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Suswatibasu (1701 KP) rated Get Out (2017) in Movies
Jul 25, 2017
Terrifying political racial horror
As a woman of colour this is probably the most terrifying kind of horror to watch. It's political message is stark, and it's almost a satire of American society. The last scene of the main character's hands up is a grim look on reality where an US police officer is more likely to believe the white woman than the black man. Rod is by far the best character!
Frank Black recommended Fegmania! by Robyn Hitchcock / Robyn Hitchcock & The Egyptians in Music (curated)
Lee KM Pallatina (951 KP) rated Nick Fury: Agent of S.H.I.E.L.D (1998) in Movies
Jun 18, 2019
MARVELs Action Man
Contains spoilers, click to show
Nick Fury: Agent of S.H.I.E.L.D is a TV superhero Movie based on the Marvel Comics character. originally broadcast on May 26, 1998 on Fox & Directed by Rod Hardy, the film stars David Hasselhoff as Fury, who ws forced to retire in solace. approached to return to duty to take down the terrorist organization HYDRA, led by the children of Baron Wolfgang von Strucker. threatening to attack Manhattan with a reconstituted pathogen known as the Death's Head virus.
Lisa Rinna plays Contessa Valentina "Val" Allegra de Fontaine, and Sandra Hess plays Andrea von Strucker / Viper. It was released on DVD on September 30, 2008. The film was met with a mixed to poor reception.
Lisa Rinna plays Contessa Valentina "Val" Allegra de Fontaine, and Sandra Hess plays Andrea von Strucker / Viper. It was released on DVD on September 30, 2008. The film was met with a mixed to poor reception.
Little Ray Of Sunshine (41 KP) rated Fishing the Net in Books
Jan 11, 2019 (Updated Feb 10, 2019)
Book Review | Fishing the Net by Rod Wood & Jane Reeves
Wow I loved reading this book. It showed the realistic side to online dating and how the main character Gill Flynn who divorced twice. Shes fifty something and she wants to find love and settle down. She heard about that you can join up with these dating websites through her friends at work and she thought why not. She lives in a small village and its hard to find a decent man. Gill Flynn is a funny women and she made me laugh through the book. I love how you go along the stories of each date she been on. She gone through some good, bad and even the scammers. It shocking what people will do online.
I felt for Gill as she just wanted someone to love and be loved back. You get through some of her dates thinking yes she found the one and there is always a flaw in their looks, habits or their personality.
It continues on with the stories of Ocra and Starfish and how they met online fell in love and married and Gill was jealous that they both found each other. But she starts to help her work friend Dory set up a online dating profile and help her find the real guys out there. But Dory is so picky and its a struggle to help her find the one. So Gill shows her that there is more then one site to find some men who would love to meet up in person.
I love how the authors put in the fishing names like Gill, Starfish and Dory. Gill is a fan of fishing so her intentions are to fish the net and find a decent catch. You are rooting for her to find the guy and while you reading through you expect her to find the guy she want but there are always let down. But this book shows the honest account of what it's like to find love in the 21st century. I am so happy that I found my man and never used the dating website as this book shows how men can be down right cheaters (I know not all of you men out there).
I wont say anymore as I would want you to go and buy this book and see what you think to it.
Thanks for reading.
Have you got any stories to tell about your experience with any of the dating websites?
I was given this by the authors of Fishing the Net I am grateful they sent it out for me to review on my blog. I want to thank Rod Wood and Jane Reeves for sending me this book.
I felt for Gill as she just wanted someone to love and be loved back. You get through some of her dates thinking yes she found the one and there is always a flaw in their looks, habits or their personality.
It continues on with the stories of Ocra and Starfish and how they met online fell in love and married and Gill was jealous that they both found each other. But she starts to help her work friend Dory set up a online dating profile and help her find the real guys out there. But Dory is so picky and its a struggle to help her find the one. So Gill shows her that there is more then one site to find some men who would love to meet up in person.
