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Gareth von Kallenbach (980 KP) rated Doctor Strange (2016) in Movies
Jun 19, 2019
Doctor Stephan Strange (Benedict Cumberbatch), is a man of extremes. He is a brilliant and gifted surgeon who makes the impossible seem routine, but is also a self –centered egomaniac that spends money almost as fast as he makes it.
When a freak car accident deprives him of the use of his hands, his life spirals into self-pity and rage as he is no longer able to earn money at his profession nor accumulate the praise and accolades he has become accustomed to.
When one treatment after another fails to achieve any desired results and only serves to further deplete his dwindling resources, Strange heads to Nepal in search of a locale where a paraplegic was reported to make a full recovery after a visit. Although highly skeptical and arrogant, Strange is eventually taken in by The Ancient One (Tilda Swinton) who leads an order who protects Earth from other dimensions that would destroy all life as we know it.
Strange begins training in spells and archaic knowledge and in time becomes skilled at his craft although highly unwilling to get behind the true nature of his order as he sees his study as little more than a means to restore his hands and regain his former career.
When a rogue member of the order named Kaecillius (Mads Mikkelsen), and his followers begin a series of attacks designed to destroy the safeguards of Earth and bring a being of evil to earth from another dimension, Strange is forced into action and soon learns that the universe and the multiverse is threatened forcing him to reexamine his life and place in the grand scheme of things.
What follows is a thrilling adventure spanning multiple dimensions and the streets of London, New York and Hong Kong as Strange battles to save the day.
Marvel Studios has once again proved they have the Midas touch when it comes to their properties. Cumberbatch embodies the Doctor so well that he is a captivating and complex character who like many of the best Marvel characters is also a deeply flawed individual at his core.
Swinton does great work in her role as do Rachel McAdams, Chiwetel Ejiofor, and Benedict Wong in their supporting roles.
The film does take some time getting to the action but Director Scott Derrickson allows his characters the time to establish their history, relationships with one another, and the setting before getting to the very impressive effects and action.
There are two scenes during the credits that set the stage very well for future adventures for the Doctor as Marvel continues to weave their complex tapestry of characters into their ever expanding universe.
http://sknr.net/2016/11/02/doctor-stange/
When a freak car accident deprives him of the use of his hands, his life spirals into self-pity and rage as he is no longer able to earn money at his profession nor accumulate the praise and accolades he has become accustomed to.
When one treatment after another fails to achieve any desired results and only serves to further deplete his dwindling resources, Strange heads to Nepal in search of a locale where a paraplegic was reported to make a full recovery after a visit. Although highly skeptical and arrogant, Strange is eventually taken in by The Ancient One (Tilda Swinton) who leads an order who protects Earth from other dimensions that would destroy all life as we know it.
Strange begins training in spells and archaic knowledge and in time becomes skilled at his craft although highly unwilling to get behind the true nature of his order as he sees his study as little more than a means to restore his hands and regain his former career.
When a rogue member of the order named Kaecillius (Mads Mikkelsen), and his followers begin a series of attacks designed to destroy the safeguards of Earth and bring a being of evil to earth from another dimension, Strange is forced into action and soon learns that the universe and the multiverse is threatened forcing him to reexamine his life and place in the grand scheme of things.
What follows is a thrilling adventure spanning multiple dimensions and the streets of London, New York and Hong Kong as Strange battles to save the day.
Marvel Studios has once again proved they have the Midas touch when it comes to their properties. Cumberbatch embodies the Doctor so well that he is a captivating and complex character who like many of the best Marvel characters is also a deeply flawed individual at his core.
Swinton does great work in her role as do Rachel McAdams, Chiwetel Ejiofor, and Benedict Wong in their supporting roles.
The film does take some time getting to the action but Director Scott Derrickson allows his characters the time to establish their history, relationships with one another, and the setting before getting to the very impressive effects and action.
There are two scenes during the credits that set the stage very well for future adventures for the Doctor as Marvel continues to weave their complex tapestry of characters into their ever expanding universe.
http://sknr.net/2016/11/02/doctor-stange/
Gareth von Kallenbach (980 KP) rated Mission: Impossible - Fallout (2018) in Movies
Jul 8, 2019
Ethan Hunt (Tom Cruise) is back and on a mission to stop a terrorist group, known as The Apostles, from acquiring three uranium cores that they will use to create nuclear devices. Hunt and his Impossible Mission Force (IMF) team (Simon Pegg and Ving Rhames) set up a black market deal to purchase the cores. But during the buy Luther (Rhames) is taken hostage. In a rescue attempt Hunt and Benji (Pegg) let the cores slip into the hands of The Apostles. Due to Hunt’s choice to save his team over protecting the cores has put the world in danger of nuclear attack. Luckily, the head of the IMF, Alan Hunley (Alec Baldwin, has received intelligence that an arms dealer known as the White Widow (Vanessa Kirby) is looking to broker a deal for the cores. The only problem is the price is not money but the breaking out of the former IMF nemesis and anarchist Solomon Lane (Sean Harris). Hunt, eager for redemption, agrees to once again track down the cores. But the CIA want to make sure that this time the job is done right, so Director Erica Sloan (Angela Bassett) demands her top cleaner August Walker (Henry Cavill) accompany. With the help of the CIA they will try and break Lane out of prison and save the world from a catastrophic nuclear attack.
