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Darren (1599 KP) rated Perfect Creature (2006) in Movies
Oct 24, 2019
Characters – Silus is the vampire from the brotherhood, he has a connection with his brother Edgar and will not let him take over once he becomes the blood thirty infected version of himself. Lilly is the nonsense cop that has suffered her own share of heartache with the viruses in the world, she doesn’t take any shit from anyone she believes to be guilty. Edgar is the brother of Silus that has become infected while trying to find the next cure for the human and Brotherhood medical problems which makes him the first member of the brotherhood to kill a human.
Performance – Dougray Scott is fine without being that impactful in the leading role and the same could be said for Saffron Burrows, the highlight of the film would be Leo Gregory as the Edgar the bloody thirsty crazy vampire.
Story – The story does feel like it could be another chapter of the Underworld saga, it has the vampires of the world living in peace with the humans but when one goes rogue it becomes personal. This isn’t the most original and strays too far into the middle of the fantasy world we are trying so desperately to head towards. We don’t find enough time to create the fantasy world that could become a franchise let alone a new story because in the end this could have just been a crime thriller.
Action/Fantasy/Horror – The action is fine, it mostly contains fights that try to offer an extra punch where needed but isn’t the most original, while the fantasy world doesn’t click for the story we are experiencing, the horror is tame too with it only being a couple of vampire like moments.
Settings – We have murky settings which is designed to show us the different in class between the two races.
Special Effects – The effects are all fine and at least the film doesn’t turn into a bad CGI moment film.
Scene of the Movie – The special gun that instant sleeps and enemy.
That Moment That Annoyed Me – It just doesn’t seem to feel fresh in any way.
Final Thoughts – Disappointing movie that doesn’t connect with the audience on the levels it could have because it wants to be a fantasy film but plays out only like a dark crime thriller.
Overall: Disappointing film.
Performance – Dougray Scott is fine without being that impactful in the leading role and the same could be said for Saffron Burrows, the highlight of the film would be Leo Gregory as the Edgar the bloody thirsty crazy vampire.
Story – The story does feel like it could be another chapter of the Underworld saga, it has the vampires of the world living in peace with the humans but when one goes rogue it becomes personal. This isn’t the most original and strays too far into the middle of the fantasy world we are trying so desperately to head towards. We don’t find enough time to create the fantasy world that could become a franchise let alone a new story because in the end this could have just been a crime thriller.
Action/Fantasy/Horror – The action is fine, it mostly contains fights that try to offer an extra punch where needed but isn’t the most original, while the fantasy world doesn’t click for the story we are experiencing, the horror is tame too with it only being a couple of vampire like moments.
Settings – We have murky settings which is designed to show us the different in class between the two races.
Special Effects – The effects are all fine and at least the film doesn’t turn into a bad CGI moment film.
Scene of the Movie – The special gun that instant sleeps and enemy.
That Moment That Annoyed Me – It just doesn’t seem to feel fresh in any way.
Final Thoughts – Disappointing movie that doesn’t connect with the audience on the levels it could have because it wants to be a fantasy film but plays out only like a dark crime thriller.
Overall: Disappointing film.
Gareth von Kallenbach (980 KP) rated The Man From U.N.C.L.E. (2015) in Movies
Aug 6, 2019
I have to admit, I knew nothing about The Man from U.N.C.L.E going into the movie, other than it was based on a TV show from the 60’s. It had flown under my radar for most of the year, overshadowed by highly-anticipated titles with colons, i.e., Avengers: Age of Ultron, Mad Max: Fury Road, Mission Impossible: Rogue Nation. When the screener was scheduled I was actually tempted to assign it to another reviewer. Then I watched the trailer and saw Henry Cavill (Superman) was one of the stars. At the risk of sounding shallow, that changed my mind.
As we waited for the movie to start, the Man from U.N.C.L.E soundtrack played through the theater’s sound system, transporting me to a Mad Men mindset, which helped as the movie backdrop is set in the early 1960’s period of the Cold War. We’re introduced first to Napoleon Solo, a CIA agent Cavill plays with amusing James Bond suave with an old-time movie accent. (Officially, I believe it’s called a Transatlantic accent.) He’s paired with Armie Hammer’s Illya Kuryakin, a KGB agent on a joint mission to stop a mysterious international criminal organization. To accomplish that, they need the cooperation of Gaby Teller (Alicia Vikander), the abandoned daughter of a German scientist, who is their key to infiltrating the criminal organization.