I love how the authors put in the fishing names like Gill, Starfish and Dory. Gill is a fan of fishing so her intentions are to fish the net and find a decent catch. You are rooting for her to find the guy and while you reading through you expect her to find the guy she want but there are always let down. But this book shows the honest account of what it's like to find love in the 21st century. I am so happy that I found my man and never used the dating website as this book shows how men can be down right cheaters (I know not all of you men out there).
I wont say anymore as I would want you to go and buy this book and see what you think to it.
Thanks for reading.
Have you got any stories to tell about your experience with any of the dating websites?
I was given this by the authors of Fishing the Net I am grateful they sent it out for me to review on my blog. I want to thank Rod Wood and Jane Reeves for sending me this book.
Phillip McSween (751 KP) rated The Birds (1963) in Movies
Mar 6, 2018
Amazing Film
Before disaster strikes, The Birds lures you into a false sense of comfort with beautiful scenic shots from a drop-top driving up the side of a mountain pass to a small boat pacing its way through the vast Pacific. If you're smart or pay any attention to movie history at all, you know what's coming next. I can only help but imagine how original audiences must have felt seeing all this serenity before being hit with a rude awakening. The word "jarred" comes to mind.
When Melanie Daniels (Tippi Hedren) shows up in a sleepy, California coastal town, her visit turns sour when the town's birds start to randomly attack the population. The film is a thrill ride from beginning to end, relying on the tension of the unsettling and unusual to rattle your mind. Seagulls are attacking randomly. The chickens aren't eating. The next thing you know, a man is found in his bedroom with his eyes pecked out (very memorable shot) and it's off to the races.
Because of the tension from one moment to the next, every scene then becomes memorable. I'll never forget the scene where Melanie and Mitch (Rod Taylor) are walking past watching crows on their way to pick up Cathy (Veronica Cartwright). You know those birds can strike at anytime which had me waiting on the edge of my seat.
And this is where the genius of Hitchcock comes in. To be able to take something that sounds so minor on paper and make it a major deal in your mind is not an easy thing to do. He makes it look effortless. I give the film a 98.
When Melanie Daniels (Tippi Hedren) shows up in a sleepy, California coastal town, her visit turns sour when the town's birds start to randomly attack the population. The film is a thrill ride from beginning to end, relying on the tension of the unsettling and unusual to rattle your mind. Seagulls are attacking randomly. The chickens aren't eating. The next thing you know, a man is found in his bedroom with his eyes pecked out (very memorable shot) and it's off to the races.
Because of the tension from one moment to the next, every scene then becomes memorable. I'll never forget the scene where Melanie and Mitch (Rod Taylor) are walking past watching crows on their way to pick up Cathy (Veronica Cartwright). You know those birds can strike at anytime which had me waiting on the edge of my seat.
And this is where the genius of Hitchcock comes in. To be able to take something that sounds so minor on paper and make it a major deal in your mind is not an easy thing to do. He makes it look effortless. I give the film a 98.
Lyndsey Gollogly (2893 KP) rated The Wife: A Novel in Books
Oct 11, 2022
186 of 230
Book
The Wife
By Alafair Burke
⭐️⭐️⭐️⭐️⭐️
His Scandal - Her Secret
When Angela met Jason Powell while catering a dinner party in East Hampton, she assumed their romance would be a short-lived fling, like so many relationships between locals and summer visitors. To her surprise, Jason, a brilliant economics professor at NYU, had other plans, and they married the following summer. For Angela, the marriage turned out to be a chance to reboot her life. She and her son were finally able to move out of her mother’s home to Manhattan, where no one knew about her tragic past.
Six years later, thanks to a bestselling book and a growing media career, Jason has become a cultural lightning rod, placing Angela near the spotlight she worked so carefully to avoid. When a college intern makes an accusation against Jason, and another woman, Kerry Lynch, comes forward with an even more troubling allegation, their life begins to unravel. Jason insists he is innocent, and Angela believes him. But when Kerry disappears, Angela is forced to take a closer look—at both the man she married and the women she chose not to believe.
Well that was one hell of a book! From start to finish it was just brilliant. It had you questioning all the way through how far would you go to protect your family? And how much would you put up with as a wife? Even right to the end it’s not what I was expecting. It made you want to keep reading. Highly recommended!