This film, the sixth installment of the Mission: Impossible film franchise, is a true action packed summer blockbuster. Written and directed by Christopher McQuarrie (Mission: Impossible – Rogue Nation, Jack Reacher) this film has the action and suspense that viewers have come to expect from these films. Cruise, who famously does all of his own stunts, puts in a stellar performance, as does the rest of the cast. Rebecca Ferguson, as assassin and Hunt love interest Ilsa Faust, has good on screen chemistry with Cruise. The overall vision of the film is big and everything is well shot. One example is seamlessly shot motorcycle/car chase through Paris streets, with narrow misses, extreme speeds and iconic scenery. Along with all of the action you get the sometimes corny dialog that you can expect. As long as you expect it, and maybe embrace it, you will definitely enjoy the film. At 2 hours and 27 minutes the runtime might seem long but the pace is really good so it does not feel that long.
This is the best action film of the summer I have seen so far. The attention to detail in the action scenes really shows through. The twists and turns of the story keep you as engaged as the jaw dropping stunts. Maybe not the film for everyone but a great action/spy movie. For me it is definitely a film that should be seen in theaters, maybe more than once.
This film, the sixth installment of the Mission: Impossible film franchise, is a true action packed summer blockbuster. Written and directed by Christopher McQuarrie (Mission: Impossible – Rogue Nation, Jack Reacher) this film has the action and suspense that viewers have come to expect from these films. Cruise, who famously does all of his own stunts, puts in a stellar performance, as does the rest of the cast. Rebecca Ferguson, as assassin and Hunt love interest Ilsa Faust, has good on screen chemistry with Cruise. The overall vision of the film is big and everything is well shot. One example is seamlessly shot motorcycle/car chase through Paris streets, with narrow misses, extreme speeds and iconic scenery. Along with all of the action you get the sometimes corny dialog that you can expect. As long as you expect it, and maybe embrace it, you will definitely enjoy the film. At 2 hours and 27 minutes the runtime might seem long but the pace is really good so it does not feel that long.
This is the best action film of the summer I have seen so far. The attention to detail in the action scenes really shows through. The twists and turns of the story keep you as engaged as the jaw dropping stunts. Maybe not the film for everyone but a great action/spy movie. For me it is definitely a film that should be seen in theaters, maybe more than once.
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Bob Mann (459 KP) rated Solo: A Star Wars Story (2018) in Movies
Sep 29, 2021
Solo? So-so.
When the whole Disney “broaden out the Star Wars universe” thing was first mooted I was NOT enthusiastic about the prospect. Then, in Christmas 2016 “Rogue One” burst onto our screens as a breath of fresh air, and I thought “OK, I can be wrong!”. But even jolted by that pleasant surprise, I always thought that the second proposed diversion off the main hyperspace highway into “Radiator Springs” – a Han Solo back-story flick – might fall short. It just didn’t float my boat.
Add into that proposition the decision to give the film initially to “The Lego Movie” directors Phil Lord and Christopher Miller (why Disney? why?); them trying to forge it as a ‘comedy’; them falling horribly short and being fired by Disney; Disney bringing Ron Howard (“Inferno“, “Rush“) in to try to salvage the project; and Howard reportedly re-shooting 75% of the film and you have the makings of a turkey of galactic proportions.
With all that being said, I was surprised I enjoyed it as much as I did. But that’s off a very low base of expectation.
As you might guess, we go back to see Han… just Han… as a delinquent youth trying to keep his head above water under the thrall of the Fagin-like Lady Proxima (who – no pun intended – keeps her head under the water for most of the time). He is desperate to pull off a con that’s lucrative enough that it will get him and his girlfriend Qi’ra (Emilia Clarke, “Me Before You“; “Terminator: Genisys“; “Game of Thrones”) off-planet and into a free life. Things don’t go to plan though and Han – now Han Solo – finds himself a trooper of the Galactic Empire. He links up with fellow rogues Beckett (Woody Harrelson, “War for the Planet of the Apes“; “Three Billboards in Ebbing, Missouri“), Val (Thandie Newton, “Westworld”, “2012”), Rio (voiced by Jon Favreau, “Spider-Man: Homecoming“; “Iron Man Three“) and their assertive and rebellious droid L3-37 (voiced by Phoebe Waller-Bridge) in a get-rich-or-die mission for vicious gang-boss Dryden Vos (Paul Bettany, “Avengers: Infinity War“).