As you can guess, all the spy movie cliches can be found in Man from U.N.C.L.E. from the debonair womanizing agent, menacing foreigners, the femme fatale, the elaborate schemes that are executed smoothly, explanatory monologues, convenient gadgets, et al – just a vintage low tech, high glam version of spy movies you may have seen of late.
I’m actually glad I went in without any expectations. Guy Ritchie turned a pretty simple, straightforward plot into an intricate,, slightly off-kilter caper, with touches of his trademark storytelling from various perspectives. I enjoyed the subtle vying for supremacy the uneasy truce between Solo and Illya created, and while he’s not as dashing as Cavill, Hammer had great chemistry with Vikander.
This year has been quite the year for spy movies. U.N.C.L.E. is not the action thriller that Mission Impossible is, it’s also far from the campy shocker that Kingsmen was, nor is it as outrageously funny as Spy, but as spy movies go, U.N.C.L.E fits smoothly and oddly comfortably in that fold.
As we waited for the movie to start, the Man from U.N.C.L.E soundtrack played through the theater’s sound system, transporting me to a Mad Men mindset, which helped as the movie backdrop is set in the early 1960’s period of the Cold War. We’re introduced first to Napoleon Solo, a CIA agent Cavill plays with amusing James Bond suave with an old-time movie accent. (Officially, I believe it’s called a Transatlantic accent.) He’s paired with Armie Hammer’s Illya Kuryakin, a KGB agent on a joint mission to stop a mysterious international criminal organization. To accomplish that, they need the cooperation of Gaby Teller (Alicia Vikander), the abandoned daughter of a German scientist, who is their key to infiltrating the criminal organization.
As you can guess, all the spy movie cliches can be found in Man from U.N.C.L.E. from the debonair womanizing agent, menacing foreigners, the femme fatale, the elaborate schemes that are executed smoothly, explanatory monologues, convenient gadgets, et al – just a vintage low tech, high glam version of spy movies you may have seen of late.
I’m actually glad I went in without any expectations. Guy Ritchie turned a pretty simple, straightforward plot into an intricate,, slightly off-kilter caper, with touches of his trademark storytelling from various perspectives. I enjoyed the subtle vying for supremacy the uneasy truce between Solo and Illya created, and while he’s not as dashing as Cavill, Hammer had great chemistry with Vikander.
This year has been quite the year for spy movies. U.N.C.L.E. is not the action thriller that Mission Impossible is, it’s also far from the campy shocker that Kingsmen was, nor is it as outrageously funny as Spy, but as spy movies go, U.N.C.L.E fits smoothly and oddly comfortably in that fold.
The Autobiography or Narrative of a Soldier: The Peninsular War Memoirs of William Brown of the 45th Foot
Book
William Brown's autobiography is a unique historical document, since he is the only memoirist to...
Heroes Evolved
Games
App
Welcome to Heroes Evolved - a carefully balanced and fiercely competitive mobile battle arena...
Emma @ The Movies (1786 KP) rated The Forever Purge (2021) in Movies
Feb 20, 2022
I'm definitely late to the party on this series, I watched The Purge in preparation for First Purge and really enjoyed both... and let's face it, there's nothing like some gratuitous violence to fill your evening!
The annual Purge comes and goes with the usual drama, with those locked up safely in their spacious homes watching the events on TV. When morning comes and they come out of hiding, they get a welcome they weren't expecting. A rogue movement has no time for the law, it's now the forever purge.
So, a section of the population has decided to rise up and take their power back the only way they know how, through violence... you always worry that films might hit a little too close to home... let's not delve into that topic too much though.
Josh Lucas feels like he's making a resurgence these days. I'm not sure how I feel about him in this sort of role though. Dylan Tucker isn't exactly an exciting character, he has a rather unbelievable arc through the film, and there's no point where I felt any sympathy for him.