Book
The Wife
By Alafair Burke
⭐️⭐️⭐️⭐️⭐️
His Scandal - Her Secret
When Angela met Jason Powell while catering a dinner party in East Hampton, she assumed their romance would be a short-lived fling, like so many relationships between locals and summer visitors. To her surprise, Jason, a brilliant economics professor at NYU, had other plans, and they married the following summer. For Angela, the marriage turned out to be a chance to reboot her life. She and her son were finally able to move out of her mother’s home to Manhattan, where no one knew about her tragic past.
Six years later, thanks to a bestselling book and a growing media career, Jason has become a cultural lightning rod, placing Angela near the spotlight she worked so carefully to avoid. When a college intern makes an accusation against Jason, and another woman, Kerry Lynch, comes forward with an even more troubling allegation, their life begins to unravel. Jason insists he is innocent, and Angela believes him. But when Kerry disappears, Angela is forced to take a closer look—at both the man she married and the women she chose not to believe.
Well that was one hell of a book! From start to finish it was just brilliant. It had you questioning all the way through how far would you go to protect your family? And how much would you put up with as a wife? Even right to the end it’s not what I was expecting. It made you want to keep reading. Highly recommended!
Bob Mann (459 KP) rated Bombshell (2019) in Movies
Jan 26, 2020
Power-house female lead roles, times 3. (1 more)
John Lithgow (who should have got a supporting actor nom)
Sleazy old Fox.
This is a curious one. I wonder whether the audience reaction to this one will polarize along gender lines as it did for my wife and I? For I thought this one was "good, but nothing special"... but the illustrious Mrs Movie Man thought it was excellent and would be "memorable".
The movie is based on the true story of the first "Me Too" case against a prominent man in power. Before Harvey Weinstein (allegedly!) there was Roger Ailes (John Lithgow), CEO of the Fox Network. Under the shadowy gaze of the Murdoch brothers (Ben Lawson and Josh Lawson), Ailes rules Fox with a rod of iron. Unfortunately, it's Ailes' - ahem - 'rod of iron' that is part of the problem.
Three women are at the centre of the drama. Megyn Kelly (Charlize Theron) is a leading anchorwoman, fighting her own battles in a man's world. She is currently in trouble with 50% of the US population for taking a firm stand on-screen against Trump's treatment of women; Gretchen Carlson (Nicole Kidman) is a broadcaster approaching her 50's and being shunted progressively towards the door, via afternoon shows, in favour of 'younger models'; Kayla Pospisil (Margot Robbie) is a keen new-starter, ambitious and keen as mustard to impress her bosses, including Ailes.
The three women seldom interact (a scene in a lift is a study in awkwardness) but are all on different stages of the same journey.
I clearly saw a review which referenced the movie as being "Adam McKay-like" since I went in assuming that McKay ("Vice", "The Big Short") was the director of this one. For that reason, I was puzzled. Yes, there were occasions where the actors broke the 4th wall; and there were little visual tricks (a burned in Fox logo for example) that entertained. But it wasn't the close-to-the-edge roller-coaster of innovation that I have come to expect from a McKay film.
When the titles rolled, it was an "Aha" moment! Actually, the director is the Austin Powers director Jay Roach. Not that he hasn't done drama as well: he did the Bryan Cranston vehicle "Trumbo" a few years back. And another MacKay link is the writer: the screenplay is by Charles Randolph, the writer of "The Big Short".
The leading ladies in this really are leading, with Charlize Theron picking up a well-deserved Best Actress Oscar nomination and Margot Robbie getting the Best Supporting nom. Theron is brilliant in everything she does, and here she is chameleon-like in disappearing into her character. I wasn't as sure about Robbie early in the film, but an excruciating "twirl" for Ailes is brilliantly done and an emotional scene during a date is Oscar-reel worthy.
Great supporting turns come from "The West Wing's" Allison Janney and from Kate McKinnon. McKinnon was the most annoying thing in "Yesterday", as the brash US agent, but here she is effective as the lesbian friend of Kayla.
Holding up the male end (as it were) is a fantastic performance from John Lithgow (surprisingly overlooked during the awards season) and Malcolm McDowell delivering an uncanny Rupert Murdoch.
