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Phillip McSween (751 KP) rated Mission: Impossible 2 (2000) in Movies
Jun 4, 2019
Short of Average
When you spend two hours on a movie like Mission: Impossible 2, you can’t help but wonder, “Did they make this just to piss me off?” I knew the answer was no, but I was pissed nonetheless. In the franchise’s first sequel, Ethan Hunt (Tom Cruise) is back at it trying to recover a deadly virus from a rogue agent.
Acting: 8
Beginning: 9
Characters: 8
Cinematography/Visuals: 3
I wish I could have been in the editing room when they were working on this movie. Everytime director John Woo would mention anything about slow mo, I would send an electric shock down his spine. Enough already. You can slow the camera down, great! It doesn’t add to the value of the action. The John Wick movies are a perfect example of that. He cuts through guys with efficiency and speed. And you know what else? He does it without the damn doves! M:I 2 is a visual mess.
Conflict: 8
Genre: 3
When I think of great actions movies, this ain’t it. Not even close. It had flashes, but falls well short of being even average.
Memorability: 5
Pace: 6
Plot: 5
This movie breaks two major rules of filmmaking by having: 1. A love relationship that develops way too quickly and 2. A plot that advances based on sheer coincidence. You can’t be clever with screenwriting and take shortcuts at the same time, good writing just doesn’t work that way. At best, the story is mediocre.
Resolution: 7
Overall: 62
Mission: Impossible 2 reminds me of those cheesy action movies of old that you knew would be bad, but you suffered through it because you just wanted to see stuff blow up. Actually, it’s worse than that because it actually attempts to be a good movie and, in the process, takes itself way too seriously. Flashes of greatness, but moreso just a flash in the pan.
Acting: 8
Beginning: 9
Characters: 8
Cinematography/Visuals: 3
I wish I could have been in the editing room when they were working on this movie. Everytime director John Woo would mention anything about slow mo, I would send an electric shock down his spine. Enough already. You can slow the camera down, great! It doesn’t add to the value of the action. The John Wick movies are a perfect example of that. He cuts through guys with efficiency and speed. And you know what else? He does it without the damn doves! M:I 2 is a visual mess.
Conflict: 8
Genre: 3
When I think of great actions movies, this ain’t it. Not even close. It had flashes, but falls well short of being even average.
Memorability: 5
Pace: 6
Plot: 5
This movie breaks two major rules of filmmaking by having: 1. A love relationship that develops way too quickly and 2. A plot that advances based on sheer coincidence. You can’t be clever with screenwriting and take shortcuts at the same time, good writing just doesn’t work that way. At best, the story is mediocre.
Resolution: 7
Overall: 62
Mission: Impossible 2 reminds me of those cheesy action movies of old that you knew would be bad, but you suffered through it because you just wanted to see stuff blow up. Actually, it’s worse than that because it actually attempts to be a good movie and, in the process, takes itself way too seriously. Flashes of greatness, but moreso just a flash in the pan.
Debbiereadsbook (1753 KP) rated Midnight In Berlin in Books
Aug 24, 2018
Not really one for me :-(
Independent reviewer for Divine Magazine, I was gifted my copy of this book.
Covered in feathers, Leon hitchhikes back to his hostel. But Christoph mistakes Leon for a rogue werewolf, and bites him, making Leon like Christoph. Waking up in a house full of others, Leon is more worried about Christoph than his own fate. After Leon frees Christoph, and the truth about their history becomes clear, Leon and Christoph want to leave the pack. But not everyone will let them.
I'm rally not sure how I feel about this book! I did not love it, at all but I didn't hate it either. This is going to be one of those short reviews, and I apologise for that!
It's almost clean, which surprised me, don't know WHY it surprised me, but it did. Also surprised by the fact that I rather liked that it was!
It is, however, quite violent in places. Graphically so, and I did find it a bit too much for me. Someone else might not find it as bad, but me? I didn't like that.
It's told entirely from Leon's point of view and of course I wanted to hear from Christoph. He makes some spur of the moment, life changing decisions here and I needed to know what was going through his mind at those key points in the story.
What Leon does say, is in the first person, past tense, His voice is well written, and well delivered and he gets all the important emotions across in all the right places. I saw no spelling or editing errors to spoil my reading.
I jst don't know if this book was for me, that's all! And Lord knows, I say it often enough, but it pains me when I can't word why I do or do not love a book.
So I'll leave it at that.
3 solid stars.
**same worded review will appear elsewhere**
Covered in feathers, Leon hitchhikes back to his hostel. But Christoph mistakes Leon for a rogue werewolf, and bites him, making Leon like Christoph. Waking up in a house full of others, Leon is more worried about Christoph than his own fate. After Leon frees Christoph, and the truth about their history becomes clear, Leon and Christoph want to leave the pack. But not everyone will let them.