A lot of the other characters have similar flaws, there's no one that's really memorable apart from maybe Ana de la Reguera as Adele. She has some interesting moments to do with her backstory, but there's never much of an in-depth look at any of it throughout the film.
The Purge was a great concept and I loved the way it was very focused on one environment. The First Purge had an interesting story and I liked having the inception of the idea unfold. But the trouble with The Forever Purge was that it was somehow too much and not enough all at the same time. There were moments that had a lot of potential for the characters but they were cut off before they managed to get anywhere.
I got the escalating amount of the mindless violence I was looking for, but it seemed to mainly just be "travelling" action. There wasn't anything particularly gripping about it, and it didn't hold up to the previous instalments of the franchise I've seen, and that was a real shame.
Originally posted on: https://emmaatthemovies.blogspot.com/2022/02/the-forever-purge-movie-review.html
The annual Purge comes and goes with the usual drama, with those locked up safely in their spacious homes watching the events on TV. When morning comes and they come out of hiding, they get a welcome they weren't expecting. A rogue movement has no time for the law, it's now the forever purge.
So, a section of the population has decided to rise up and take their power back the only way they know how, through violence... you always worry that films might hit a little too close to home... let's not delve into that topic too much though.
Josh Lucas feels like he's making a resurgence these days. I'm not sure how I feel about him in this sort of role though. Dylan Tucker isn't exactly an exciting character, he has a rather unbelievable arc through the film, and there's no point where I felt any sympathy for him.
A lot of the other characters have similar flaws, there's no one that's really memorable apart from maybe Ana de la Reguera as Adele. She has some interesting moments to do with her backstory, but there's never much of an in-depth look at any of it throughout the film.
The Purge was a great concept and I loved the way it was very focused on one environment. The First Purge had an interesting story and I liked having the inception of the idea unfold. But the trouble with The Forever Purge was that it was somehow too much and not enough all at the same time. There were moments that had a lot of potential for the characters but they were cut off before they managed to get anywhere.
I got the escalating amount of the mindless violence I was looking for, but it seemed to mainly just be "travelling" action. There wasn't anything particularly gripping about it, and it didn't hold up to the previous instalments of the franchise I've seen, and that was a real shame.
Originally posted on: https://emmaatthemovies.blogspot.com/2022/02/the-forever-purge-movie-review.html
BankofMarquis (1832 KP) rated Indiana jones and the dial of destiny (2023) in Movies
Jul 9, 2023
Needed A Spark
Have you ever gone to a live stage play/musical on a Friday or Saturday evening and you can just feel the crackle of excitement and energy in the air and the performers on stage seem to catch that surge of energy and their performances are turned up a notch because of it?
And then, you return to that same theater - for the same show - for a Wednesday matinee and things are just flat. Same show, same performers, same entertainment, but that “spark” just isn’t there?
Such is the case of INDIANA JONES AND THE DIAL OF DESTINY - the Wednesday Matinee performance of an Indiana Jones adventures.
This James Mangold (FORD v FERRARI) Directed Indiana Jones adventure hits all the right notes - chase scenes, fights on a moving train, treasure hunt/quest for an ancient artifact, Indy getting into (and out of) trouble, etc…but Dial of Destiny never quite elevated itself above the norm.
80 year old Harrison Ford (and some stunt doubles and a boatload of de-aging software) is back, of course, as Indiana Jones and it is like pulling on an old, tattered sweatshirt - very comfortable and comforting. He is aided (in a cameo) by John Rhys-Davies’ Sallah (good to see him in an Indy movie again) and by rock solid additions of Antonio Banderas (ZORRO) and good ol’ Toby Jones (INFAMOUS) as colleagues and fellow adventurers as well as an above-average turn by Phoebe Waller-Bridge (TV’s FLEABAG).
These folks fight Nazis (naturally) and a bad guy played by Mads Mikkelsen (ROGUE ONE: A STAR WARS STORY) in an adventure that was “just fine” but “nothing special”, all set to a score by 90 year old John Williams(!). Oh, and don’t forget the welcome appearance of Karen Allen as Marion Ravenswood in what was one of the highlight scenes of the film.