Overall, the "Me Too" movement has created an earthquake in popular culture. Many more movies featuring strong female leads have appeared in the last few years, and that's great. This is a reminder of the time before that, when men openly used their power to force unwanted sex on employees. And its horrifying and disconcerting to watch.
And it was a good movie. But it just wasn't a "wow" movie for me. A female audience will by definition have more experience of this than a male one. Perhaps there is a sense of 'collective guilt' that we blokes need to work through. And perhaps that's a subconscious reason why I didn't 100% engage with the film. (Though I'd like to make it perfectly clear that I don't have any skeletons in that particular closet!)
(For the graphical review, please check out the review on One Mann's Movies here - https://bob-the-movie-man.com/2020/01/24/one-manns-movies-film-review-bombshell-2020/).
The movie is based on the true story of the first "Me Too" case against a prominent man in power. Before Harvey Weinstein (allegedly!) there was Roger Ailes (John Lithgow), CEO of the Fox Network. Under the shadowy gaze of the Murdoch brothers (Ben Lawson and Josh Lawson), Ailes rules Fox with a rod of iron. Unfortunately, it's Ailes' - ahem - 'rod of iron' that is part of the problem.
Three women are at the centre of the drama. Megyn Kelly (Charlize Theron) is a leading anchorwoman, fighting her own battles in a man's world. She is currently in trouble with 50% of the US population for taking a firm stand on-screen against Trump's treatment of women; Gretchen Carlson (Nicole Kidman) is a broadcaster approaching her 50's and being shunted progressively towards the door, via afternoon shows, in favour of 'younger models'; Kayla Pospisil (Margot Robbie) is a keen new-starter, ambitious and keen as mustard to impress her bosses, including Ailes.
The three women seldom interact (a scene in a lift is a study in awkwardness) but are all on different stages of the same journey.
I clearly saw a review which referenced the movie as being "Adam McKay-like" since I went in assuming that McKay ("Vice", "The Big Short") was the director of this one. For that reason, I was puzzled. Yes, there were occasions where the actors broke the 4th wall; and there were little visual tricks (a burned in Fox logo for example) that entertained. But it wasn't the close-to-the-edge roller-coaster of innovation that I have come to expect from a McKay film.
When the titles rolled, it was an "Aha" moment! Actually, the director is the Austin Powers director Jay Roach. Not that he hasn't done drama as well: he did the Bryan Cranston vehicle "Trumbo" a few years back. And another MacKay link is the writer: the screenplay is by Charles Randolph, the writer of "The Big Short".
The leading ladies in this really are leading, with Charlize Theron picking up a well-deserved Best Actress Oscar nomination and Margot Robbie getting the Best Supporting nom. Theron is brilliant in everything she does, and here she is chameleon-like in disappearing into her character. I wasn't as sure about Robbie early in the film, but an excruciating "twirl" for Ailes is brilliantly done and an emotional scene during a date is Oscar-reel worthy.
Great supporting turns come from "The West Wing's" Allison Janney and from Kate McKinnon. McKinnon was the most annoying thing in "Yesterday", as the brash US agent, but here she is effective as the lesbian friend of Kayla.
Holding up the male end (as it were) is a fantastic performance from John Lithgow (surprisingly overlooked during the awards season) and Malcolm McDowell delivering an uncanny Rupert Murdoch.
Overall, the "Me Too" movement has created an earthquake in popular culture. Many more movies featuring strong female leads have appeared in the last few years, and that's great. This is a reminder of the time before that, when men openly used their power to force unwanted sex on employees. And its horrifying and disconcerting to watch.
And it was a good movie. But it just wasn't a "wow" movie for me. A female audience will by definition have more experience of this than a male one. Perhaps there is a sense of 'collective guilt' that we blokes need to work through. And perhaps that's a subconscious reason why I didn't 100% engage with the film. (Though I'd like to make it perfectly clear that I don't have any skeletons in that particular closet!)
(For the graphical review, please check out the review on One Mann's Movies here - https://bob-the-movie-man.com/2020/01/24/one-manns-movies-film-review-bombshell-2020/).
