Search
Matthew Krueger (10051 KP) rated Rocky III (1982) in Movies
Sep 20, 2019
I Pitty A Fool
Rocky III- continues the story of Rocky and his journey to mumble words more. His Journey to fight Hulk Hogan and Mr. T.
The Plot: Having become the world heavyweight champion, former working-class boxer Rocky Balboa (Sylvester Stallone) is rich and famous beyond his wildest dreams, which has made him lazy and overconfident. In a double whammy, he loses his trainer and father figure Mickey (Burgess Meredith) and then has his title stolen by the arrogant, menacing challenger Clubber Lang (Mr. T). Turning to his former adversary, Apollo Creed (Carl Weathers), for help, Rocky struggles to get his old fire back.
You cant forgot the theme song "Eye of the Tiger", written by the group Survivor.
This one is my favorite one out of all of them. To me this one is the best one.
I Pitty A Fool for those who dont watch this one.
Rocky III: the mumble champ continues to fight B. A. Baracus from The A-Team.
The Plot: Having become the world heavyweight champion, former working-class boxer Rocky Balboa (Sylvester Stallone) is rich and famous beyond his wildest dreams, which has made him lazy and overconfident. In a double whammy, he loses his trainer and father figure Mickey (Burgess Meredith) and then has his title stolen by the arrogant, menacing challenger Clubber Lang (Mr. T). Turning to his former adversary, Apollo Creed (Carl Weathers), for help, Rocky struggles to get his old fire back.
You cant forgot the theme song "Eye of the Tiger", written by the group Survivor.
This one is my favorite one out of all of them. To me this one is the best one.
I Pitty A Fool for those who dont watch this one.
Rocky III: the mumble champ continues to fight B. A. Baracus from The A-Team.
Dean (6921 KP) rated Rocky III (1982) in Movies
Jun 30, 2018
Not so good storywise as the first 2 maybe but this has a great vibe to it. After becoming rich and famous and having too many soft fights Rocky meets a new challenger in Clubber Lang (Mr.T). Can he beat this aggressive opponent? A great come back against the odds film with some good fight choreography.
Rock Landscapes: The Pulham Legacy: Rock Gardens, Grottoes, Ferneries, Follies, Fountains and Garden Ornaments
Claude Hitching and Jenny Lilly
Book
This book tells the story of James Pulham & Son, the eminent family of Victorian and Edwardian...
A Ritual Landscapes and Borders Within Rock Art Research: Papers in Honour of Professor Kalle Sognnes
Patricia Witts, Heidrun Steberglokken, Ragnhild Berge and Eva Lindgaard
Book
Ritual landscapes and borders are recurring themes running through Professor Kalle Sognnes' long...
Phillip McSween (751 KP) rated Rocky Balboa (2006) in Movies
Jan 28, 2019
Surprisingly Good
I think I’ve stayed away from this movie for so long because I expected it to be garbage. I mean, let’s be adult about this, Rocky V was no picnic. I was done with Rocky. Until I saw the trailer for Creed. It was at that moment that I decided to give things another go. Yes, the boxer we all know and love Rocky (Sylvester Stallone) is back at it in Rocky Balboa facing off against his first (and hopefully last) opponent since Drago.
Acting: 10
Beginning: 9
Two things really grabbed me as the movie opens. I loved the beautiful shots of Philadelphia at the start. The city plays a huge role in Rocky’s character development and these shots helped get me in tune with the heart of what the city is all about. I also appreciated the first scene between Rocky and his son Rocky Jr. (Milo Ventimiglia) depicting their strained relationship since Adrian’s death. It’s an awkward scene that makes you sympathize with where Rocky is in his life.
How did he get to this point? It’s seem like he’s lost so much, yet he’s still that gentle character from the 70’s we fell in love with. Seeing this scene was enough to tell me this film would take a lot different approach than the previous movies.
Characters: 10
Cinematography/Visuals: 10
Conflict: 10
Rocky’s older and not at the top of his game like he was when he took on Clubber Lang (what a name!). Yet he still found a way to get me out of my chair as he did in previous movies. The main bout gets pretty intense in spots as you root for the Italian Stallion to knock some sense into the new kid on the block. The conflict extends beyond the ring as well as Rocky tries to help people from his neighborhood while maintaining close relationships with family members Paulie (Burt Young) and Rocky Jr. On the surface he’s a hero, but underneath his life is in shambles. As an audience, we find ourselves rallying behind Rocky as we’ve done in all the others movies past.
Genre: 10
Memorability: 7
Compared to other films, it doesn’t quite have the same memorability as classic ones I’ve seen, but succeeds in giving us a reason to cheer and a reason to feel. Rocky Balboa succeeds in being more than just a movie about trading punches. Rather than being hollow and fight-driven, it’s a movie with real heart.