Unfortunately, Mangold never elevates these characters, the chases, the escapes, the call backs to earlier Indiana Jones films above a pleasant warmth of memory, recalling all the good times/grand adventures that Indy has taken the audience on throughout the years. This film needed someone/some THING to help elevate it above the norm.
It needed Steven Spielberg to Direct.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
And then, you return to that same theater - for the same show - for a Wednesday matinee and things are just flat. Same show, same performers, same entertainment, but that “spark” just isn’t there?
Such is the case of INDIANA JONES AND THE DIAL OF DESTINY - the Wednesday Matinee performance of an Indiana Jones adventures.
This James Mangold (FORD v FERRARI) Directed Indiana Jones adventure hits all the right notes - chase scenes, fights on a moving train, treasure hunt/quest for an ancient artifact, Indy getting into (and out of) trouble, etc…but Dial of Destiny never quite elevated itself above the norm.
80 year old Harrison Ford (and some stunt doubles and a boatload of de-aging software) is back, of course, as Indiana Jones and it is like pulling on an old, tattered sweatshirt - very comfortable and comforting. He is aided (in a cameo) by John Rhys-Davies’ Sallah (good to see him in an Indy movie again) and by rock solid additions of Antonio Banderas (ZORRO) and good ol’ Toby Jones (INFAMOUS) as colleagues and fellow adventurers as well as an above-average turn by Phoebe Waller-Bridge (TV’s FLEABAG).
These folks fight Nazis (naturally) and a bad guy played by Mads Mikkelsen (ROGUE ONE: A STAR WARS STORY) in an adventure that was “just fine” but “nothing special”, all set to a score by 90 year old John Williams(!). Oh, and don’t forget the welcome appearance of Karen Allen as Marion Ravenswood in what was one of the highlight scenes of the film.
Unfortunately, Mangold never elevates these characters, the chases, the escapes, the call backs to earlier Indiana Jones films above a pleasant warmth of memory, recalling all the good times/grand adventures that Indy has taken the audience on throughout the years. This film needed someone/some THING to help elevate it above the norm.
It needed Steven Spielberg to Direct.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
Jordan Binkerd (567 KP) rated Mercy Kill (X-Wing #10) in Books
Aug 15, 2019 (Updated Aug 20, 2019)
Note: this review is transposted from my personal review blog, and so was originally written several years ago. I figured if I reposted it here, someone might actually read it….
NOTE: This novel is no longer canon following Disney’s acquisition of Star Wars. That’s not to say it isn’t good, just that it belongs to the old Canon - I prefer to think of it as an alternate universe.
Do you remember fondly the Star Wars novels of the 90s? Are you into Star Wars but a newcomer to the Expanded Universe? Do you enjoy your Star Wars with an undertone of comedy, so long as a certain floppy-eared terror is nowhere in sight? If so, X-WING: MERCY KILL may be a good book for you to check out.
Unlike most of the books being released set in the “modern” era of the Star Wars universe (44 ABY–i.e., 44 Years post-Episode IV), MERCY KILL lets you jump right in, more or less without knowing the situation to that point. A lot of the others you could read cold, but they wouldn’t make much sense. MERCY KILL, however, has little to do with the ongoing plot of the Expanded Universe. It’s rooted in recent events, but the setup is very simple and easily grasped. It would pay to know the characters from the X-Wing novels of the 90s, but even that is not really necessary. You could check out three or four articles on Wookiepedia and be fine–I did, just to refresh my memory.
So….here’s what you need to know. In the 90s, they published a series of comics and then novels based around Rogue Squadron, led by Wedge Antilles and a number of the X-Wing pilots from the films along with some new faces. These comics and the first four novels were written by Michael Stackpole, but after the fourth he dropped out for a while citing other commitments he had to work on. So they hired in Aaron Allston to continue the series. Allston decided to let the Rogues go off on their own adventures while he created a new team for his novels–Wraith Squadron, a team of X-Wing pilots who would work equally well as a ground-based commando team. The result was a cross between The A-Team and The Dirty Dozen, with some aerial action thrown in. For the purposes of this new novel, notable characters included Garik “Face” Loran, a child star turned soldier and the eventual commander of the Wraiths; and Voort “Piggy” SaBinring, a genetically-modified Gamorrean. There are a few other returning faces, but these were the better developed and you can probably get by just knowing them.