I'm rally not sure how I feel about this book! I did not love it, at all but I didn't hate it either. This is going to be one of those short reviews, and I apologise for that!
It's almost clean, which surprised me, don't know WHY it surprised me, but it did. Also surprised by the fact that I rather liked that it was!
It is, however, quite violent in places. Graphically so, and I did find it a bit too much for me. Someone else might not find it as bad, but me? I didn't like that.
It's told entirely from Leon's point of view and of course I wanted to hear from Christoph. He makes some spur of the moment, life changing decisions here and I needed to know what was going through his mind at those key points in the story.
What Leon does say, is in the first person, past tense, His voice is well written, and well delivered and he gets all the important emotions across in all the right places. I saw no spelling or editing errors to spoil my reading.
I jst don't know if this book was for me, that's all! And Lord knows, I say it often enough, but it pains me when I can't word why I do or do not love a book.
So I'll leave it at that.
3 solid stars.
**same worded review will appear elsewhere**
David McK (3791 KP) rated Star Wars: Bloodline in Books
Jan 30, 2019
By and large, most of the Star Wars books to date (including in the old EU), have pretty much belonged to the 'boys club', dfocusing more on the male characters (Han, Luke, the X-Wing pilots, etc) than on their female contemporaries.
I think that's to be expected, given the predominantly male targer audience of the film series - an expectation that Disney themselves are trying to shake up, both in the new films (both of which - The Force Awakens and Rogue One - , so far, have female leads), and in the wider media, as can be shown by their 'Princess Leia' series of comics.
This follows(?) (or did it come first?) in the latter footsteps, with nary a sign of Luke and Han only popping in to give Leia a hand towards the climax of the novel.
Set in the period between the end of 'Return of the Jedi' and the start of 'The Force Awakens', this also seeks to bridge the gap between those two films, providing a bit of background to the history of The First Order and explaining why, if Leia was part of the Rebellion which toppled the Empire, just why she is now a key member in The Resistance - the Resistance to what, I hear you ask? This answers that question.
It's not a bad read by any strecth of the imagination - according to Goodreads own rating system, 2 stars is a 'I liked it'; I just personally found this a slower, somewhat heavier read than [a:Claudia Gray|1192311|Claudia Gray|https://images.gr-assets.com/authors/1234643683p2/1192311.jpg]'s other Star Wars title: '[b:Lost Stars|25067046|Lost Stars (Star Wars Journey to the Force Awakens)|Claudia Gray|https://images.gr-assets.com/books/1462731623s/25067046.jpg|44751860]';. And yes, I'm aware that this is aimed at a different audience.
How best to put it? I didn't find myself reading this quite so much in my spare time on the bus on the way to work!
I think that's to be expected, given the predominantly male targer audience of the film series - an expectation that Disney themselves are trying to shake up, both in the new films (both of which - The Force Awakens and Rogue One - , so far, have female leads), and in the wider media, as can be shown by their 'Princess Leia' series of comics.
This follows(?) (or did it come first?) in the latter footsteps, with nary a sign of Luke and Han only popping in to give Leia a hand towards the climax of the novel.
Set in the period between the end of 'Return of the Jedi' and the start of 'The Force Awakens', this also seeks to bridge the gap between those two films, providing a bit of background to the history of The First Order and explaining why, if Leia was part of the Rebellion which toppled the Empire, just why she is now a key member in The Resistance - the Resistance to what, I hear you ask? This answers that question.
It's not a bad read by any strecth of the imagination - according to Goodreads own rating system, 2 stars is a 'I liked it'; I just personally found this a slower, somewhat heavier read than [a:Claudia Gray|1192311|Claudia Gray|https://images.gr-assets.com/authors/1234643683p2/1192311.jpg]'s other Star Wars title: '[b:Lost Stars|25067046|Lost Stars (Star Wars Journey to the Force Awakens)|Claudia Gray|https://images.gr-assets.com/books/1462731623s/25067046.jpg|44751860]';. And yes, I'm aware that this is aimed at a different audience.
How best to put it? I didn't find myself reading this quite so much in my spare time on the bus on the way to work!
Debbiereadsbook (1753 KP) rated The Rogue King (Inferno Rising #1) in Books
Aug 14, 2019
I NEEEEEEEEEEEEEEED book two, yesterday!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
Jumping straight in here, cos ooooooeeeee I did LOVE this book!!
Brand is a rogue dragon, without a clan. Kasia, a Phoenix without a family. A Phoenix is the only one who can mate with the High King of ALL the dragons, and the makes her valuable. Brand is tasked with delivering Kasia to the Blood King, to his only friend from childhood. But Kasia ignites something in Brand, and he knows he cannot give up his mate.