The film has its moments for sure:
There are some nice background touches: an army recruitment video plays to the sound of John William’s empire march (played I am assured by my more musical wife in a major key to sound more uplifting and positive!);
Han’s first meeting with that famous walking carpet (played by Joonas Suotamo) is memorable, as is the introduction to that “card player, gambler and scoundrel” Lando Calrissian (Donald Glover, “The Martian“, “Spider-Man: Homecoming“): all flamboyance, self-regard and well-dressed ego;
solo2
Never count your money while you’re sitting at the table. Lando Calrissian played by Donald Glover putting his ship (you probably haven’t heard of it) on the line. (Source: Lucasfilm).
the character of L3-37 is an excellent addition to the saga, forcefully demanding equality for droids: I would have liked to have seen much more of her;
there is a nice twist on the Greedo/Han “who shot first” debate;
production design and special effects are up to standard for a Star Wars film, and I enjoyed John Powell’s score, incorporating a new ‘young Han’ theme from John Williams himself;
and Erin Kellyman (in here movie debut) is just breathtaking and strikingly brilliant as the be-freckled renegade Enfys Nest.
But overall it’s all a bit disjointed and jumbled, probably as befits its growing pains. We are introduced to Solo within five seconds of the film’s opening….. BAM! No exquisite ‘reveal’ as we saw with River Phoenix in “Indiana Jones and the Last Crusade”. I found this disconcerting and it took me ten minutes to get into the film as a result.
When it gets going it rather tries too hard to join up more Star Wars dots than it needs to. “Rogue One” did that exceedingly well, but that was because it needed to as ‘Episode 3.5’. Here there are visual and verbal references everywhere as the screenwriters (Lawrence and Jonathan Kasdan) desperately try to knit their story into the canon. As an example, the action moves to the mines of Kessel at one point. Kessel? Kessel? Wasn’t that a throwaway C3PO line from the “A New Hope” about being “smashed to who knows what” in said mines?. So obviously, in the WHOLE GALAXY that’s where the story leads us, with the local lingo for the hyperspace fuel McGuffin at the heart of the plot being “spice”! It’s all a bit too trite for my liking.
And while a key protagonist appearing near the end of the film (no spoilers) is both a startling surprise and great fun, don’t get me started on the timeline implications…. (see the spoiler section below the trailer for more).
Alden Ehrenreich, who was just brilliant in “Hail Caesar” (“Was that it t’WERRRE so simple“) for me barely makes it past bland in the lead role. One of the defining characteristics of Harrison Ford’s Solo was his swagger and bravado and unfortunately Ehrenreich barely rates a three out of ten on the scale. I also found the chemistry with Emelia Clarke to be lukewarm. Clarke still seems to be struggling to make a significant breakthrough to the big screen…. “Me Before You” still seems to be her high water mark so far. Here she has a key and complex role, but comes over as just plain unconvincing and “meh”.
Ron Howard has clearly done a good job in buffing up a poisoned chalice so it can at least share space on the Star Wars shelf without being laughed out of the Cantina. Perhaps with a more coordinated and thought-through run-up to a Solo sequel (more Enfys Nest please!) this offshoot might have legs.
Add into that proposition the decision to give the film initially to “The Lego Movie” directors Phil Lord and Christopher Miller (why Disney? why?); them trying to forge it as a ‘comedy’; them falling horribly short and being fired by Disney; Disney bringing Ron Howard (“Inferno“, “Rush“) in to try to salvage the project; and Howard reportedly re-shooting 75% of the film and you have the makings of a turkey of galactic proportions.
With all that being said, I was surprised I enjoyed it as much as I did. But that’s off a very low base of expectation.
As you might guess, we go back to see Han… just Han… as a delinquent youth trying to keep his head above water under the thrall of the Fagin-like Lady Proxima (who – no pun intended – keeps her head under the water for most of the time). He is desperate to pull off a con that’s lucrative enough that it will get him and his girlfriend Qi’ra (Emilia Clarke, “Me Before You“; “Terminator: Genisys“; “Game of Thrones”) off-planet and into a free life. Things don’t go to plan though and Han – now Han Solo – finds himself a trooper of the Galactic Empire. He links up with fellow rogues Beckett (Woody Harrelson, “War for the Planet of the Apes“; “Three Billboards in Ebbing, Missouri“), Val (Thandie Newton, “Westworld”, “2012”), Rio (voiced by Jon Favreau, “Spider-Man: Homecoming“; “Iron Man Three“) and their assertive and rebellious droid L3-37 (voiced by Phoebe Waller-Bridge) in a get-rich-or-die mission for vicious gang-boss Dryden Vos (Paul Bettany, “Avengers: Infinity War“).