The Star Wars publishing event of the early 2000s was the New Jedi Order series, in which a race of extra-galactic aliens called the Yuuzhan Vong invaded the Galaxy Far, Far Away and sought to subjugate its people. They almost did it, and they changed the way Star Wars novels worked in the process. Characters–MAIN CHARACTERS–died. Chewbacca, Han and Leia’s youngest son Anakin Solo, and countless others fell to the military might of the invaders. There have been other upheavals since, most notably a second Galactic Civil War when Han and Leia’s oldest son Jacen Solo fell to the Dark Side. In the aftermath of that war, a conspiracy was formed to take over both the Galactic Alliance and the Empire and merge them together once again, recapturing the glory of the height of the Old Empire. This conspiracy failed, but it may not have been completely rooted out…..
In this book, Garik Loran is called out of retirement by the head of the Alliance military. He wants Loran to quietly look into rumors that an up-and-coming officer may have been connected to the Lecerson Conspiracy. Wraith Squadron is back in business! The resulting adventure is a fun trip, dealing both in nostalgia for those of us who read the adventures of the original Wraiths long ago and in action that newer fans can get into, all the while serving up Allston’s signature undertone of humor mixed with heart. I heartily recommend it. The one caveat I will mention for fans of the original books is that there is comparatively little aerial combat in this book. The plot doesn’t call for it, and I certainly didn’t really miss it too much, but some may be disappointed by that.
If you want more reading suggestions, the X-Wing: Rogue Squadron comics and X-Wing novels are quite good. If you wanted to enhance your experience with this book, I would have you read at least the novels, but you may not have the patience for all nine of the previous books. If not, I won’t hold it against you.
Content-wise, they keep the Star Wars novels pretty PG. Mild language, mild violence, mild innuendos…..nothing to worry about.
Original post: https://jordanbinkerd.wordpress.com/2013/03/12/review-star-wars-x-wing-mercy-kill-by-aaron-allston/
NOTE: This novel is no longer canon following Disney’s acquisition of Star Wars. That’s not to say it isn’t good, just that it belongs to the old Canon - I prefer to think of it as an alternate universe.
Do you remember fondly the Star Wars novels of the 90s? Are you into Star Wars but a newcomer to the Expanded Universe? Do you enjoy your Star Wars with an undertone of comedy, so long as a certain floppy-eared terror is nowhere in sight? If so, X-WING: MERCY KILL may be a good book for you to check out.
Unlike most of the books being released set in the “modern” era of the Star Wars universe (44 ABY–i.e., 44 Years post-Episode IV), MERCY KILL lets you jump right in, more or less without knowing the situation to that point. A lot of the others you could read cold, but they wouldn’t make much sense. MERCY KILL, however, has little to do with the ongoing plot of the Expanded Universe. It’s rooted in recent events, but the setup is very simple and easily grasped. It would pay to know the characters from the X-Wing novels of the 90s, but even that is not really necessary. You could check out three or four articles on Wookiepedia and be fine–I did, just to refresh my memory.
So….here’s what you need to know. In the 90s, they published a series of comics and then novels based around Rogue Squadron, led by Wedge Antilles and a number of the X-Wing pilots from the films along with some new faces. These comics and the first four novels were written by Michael Stackpole, but after the fourth he dropped out for a while citing other commitments he had to work on. So they hired in Aaron Allston to continue the series. Allston decided to let the Rogues go off on their own adventures while he created a new team for his novels–Wraith Squadron, a team of X-Wing pilots who would work equally well as a ground-based commando team. The result was a cross between The A-Team and The Dirty Dozen, with some aerial action thrown in. For the purposes of this new novel, notable characters included Garik “Face” Loran, a child star turned soldier and the eventual commander of the Wraiths; and Voort “Piggy” SaBinring, a genetically-modified Gamorrean. There are a few other returning faces, but these were the better developed and you can probably get by just knowing them.