Bob Mann (459 KP) rated Cold Pursuit (2019) in Movies
Mar 15, 2020
Comments on revenge are best kept on the screen.
I'd completely forgotten the furore about Liam Neeson's comments back last February during the press-tour preceding the film's release. In discussing the destructive feelings of revenge experienced by his character, Nels Coxman, Neeson revealed something he did 40 years ago: after the rape of a friend by "a black man", Neeson went out on the streets to find another "black man" and do them harm. (As a fellow Ballymena-born man, David Moody (from the "Mark and Dave" blog) has an interesting theory about this... that it was not a "rascist" statement in the true sense, but something else entirely. See here - ).
The comments undoubtedly impacted the movie at the box office. Which is a shame. Because in his catalogue of bonkers and violent revenge-porn flicks, this is one of Neeson's more entertaining ones.
Revenge is a dish best served cold. And where colder to serve it than in the ski-resort of Kehoe where Nels Coxman is the local snowplow operative and "man of the year" for his services to the community. But the tracks are about to fall off his orderly life. For his son Kyle (Micheál Richardson) winds up dead through a drugs overdose and his strained marriage with wife Grace (Laura Dern) disintegrates. (One of the most cutting and best-written "Bye" notes ever seen in the movies).
With revenge in mind, Coxman pursues the Denver-based drugs lord Trevor Calcote (Tom Bateman) who dished out the drugs to his son. But he inadvertently manages to stay just below the parapet as he sets in train a gang war between Calcote and a Kehoe-based native-American drugs gang led by White Bull (Tom Jackson). The snow turned progressively pinker as the body count rises.
Calcote (aka "Viking") is painted as a colourful family man, with an annoyingly bright son Ryan (Nicholas Holmes) that he controls with a rod of iron. Viking is estranged from wife Aya (Julia Jones), who seems completely unafraid of him and happily embarrasses him in front of his men. This relationship never really works. Since given all the terrible and irrational things Viking does to people, whether they obstruct him or help him in equal measure, putting a quiet bullet into Aya's head seems to be to least he could do!
Where there is fun to be had is in the "Stockholm syndrome" linkage between young Ryan and Coxman. When his father insists on controlling his diet, feeding him the same insipidly healthy meals morning, noon and night, the alternative of being kidnapped and fed burgers seems eminently more preferable!
The film is at times really difficult to follow. There are lots of inexplicable leaps of logic and really inexplicably bonkers scenes that you can only patch together later. It's as if the filmmakers randomly filmed 5 hours of footage and then tried to edit it all into a cohesive plot!
As one example of this, the relationship between Coxman and "Wingman" (William Forsythe) was poorly introduced such that I was left baffled by a later plot twist.
In another scene, Neeson smashes the head of enforcer "Santa" (Michael Adamthwaite) into his steering wheel, but in the next scene collapses with him utterly exhausted in the snow. There was clearly a significant fight here that was cut out of the finished cut. But as a result the final cut makes no sense at all!
Of course, the local law enforcement team are average at best. Average because although young and keen-as-mustard detective Kim Dash (Emmy Rossum) is hot on the trail of the truth, her partner Gip (John Doman) is f*ckin' useless... wanting to do nothing but drink coffee and eat donuts in true Simpsons style.
Normally with these sort of films, it's difficult to keep track of the body count. No such problem here. Every death is celebrated with a tombstone graphic so it's easy to keep count! Needless to say, there are a lot of tombstones registered.
Directed by Norwegian Hans Petter Moland, it's all good violent cartoonish fun, that keeps its tongue firmly in its cheek for most of the running time. The snowy setting, the partly native-American cast and the presence of Julia Jones brings to mind the truly excellent Jeremy Renner / Elizabeth Olsen movie "Wind River". But there the similarities (and quality levels) definitely stop. It's not a clever movie; it's borderline bonkers for most of its running time (never more so than with a totally bizarre "joke" final shot); but it is entertaining. As a 'park brain at door' action comedy it just about makes the grade.