This was, quite possibly, my favourite read this month! I mean, I had a lie in, read a few pages before you have to dig yourself out your pit, and before you know it, 3 hours has past and you've about flung your kindle (but not quite!) at the wall, cos now you NEEEEEEEEEEEEEEEED book two, yesterday!
Everyone, and I mean everyone IMPORTANT has a say: Kasia, Brand, and all those trying to get Kasia (but not saying who!)
Not everything is immediately clear, and you put things together all kinds of wrong before things are cleared up. And I LOVE being kept on my toes!
It's different, and I LOVE different, with the Phoenix being the key to High King status. With female born dragons being unable to bare children. With Kasia and her sisters having hidden for so long, and Kasia not doing so well hiding herself anymore.
There is an ongoing story arc, that makes you NEEEEEEEEEEEEEEEEEEEED book two, yesterday, to see what happens to Kasia's sisters. You can't see what's going to happen, not in the long term, but a massive clue screams at you for one sister, and there is another, much less subtle clue, for another. Whether that pans out how I see it, remains to be seen, but I WILL be reading these books!
Thank you, Ms Owen, for proper making my day!
5 bright and shiny stars
**same worded review will appear elsewhere**
Jumping straight in here, cos ooooooeeeee I did LOVE this book!!
Brand is a rogue dragon, without a clan. Kasia, a Phoenix without a family. A Phoenix is the only one who can mate with the High King of ALL the dragons, and the makes her valuable. Brand is tasked with delivering Kasia to the Blood King, to his only friend from childhood. But Kasia ignites something in Brand, and he knows he cannot give up his mate.
This was, quite possibly, my favourite read this month! I mean, I had a lie in, read a few pages before you have to dig yourself out your pit, and before you know it, 3 hours has past and you've about flung your kindle (but not quite!) at the wall, cos now you NEEEEEEEEEEEEEEEED book two, yesterday!
Everyone, and I mean everyone IMPORTANT has a say: Kasia, Brand, and all those trying to get Kasia (but not saying who!)
Not everything is immediately clear, and you put things together all kinds of wrong before things are cleared up. And I LOVE being kept on my toes!
It's different, and I LOVE different, with the Phoenix being the key to High King status. With female born dragons being unable to bare children. With Kasia and her sisters having hidden for so long, and Kasia not doing so well hiding herself anymore.
There is an ongoing story arc, that makes you NEEEEEEEEEEEEEEEEEEEED book two, yesterday, to see what happens to Kasia's sisters. You can't see what's going to happen, not in the long term, but a massive clue screams at you for one sister, and there is another, much less subtle clue, for another. Whether that pans out how I see it, remains to be seen, but I WILL be reading these books!
Thank you, Ms Owen, for proper making my day!
5 bright and shiny stars
**same worded review will appear elsewhere**
JT (287 KP) rated Safe House (2012) in Movies
Mar 10, 2020
Contains spoilers, click to show
Denzel Washington always gets the cool names, Tobin Frost is added to a long list, not that the actor cares too much? He just goes about his business. Here though, both he and Reynolds are suited adversaries in a film that never really has time to catch its breath.
Reynolds plays Matt Weston, an enthusiastic CIA agent who spends his time staring at four walls and surveillance equipment, as the resident of one of the many safe houses that are dotted the world over. When infamous rogue agent Tobin Frost is brought in, Weston gets caught up in a cat and mouse game of government espionage, where its better to trust in enemies than in friends.
Washington just oozes uber cool, and his screen presence in all his characters is exemplary, here Frost is a cold and calculated killer. Nothing seems to phase him and he wastes no time in getting under the skin and inside the head of the young agent.
Cape Town is the films backdrop, and its an unusual choice from anything that could be portrayed on America’s homeland with the action taking place in and amongst city streets and shanty town districts.
But I liked that, it made for some amazing action set pieces, including a car chase that will surely rival Ronin and a brilliant panic driven standoff at Green Point stadium. Giving too much a way would spoil the anticipation, of what is to come.
The supporting cast are not knock out’s but provide a brief interlude from the ensuing mess and turmoil that Weston and Frost are going through.
Brendan Gleeson, Vera Farmiga and Sam Shepard all do a job that fits in with the plot, there is a nice little cameo from Robert Patrick whose team are responsible for brining in Frost, [PLOT SPOILER] but fans of the former Terminator star will be saddened to know that he doesn’t last too long.
It’s a roller coaster ride there is no doubt about that, and its loud, very loud!