The Star Wars publishing event of the early 2000s was the New Jedi Order series, in which a race of extra-galactic aliens called the Yuuzhan Vong invaded the Galaxy Far, Far Away and sought to subjugate its people. They almost did it, and they changed the way Star Wars novels worked in the process. Characters–MAIN CHARACTERS–died. Chewbacca, Han and Leia’s youngest son Anakin Solo, and countless others fell to the military might of the invaders. There have been other upheavals since, most notably a second Galactic Civil War when Han and Leia’s oldest son Jacen Solo fell to the Dark Side. In the aftermath of that war, a conspiracy was formed to take over both the Galactic Alliance and the Empire and merge them together once again, recapturing the glory of the height of the Old Empire. This conspiracy failed, but it may not have been completely rooted out…..
In this book, Garik Loran is called out of retirement by the head of the Alliance military. He wants Loran to quietly look into rumors that an up-and-coming officer may have been connected to the Lecerson Conspiracy. Wraith Squadron is back in business! The resulting adventure is a fun trip, dealing both in nostalgia for those of us who read the adventures of the original Wraiths long ago and in action that newer fans can get into, all the while serving up Allston’s signature undertone of humor mixed with heart. I heartily recommend it. The one caveat I will mention for fans of the original books is that there is comparatively little aerial combat in this book. The plot doesn’t call for it, and I certainly didn’t really miss it too much, but some may be disappointed by that.
If you want more reading suggestions, the X-Wing: Rogue Squadron comics and X-Wing novels are quite good. If you wanted to enhance your experience with this book, I would have you read at least the novels, but you may not have the patience for all nine of the previous books. If not, I won’t hold it against you.
Content-wise, they keep the Star Wars novels pretty PG. Mild language, mild violence, mild innuendos…..nothing to worry about.
Original post: https://jordanbinkerd.wordpress.com/2013/03/12/review-star-wars-x-wing-mercy-kill-by-aaron-allston/
Steven Sklansky (231 KP) rated xXx: Return of Xander Cage (2017) in Movies
Sep 7, 2017
Simple Story Line (2 more)
Action Packed
Good Cast
Bad CGI in some parts (2 more)
Editing
Over the top stunts
Action Packed, Explosions and All Around Craziness
Contains spoilers, click to show
Man do I love action movies, but this one seemed to get out of control sometimes. I really do like the XXX series but there were somethings I would change about this one. The fact that Xander Cage was dead and come back was fine, but I would have liked a little back story on where he was hanging out. It also felt like he was doing a good job staying off the grid so finding him that easily and getting him on board felt simple.
The opening scene was OK, that's usually the part of the action movie that is supposed to grab you. But with Gibbons blowing up and not being a part of the movie was kind of sad. I really do like Vin and Sam's back and forth during the movie. Adding a little comedy the way they do is why I like their chemistry on screen. The rest of the plot was simple and straight forward. Only adding a few twists to a movie like this makes it more fun to watch and less to think about what is going on.
I like the addition of the XXX teams, it really showed that something was going on in between movies. Although it made is seem like the "bad" XXX team went rogue, but they were still trying to do right by the country. The team up between the 2 was fantastic, they finally realized they were on the same team and kicked some ass.
Now for the bad, there were times in this movie where the stunt work was too over the top even for me. You can do action without all the flipping and jumping. There are great stunt coordinators out there that can put together a great fight scene with out all extra stuff and still make it a good movie. There were also a few parts of the movie were you could tell it was CGI and not edited very well. The most notable was the motorcycle jet skis on the water. You really could tell how fake it was. Which is sad because it really could have been a cool scene.
Overall the movie was fun to watch, I would see the other 2 XXX movies before jumping into this one. There are a few hidden easter eggs that might make the watch more enjoyable. I wouldn't look to hard into the quality, just sit back and enjoy the show.
The opening scene was OK, that's usually the part of the action movie that is supposed to grab you. But with Gibbons blowing up and not being a part of the movie was kind of sad. I really do like Vin and Sam's back and forth during the movie. Adding a little comedy the way they do is why I like their chemistry on screen. The rest of the plot was simple and straight forward. Only adding a few twists to a movie like this makes it more fun to watch and less to think about what is going on.