(For the full graphical review, please check out One Mann's Movies here - https://bob-the-movie-man.com/2020/03/15/one-manns-movies-dvd-review-cold-pursuit-2019/. Thanks.)
The comments undoubtedly impacted the movie at the box office. Which is a shame. Because in his catalogue of bonkers and violent revenge-porn flicks, this is one of Neeson's more entertaining ones.
Revenge is a dish best served cold. And where colder to serve it than in the ski-resort of Kehoe where Nels Coxman is the local snowplow operative and "man of the year" for his services to the community. But the tracks are about to fall off his orderly life. For his son Kyle (Micheál Richardson) winds up dead through a drugs overdose and his strained marriage with wife Grace (Laura Dern) disintegrates. (One of the most cutting and best-written "Bye" notes ever seen in the movies).
With revenge in mind, Coxman pursues the Denver-based drugs lord Trevor Calcote (Tom Bateman) who dished out the drugs to his son. But he inadvertently manages to stay just below the parapet as he sets in train a gang war between Calcote and a Kehoe-based native-American drugs gang led by White Bull (Tom Jackson). The snow turned progressively pinker as the body count rises.
Calcote (aka "Viking") is painted as a colourful family man, with an annoyingly bright son Ryan (Nicholas Holmes) that he controls with a rod of iron. Viking is estranged from wife Aya (Julia Jones), who seems completely unafraid of him and happily embarrasses him in front of his men. This relationship never really works. Since given all the terrible and irrational things Viking does to people, whether they obstruct him or help him in equal measure, putting a quiet bullet into Aya's head seems to be to least he could do!
Where there is fun to be had is in the "Stockholm syndrome" linkage between young Ryan and Coxman. When his father insists on controlling his diet, feeding him the same insipidly healthy meals morning, noon and night, the alternative of being kidnapped and fed burgers seems eminently more preferable!
The film is at times really difficult to follow. There are lots of inexplicable leaps of logic and really inexplicably bonkers scenes that you can only patch together later. It's as if the filmmakers randomly filmed 5 hours of footage and then tried to edit it all into a cohesive plot!
As one example of this, the relationship between Coxman and "Wingman" (William Forsythe) was poorly introduced such that I was left baffled by a later plot twist.
In another scene, Neeson smashes the head of enforcer "Santa" (Michael Adamthwaite) into his steering wheel, but in the next scene collapses with him utterly exhausted in the snow. There was clearly a significant fight here that was cut out of the finished cut. But as a result the final cut makes no sense at all!
Of course, the local law enforcement team are average at best. Average because although young and keen-as-mustard detective Kim Dash (Emmy Rossum) is hot on the trail of the truth, her partner Gip (John Doman) is f*ckin' useless... wanting to do nothing but drink coffee and eat donuts in true Simpsons style.
Normally with these sort of films, it's difficult to keep track of the body count. No such problem here. Every death is celebrated with a tombstone graphic so it's easy to keep count! Needless to say, there are a lot of tombstones registered.
Directed by Norwegian Hans Petter Moland, it's all good violent cartoonish fun, that keeps its tongue firmly in its cheek for most of the running time. The snowy setting, the partly native-American cast and the presence of Julia Jones brings to mind the truly excellent Jeremy Renner / Elizabeth Olsen movie "Wind River". But there the similarities (and quality levels) definitely stop. It's not a clever movie; it's borderline bonkers for most of its running time (never more so than with a totally bizarre "joke" final shot); but it is entertaining. As a 'park brain at door' action comedy it just about makes the grade.
(For the full graphical review, please check out One Mann's Movies here - https://bob-the-movie-man.com/2020/03/15/one-manns-movies-dvd-review-cold-pursuit-2019/. Thanks.)
Darren (1599 KP) rated The Night Sitter (2019) in Movies
Jul 25, 2019
Story: The Night Sitter starts when a con-artist Amber (Dufour) poses as a babysitter for her latest job, she finds a wealthy occult enthusiast child Kevin (Champion) to babysit for the night, along with his father’s new girlfriend son Ronnie (Campbell).
With Amber setting up her plan with her partners in crime Rod (Rivers), Lindsey (Neukum) and her over-protective stalker who thinks he is her boyfriend Martin (Larmore), the boys enter the relic room and unwittingly release three witches upon the household.