The film has its moments for sure:
There are some nice background touches: an army recruitment video plays to the sound of John William’s empire march (played I am assured by my more musical wife in a major key to sound more uplifting and positive!);
Han’s first meeting with that famous walking carpet (played by Joonas Suotamo) is memorable, as is the introduction to that “card player, gambler and scoundrel” Lando Calrissian (Donald Glover, “The Martian“, “Spider-Man: Homecoming“): all flamboyance, self-regard and well-dressed ego;
solo2
Never count your money while you’re sitting at the table. Lando Calrissian played by Donald Glover putting his ship (you probably haven’t heard of it) on the line. (Source: Lucasfilm).
the character of L3-37 is an excellent addition to the saga, forcefully demanding equality for droids: I would have liked to have seen much more of her;
there is a nice twist on the Greedo/Han “who shot first” debate;
production design and special effects are up to standard for a Star Wars film, and I enjoyed John Powell’s score, incorporating a new ‘young Han’ theme from John Williams himself;
and Erin Kellyman (in here movie debut) is just breathtaking and strikingly brilliant as the be-freckled renegade Enfys Nest.
But overall it’s all a bit disjointed and jumbled, probably as befits its growing pains. We are introduced to Solo within five seconds of the film’s opening….. BAM! No exquisite ‘reveal’ as we saw with River Phoenix in “Indiana Jones and the Last Crusade”. I found this disconcerting and it took me ten minutes to get into the film as a result.
When it gets going it rather tries too hard to join up more Star Wars dots than it needs to. “Rogue One” did that exceedingly well, but that was because it needed to as ‘Episode 3.5’. Here there are visual and verbal references everywhere as the screenwriters (Lawrence and Jonathan Kasdan) desperately try to knit their story into the canon. As an example, the action moves to the mines of Kessel at one point. Kessel? Kessel? Wasn’t that a throwaway C3PO line from the “A New Hope” about being “smashed to who knows what” in said mines?. So obviously, in the WHOLE GALAXY that’s where the story leads us, with the local lingo for the hyperspace fuel McGuffin at the heart of the plot being “spice”! It’s all a bit too trite for my liking.
And while a key protagonist appearing near the end of the film (no spoilers) is both a startling surprise and great fun, don’t get me started on the timeline implications…. (see the spoiler section below the trailer for more).
Alden Ehrenreich, who was just brilliant in “Hail Caesar” (“Was that it t’WERRRE so simple“) for me barely makes it past bland in the lead role. One of the defining characteristics of Harrison Ford’s Solo was his swagger and bravado and unfortunately Ehrenreich barely rates a three out of ten on the scale. I also found the chemistry with Emelia Clarke to be lukewarm. Clarke still seems to be struggling to make a significant breakthrough to the big screen…. “Me Before You” still seems to be her high water mark so far. Here she has a key and complex role, but comes over as just plain unconvincing and “meh”.
Ron Howard has clearly done a good job in buffing up a poisoned chalice so it can at least share space on the Star Wars shelf without being laughed out of the Cantina. Perhaps with a more coordinated and thought-through run-up to a Solo sequel (more Enfys Nest please!) this offshoot might have legs.
Sensitivemuse (246 KP) rated Only Mr Darcy Will Do in Books
Dec 6, 2017
Great retelling, despite the shortfalls
I’m such a sucker for these kinds of books featuring Pride and Prejudice. There are so many different types of retellings and most of them are good. This one has its moments and it was enjoyable to read.
So in this twist, our beloved Mr Bennet dies prematurely and Elizabeth becomes a governess. This was rather interesting, and it does suit Elizabeth rather well - although back then in the day it’s a drop in the society ladder and everyone she knows makes sure she knows it.
So she meets Rosalyn which I thought at first, was an ideal friend for our dear Lizzie. She’s a bit vapid and valley girl type of character. Especially when Mr Darcy is around (can’t blame her, we all love Mr Darcy) but it’s almost to the point where she’s annoying about it. It’s not until the latter half of the novel where Rosalyn does a complete 360 and she becomes a pretty awful person (including her mother).
The plot in this one tries to stay within the main one we’re all familiar with it just diverts the path a bit and comes back to full circle. Which is nice as it tries to stay true to the original story at the same time you just get a different “what if” scenario to enjoy reading. I’d have to say I enjoy reading Hamilton (another cousin of Darcy’s) playing along with Elizabeth. It was playful banter and he sounded like the type of rogue we all love to read and fall for (albeit, foolishly). It was a bit hard to get into at first but it’s worth going through to the end as once Rosalyn does her 360 turn, everything becomes much more interesting.
The only thing I did not enjoy reading is towards the end Darcy does something completely out of character and it just did not sit well with me. He’s not the type to be outspoken even when it comes to be madly in love. Don’t make him something he’s not. It nearly ruined the entire book as it was doing so well staying close to the true nature of the characters only to have him do something he wouldn’t EVER do (nor can you picture him doing so).
Also, the ending just dragged too much for me. We get it. We all know what’s going to happen. We all know what did happen. There’s no need for extra fodder in the last few chapters of the book. It could have just ended with the proposal or wedding and done. Perhaps the last few chapters could have been made into an entirely new idea for another book to be made. It was just so unnecessary.
Overall, it was a good read for those that love Pride and Prejudice “what if” scenarios and fans. I enjoyed it despite those changes in characters that nearly caused me to grind my teeth and yelling out certain expletives.