I like the addition of the XXX teams, it really showed that something was going on in between movies. Although it made is seem like the "bad" XXX team went rogue, but they were still trying to do right by the country. The team up between the 2 was fantastic, they finally realized they were on the same team and kicked some ass.
Now for the bad, there were times in this movie where the stunt work was too over the top even for me. You can do action without all the flipping and jumping. There are great stunt coordinators out there that can put together a great fight scene with out all extra stuff and still make it a good movie. There were also a few parts of the movie were you could tell it was CGI and not edited very well. The most notable was the motorcycle jet skis on the water. You really could tell how fake it was. Which is sad because it really could have been a cool scene.
Overall the movie was fun to watch, I would see the other 2 XXX movies before jumping into this one. There are a few hidden easter eggs that might make the watch more enjoyable. I wouldn't look to hard into the quality, just sit back and enjoy the show.
Rachel King (13 KP) rated One Foot in the Grave (Night Huntress, #2) in Books
Feb 11, 2019
I love that Cat Crawfield works for the government with a "Special Forces" team, instead of the usual rogue behavior that I read in many Urban Fantasy series. It's interesting that it takes Bones this long to find Cat, and by a seeming coincidence at that. It occurred to me while reading that if Bones really was as good at what he does as he says he is, then he would have found her within the first year easily.
Skipping ahead to the best part about this series, in my personal opinion, is the sexual chemistry between Cat and Bones. I confess, my curiosity about chapter 32 of this book, after reading a book review that made vague hints about it, is what propelled me to start this series. I actually read that chapter first once I got my hands on this book to satisfy my curiosity, and words can not describe how hot this chapter is! So often, I find that sex scenes in novels abuse cliches or do not use the details adequately for my personal tastes, but this chapter throws conventional decorum out the window without disgusting me or making me too uncomfortable to read. Plus, the more fantastical aspects of the two characters made for some unique and handy details that Jeaniene Frost used quite well to create such heat between Cat and Bones. Yes, I read that chapter several more times before I turned the book back into the library.
Cat Crawfield has really grown into a character of strength and determination from the first book, Halfway to the Grave (Night Huntress, Book 1). She knows how to use her abilities to their maximum potential and her self-confidence is strong enough to stand up to even her mother. No longer is she like a pupil to Bones' instruction, but an equal to him in every way that matters. Bones is just as cocky and alluring as he ever was - I wouldn't change a thing about him. It is obvious that he has more than a few secrets up his sleeve, but I don't mind the wait.
I find it intriguing how Cat can alter perceptions and prejudices of the people around her as easily as she does, as is shown with the men on her team. This shows just how much potential she carries to change her world on a larger scale. I can't wait to pick up the next book in the series, At Grave's End (Night Huntress, Book 3).
Skipping ahead to the best part about this series, in my personal opinion, is the sexual chemistry between Cat and Bones. I confess, my curiosity about chapter 32 of this book, after reading a book review that made vague hints about it, is what propelled me to start this series. I actually read that chapter first once I got my hands on this book to satisfy my curiosity, and words can not describe how hot this chapter is! So often, I find that sex scenes in novels abuse cliches or do not use the details adequately for my personal tastes, but this chapter throws conventional decorum out the window without disgusting me or making me too uncomfortable to read. Plus, the more fantastical aspects of the two characters made for some unique and handy details that Jeaniene Frost used quite well to create such heat between Cat and Bones. Yes, I read that chapter several more times before I turned the book back into the library.
Cat Crawfield has really grown into a character of strength and determination from the first book, Halfway to the Grave (Night Huntress, Book 1). She knows how to use her abilities to their maximum potential and her self-confidence is strong enough to stand up to even her mother. No longer is she like a pupil to Bones' instruction, but an equal to him in every way that matters. Bones is just as cocky and alluring as he ever was - I wouldn't change a thing about him. It is obvious that he has more than a few secrets up his sleeve, but I don't mind the wait.
I find it intriguing how Cat can alter perceptions and prejudices of the people around her as easily as she does, as is shown with the men on her team. This shows just how much potential she carries to change her world on a larger scale. I can't wait to pick up the next book in the series, At Grave's End (Night Huntress, Book 3).