Thoughts on The Night Sitter
Characters – Amber is a con-artist that poses as a babysitter for her latest job, she has the experience to trick the adult into believing she is qualified for the job and keeps the kids occupied enough to prepare for her robbery. She remains calm however many obstacles get thrown in her way including her partner bring his girlfriend, her stalker boyfriend and obsessed man from across the road. Kevin is the son from the house, he isn’t willing to get overly involved in searching around the house, he doesn’t want to be friends with Ronnie and spends time trying to prove the witches are real. Rod is the criminal partner, he brings his girlfriend on the latest job which shows him being a slacker when it comes to the jobs. Lindsey is the girlfriend of Rod’s she comes dressed like a cat burglar getting into the role of criminal thief, willing to get involved in everything going on.
Performances – Elyse Dufour in the leading role is the strongest of the cast, she shows the calm required while keeping her character in control through the night. Jack Champion is the young actor playing one of the children, he brings the nervous innocence needed for this film. Jermain Rivers does get a lot of the comedy to do with his character being the dumb one in the criminal act. Each actor does give their character enough to be a standout.
Story – The story here follows a con-artist working on her latest job which turns into a nightmare when three witches are released into the house searching for their latest victims. This is a story with plenty going on, in other films this hasn’t worked, for this one it does, the kids are troublesome like you would imagine, the criminal characters bring the laughs, which has moments that feel like we are watching the Home Alone thieves and once we add the witches into the mix, everything ties together effortlessly. If you have seen Annabelle Comes Home, you can see certain similarities, though this movie was made first before anyone thinks I am calling it a copy, having the household needing to deal with hauntings from a secret room, shows that this could be compared.
Comedy/Horror – The comedy in the film comes from criminals for the most part, with them not having everything going to plan, the horror comes from witches that have started to haunt the members of the household for the night.
Settings – The film is set in the one location of the house that has the occult material inside, they become trapped which plays into the idea of what the horror is coming for them.
Special Effects – The effects in the film are great, we get to see the blood covered moments that the witches put on their victims.
Scene of the Movie – Heading down to the basement.
That Moment That Annoyed Me – Martin the character, mostly because he changes through the whole film, starting nervous, turning into the ass by the end.
Final Thoughts – This is a fun horror comedy that will get a couple of laughs, while giving us the blood needing for the witches getting the blood needed.
Overall: Three Witches, One Solution, Enjoy.
With Amber setting up her plan with her partners in crime Rod (Rivers), Lindsey (Neukum) and her over-protective stalker who thinks he is her boyfriend Martin (Larmore), the boys enter the relic room and unwittingly release three witches upon the household.
Thoughts on The Night Sitter
Characters – Amber is a con-artist that poses as a babysitter for her latest job, she has the experience to trick the adult into believing she is qualified for the job and keeps the kids occupied enough to prepare for her robbery. She remains calm however many obstacles get thrown in her way including her partner bring his girlfriend, her stalker boyfriend and obsessed man from across the road. Kevin is the son from the house, he isn’t willing to get overly involved in searching around the house, he doesn’t want to be friends with Ronnie and spends time trying to prove the witches are real. Rod is the criminal partner, he brings his girlfriend on the latest job which shows him being a slacker when it comes to the jobs. Lindsey is the girlfriend of Rod’s she comes dressed like a cat burglar getting into the role of criminal thief, willing to get involved in everything going on.
Performances – Elyse Dufour in the leading role is the strongest of the cast, she shows the calm required while keeping her character in control through the night. Jack Champion is the young actor playing one of the children, he brings the nervous innocence needed for this film. Jermain Rivers does get a lot of the comedy to do with his character being the dumb one in the criminal act. Each actor does give their character enough to be a standout.
Story – The story here follows a con-artist working on her latest job which turns into a nightmare when three witches are released into the house searching for their latest victims. This is a story with plenty going on, in other films this hasn’t worked, for this one it does, the kids are troublesome like you would imagine, the criminal characters bring the laughs, which has moments that feel like we are watching the Home Alone thieves and once we add the witches into the mix, everything ties together effortlessly. If you have seen Annabelle Comes Home, you can see certain similarities, though this movie was made first before anyone thinks I am calling it a copy, having the household needing to deal with hauntings from a secret room, shows that this could be compared.
