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    Zero Hour

    Zero Hour

    5.0 (2 Ratings) Rate It

    Podcast

    The Zero Hour was a 1973-74 radio broadcast hosted by Rod Serling. The Zero Hour featured well known...

The Golden Age of Television
The Golden Age of Television
1981 | Documentary
(0 Ratings)
TV Show Favorite

"Look at it this way: The Twilight Zone is your memories of growing up, of learning to understand a certain language of cinematic storytelling that embraces fantastic twists of plot and character. Then, when you’re older, and it occurs to you to ask your parents what things were really like back in the day, the answer is Patterns, Requiem for a Heavyweight, and The Comedian, all written by Rod Serling. Of course, there’s more than Serling’s writing to love here: the immediacy of the productions and the adrenaline of the performances make for a perfect record of this incredibly pivotal era of storytelling."

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    Studio One

    Studio One

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    TV Show

    A pinnacle of the Golden Age of Television, "Studio One" presented a wide range of memorable dramas...

The Vast of Night (2019)
The Vast of Night (2019)
2019 | Mystery, Sci-Fi
High-concept, low-budget SF movie. It's the night of the year's first basketball game somewhere in Texas, and most people are watching. But small-town DJ Everett and switchboard operator Fay aren't, and they start to get strange reports of mysterious radio signals and peculiar lights. The same phrase recurs again and again: there's something in the sky...

Framed as a Twilight Zone or Outer Limits pastiche, and while the subject matter is certainly similar, much of the style is not: long takes, either static or mobile, rattling dialogue, a sort of self-consciousness about form which is only to be expected in a directorial debut. Interesting subtext about the aliens' agenda and the people prepared to speak up about their experiences (generally speaking, it's people from the lowest strata of society). Genuinely tense and even a bit eerie in places: Rod Serling would never have written something so oblique, but I think he would have appreciated its quality regardless.
  
100 Fathoms Below
100 Fathoms Below
6
6.0 (1 Ratings)
Book Rating
Contains spoilers, click to show
I love books that take place under the sea–particularly horror books. If you’ve read my review on Something’s Alive on the Titanic, you probably already know that. (It’s a great book by the way, and its author is Robert Serling–brother to Rod Serling.) It’s only natural that I selected 100 Fathoms Below when I read its nautical, and eerie, description.

And here’s where my spoiler comes in, because I’m about to go on a mini-rant. The synopsis hints at a mysterious, evil monster hunting the crew of the ship, but it does not say what that creature is. Therefore, I feel that revealing this is a book about vampires is, in fact, a spoiler–contrary to popular belief of other reviewers. It’s pretty obvious early on, with the first hint coming in at 8%, however if I’d known this was a vampire book before I chose it, I wouldn’t have taken the time to read it. The key word there is BEFORE. Because I had it spoiled by a straight up summary of the prologue on Goodreads, coupled with a pretty hearty description about the… well, vampires. So, now that you know that overly used trope is here, let’s take a moment to discuss what Kent and Kaufmann do right, shall we?

The vampires in 100 Fathoms Below are good ol’ classic boys, in the sense that they’re bloodthirsty and want nothing more than to maim and breed more of their kind. They aren’t romanticized, either–and that’s a great thing. In fact, they’re written well enough that, despite having been spoiled by a fellow reviewer, I enjoyed the book enough to finish it. Mostly because I wanted to see how things ended.

Something else Kent and Kaufmann excel at is creating a connection between the readers and characters. I found myself sharing the hopes and dreams of many of the figures we meet. That made some of the deaths a lot more difficult on me.

The plot is quick, making it an easy read; however, the sense of intrigue isn’t really there. The whole discovering a prototype Soviet submarine takes the back burner with an occasional mention and even when it does come back into play toward the end of the book, there’s not exactly any excitement or fear of them being caught. I found that to be a bit disappointing.

Overall, it’s an entertaining read, but I probably wouldn’t take the time to re-read it. I’d like to thank NetGalley and Blackstone Publishing for providing me with a free copy of this book in exchange for an honest review.