So in this twist, our beloved Mr Bennet dies prematurely and Elizabeth becomes a governess. This was rather interesting, and it does suit Elizabeth rather well - although back then in the day it’s a drop in the society ladder and everyone she knows makes sure she knows it.
So she meets Rosalyn which I thought at first, was an ideal friend for our dear Lizzie. She’s a bit vapid and valley girl type of character. Especially when Mr Darcy is around (can’t blame her, we all love Mr Darcy) but it’s almost to the point where she’s annoying about it. It’s not until the latter half of the novel where Rosalyn does a complete 360 and she becomes a pretty awful person (including her mother).
The plot in this one tries to stay within the main one we’re all familiar with it just diverts the path a bit and comes back to full circle. Which is nice as it tries to stay true to the original story at the same time you just get a different “what if” scenario to enjoy reading. I’d have to say I enjoy reading Hamilton (another cousin of Darcy’s) playing along with Elizabeth. It was playful banter and he sounded like the type of rogue we all love to read and fall for (albeit, foolishly). It was a bit hard to get into at first but it’s worth going through to the end as once Rosalyn does her 360 turn, everything becomes much more interesting.
The only thing I did not enjoy reading is towards the end Darcy does something completely out of character and it just did not sit well with me. He’s not the type to be outspoken even when it comes to be madly in love. Don’t make him something he’s not. It nearly ruined the entire book as it was doing so well staying close to the true nature of the characters only to have him do something he wouldn’t EVER do (nor can you picture him doing so).
Also, the ending just dragged too much for me. We get it. We all know what’s going to happen. We all know what did happen. There’s no need for extra fodder in the last few chapters of the book. It could have just ended with the proposal or wedding and done. Perhaps the last few chapters could have been made into an entirely new idea for another book to be made. It was just so unnecessary.
Overall, it was a good read for those that love Pride and Prejudice “what if” scenarios and fans. I enjoyed it despite those changes in characters that nearly caused me to grind my teeth and yelling out certain expletives.
Ross (3284 KP) rated The Darkslayer: Wrath of the Royals in Books
Feb 5, 2019
Strong debut novel, deeper than expected
Wrath of the Royals, the first in the 16 book Darkslayer series following Venir, the Darkslayer (an axe-wielding barbarian) and his companion Melagal (the cowardly "rogue") as they run from the titular wrath of one of the royal families. Venir tends to get himself into bets, as alpha male types just seem attracted to him, and one such bet ends him in the bad books with one of the most powerful, and twisted, royal families.
This leads to the pair going on the run to escape the inevitable wrath. However, little do they know that the Underlings (those twisted, evil humanoids Venir is driven to hunt) are after Venir from different angles - one due to his relentless genocide of their race, and another due to being hired to hunt him down by the royals.
On the surface, I expected this to be a basic sword and sorcery tale; the barbarian wandering the wilds hacking down the Underlings. I was pleasantly surprised to find a fairly well told tale with different layers and a more intricate plot than I had expected.
Halloran's prose is decent, with a good knack for getting the balance between over-narration and concise descriptions. There is enough description of the world without it being laboured. There are some odd choices for phrases or wording here or there (eg "Impending pain was on its way"), and the book could do with a decent thorough edit, but for a first book it is a good effort.
The world of Bish turns out to be something of an experiment on the part of a God, seeing if she can design a world that will remain in permanent conflict for eternity, good and evil constantly vying but neither side ever truly winning. While this could be seen as literally setting up for "deus ex machina" whenever the author chooses, this didn't really come to the fore in this book.
Venir is a reasonably well-crafted character, albeit a stupid brute and something like Logen Ninefingers from Joe Abercrombie's First Law (when he puts on his magical helmet (yes I know!) he becomes more driven to destruction, somewhat akin to the emergence of The Bloody Nine). Numerous times he just gets up in the night and wanders off searching for the conflict he has sensed, the helmet guiding him onwards. But his actions play well off those of his travelling companions, which has now become something like the fellowship of the ring, but without a ring.
The book ends with an extended epilogue giving an idea of Venir's life before he found his magical axe, shield and mind-controlling helmet.
A good self-contained book, which concludes well and could be read on its own, without continuing the series, though I plan to (ideally before my Kindle Unlimited period runs out!).
This leads to the pair going on the run to escape the inevitable wrath. However, little do they know that the Underlings (those twisted, evil humanoids Venir is driven to hunt) are after Venir from different angles - one due to his relentless genocide of their race, and another due to being hired to hunt him down by the royals.
On the surface, I expected this to be a basic sword and sorcery tale; the barbarian wandering the wilds hacking down the Underlings. I was pleasantly surprised to find a fairly well told tale with different layers and a more intricate plot than I had expected.
Halloran's prose is decent, with a good knack for getting the balance between over-narration and concise descriptions. There is enough description of the world without it being laboured. There are some odd choices for phrases or wording here or there (eg "Impending pain was on its way"), and the book could do with a decent thorough edit, but for a first book it is a good effort.
