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Kevin Phillipson (10011 KP) rated The Spy Who Loved Me (1977) in Movies
Mar 5, 2018
Roger moore (1 more)
Story
Nobody does it better
My favorite of the roger moore bonds mussing submarines lotus car jaws as a henchman before he goes soft in the next movie. The ionic tune from carly simon even the plot is simular to you only live twice the main villan not the best bond villian but he serves the plot and roger moore at his finest
Mark Halpern (153 KP) rated The Spy Who Loved Me (1977) in Movies
Dec 30, 2017
Kevin Phillipson (10011 KP) rated For Your Eyes Only (1981) in Movies
Mar 14, 2018
Terry Crews recommended Roger & Me (1989) in Movies (curated)
David McK (3361 KP) rated Smokey and the Bandit (1977) in Movies
Sep 11, 2022
Late 70s 'road trip' film, essentially a star vehicle for Burt Reynolds, with Reynolds as 'The Bandit' who is hired/bet to bootleg Coors beer cross-country over state lines (at a time when that was illegal to do so), using his Pontia Firebird TransAm to run interference for the truck driver who actually has that cargo.
Along the way he picks up a runaway bride (Sally Field), and is also relentlessly pursued by Jackie Gleeson's unforgettable Sheriff Buford T. Justice.
Elements reminded me a bit of Wacky Races cartoon, or even that Roger Moore Bond film ('The Man with the Golden Gun', I think) where Bond's car has to jump over an out-of-commission bridge ...
Along the way he picks up a runaway bride (Sally Field), and is also relentlessly pursued by Jackie Gleeson's unforgettable Sheriff Buford T. Justice.
Elements reminded me a bit of Wacky Races cartoon, or even that Roger Moore Bond film ('The Man with the Golden Gun', I think) where Bond's car has to jump over an out-of-commission bridge ...
Awix (3310 KP) rated For Your Eyes Only (1981) in Movies
May 10, 2019
First of the 80s Bonds takes a step back from the camp excesses of the previous couple of entries and tries for a more Connery-esque, down to earth style; the results are impressive if perhaps a little too bland for this to really qualify as a Great Bond Movie.
Roger Moore's search for a missing component of a missile defence system (it's a Maguffin) takes him all around the Med and up into Italy; highlights include various inventive chases and other set pieces - everyone seems to be trying hard to do something original, which is nice. Also includes a scene where Bond rebuffs a hot young blonde who turns up in his bed, possibly the most out-of-character moment in the entire series. The lack of a really memorable villain also counts against it, but this is still possibly the best of the Moore Bonds, and the best of the decade.
Roger Moore's search for a missing component of a missile defence system (it's a Maguffin) takes him all around the Med and up into Italy; highlights include various inventive chases and other set pieces - everyone seems to be trying hard to do something original, which is nice. Also includes a scene where Bond rebuffs a hot young blonde who turns up in his bed, possibly the most out-of-character moment in the entire series. The lack of a really memorable villain also counts against it, but this is still possibly the best of the Moore Bonds, and the best of the decade.
Awix (3310 KP) rated The Man with the Golden Gun (1974) in Movies
Feb 19, 2018
Ninth James Bond film was rush-released to consolidate Roger Moore in the role, also to cash in on fad for kung fu movies at the time; forms part of the 'British civil servant travels by seaplane to sun-obsessed Christopher Lee's private island in search of missing girl, finds Britt Ekland waiting' movement of 1973-4. Bond must engage in battle of wits with triple-nippled assassin Scaramanga. Then-topical subplot about energy crisis trundles along in the background.
Not bad instance of Bond franchise as pure genre movie; decent fights and chases, but only one moment that really deserves a place on the 'best of Bond' showreel (the corkscrew bridge jump). Christopher Lee barely breaks a sweat as the best actor in the movie. Slightly sleazy atmosphere (in places it resembles a softcore porn movie with the sex edited out); you can kind of see why one of the original producers thought the series had run out of steam and departed before the next one.
Not bad instance of Bond franchise as pure genre movie; decent fights and chases, but only one moment that really deserves a place on the 'best of Bond' showreel (the corkscrew bridge jump). Christopher Lee barely breaks a sweat as the best actor in the movie. Slightly sleazy atmosphere (in places it resembles a softcore porn movie with the sex edited out); you can kind of see why one of the original producers thought the series had run out of steam and departed before the next one.
David McK (3361 KP) rated Moonraker (James Bond, #3) in Books
Jan 30, 2019
I know I've seen it, but I don't really remember all the much about the 1979 Moonraker film (incidentally, the year I was born), other than that it starred Roger Moore (in his fourth role as James Bond), and that James Bond went into space.
James Bond does not go into space.
At least, not in the novel on which that film is (very loosely) based - or, more accurately, from which they took the title.
Instead, we have a Cold-War era spy thriller, with the Moonraker of the title really more of an Intercontinental Ballistic Missile (an IBM) rather than the Space Shuttle of the movie. Nor is there CIA involvement, nor a battle-in-space, nor a madman setting out to wipe out all life on Earth ... you get the picture.
There are, however, elements of the novel that make it into future Bond movies, in particular the facial reconstructive surgery of 'Die Another Day' clearly picking up it's cue from the background given to the central antagonist of Drax, and just what happened to him during the war.
James Bond does not go into space.
At least, not in the novel on which that film is (very loosely) based - or, more accurately, from which they took the title.
Instead, we have a Cold-War era spy thriller, with the Moonraker of the title really more of an Intercontinental Ballistic Missile (an IBM) rather than the Space Shuttle of the movie. Nor is there CIA involvement, nor a battle-in-space, nor a madman setting out to wipe out all life on Earth ... you get the picture.
There are, however, elements of the novel that make it into future Bond movies, in particular the facial reconstructive surgery of 'Die Another Day' clearly picking up it's cue from the background given to the central antagonist of Drax, and just what happened to him during the war.
David McK (3361 KP) rated Live and Let Die (James Bond, #2) in Books
Jan 30, 2019
"When you were young, and your heart was an open book,
You used to say live and let live
(you know you did you know you die you know you did)
But in this ever changing world in which we live in
Makes you give in and cry ...
Live and let die ..."
(cue guitar riff)
With that out of the way - Paul McCartney and Wings, later covered by Guns 'N Roses - Live and Let Die is the second James Bond book by Ian Fleming, but the eighth film in the series, and the first to star Roger Moore in the lead role.
And reading it with contemporary eyes, boy has it aged. Quite different than the movie - although the key elements (vodoo, Baron Samedi, Solitaire, American southwest setting) are intact, it can also be quite uncomfortable reading this with modern sensibilities, particularly in how Flemings (and Bond) treats the female characters, and in how the Harlem culture and denizens are portrayed.
Allowances must be made, I suppose, for the time period in which it was written ...
You used to say live and let live
(you know you did you know you die you know you did)
But in this ever changing world in which we live in
Makes you give in and cry ...
Live and let die ..."
(cue guitar riff)
With that out of the way - Paul McCartney and Wings, later covered by Guns 'N Roses - Live and Let Die is the second James Bond book by Ian Fleming, but the eighth film in the series, and the first to star Roger Moore in the lead role.
And reading it with contemporary eyes, boy has it aged. Quite different than the movie - although the key elements (vodoo, Baron Samedi, Solitaire, American southwest setting) are intact, it can also be quite uncomfortable reading this with modern sensibilities, particularly in how Flemings (and Bond) treats the female characters, and in how the Harlem culture and denizens are portrayed.
Allowances must be made, I suppose, for the time period in which it was written ...