Pace: 4
The “heart” portion, unfortunately, comes at a cost. When you watch the movie, you have to adjust your expectations as things move at a much slower pace. Rocky doesn’t even consider making a return until well into the movie. I kept watching waiting for a fight to finally happen and it was slow-going. However, even with a slower pace than the previous movies, Balboa still shines.
Plot: 8
Resolution: 9
Somewhat predictable but no less powerful. It ties up nicely what we see at the beginning. A fitting finale to Rocky’s in-the-ring saga.
Overall: 87
Heroes in movies come in many forms. What makes Rocky so special is his consistency of character throughout the decades. He swore in the beginning to never change who he was, but I think he lied to us. I think he became an even better man. Rocky Balboa. Hero for the generations.
Acting: 10
Beginning: 9
Two things really grabbed me as the movie opens. I loved the beautiful shots of Philadelphia at the start. The city plays a huge role in Rocky’s character development and these shots helped get me in tune with the heart of what the city is all about. I also appreciated the first scene between Rocky and his son Rocky Jr. (Milo Ventimiglia) depicting their strained relationship since Adrian’s death. It’s an awkward scene that makes you sympathize with where Rocky is in his life.
How did he get to this point? It’s seem like he’s lost so much, yet he’s still that gentle character from the 70’s we fell in love with. Seeing this scene was enough to tell me this film would take a lot different approach than the previous movies.
Characters: 10
Cinematography/Visuals: 10
Conflict: 10
Rocky’s older and not at the top of his game like he was when he took on Clubber Lang (what a name!). Yet he still found a way to get me out of my chair as he did in previous movies. The main bout gets pretty intense in spots as you root for the Italian Stallion to knock some sense into the new kid on the block. The conflict extends beyond the ring as well as Rocky tries to help people from his neighborhood while maintaining close relationships with family members Paulie (Burt Young) and Rocky Jr. On the surface he’s a hero, but underneath his life is in shambles. As an audience, we find ourselves rallying behind Rocky as we’ve done in all the others movies past.
Genre: 10
Memorability: 7
Compared to other films, it doesn’t quite have the same memorability as classic ones I’ve seen, but succeeds in giving us a reason to cheer and a reason to feel. Rocky Balboa succeeds in being more than just a movie about trading punches. Rather than being hollow and fight-driven, it’s a movie with real heart.
Pace: 4
The “heart” portion, unfortunately, comes at a cost. When you watch the movie, you have to adjust your expectations as things move at a much slower pace. Rocky doesn’t even consider making a return until well into the movie. I kept watching waiting for a fight to finally happen and it was slow-going. However, even with a slower pace than the previous movies, Balboa still shines.
Plot: 8
Resolution: 9
Somewhat predictable but no less powerful. It ties up nicely what we see at the beginning. A fitting finale to Rocky’s in-the-ring saga.
Overall: 87
Heroes in movies come in many forms. What makes Rocky so special is his consistency of character throughout the decades. He swore in the beginning to never change who he was, but I think he lied to us. I think he became an even better man. Rocky Balboa. Hero for the generations.
Kaylin (39 KP) rated Don't Breathe (2016) in Movies
Feb 17, 2019 (Updated Feb 17, 2019)
Stephen Lang is excellent as the old man (2 more)
Pretty decent acting throughout
Has a genuinely tense atmosphere
When's it's good, it's good...
Don't Breathe is an interesting case of a horror movie. It's a home invasion movie, but our main character is not the home owner, it's the people who have broken into the house.
Our main character's, Rocky, Alex, and Money, have made a living breaking into houses. They are able to accomplish this due to Alex's father having the codes to all the alarm systems. Rocky is trying to get her sister out of their abusive home and Money promises her a big payout from this blind old man's house. Rocky agrees to one last job but things do not go as planned.
Don't Breathe has a pretty solid premise and delivers on a lot of it's scares. My main problem would be the twist which I'm not going to spoil for you here, but I'll say it's pretty unbelievable and took a lot of enjoyment out of the movie for me. All and All I'd say give it a view.
Our main character's, Rocky, Alex, and Money, have made a living breaking into houses. They are able to accomplish this due to Alex's father having the codes to all the alarm systems. Rocky is trying to get her sister out of their abusive home and Money promises her a big payout from this blind old man's house. Rocky agrees to one last job but things do not go as planned.
Don't Breathe has a pretty solid premise and delivers on a lot of it's scares. My main problem would be the twist which I'm not going to spoil for you here, but I'll say it's pretty unbelievable and took a lot of enjoyment out of the movie for me. All and All I'd say give it a view.