The world of Bish turns out to be something of an experiment on the part of a God, seeing if she can design a world that will remain in permanent conflict for eternity, good and evil constantly vying but neither side ever truly winning. While this could be seen as literally setting up for "deus ex machina" whenever the author chooses, this didn't really come to the fore in this book.
Venir is a reasonably well-crafted character, albeit a stupid brute and something like Logen Ninefingers from Joe Abercrombie's First Law (when he puts on his magical helmet (yes I know!) he becomes more driven to destruction, somewhat akin to the emergence of The Bloody Nine). Numerous times he just gets up in the night and wanders off searching for the conflict he has sensed, the helmet guiding him onwards. But his actions play well off those of his travelling companions, which has now become something like the fellowship of the ring, but without a ring.
The book ends with an extended epilogue giving an idea of Venir's life before he found his magical axe, shield and mind-controlling helmet.
A good self-contained book, which concludes well and could be read on its own, without continuing the series, though I plan to (ideally before my Kindle Unlimited period runs out!).
Sassy Brit (97 KP) rated A Week to Be Wild in Books
Jun 6, 2019
Smart and intelligent books for smart and intelligent people. I would say women, by why should we have all the fun?
^^ A Week to be Wild by JC Harroway is the first in a daring new, sexy series — aptly named DARE — by Mills and Boon, and boy have they upped their sizzle with this range, if this book is anything to go by!
^^ This bold story features an intelligent American business woman, Libby Noble, and her adventure with British billionaire businessman Alex Lancaster. When I say adventure, I mean that on more levels than one. He wants to invest in services as a marketer for Able-Active, a new charity, which is very meaningful to him. With a week to be wild, he’d agreed to play a sensual game by her rules, and as part of that agreement, she’ll have to agree to try out his charity’s programme, forcing her to step outside her comfort zone with some daredevil pursuits of his own. All for a good cause, of course! If you’re going to work for any company, it’s certainly wise to get stuck right in and get down and dirty, as they say. Well, I hope they do!
^^ The only trouble is, will she be able to focus with Alex around? After all, he’s a movie star, bad-boy, gentleman rogue, geeky surfer dude, with brains and business acumen, (and quite a mouthful!) all rolled into one mouth-watering package. He’s also worth quite a bit, too. Always a bonus.
^^ I love the way both Libby and Alex are vying for alpha status, yet she comes out on top (pun intended) and manages to control an alpha male who is usually used to getting his own way. Alex thinks she’s a stubborn, independent women, and Libby is keen to show she’s no pushover, whilst forcing his natural alpha tendencies into submission. It’s a battle of wills, I can tell you!
^^ In addition to the actual storyline I must also comment on the style of this new range and branding. It. Is. Gorgeous! They’re hot, without being in your face pornographic. Very classy. The paperbacks are just the right size to carry around in a handbag for when you’re on the go.
^^ In fact, their whole site has had a stunning makeover, and they’ve launched a definitive guide to the Rules of Romance. Check it out!
Overall: I’m really pleased to be part of Mills and Boon’s Dare launch, and excited to read more stories from this range. If I could compare this style to other books I’ve read like this, I’d say it’s up there with the Black Lace titles. Happy to recommend JC Harroway’s book, A Week to be Wild, because it’s a well-written story, highly engaging and brimming with passion. As is, I suspect, the rest of this range is going to be… Stay seated, and switch on that electric fan. It doesn’t matter what the weather’s like out there, it’s going to get hot in here!
^^ A Week to be Wild by JC Harroway is the first in a daring new, sexy series — aptly named DARE — by Mills and Boon, and boy have they upped their sizzle with this range, if this book is anything to go by!
^^ This bold story features an intelligent American business woman, Libby Noble, and her adventure with British billionaire businessman Alex Lancaster. When I say adventure, I mean that on more levels than one. He wants to invest in services as a marketer for Able-Active, a new charity, which is very meaningful to him. With a week to be wild, he’d agreed to play a sensual game by her rules, and as part of that agreement, she’ll have to agree to try out his charity’s programme, forcing her to step outside her comfort zone with some daredevil pursuits of his own. All for a good cause, of course! If you’re going to work for any company, it’s certainly wise to get stuck right in and get down and dirty, as they say. Well, I hope they do!
^^ The only trouble is, will she be able to focus with Alex around? After all, he’s a movie star, bad-boy, gentleman rogue, geeky surfer dude, with brains and business acumen, (and quite a mouthful!) all rolled into one mouth-watering package. He’s also worth quite a bit, too. Always a bonus.
^^ I love the way both Libby and Alex are vying for alpha status, yet she comes out on top (pun intended) and manages to control an alpha male who is usually used to getting his own way. Alex thinks she’s a stubborn, independent women, and Libby is keen to show she’s no pushover, whilst forcing his natural alpha tendencies into submission. It’s a battle of wills, I can tell you!
^^ In addition to the actual storyline I must also comment on the style of this new range and branding. It. Is. Gorgeous! They’re hot, without being in your face pornographic. Very classy. The paperbacks are just the right size to carry around in a handbag for when you’re on the go.