Reynolds plays Matt Weston, an enthusiastic CIA agent who spends his time staring at four walls and surveillance equipment, as the resident of one of the many safe houses that are dotted the world over. When infamous rogue agent Tobin Frost is brought in, Weston gets caught up in a cat and mouse game of government espionage, where its better to trust in enemies than in friends.
Washington just oozes uber cool, and his screen presence in all his characters is exemplary, here Frost is a cold and calculated killer. Nothing seems to phase him and he wastes no time in getting under the skin and inside the head of the young agent.
Cape Town is the films backdrop, and its an unusual choice from anything that could be portrayed on America’s homeland with the action taking place in and amongst city streets and shanty town districts.
But I liked that, it made for some amazing action set pieces, including a car chase that will surely rival Ronin and a brilliant panic driven standoff at Green Point stadium. Giving too much a way would spoil the anticipation, of what is to come.
The supporting cast are not knock out’s but provide a brief interlude from the ensuing mess and turmoil that Weston and Frost are going through.
Brendan Gleeson, Vera Farmiga and Sam Shepard all do a job that fits in with the plot, there is a nice little cameo from Robert Patrick whose team are responsible for brining in Frost, [PLOT SPOILER] but fans of the former Terminator star will be saddened to know that he doesn’t last too long.
It’s a roller coaster ride there is no doubt about that, and its loud, very loud!
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Feb 6, 2021 (Updated Feb 6, 2021)
LeftSideCut (3776 KP) rated Spider-Man: Homecoming (2017) in Movies
Feb 18, 2021
Spider-Man's first solo outing within the MCU is a frequently charming and grounded affair.
As the overarching narrative of this behemoth franchise becomes increasingly cosmic and out there, entries like Homecoming are a welcome change of pace.
Tom Holland is a picture perfect, high school era Peter Parker. There's a lot to love about the Spider-Man movies that have come before, but it's nice to see the focus being on his school years properly. He's a young kid, completely out of his depth juggling his civilian life with fighting, years away from the seasoned hero he eventually becomes. He struggles with friendships and relationships like an awkward teenager does whilst constantly craving more in life and aiming for bigger and better things. It's incredibly relatable in that sense.
The world-building surrounding all this is subtle too. The main villain is Vulture, a veteran Spidey rogue, and played by a genuinely intimidating Michael Keaton. His Vulture is equal parts bad-guy and sympathetic every-day-guy, trying to find his way in a post-Avengers world.
The story also finds time to sneak in a few more classic Marvel villains such as Shocker, Tinkerer, Prowler and Scorpion, and it's executed in a way that's not at all overwhelming.
Happy Hogan (Jon Favreau) and Tony Stark (Robert Downey Jr.) provide the concrete connections to the wider MCU without ever distracting from the main plot, and the rest of the stellar cast are rounded out by the likes of Marisa Tomei, Zendaya, and Jacob Batalon (as one of the most likable characters to ever grace this franchise FYI)
The set pieces are littered here and there throughout a fairly dialogue heavy screenplay, but they're all pretty solid, the ferry scene being a highlight.
All in all, Spider-Man: Homecoming is an incredibly enjoyable Marvel film, whilst being a touching story about growing up. It's fun, it's exciting, and it's pretty damn wholesome.
As the overarching narrative of this behemoth franchise becomes increasingly cosmic and out there, entries like Homecoming are a welcome change of pace.
Tom Holland is a picture perfect, high school era Peter Parker. There's a lot to love about the Spider-Man movies that have come before, but it's nice to see the focus being on his school years properly. He's a young kid, completely out of his depth juggling his civilian life with fighting, years away from the seasoned hero he eventually becomes. He struggles with friendships and relationships like an awkward teenager does whilst constantly craving more in life and aiming for bigger and better things. It's incredibly relatable in that sense.
The world-building surrounding all this is subtle too. The main villain is Vulture, a veteran Spidey rogue, and played by a genuinely intimidating Michael Keaton. His Vulture is equal parts bad-guy and sympathetic every-day-guy, trying to find his way in a post-Avengers world.
The story also finds time to sneak in a few more classic Marvel villains such as Shocker, Tinkerer, Prowler and Scorpion, and it's executed in a way that's not at all overwhelming.
Happy Hogan (Jon Favreau) and Tony Stark (Robert Downey Jr.) provide the concrete connections to the wider MCU without ever distracting from the main plot, and the rest of the stellar cast are rounded out by the likes of Marisa Tomei, Zendaya, and Jacob Batalon (as one of the most likable characters to ever grace this franchise FYI)
The set pieces are littered here and there throughout a fairly dialogue heavy screenplay, but they're all pretty solid, the ferry scene being a highlight.
All in all, Spider-Man: Homecoming is an incredibly enjoyable Marvel film, whilst being a touching story about growing up. It's fun, it's exciting, and it's pretty damn wholesome.
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