Real Boxing 2 ROCKY
Games and Entertainment
App
"The boxing game we deserve." 8/10 – Gamezebo "A big, brash boxing game that's surprising tactical...
Environmental Problems Globally: From Perception to Reaction
Book
Human behavior causes environmental problems which, in turn, affect people and whole societies. The...
Bob Mann (459 KP) rated Don't Breathe (2016) in Movies
Sep 29, 2021
Here comes Little Kevin, all grown up and blinded.
“Don’t Breathe” had a concept that appealed to me. Three Detroit teens are systematically robbing houses of goods to pawn with the aim of getting Rocky (Jane “Evil Dead” Levy) out of the clutches of her deadbeat family to start a new life in California with her younger sister. Dylan Minnette plays the cautious and intellectual Alex, hiding his crush on Rocky particularly badly. Daniel Zovatto plays the fruit-loopy stoner ‘Money’ – the loose cannon of the trio and Rocky’s boyfriend.
After a successful run, they unwisely pick on the home of a blind war veteran (“Avatar”‘s Stephen Lang). He is not just ‘Home Alone’ but ‘Neighbourhood Alone’ (reflecting, probably accurately, the demise of previously affluent suburbs in some industrially declining US cities). Blind or not, the vet (and friend) are a force to be reckoned with: with startling speed the tables are turned and the kids are fighting for their lives. And there are more surprises in store within the spooky old house.
As an audience member, there are certainly points at which the title becomes uncomfortably literal! On the tensionometer, there is a similarity here with last year’s “No Escape”. A scene where blindness is turned into a positive asset is particularly effective.
As is common with this genre, the film suffers from a plot-line that at times makes no sense and involves indestructible participants (with an incident involving garden shears being particularly incomprehensible).
A particularly unpleasant sexual-threat scene towards the end of the film is also nonsensical involving a level of -ahem – ‘preparation’ that the preceding plot simply doesn’t merit.
Inevitably though, the film lives or dies on whether you feel empathy for the disreputable kids in peril. The start of the film tries to balance the empathy scales by giving Rocky her backstory, throwing in the ‘little sister’ card. It also demonstrates that “The Blind Man” is a ‘bit of a bastard’ – or perhaps that should be a ‘bit of a baste-ard’ (LOL, in-joke)). Unfortunately however I hold the peculiarly unfashionable idea that if things are “mine” they are “mine” – not anyone elses: so, on balance, I wasn’t rooting for them and would be happy to let the thieving little sh*ts all get beaten to death!
Jane Levy (channelling a young Emma Stone) acquits herself admirably as the heroine in peril. Also of particular note is the highly effective atonal score by Roque Baños that ramps up the tension extremely effectively. Directed by “Evil Dead” director, Uruguayan Fede Alverez, the film does have a certain style and is an enjoyable roller-coaster ride, provided you park your brain at the (well locked) door.
After a successful run, they unwisely pick on the home of a blind war veteran (“Avatar”‘s Stephen Lang). He is not just ‘Home Alone’ but ‘Neighbourhood Alone’ (reflecting, probably accurately, the demise of previously affluent suburbs in some industrially declining US cities). Blind or not, the vet (and friend) are a force to be reckoned with: with startling speed the tables are turned and the kids are fighting for their lives. And there are more surprises in store within the spooky old house.
As an audience member, there are certainly points at which the title becomes uncomfortably literal! On the tensionometer, there is a similarity here with last year’s “No Escape”. A scene where blindness is turned into a positive asset is particularly effective.
As is common with this genre, the film suffers from a plot-line that at times makes no sense and involves indestructible participants (with an incident involving garden shears being particularly incomprehensible).
A particularly unpleasant sexual-threat scene towards the end of the film is also nonsensical involving a level of -ahem – ‘preparation’ that the preceding plot simply doesn’t merit.
Inevitably though, the film lives or dies on whether you feel empathy for the disreputable kids in peril. The start of the film tries to balance the empathy scales by giving Rocky her backstory, throwing in the ‘little sister’ card. It also demonstrates that “The Blind Man” is a ‘bit of a bastard’ – or perhaps that should be a ‘bit of a baste-ard’ (LOL, in-joke)). Unfortunately however I hold the peculiarly unfashionable idea that if things are “mine” they are “mine” – not anyone elses: so, on balance, I wasn’t rooting for them and would be happy to let the thieving little sh*ts all get beaten to death!
Jane Levy (channelling a young Emma Stone) acquits herself admirably as the heroine in peril. Also of particular note is the highly effective atonal score by Roque Baños that ramps up the tension extremely effectively. Directed by “Evil Dead” director, Uruguayan Fede Alverez, the film does have a certain style and is an enjoyable roller-coaster ride, provided you park your brain at the (well locked) door.