysterical. The music in the film is really the key ingredient that brings the entire film together though. Fictional band Infant Sorrow delivers some pretty fantastic and humorously obscene ballads that are better than they should be for a film like this. I liked "Furry Walls" so much that I downloaded the soundtrack as soon as I returned from the theater.
The film's strongest scenes don't seem to last as long as they should though. The R-rated comedy seems to shine brightest when things get a bit more serious as the main characters come off as being more human, more realistic, and easier to relate to during those situations. Unfortunately those scenes really only begin to transpire in the last 15-20 minutes of the film and even though the point is made, I can't help but think of how a great film could have been even better if those events had occurred earlier on to have an even bigger impact. The biggest issue for me was that most of the scenes in the trailers were either not in the film at all or were different takes from scenes that actually made it into the theatrical version of the film. That means the DVD will probably be unrated and have x amount of extra footage not seen in theaters, but at least 50% of the scenes you're looking forward to were probably left on the cutting room floor which is just disappointing.
Get Him to the Greek may very well be this year's The Hangover, but isn't quite as laugh out loud funny as the 2009 comedy blockbuster. Get Him to the Greek is a wonderfully amusing comedy with a highly entertaining soundtrack that effectively gives a little more depth to the already remarkable for all the wrong reasons character Aldous Snow, but unfortunately doesn't live up to the reputation of being the uproarious riot that everyone seems to be making it out to be. Nevertheless, it is still an extremely solid comedy that comes highly recommended from me.
I was a pretty big fan of Forgetting Sarah Marshall, but that was mostly due to the Dracula rock opera and Russell Brand's outrageous portrayal of Aldous Snow. So Get Him to the Greek immediately grabbed my attention since it was announced as a spinoff sequel, but I became excited when reviews trickled in saying it was raunchier than its predecessor. Is more Aldous Snow really a good thing though? The short answer is yes. Yes it is.
Russell Brand is really the backbone of the film. Aldous Snow's rock star lifestyle provides his character with a sense of unpredictability as his outlandish outbursts and struggle with more adult decisions is enticing and at often times hilarious. Jonah Hill's screen presence is just as important to the film. His usual quick witted and delightfully explicit sense of humor in addition to his chemistry with Russell Brand is really a spectacular combination. Sean Combs manages to steal quite a few scenes, as well. His theory on screwing with people's heads and his one-liners ("You cannot out run me! I am black!") were surprisingly hysterical. The music in the film is really the key ingredient that brings the entire film together though. Fictional band Infant Sorrow delivers some pretty fantastic and humorously obscene ballads that are better than they should be for a film like this. I liked "Furry Walls" so much that I downloaded the soundtrack as soon as I returned from the theater.
The film's strongest scenes don't seem to last as long as they should though. The R-rated comedy seems to shine brightest when things get a bit more serious as the main characters come off as being more human, more realistic, and easier to relate to during those situations. Unfortunately those scenes really only begin to transpire in the last 15-20 minutes of the film and even though the point is made, I can't help but think of how a great film could have been even better if those events had occurred earlier on to have an even bigger impact. The biggest issue for me was that most of the scenes in the trailers were either not in the film at all or were different takes from scenes that actually made it into the theatrical version of the film. That means the DVD will probably be unrated and have x amount of extra footage not seen in theaters, but at least 50% of the scenes you're looking forward to were probably left on the cutting room floor which is just disappointing.
Get Him to the Greek may very well be this year's The Hangover, but isn't quite as laugh out loud funny as the 2009 comedy blockbuster. Get Him to the Greek is a wonderfully amusing comedy with a highly entertaining soundtrack that effectively gives a little more depth to the already remarkable for all the wrong reasons character Aldous Snow, but unfortunately doesn't live up to the reputation of being the uproarious riot that everyone seems to be making it out to be. Nevertheless, it is still an extremely solid comedy that comes highly recommended from me.