^^ In fact, their whole site has had a stunning makeover, and they’ve launched a definitive guide to the Rules of Romance. Check it out!
Overall: I’m really pleased to be part of Mills and Boon’s Dare launch, and excited to read more stories from this range. If I could compare this style to other books I’ve read like this, I’d say it’s up there with the Black Lace titles. Happy to recommend JC Harroway’s book, A Week to be Wild, because it’s a well-written story, highly engaging and brimming with passion. As is, I suspect, the rest of this range is going to be… Stay seated, and switch on that electric fan. It doesn’t matter what the weather’s like out there, it’s going to get hot in here!
Movie Metropolis (309 KP) rated Hitman: Agent 47 (2015) in Movies
Jun 11, 2019
Clinical and incomprehensible
The transition from video game to movie is notoriously difficult to get right. From box-office disasters like Super Mario Bros. to the poorly received Resident Evil franchise, it appears no film is spared from either financial woe or critically panning.
Hitman has become one of the most popular game series’ ever but the 2007 film of the same name failed to kick-start the franchise’s transition to the silver screen. Now, eight years later, Rupert Friend stars as the red tie-wearing assassin in Hitman: Agent 47, but does it succeed as a reboot?
Friend stars as the titular character, an emotionless killer hell-bent on tracking down the creator of the ‘Agent Program’ from which he was created. Alongside him for the ride is Hannah Ware’s Katia Van Dees, a young fearful woman searching for a man she does not know.
The usually excellent Zachary Quinto (Star Trek) also stars as a clichéd villain in a thankless role blighted by stilted dialogue and cardboard emotions. This most certainly isn’t his finest work.
The story is incredibly simple, barely fitting into the film’s slender 96 minute running time and the clinical filming style of director Aleksander Bach really doesn’t help. Beautiful locations like Berlin and Singapore are wasted in favour of sleek office sets, populated by one-dimensional characters that we couldn’t care less about.
Nevertheless, Friend plays the emotionless Agent 47 with ease and is one of the highlights in a film lacking in any real punch – it’s all been done before, and better.
Ware is disappointingly wooden, though her veneer seems to crack towards the finale and we get to see the character she could have played. It’s a shame that for the majority of Hitman’s running time we see no real prowess in her performance.
The action sequences are slick and nicely choreographed but Mission: Impossible – Rogue Nation did them only last month and in a more detailed and ultimately successful style.
However, clever gun-work is mixed nicely with the film’s 15 certificate and each barrel discharge feels much more real. It’s certainly more interesting than the two sequels to Taken and many other action thrillers that sport the 12A rating.
The climax leaves things wide open for a sequel, but the ending is incomprehensible to anyone who hasn’t played the games and leaves a bad taste in the mouth – probably not a great thing when trying to get audiences excited for a follow up.
Overall, Hitman: Agent 47 is much like its titular character. A slick outer shell hides not a lot underneath with a cast of wasted talent and a been-there-done-that attitude to the stunts. There’s some great sequences, but you’ll have to dig deep to find any real merit here.
https://moviemetropolis.net/2015/08/30/clinical-and-incomprehensible-hitman-agent-47-review/
Hitman has become one of the most popular game series’ ever but the 2007 film of the same name failed to kick-start the franchise’s transition to the silver screen. Now, eight years later, Rupert Friend stars as the red tie-wearing assassin in Hitman: Agent 47, but does it succeed as a reboot?
Friend stars as the titular character, an emotionless killer hell-bent on tracking down the creator of the ‘Agent Program’ from which he was created. Alongside him for the ride is Hannah Ware’s Katia Van Dees, a young fearful woman searching for a man she does not know.
The usually excellent Zachary Quinto (Star Trek) also stars as a clichéd villain in a thankless role blighted by stilted dialogue and cardboard emotions. This most certainly isn’t his finest work.
The story is incredibly simple, barely fitting into the film’s slender 96 minute running time and the clinical filming style of director Aleksander Bach really doesn’t help. Beautiful locations like Berlin and Singapore are wasted in favour of sleek office sets, populated by one-dimensional characters that we couldn’t care less about.
Nevertheless, Friend plays the emotionless Agent 47 with ease and is one of the highlights in a film lacking in any real punch – it’s all been done before, and better.
Ware is disappointingly wooden, though her veneer seems to crack towards the finale and we get to see the character she could have played. It’s a shame that for the majority of Hitman’s running time we see no real prowess in her performance.
The action sequences are slick and nicely choreographed but Mission: Impossible – Rogue Nation did them only last month and in a more detailed and ultimately successful style.
However, clever gun-work is mixed nicely with the film’s 15 certificate and each barrel discharge feels much more real. It’s certainly more interesting than the two sequels to Taken and many other action thrillers that sport the 12A rating.
The climax leaves things wide open for a sequel, but the ending is incomprehensible to anyone who hasn’t played the games and leaves a bad taste in the mouth – probably not a great thing when trying to get audiences excited for a follow up.