Comedy/Horror – The comedy in the film comes from criminals for the most part, with them not having everything going to plan, the horror comes from witches that have started to haunt the members of the household for the night.
Settings – The film is set in the one location of the house that has the occult material inside, they become trapped which plays into the idea of what the horror is coming for them.
Special Effects – The effects in the film are great, we get to see the blood covered moments that the witches put on their victims.
Scene of the Movie – Heading down to the basement.
That Moment That Annoyed Me – Martin the character, mostly because he changes through the whole film, starting nervous, turning into the ass by the end.
Final Thoughts – This is a fun horror comedy that will get a couple of laughs, while giving us the blood needing for the witches getting the blood needed.
Overall: Three Witches, One Solution, Enjoy.
Mark Halpern (153 KP) rated I, Tonya (2017) in Movies
Jan 18, 2018
Acting (2 more)
Story
Cast
Skate or Die
A lot of us remember the day when Nancy Kerrigan's knee was smashed by a hired hit man. According to this biographical film it is told that it was supposed to death threat letters that were to be written to scare her off but, instead one of the hired men took a rod and smashed her knee. Kerrigan was slated as the top us skater to qualify for the Olympics and Harding was close behind being the only female who could land the triple axle.
The story told of Harding's life in this movie makes us feel horrible for her. The way she was brought up, her father leaving when she was very young, the abusive mentally and physically mother, the abusive husband who she had battered women's syndrome with. Her bad ass up brining that made the judges hated her for not being American enough. Her life was Shit that turned into to gold but back to shit yet again. She possibly could have made it on her own.
Harding's husband was behind the plot along with his dumb friend who was Harding's bodyguard arranged to have Kerrigan dismantled in some fashion. Of course these idiots were found and spilled their guts. Harding was named as knowing about the plot but, has denied up until her latest interview. As she said "I have said I am sorry enough, enough saying i'm sorry." So believe this story or the hundred others that are out there on exactly what happened. I truly believe she knew about the plot just not when it was going to happen.
Marggot Robbie shows her acting range in this movie. She has played along side Leo in Wolf Of Wall Street an shined. She played everyone's favorite woman villain as Harley Quinn in Suicide Squad and now doing real biographical role. She shows that she has no boundaries and can adapt to any role.
Allison Janney. Deserved the golden globe and has a dam good chance at winning the Oscar for best supporting actress. She has played almost every genre you can throw at an actress and succeed. She is so good that she made me believe that she could have been Harding's mother twin in an alternate universe from all of the interviews.
This is a great close to excellent movie
The story told of Harding's life in this movie makes us feel horrible for her. The way she was brought up, her father leaving when she was very young, the abusive mentally and physically mother, the abusive husband who she had battered women's syndrome with. Her bad ass up brining that made the judges hated her for not being American enough. Her life was Shit that turned into to gold but back to shit yet again. She possibly could have made it on her own.
Harding's husband was behind the plot along with his dumb friend who was Harding's bodyguard arranged to have Kerrigan dismantled in some fashion. Of course these idiots were found and spilled their guts. Harding was named as knowing about the plot but, has denied up until her latest interview. As she said "I have said I am sorry enough, enough saying i'm sorry." So believe this story or the hundred others that are out there on exactly what happened. I truly believe she knew about the plot just not when it was going to happen.
Marggot Robbie shows her acting range in this movie. She has played along side Leo in Wolf Of Wall Street an shined. She played everyone's favorite woman villain as Harley Quinn in Suicide Squad and now doing real biographical role. She shows that she has no boundaries and can adapt to any role.
Allison Janney. Deserved the golden globe and has a dam good chance at winning the Oscar for best supporting actress. She has played almost every genre you can throw at an actress and succeed. She is so good that she made me believe that she could have been Harding's mother twin in an alternate universe from all of the interviews.
This is a great close to excellent movie