Overall, Hitman: Agent 47 is much like its titular character. A slick outer shell hides not a lot underneath with a cast of wasted talent and a been-there-done-that attitude to the stunts. There’s some great sequences, but you’ll have to dig deep to find any real merit here.
https://moviemetropolis.net/2015/08/30/clinical-and-incomprehensible-hitman-agent-47-review/
BankofMarquis (1832 KP) rated Star Wars: Episode IX - The Rise of Skywalker (2019) in Movies
Dec 24, 2019
"Satisfying Enough" Conclusion
I am a fan of the STAR WARS films. Ever since I first went to a place A LONG TIME AGO IN A GALAXY FAR, FAR AWAY I have enjoyed the adventures of the ragtag group of rebels taking on the evil Galactic Empire. Like most folks, I was blown away by the first STAR WARS film, LOVED the sequel, THE EMPIRE STRIKES BACK, thought the concluding film in the original trilogy, RETURN OF THE JEDI was "good enough", hated the prequels and have been cautiously optimistic when both THE FORCE AWAKENS and ROGUE ONE were good films. Finally, of course, I was disappointed (like everyone else) with THE LAST JEDI and SOLO. So...I was going to go to THE RISE OF SKYWALKER no matter what anyone else says.
And...I was satisfied.
STAR WARS: THE RISE OF SKYWALKER is an above average, "good enough" conclusion to the Skywalker saga of Star Wars, bringing enough action, energy, adventure and character moments - and character cameos - to satisfy my appetite for all things Star Wars.
Directed by returning Director J.J. Abrams, ROS picks up events after the events of THE LAST JEDI. Rey is training to be a Jedi and Poe, Finn, Leia and Chewie are fighting Kylo Ren and the First Order. The film starts out rapidly - perhaps too rapidly - as multiple events take place with action pieces and fast pacing that does leave you slightly breathless - it also feels just a bit rushed, as if J.J. is trying to pack 10 lbs. of movie into a 5 lb bag. By gosh, he was not going to accused of delivering a film that was not "fast-paced".
The performances of the leads are strong - Daisy Ridley (Rey), Adam Driver (Kylo), John Boyega (Finn) and Oscar Isaac (Poe) all know their characters by now and they are able to play in them well. Joined by the expected CGI and costumed droids and aliens (C3PO, R2D2, BB8 and good ol' Chewie), I was happily entertained to see them all together on screen - along with "veterans" like Lando (Billy Dee Williams) and General (not Princess) Leia (the late Carrie Fisher). The filmmakers put a loving tribute to her in this film that is effective (though I could see where they had to use a body double in places), but it is still well done. And, of course, there are plenty of callbacks and cameos to make any StarWars afficianado happy.
Ultimately, the emotional stakes of the denouement fell a bit short for me (as the "big bad" in this didn't have the emotional heft of Darth Vader), but it was a "good enough" emotional ending buried in an above average "final space battle" to have me leave the film satisfied.
And...that's all you can ask for from the 9th film of a series...enough to keep you "satisfied".
Letter Grade: B+
8 (out of 10) stars and you can take that to the Bank (ofMarquis)
And...I was satisfied.
STAR WARS: THE RISE OF SKYWALKER is an above average, "good enough" conclusion to the Skywalker saga of Star Wars, bringing enough action, energy, adventure and character moments - and character cameos - to satisfy my appetite for all things Star Wars.
Directed by returning Director J.J. Abrams, ROS picks up events after the events of THE LAST JEDI. Rey is training to be a Jedi and Poe, Finn, Leia and Chewie are fighting Kylo Ren and the First Order. The film starts out rapidly - perhaps too rapidly - as multiple events take place with action pieces and fast pacing that does leave you slightly breathless - it also feels just a bit rushed, as if J.J. is trying to pack 10 lbs. of movie into a 5 lb bag. By gosh, he was not going to accused of delivering a film that was not "fast-paced".
The performances of the leads are strong - Daisy Ridley (Rey), Adam Driver (Kylo), John Boyega (Finn) and Oscar Isaac (Poe) all know their characters by now and they are able to play in them well. Joined by the expected CGI and costumed droids and aliens (C3PO, R2D2, BB8 and good ol' Chewie), I was happily entertained to see them all together on screen - along with "veterans" like Lando (Billy Dee Williams) and General (not Princess) Leia (the late Carrie Fisher). The filmmakers put a loving tribute to her in this film that is effective (though I could see where they had to use a body double in places), but it is still well done. And, of course, there are plenty of callbacks and cameos to make any StarWars afficianado happy.
Ultimately, the emotional stakes of the denouement fell a bit short for me (as the "big bad" in this didn't have the emotional heft of Darth Vader), but it was a "good enough" emotional ending buried in an above average "final space battle" to have me leave the film satisfied.
And...that's all you can ask for from the 9th film of a series...enough to keep you "satisfied".
Letter Grade: B+
8 (out of 10) stars and you can take that to the Bank (ofMarquis)